Local News
Shalom Square winds up a very successful week…but where was the very first Israel pavilion located in 1970?
By BERNIE BELLAN It was another very successful run for the Israel pavilion – Shalom Square, during the first week of Folklorama, from Aug 6-13.
This year marked the 51st year in which audiences were able to attend Folklorama in person, with over 7,000 individuals having attended at least one of the 19 shows put on at Shalom Square from August 6-12.
Yet, something that I wrote in our August 2 issue has led me to wonder: Where was the first-ever Israel pavilion actually located – in 1970?
That question might not seem to be of earth-shaking importance, but then again, it’s the kind of question for which, so far, no one I’ve asked has come up with an unequivocal answer.
Still, I would hope the following story might lead to a resolution of somewhat of a mystery: Where was that first-ever Israel pavilion located – in 1970?
The argument was touched off by my writing in the August 2 issue that, prior to the Israel pavilion moving to the Asper Campus in 1997, its home had always been the old YMHA on Hargrave. (I simply assumed that was the case, but I hadn’t really thought to look into it prior to my writing that.)
Sure enough, one of our readers – Roz Greenfeld, sent me an email telling me that the Israel pavilion had been held in what was called “Council House” in the Golden Age Club on Pritchard and Salter (which was also the home for the National Council of Jewish Women, hence the name “Council House.”)
Here is what Roz wrote: “Good morning Bernie. As always glad to see my Jewish Post arrived this morning ! While I was reading about Shalom Square and the connection to the Jewish Post, there is one small error. Shalom Square started at the Golden Age club in 1970! It may have also been called the Council House! It was on Pritchard and Salter – a 2 floor walk up!!
“I know, because I was the representative for Shalom Square in 1971. (Ed. note: Roz would would have been Roz Bernstein back then.) Even back then, the Jewish Post had several articles and pictures about Shalom Square and Folklorama
“They did a great job !!
“Roz”
Roz’s email got me to wondering: She says that the Israel pavilion was located in the Golden Age Club in 1970, and that may well have been the case, but she also says that she didn’t represent Shalom Square until 1971. That does leave open the possibility that the very first Israel pavilion – in 1970, might have been located somewhere else altogether.
I tried to find any reference to some sort of Israel representation – of any sort, during that 1970 festival, by looking through Jewish Posts from 1970 but, unfortunately, wasn’t able to find anything.
So, I turned to two experts whose history with Folklorama goes back quite a long time: Avrom Charach, who’s served as president of Folklorama as well as having been a long-time volunteer at the Israel pavilion – also an ambassador, and who, along with his father, Barney, has been connected to Folklorama for the longest time; and Reeva Nepon, executive director of the Chai Folk Ensemble. (I figured that, since Chai has been a part of every Israel pavilion for as long as I can remember, that there might be some record of where Chai first danced in Folklorama.)
Now, here’s where the controversy really gets heated. While Reeva answered that she couldn’t find any archival material going back earlier than 1972 – and she sent me some picture from that year of Chai dancers, she did say she would try to go through her archives at a later date.
But Avrom Charach really muddied the waters, in response to the question: Where was the very first Israel pavilion? I also told Avrom that the Wikipedia article about Folklorama does not mention an Israel pavilion as being a part of that original 1970 celebration.
With regard to the question whether there was an Israel pavilion in 1970, Avrom wrote: “Folklorama certified that we were an original founding member in 1970, that Mary Kelekis and I used to speak about this, and that we had Jewish founders of the festival; the founders were all involved in pavilions.”
Avrom added: “I have spoken to some original dancers who said they performed in 1970. It was on the stage in the small gym at Hargrave – I was there but only remember Monte Hall cutting a ribbon to open the pavilion on night 1.”
Now, I had a couple of issues with Avrom’s response. First, why would the very first Israel pavilion have been at the Y – in 1970, only to move to the Golden Age Club (a much smaller venue) in 1971? Second, in an article in The Jewish Post in 1971, it was noted that Chai was to perform only one night during Folklorama in 1971. (The entertainment on the first night of Folklorama in 1971 was provided by none other than Rabbi Zalman Schachter as a raconteur and someone named Ted Nyder as a singer.) Chai performed only on the Monday night of the festival that year. Also, there were different entertainers every night of the festival, with none performing more than one evening. So, the notion that dancers from Chai remembered dancing at the Y in 1970 might also be attributable to foggy memories from whomever it was that Avrom contacted.
Yet, Avrom added this in a later email: “I will concede that as a four-year-old my memory could be of the NCJW building on Pritchard, but I do strongly remember being on my father’s shoulders and looking at a permanent raised stage. If Pritchard had that type of stage the location in my mind could be wrong.”
Thus, the issue where the first Israel pavilion was located remains unresolved. Also, while we’re pretty sure the Israel pavilion moved to the Y for the next 25 years in 1972, we’re not absolutely sure of that. If anyone could shed some light on the questions raised here, you can either email me at jewishp@mymts.net or call me at 204-694-3332.
Post script: Since this article first appeared in the August 16 issue of The Jewish Post & News, and thanks to responses from some readers of the paper, I was able to determine conclusively, not only where the Israel pavilion was held the first year of Folklorama – in 1970, also where it was held every year thereafter.
But, if you’ve read this far you’re going to have to wait until after the August 30 issue of the paper is published for answers. I owe it to readers of the paper to give them first dibs on the resolution of the mystery.
Local News
Beneficiary agencies of the Jewish Federation have received $210,000 less this year than last year as of September 1
By BERNIE BELLAN
For the first time in at least 10 years the Jewish Federation of Winnipeg has reduced the amount distributed to its 12 beneficiary agencies from what had been distributed the previous year. The funds were distributed September 1 for 2023-24.
The total amount distributed this year was $210,000 less than what was distributed in both 2022 and 2021 and is actually $500,000 less than the total that was requested by the beneficiary agencies. (The amount distributed last year was $216,000 less than what the beneficiary agencies had requested.)
In explaining why allocations are being reduced this year, the Federation reported that “Over the past few years, the Federation and community have collectively faced significant challenges, placing a strain on our financial resources. In response to these challenges, the Federation stepped in during our community’s time of need, dedicating over $200,000 from our reserves to sustain our beneficiary agencies.” (In a later explanation it was clarified that $100,000 was taken from Federation reserves in each of 2022 and 2021.)
It was further noted that the decrease in funds to be allocated to agencies represents a 7% decrease over the previous year. Dipping into reserves was described as an “unsustainable practice.” It was also noted that the Federation “notified our beneficiaries of a probable reduction in the amount of funding available well ahead of the allocation request deadline.
In describing the pressures that the Federation’s Allocations Committee faced this year in coming up with its allocations, committee chair Brent Schacter said that “We knew after the budget process last year we were going to be in a bind.” Schacter further elaborated that the two whammies that hit this year were the ongoing repercussions of Covid along with the rapid increase in inflation.
In discussing the pressures that the Allocations committee faced this year, it should also be noted that although the amount raised by the Combined Jewish Appeal – while not much more than the previous year ($6.3 million as opposed to $6.25 million), the negative effects of the drop in allocations are somewhat mitigated by two things:. A good portion of the amount raised by the CJA is in the form of “designated funds,” given by large donors and, while those funds are not available to the B & A committee to distribute, many of the beneficiary agencies did receive large distributions from those “designated funds.”
As well, the Jewish Foundation of Manitoba increased its total distributions this year by $1.3 million over the previous year. While the Foundation’s gifts were spread among a very wide number of recipients, a number of the Federation’s beneficiary agencies did benefit from the increase in Foundation distributions.
Still, the challenges facing the Federation in meeting the needs of the community are leading to a major reassessment of how Federation planners are implementing budgetary planning.
A number of new innovations have now been adopted by the B & A committee, including:
- New application forms – one for agencies requesting more than $250,000 and one for agencies requesting less
- Beneficiaries were asked to state the anticipated outcomes of projects/programs that receive Federation funding, and to develop indicators so that they can measure those outcomes.
- Site visits took place along with periodic meetings with agencies as a whole throughout the year to ensure that the committee gets a more complete picture of beneficiaries’ activities, challenges, and plans.
In describing the process that the Federation undertook to “streamline” the budget allocation process, Federation President Gustavo Zentner said “Lay leadership and management had a responsibility to look at the business model.”
It was determined that the Federation needed “a more effective way of managing the allocations process,” Zentner stated, including “more meaningful communication with the agencies to bring to light their projects.”
Not only does the Federation want to improve its own fundraising process, Zentner continued, “We also want to help agencies to raise funds on their own.”
Despite the reductions in allocations available to agencies this year, Zentner stressed that “we wanted to address the needs of those members of the community who are most in need.”
Brent Schacter added: “We want to see people dig a little bit deeper” when it comes to giving. The Combined Jewish Appeal is now into its fundraising campaign for the 2023-24 fiscal year.
A total of 17 lawyers were appointed King’s Counsel by Order in Council on August 29. Six members of our Jewish community were among those appointed. Although appointments as King’s Counsel are usually accompanied by biographical information about those appointed, there was no press release issued by the Manitoba Government announcing the appointments. When we contacted the Manitoba Government news room to ask why there was no biographical information available, the response we received referred to KC appointments announced in February (no surprise there – these are bureaucrats we’re dealing with). When we asked again why there was no biographical information available about the most recent batch of KC appointments we were told “the Province of Manitoba is in the middle of an election blackout and department communications are limited as a result. News Room has nothing further to add.”
As a result, we present here photos of Jewish recipients of KC appointments, but without any further information.
Myron Love It was in the summer of 1984 when Kayla Gordon was appearing in the Rainbow Stage production of “Kismet,” that the long time actor/director/producer/photographer found herself doing her make-up sitting next to Nia Vardalos, the writer and star of “My Big Fat Greek Wedding” fame, who was also appearing in the production.
“We both were playing opposite each other in the comic roles as the Ayahs to the Wazir (the main lead), and we began talking about our plans for the future,” Gordon recalls. “Nia was talking about moving to Toronto and joining the Second City company. As for me, I was in a comedy troupe in Winnipeg and just found out I was pregnant with my first child. My plan was to stay in Winnipeg, even though I was a bit jealous that she was going off to pursue her dream and I was staying put. That was my ‘Kismet’ and I never looked back.”
Rainbow Stage is where Gordon began her career in musical theatre at the age of 17 in a production of “Fiddler on the Roof.” After a career of more than 40 years, both on stage and behind the scenes – it is fitting that one of the leading lights of community theatre in our city has been recognized for her contributions by Winnipeg’s longest-running theatre company. On Wednesday, August 17, Gordon was one of the five inductees to Rainbow Stage’s Wall of Fame under the “Builder” category. The award is given to someone who has been part of nurturing and building our theatre community.
“It was a wonderful surprise,” says the honoree. “It brings my career full circle.” Previous honours for Gordon include the Leadership Award from the Canadian Friends of the Hebrew University of Jerusalem and the Theatre Educator’s Award from the Winnipeg Theatre Awards for her long-time leadership within the arts community.
Gordon reports that the induction ceremony, attended by about 100 friends and family members of the inductees and Rainbow Stage staff, was held just prior to the opening night performance of “The Little Mermaid,”,the second of three shows the company is putting on this summer and early fall.
“It was also special to have one of my grandchildren, my husband Art Maister, my mom Ethel, and my aunt Evelyn Hecht at the induction ceremony,” she adds. (Evelyn also performed at Rainbow Stage in the 1950s.)
Gordon notes that while she appeared onstage in seven Rainbow Stage productions – from 1977 to 1993, she was honoured not for her acting, but for her role as a nurturer of talent through teaching acting and musical theatre at the University of Winnipeg for 18 years, as well as teaching at the University of Manitoba, Prairie Theatre Exchange and The Manitoba Theatre for Young People – also, later as the Artistic Director of Winnipeg Jewish Theatre for over 10 years and Winnipeg Studio Theatre, which she founded in 2006.
“I get a lot of satisfaction watching actors I’ve directed and students I have taught and nurtured performing at Rainbow Stage and other venues in the city,” Gordon notes. Many of them have gone on to work professionally and have appeared across Canada, as well as in Broadway productions. Some of them include: Alexandra Frohlinger (Soul Doctor/Broadway), Samantha Hill (Phantom of the Opera/Broadway), Jaz Sealey (Aladdin/Broadway), Andrea Macasaet (Six/Broadway), and Nyk Bielak (Book of Mormon/Broadway).
Gordon was an actor and high school drama teacher at West Kildonan Collegiate for the first 15 years of her career. By the mid-1990s she found herself becoming more interested in working behind the scenes as a director/producer. In 1994, she became the Winnipeg Jewish Theatre’s second artistic director – succeeding WJT founder Bev Aronovitch – a role she played until 2006. Following her time at WJT Gordon observed that local theatres were not hiring many female theatre directors.
“I realized that if I wanted to work as a director, I would have to create my own projects,” she recalls. So, she started Winnipeg Studio Theatre (WST) in 2006. Soon after forming the company, she invited her longtime theatre associate Brenda Gorlick to run the StudioWorks Academy, a program for emerging artists.
In 2021 she stepped down from her position at WST. “I am still interested in directing – but without the added pressures of being a producer or the full-time responsibility of running a professional theatre company,” she observes. “I like having the freedom to pick and choose the projects I want to work on.” I still plan to work on independent contracts directing theatre and creating entertainment for special events or fundraising activities in the community.”.Last year she produced and directed the Jewish Federation of Winnipeg’s Negev Gala tribute honouring Gail Asper and Michael Paterson. As well, stepping down from her responsibilities with WST has also allowed Gordon to devote more time to her other passion – photography. “I have been interested in photography since I was 15,” she recounts. “My father Ralph had a dark room in our basement.”
Over the past couple of years, she has achieved accreditation with the Professional Photographers of Canada in four different areas of photography: street photography (her favourite), portraiture, performing artists, and figure study. And, last year, she co-authored a coffee table book – “The Murals of Winnipeg,” with fellow photographer Keith Levit as a fundraiser for Take Pride Winnipeg, with 80 pages of photos, which sold out in two weeks and the funds will go to emerging mural artists. (That story can be found on the jewishpostandnews.ca website.)
Kayla is grateful to have stayed in Winnipeg and she sums up her career, and how and why she managed to work in theatre all these years with a quote from Henry Winkler (aka ‘The Fonz’) “I live by tenacity and gratitude. Tenacity gets you where you want to be, and gratitude allows you not to be frustrated along the way”.
