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“Narrow Bridge” offers wonderful lesson in understanding the struggles individuals go through in grappling with questions of identity – in an often quite humorous fashion
Review by BERNIE BELLAN
Is it possible to produce a play that tackles the tremendous pressure any individual deciding to undergo a gender transformation must feel in a way that is both fascinating, yet very amusing? Add to that pressure yet more pressure though when not only is that individual changing their gender, they’re also becoming increasingly drawn to an orthodox form of their religion.
Such is the storyline of Winnipeg Jewish Theatre’s newest production, “Narrow Bridge,” written by Winnipeg playwright Daniel Thau-Eleff – on now at the Berney Theatre in the Asper Campus until March 19.
Although I was somewhat familiar with the background to this particular play (having followed its long development process and the many twists and turns it took until it was finally mounted this year), watching “Narrow Bridge” in a preview performance on Thursday, March 9, left me thinking that the work that had gone into honing “Narrow Bridge” from simply an idea for a story that began 10 years ago into a play that is at once riveting, amusing, and highly educational has been well worth it.
The play opens with the protagonist, played by Elio Zarillo, who is identified as “Sholem” in the playbill, explaining to the audience that – at this point in their life, they are a woman whose name is “Samantha” (or “Shoshana” in Hebrew). (And, despite the antagonism exhibited by so many conservatives to the use of “they” as a pronoun in place of “he” or “she”, while watching this play it is totally apparent why a non-specific pronoun is perfectly appropriate for non-binary individuals. Still, don’t be mistaken into thinking “Narrow Bridge” is some sort of didactic lesson in gender politics. Far from it.)
Samantha is soon joined on stage by sister Naomi, played by Alissa Watson, and mother Elaine, played by Rhea Ekler. Naomi announces that is she going to be married in six weeks to her boyfriend, Kevin, who is about to convert to Judaism. The dialogue in the opening scene is fast paced and often quite humorous.
Soon enough the action moves to a local Orthodox synagogue, where we are introduced to “Mendel,” played by WJT veteran Harry Nelken. If ever there was a perfect fit for a local actor to play an Orthodox Jewish scholar, Harry Nelken is it. Not only does he look every bit the part of an older Orthodox Jew, when he offers dissertations on the Talmud, which he does from time to time through the First Act, he is absolutely convincing as a scholar.
Moreover, as much as one might expect that expositions on certain parts of the Talmud might be somewhat dry – to say the least, Thau-Eleff clearly has a deep understanding both of the Talmud and Jewish history. There is a recurrent reference to the “Sanhedrin” (which, as is explained in the play, was the Jewish high court in the time of the Temple) in “Narrow Bridge”, and although I myself grew up learning about the Sanhedrin, having attended Jewish day school, Mendel’s explanation of how the Sanhedrin worked is quite illuminating.
Samantha’s increasing fascination with the Talmud, strange as it may seem in our modern-day world, is given great credibility by the back and forth dialogue between Samantha and Mendel. Samantha puts her quest for wanting to know more about Judaism in the form of one succinct question to Mendel, that sums up much of what this play is about: “What does it mean to be Jewish?”
Does it help though to have a familiarity with the Talmud and Jewish rituals, such as which occur during Shaabat on Friday evenings in observant Jewish homes, in order to fully understand what is going on in “Narrow Bridge?” I’m honestly not sure. I would rather expect, however, that any audience member who is interested in learning about what would motivate someone who is not Orthodox to begin with to want to become Orthodox, regardless of that audience member’s own background, would find much of what “Narrow Bridge” has to offer quite moving.
As the play develops, a good part of the First Act is taken up with Naomi’s upcoming wedding – and Samantha’s clear reluctance to play a major role in that wedding, notwithstanding Naomi’s request that Samantha be her maid of honor.
Again, there are plenty of clever exchanges between characters – with many pithy observations brought forward. At one point prior to the wedding, when tempers are running high, Naomi says to Samantha – in reaction to something their mother has just said: “There is one thing you have to understand about Jewish families. Everything is a matter of life and death!”
The First Act ends with the actual wedding. Suffice to say it’s not a Hallmark movie wedding.
As we learn more about Samantha’s transformation into Sholem in the Second Act, we also learn more about much of the negativity within the Orthodox Jewish community toward gay, bi, and transgendered Jewish individuals who would still like to remain observant. Thau-Eleff’s treatment of what is a highly contentious subject within the Orthodox world is done though with the utmost sensitivity. There is no condescension in how he depicts Mendel’s refusal to accept Sholem’s gender transformation.
Ultimately, Sholem does find his place within the observant Jewish community – largely thanks to the constant encouragement and support of his mother.
“Narrow Bridge” takes on some very tough subjects – with its recurrent theme being a search for identity – or identities, as the case may be.
Each of the actors handles their role with great sensitivity. Sure, there are many laughs, but there is also a great deal of heartbreak. No doubt a play like “Narrow Bridge” will resonate most deeply with a liberal audience – Jewish or non-Jewish, but it would have a clear meaning for anyone who has either struggled with finding their identity – or watched someone near and dear go though that struggle.
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Winnipeg Jewish Theatre breaks new ground with co-production with Rainbow Stage
By MYRON LOVE Winnipeg Jewish Theatre is breaking new ground with its first ever co-production with Rainbow Stage. The new partnership’s presentation of “Fiddler on the Roof” is scheduled to hit the stage at our city’s famed summer musical theatre venue in September 2026.
“We have collaborated with other theatre companies in joint productions before,” notes Dan Petrenko, the WJT’s artistic and managing director – citing previous partnerships with the Segal Centre for the Performing Arts in Montreal, the Harold Green Jewish Theatre in Toronto, Persephone Theatre in Saskatoon and Winnipeg’s own Dry Cold Productions. “Because of the times we’re living through, and particularly the growing antisemitism in our communities and across the country, I felt there is a need to tell a story that celebrates Jewish culture on the largest stage in the city – to reach as many people as possible.”
Last year, WJT approached Rainbow Stage with a proposal for the co-presentation of “Fiddler on the Roof.” Rainbow Stage management was really enthusiastic in their response, Petrenko reports.
“We are excited to be working with Winnipeg’s largest musical theatre company,” he notes. “Rainbow Stage has an audience of more than 10,000 people every season. Fiddler is a great, family-oriented story and, through our joint effort with Rainbow Stage, WJT will be able to reach out to new and younger audiences.”
“We are also working to welcome more diverse audiences from other communities, as well as newcomers – families who have moved here from Israel, Argentina and countries of the former Soviet Union.”
Helping Petrenko to achieve those goals are two relatively new and younger additions to WJT’s management team. Both Company Manager Etel Shevelev, and Head of Marketing Julia Kroft are in their 20s – as is Petrenko himself.
Kroft, who is also Gray Academy’s Associate Director of Advancement and Alumni Relations, needs little or no introduction to many readers. In addition to her work for Gray Academy and WJT, the daughter of David and Ellen Kroft has been building a second career as a singer and actor. Over the past few years, she has performed by herself or as part of a musical ensemble at Jewish community events, as well as in various professional theatre productions in the city.
Etel Shevelev is also engaged in a dual career. In addition to working full time at WJT, she is also a Fine Arts student (majoring in graphic design) at the University of Manitoba. Outside of school, she is an interdisciplinary visual artist (exhibiting her work and running workshops), so you can say the art world is no stranger to her.
(She will be partcipating in Limmud next month as a member of the Rimon Art Collective.)
Shevelev grew up in Kfar Saba (northeast of Tel Aviv). She reports that in Israel she was involved in theatre from a young age. “In 2019, I graduated from a youth theatre school, which I attended for 11 years.” In a sense, her work for WJT brings her full circle.
She arrived in Winnipeg just six years ago with her parents. “I was 19 at the time,” she says.
After just a year in Winnipeg, her family decided to relocate to Ottawa, while she chose to stay here. “I was already enrolled in university, had a long-term partner, and a job,” she explains. “I felt that I was putting down roots in Winnipeg.”
Etel expects to graduate by the end of the academic year, allowing her to focus on the arts professionally full-time.
In her role as company manager, Shevelev notes, she is responsible for communications with donors, contractors, and unions, as well as applying for various grants and funding opportunities.
In addition, her linguistic skills were put to use last spring for WJT’s production of “The Band’s Visit,” a story about an Egyptian band that was invited to perform at a cultural centre opening ceremony in the lively centre of Israel, but ended up in the wrong place – a tiny, communal town in southern Israel. Shevelev was called on to help some of the performers with the pronunciation of Hebrew words and with developing a Hebrew accent.
“I love working for WJT,” she enthuses. “Every day is different.”
Shevelev and Petrenko are also enthusiastic about WJT’s next production – coming up in April: “Ride: The Musical” debuted in London’s West End three years ago, and then went on to play at San Diego’s Old Globe theatre to rave reviews. The WJT production will be the Canadian premiere!
The play, Petrenko says, is based on the true story of Annie Londonderry, a young woman – originally from Latvia, who, in 1894, beat all odds and became the first woman to circle the world on a bicycle.
Petrenko is also happy to announce that the director and choreographer for the production will be Lisa Stevens – an Emmy Award nominee and Olivier Award winner. (The Olivier is presented annually by the Society of London Theatre to recognize excellence in professional London theatre).
“Lisa is in great demand across Canada, and the world really,” the WJT artistic director says. “I am so thrilled that we will be welcoming one of the greatest Jewish directors and choreographers of our time to Winnipeg this Spring.”
For more information about upcoming WJT shows, readers can visit wjt.ca, email the WJT office at info@wjt.ca or phone the box office at 204-477-7515.
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Rising Canadian comedy star Rob Bebenek to headline JCFS’ second annual “Comedy for a Cause”
By MYRON LOVE Last year, faced with a federal government budget cut to its Older Adult Services programs, Jewish Child and Family Service launched a new fundraising initiative. “Comedy with a Cause” was held at Rumor’s Comedy club and featured veteran Canadian stand-up comic Dave Hemstad.
That evening was so successful that – by popular demand – JCFS is doing an encore. “We were blown away by the support from the community,” says Al Benarroch, JCFS’s president and CEO.
“This is really a great way to support JCFS by being together and having fun,” he says.
“Last year, JCFS was able to sell-out the 170 tickets it was allotted by Rumor’s,” adds Alexis Wenzowski, JCFS’s COO. “There were also general public attendees at the event last year. Participants enjoyed a fun evening, complete with a 50/50 draw and raffle. We were incredibly grateful for those who turned out, the donors for the raffle baskets, and of course, Rumor’s Comedy Club.
“Feedback was very positive about it being an initiative that encouraged people to have fun for a good cause: our Older Adult Services Team.”
This year’s “Comedy for a Cause” evening is scheduled for Wednesday, February 25. Wenzowski reports that this year’s featured performer, Rob Bebenek, first made a splash on the Canadian comedy scene at the 2018 Winnipeg Comedy festival. He has toured extensively throughout North America, appearing in theatres, clubs and festivals. He has also made several appearances on MTV as well as opening shows for more established comics, such as Gerry Dee and the late Bob Saget.
For the 2026 show, Wenzowski notes, Rumors’ is allotting JCFS 200 tickets. As with last year, there will also be some raffle baskets and a 50/50 draw.
“Our presenting sponsors for the evening,” she reports, “are the Vickar Automotive Group and Kay Four Properties Incorporated.”
The funds raised from this year’s comedy evening are being designated for the JCFS Settlement and Integration Services Department. “JCFS chose to do this because of our reduction in funding last year by the federal government to this department,” Wenzowski points out.
“Last year alone,” she reports, “our Settlement and Integration Services team settled 118 newcomer families – from places like Israel, Mexico, Brazil, and Argentina. Each year, our program supports even more newcomer families with things like case management, supportive counselling, employment coaching, workshops, programming for newcomer seniors, and more.”
“We hope to raise more than $15,000 through this event for our Settlement and Integration Program,” Al Benarroch adds. “The team does fantastic work, and we know that our newcomer Jewish families need the supports from JCFS. I want to thank our sponsors, Rumor’s Comedy Club, and attendees for supporting us.”
Tickets for the show cost $40 and are available to purchase by calling JCFS (204-477-7430) or by visiting here: https://www.zeffy.com/en-CA/ticketing/jcfs-comedy-for-a-cause. Sponsorships are still available.
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Ninth Shabbat Unplugged highlight of busy year for Winnipeg Hillel
By MYRON LOVE Lindsay Kerr, Winnipeg’s Hillel director, is happy to report that this year’s ninth Shabbat UnPlugged, held on the weekend of January 9-11, attracted approximately 90 students from 11 different universities, including 20 students who were from out of town.
Shabbat UnPlugged was started in 2016 by (now-retired) Dr. Sheppy Coodin, who was a science teacher at Gray Academy, along with fellow Gray Academy teacher Avi Posen (who made aliyah in 2019) – building on the Shabbatons that Gray Academy had been organizing for the school’s high school students for many years.
The inaugural Shabbat UnPlugged was so successful that Coodin and Posen did it again in 2017 and took things one step further by combining their Shabbat UnPlugged with Hillel’s annual Shabbat Shabang Shabbaton that brings together Jewish university students from Winnipeg and other Jewish university students from Western Canada.
As in the past, this year’s Shabbat UnPlugged weekend was held at Lakeview’s Hecla Resort. “What we like about Hecla,” Kerr notes, “is that they let us bring in our own kosher food, it is out of the city and close to nature for those who want to enjoy the outdoors.”
The weekend retreat traditionally begins with a candle lighting, kiddush and a traditional Shabbat supper. Unlike previous Shabbats UnPlugged, Kerr points out, there were no outside featured speakers this year. All religious services and activities were led by students or national program partners.
The weekend was funded in part by grants from CJPAC and StandWithUs Canada, along with the primary gift from The Asper Foundation.
Kerr reports that the activities began with 18 of our local Jewish university students participating in a new student Shabbaton – inspired by Shabbat Unplugged, titled “Roots & Rising.”
In addition to Shabbat Unplugged, Hillel further partnered with Chabad for a Sukkot program in the fall, as well as with Shaarey Zedek Congregation and StandWithUs Canada for a Chanukah program. Hillell also featured a commemoration of October 7, an evening of laser tag and, in January, a Hillel-led afternoon of ice skating.
Coming up this month will be a visit to an Escape Room – and a traditional Shabbat dinner in March.
Kerr estimates that there are about 300 Jewish students at the University of Manitoba and 100 at the University of Winnipeg.
“Our goal is to attract more Jewish students to take part in our programs and connect with our community,” she comments.