Local News
Simkin Centre receives $725,000 gift from mysterious donor
By BERNIE BELLAN
(Posted Oct. 29, updated Oct. 30, Oct.31)
On Oct. 21 we received an email from the Simkin Centre informing us that the centre had received a gift of $725,000 from someone about whom they know almost nothing.
This story has now been amended to reflect crucial information that we have obtained about the individual who was responsible for that sizeable donation. If you want to skip to that new information scroll down to the end of this article. If you want to read how the story unfolded – keep reading.
Here is what the email received on Oct. 21 said:
“The Saul and Claribel Simkin Centre PCH Inc. Board of Directors and The Saul and Claribel Simkin Centre Foundation Board of Directors are pleased to share with you the announcement of an unexpected bequest to the Sharon Home in the amount of $725,937 CDN from the Estate of Myer and Corrine Geller of San Diego, California.
“These funds come to the Centre at an opportune time as we are faced with aging infrastructure and equipment, rising costs with freezes or cuts to government funding and ongoing covid related costs that remain unfunded at this time. A portion of these funds (30%) will be used for the immediate needs of the Centre, including support of our fight against Covid-19. The remainder (70%) of the funds will be allocated to the Jewish Foundation of Manitoba to create our new Building Reserve Fund. This fund will help to ensure our ability to maintain our building and equipment on a long term basis. The Simkin Centre is a world class facility and we want to do our best to keep it that way.
“All we know about the Gellers is they had no children and Myer was a 1943 graduate of St. John’s High School (Winnipeg). Further, Mr. Geller went to MIT, became a physicist and was granted several patents.
“We have been unable to determine why we were the recipient of this bequest. We hope sharing this good news with the community may give us some insight into the mystery. We hope that the Gellers’ generosity will inspire others to consider the Simkin Centre in their estate planning.”
Upon receipt of this tantalizing news, we began to investigate who Myer and Corrine Geller were and the possible reason that they had decided to leave such a substantial amount of money to the Sharon Home.
Beyond the information that was divulged in the Simkin Centre press release we were able to determine some further information about the Gellers. We were aided in this process by Don Aronovitch, who is Chair of the Simkin Foundation, and by Don Harrison, publisher and editor of the San Diego Jewish World.
Myer Geller was born in Winnipeg in 1926. Although we are not certain who his parents were, a search of various websites, including Ancestry.ca, has led us to believe that his father’s name was Max Geller. There were several Max Gellers who lived in Winnipeg in the early part of the 20th century. Unfortunately, none of the archival material that we searched led to a definite conclusion who Myer Geller’s parents were. We also contacted Rena Boroditsky of the Chesed shel Emes to see whether the Chesed’s records give the names of next of kin of deceased, but they don’t. We also spoke with Shelly Sklover, funeral director of Etz Chayim Congregation, to see whether their records give the names of next of kin of deceased. (Of the many Gellers who are buried in Winnipeg cemeteries, 49 out of 51 are buried in cemeteries now under Etz Chayim’s management.) Unfortunately that information is also not contained within the Etz Chayim’s records.
We also searched the archives of our own newspaper and were only able to find one reference to Myer Geller – that he had a bar mitzvah in 1939. A search of the Jewish Heritage Centre’s archives also led nowhere, but unfortunately their archives do not give very precise results.
An email from Don Aronovitch, however, shed some more light as to when the Simkin Centre first became aware that a substantial donation was about to come their way:
“In early October 2019, Laurie (Cerqueti, CEO of the Simkin Centre) was notified we were the 11% Beneficiary of the Myer & Corinne Geller estate in San Diego. While fabulous news, it was so much ‘out of the blue, that we wondered if it was legitimate. We were sent a copy of the Will and gradually, the prospect of this bequest being real came into focus. After a long quiet period, as the estate was being settled, a cheque for $550,000 USD arrived in August payable to the Saul & Claribel Simkin Centre Foundation. After the standard waiting period to see if the cheque cleared the banking system, our bank gave us a ‘thumb’s up’ and it became the focus of the Simkin Centre’s planning process.
“Our efforts to determine ‘who these people were’ & ‘why us’ drew a blank. We determined that Myer graduated from St. John’s High School the same year as Gordon Pullan and that Buddy Brownstone was editor of St. John’s Newsletter. However, neither Gordon nor Buddy had recollection of a Myer Geller. Similarly, we were unable to determine Corinne Geller’s maiden name.”
In addition to the information contained in the Simkin Centre email that Myer Geller graduated from St John’s Tech in 1943, we were able to learn that he moved to the United States in 1949, became an American citizen in 1950, and attended MIT from 1951-55. A search of University of Manitoba records did not disclose that Mr. Geller ever attended that university, so it’s a mystery where else he might have gone to school following his graduation from St. John’s.
Myer Geller married Corrine Taper (although her name is spelled Corrin on their marriage record) in 1954 in New York state. At various times the Gellers lived in New York, Pennsylvania, and California.
The Gellers moved to San Diego in 1988, which is where they lived until their deaths – Myer Geller in 2018 and Corrine Geller in 2019.We managed to locate a close friend of the Gellers, someone by the name of Mikahil Melsitov. Mr. Melsitov did not know whether Myer Geller had any living relatives, although he did think that he had a brother. We attempted to contact anyone by the name Geller in Winnipeg to learn whether any of them knew Myer Geller, but our efforts proved fruitless.
During the course of our conversation with Mikhail Melsitov, he also disclosed that his wife, Oxana, was a trustee of the Geller Trust, which donated the $725,000 Cdn. to the Sharon Home. Although Mr. Melsitov was quite friendly during our 20-minute conversation and was willing to give us his wife’s cell number, all attempts to contact her proved futile. Further attempts to contact Mr. Melsitov also led nowhere. (Why did both Melsitovs refuse to respond to our repeated attempts to contact them, we wonder, especially when Mr. Melsitov had been so friendly during our only phone call?) Something that Mr. Melsitov did say that aroused our interest though was that representatives of the Geller Trust had difficulty making contact with the Simkin Centre in August 2019, following Mrs. Geller’s death. Presumably that was because they were trying to contact the Sharon Home. After all, Myer Geller had left Winnipeg 70 years earlier and would he even have been aware that the Sharon Home was now the Simkin Centre?
We also attempted to contact various lawyers who were associated with Myer Geller, none of whom responded to our phone messages or emails. We did discover that the Geller home was sold by their estate for $1.25 million in April of this year. The home was not overly large – only two bedrooms and two bathrooms. (By the way, the taxes were only $2,700 on their home. That gives you an idea how high our city taxes are in Winnipeg compared to other cities – as if you needed to be reminded.)
But if the donation to the Simkin Centre constituted only 11% of the total amount left to all beneficiaries of the Geller Trust, the Geller Trust would have been worth close to $7 million Canadian.
How did Myer Geller amass such a large fortune?
From what we were able to determine he was an inventor of extraordinary ability. Myer Geller’s name is associated with 15 different patents. For at least a certain period of his life he worked for a branch of the US Navy called the Naval Operations Support Centre. We attempted to contact a representative of the NOSC to find out if there was anything we could be told about Mr. Geller, but were unsuccessful.
So, the question that tantalizes is: Why would someone who had left Winnipeg 70 years ago want to leave such a substantial donation to the Jewish nursing home (which is now referred to as a personal care home)?
We asked Don Aronovitch whether the Simkin Centre had searched its records to try to find the name of someone who might have been a relative of Myer Geller?
Don responded: “None that we could find. We had very few leads and they all led to a dead end.”
We commented to Don: “It just seems so strange that 70 years after having left Winnipeg he leaves so much money to the Winnipeg Jewish nursing home – and nobody knows anything about him.”
Don Aronovitch agreed: “Very strange but there is a story there. We just do not yet know what it is.”
If anyone reading this is able to shed some light on Myer Geller please contact this newspaper. We’d love to be able to report at some future date that we solved this mystery.
Post script: Since this story first appeared in the Oct. 28 issue of The Jewish Post & News we have received some very intresting responses from a number of different readers.
One reader said they actually had a copy of the 1943 St. John’s yearbook with Myer Geller’s picture in it. We’re reproduced that photo on this site. The caption accompanying the photo says: “Myer Geller – A good man to have around when scholastics come to the fore, Myer is the fellow who has made the Reserve Army what it is today.”
Then we received an email from another reader who has been fascinated by the story and who contacted a friend who is an ardent genealogist. Their friend did some further digging beyond what I had come up with and sent the following information: “Myer died on 12/30/16. He and Corinne, who was born 2/12/26, bought their house at 1622 Plum St. in San Diego in 1993. He got his degree from MIT in 1955 and in 1960 or 1961 moved from a job at Hughes Products to be a senior scientist at the Solid State Division of Electro-Optical Systems in Pasadena, CA. He was a registered Democrat.”
Updated Oct. 30: Reader Ed Feuer came up with even further information about Myer Geller. In a post to our Facebook page Ed wrote that he had found a reference to Myer Geller in the July 5 archives of the Winnipeg Free Press, in a notice headed “City man receives Massachussetts degree” The body of the notice says: “Myer Geller, son of Mr. and Mrs. M. Geller, 284 Bannerman Avenue, has received his doctor of physics degree from the Massachussetts Institute of Technology, Boston. Mr. Geller attended St John’s technical high school and the University of Manitoba. He received his master’s degree in physics at the University of Minnesota.”
There are only two Gellers in Winnipeg whose first names begin with M who could have been Myer Geller’s father – and both had the first name Max. One Max Geller died in 1956, and one in 1966. Unfortunately neither one appears in the Free Press obituary archives. But – we’ve determined that the Max Geller who died in 1956 was married to Dora, who did live in the Sharon Home. But Dora’s obituary makes no reference to a Myer Geller.
The other Max Geller died in 1966. His wife’s name was Sarah (née Feldman). We haven’t been able to find an obituary for either one. The question is: Did either Max or Sarah Geller live in the Sharon Home prior to their death?
Update Oct. 31: We received further information from reader Ed Feuer, who found Max Geller’s obituary notice in the Winnipeg Tribune archives.
Ed confirmed that Myer Geller’s parents were Max and Sarah Geller. He also disclosed that Myer Geller had two sisters: Frances – who was married to an Edward Jordan in Toronto; and Rose – who was married to Louis Lieberman, also of Toronto.
We will attempt to obtain any information about either sister. But, if anyone reading this does have some information that woud be useful, please contact me at jewishp@mymts.net or call me at 1-204-694-3332.
Local News
Interviews with the curator of the Nakba exhibit and the CEO of the Human Rights Museum
By BERNIE BELLAN On June 26, I was invited to attend the Canadian Museum for Human Right to see the Nakba exhibit prior to its being opened to the public. While I was there I was given the opportunity to interview the curator for the exhibit, Isabelle Masson, along with CMHR CEO Isha Khan. What follows are the transcripts of those interviews (edited only to remove pause words like “uh” and phrases the were repeated). The first interview was with Isabelle Masson:
Jewish Post: Several representatives of Winnipeg Jewish community organization say that they weren’t fairly consulted on this exhibit. How do you respond to that?
Isabell
Masson: We came to this project with an awareness that Palestinian voices are often marginalized, even silenced, and an awareness that Islamophobia and anti-Palestinian racism have an impact on whose voice is heard and whose suffering is recognized. And so we intentionally chose to centre Palestinian voices with this exhibition.
JP: But to the point that many Jewish representatives of organizations and people within the community at large feel that the Jewish community should have been consulted on an issue that had such a direct impact on the Jewish community – did you not feel an obligation to consult with the Jewish community?
Masson: I think the best person to talk further about this issue is our CEO, Isha.
JP: In terms of the exhibit itself, I must say it really stresses the suffering that Palestinians have endured. But, in looking at other refugee situations around the world, the Palestinian situation seems to me to be unique in that there has never been an effort to resettle Palestinians within the countries to which they were forced to flee.
Do you not think that separates their situation (from other refugee situations) and, in some ways, it has made their situation worse than it could have been?
Masson: Well, the exhibit not only centres that experience of forced displacement and disposition as a longstanding experience across five generation that you know is tied to human rights violations that are ongoing today, but it also I want to point out, you know, foregrounds beauty, foregrounds resilience, foregrounds the maintenance of identity and belonging across time and across that experience. So there’s also these elements about this exhibition because it was also about humanizing Palestinians – about people with families with stories, with creativity – and coming back to some of the videos what interviewees say, right, we hope that Palestinians can be seen as fully human and hope that they can see Palestinians as having human rights and this this story today in this gallery is is a story about human rights.
JP: If I can focus on one particular aspect of the exhibit that I read this morning when I was sent the preview, it referred to what happened between the years 2000 and 2005 as a Palestinian uprising. But the Israeli term would be the Intifada which for them meant large-scale attacks – terrorist bombings by some Palestinians. Did you not think it necessary to include that in a larger context?
Masson: Well, we use uprising because it’s the most more accessible term in the exhibition and we, you know, we’re focusing really here on an artwork by artists – Palestinian American artist Reggie Cook and with an artwork that was trying to translate the experience of of occupation into what is created. So that’s the context in which we talk about that.
JP: But to ignore what happened during the uprising seems to me to leave out a major part of the context.
Masson: I don’t think that we are ignoring that. This exhibit is not about the full story of what has happened in Palestine, in Israel. It’s not, you know, the scope of this small exhibition. This small exhibition has a scope and the scope was really to create an opportunity and a place for Canadians to be able to encounter Palestinian Canadians and hear their voices.
JP: Given the current mood in the Middle East and the ongoing tensions between Israel and various other actors, the concern among many in the Jewish community that this is going to lead to a heightening of antisemitism and an exhibit like this seems that it it’s not going to do much to improve relations between Jews and Palestinians when it focuses on only one side of the story. How do you respond to that?
Masson: Well, this is only one exhibit of of many, of many stories that we have.
Following is my interview with Isha Khan. Khan began by explaining that she is “the CEO at the Canadian Museum for Human Rights and I’ve been here as CEO of the museum since August of 2020. So almost six years.”
JP: So let’s get right down to discussing (the exhibit). I spoke to the curator. I asked a lot of questions about the exhibit itself. I’m more interested in asking (you) about the general context and the atmosphere in the community. The accusation has been made repeatedly by various leaders of Jewish organizations that you have not been willing to consult on this exhibit. How do you respond to that?
Khan: I think the word consult can mean many things. We have a community engagement practice. So for us that means that depending on the scope of the exhibit and this exhibit is about Palestinian Canadians and their experiences, the impacts of the human rights impacts, of forced displacement, which means we engage with that community as we share their stories. Many folks in the Jewish community will say we haven’t consulted with them and yet we have met with leaders of Jewish organizations from across Canada, main uh, major federations, foundations, local Jewish organization representatives many times to talk about this exhibit, to explain what its scope is, what it’s about, what it’s intended to do, and most importantly, what it isn’t. And unfortunately there continues to be misconceptions about what it is. So we hope people will come and see it.
JP: I think the fear in the community – and I think it’s well founded is that this will foment an increase in antisemitism. Can you understand that concern?
Khan: Absolutely. I personally and any member of our team who’s talked to folks about this has said that we unequivocally share the concern about antisemitism in Canada today. That is part of our mandate. And we will continue to do that work and we can also share these stories of Palestinian Canadians – you know, telling the story of one community’s human rights violation in no way should negate or minimize the experience of another community. That’s what this museum was designed to do….designed to build understanding of shared humanity and that’s what we believe we’re doing responsibly.
JP: Just before I began this interview, I was taken (down to the fourth floor; the Nakba exhibit is on the fifth floor) to see the gallery of other human rights violations. I’m not sure what it’s called. (It’s where there is a ) recitation of various human rights violations, including what happened in 1947 and 1948 (in Palestine). They offer passing reference to the displacement of both Jewish and Palestinian refugees. Would you consider ever having an exhibit about the displacement of Jewish refugees from Arab lands in 1948 and subsequent years?
Khan: We would absolutely consider it and in fact have shared with leaders of the Jewish organizations months ago that yes, these are important stories that need to be told (and) invited them to work constructively with us on developing that content. Unfortunately we didn’t really receive much response.
JP: How long is this exhibit supposed to be on for?
Khan: So this exhibit right now we’re saying is a minimum of two years. That’s because it is an exhibit in a standing gallery and so it also depends on our updating of our other galleries and, you know, exhibits take a bit of time. This one is four years in the making and so we’ve just committed that it’ll be a minimum of two years and we’ll see where things go.
JP: There are a lot of other refugee situations in the world – (for instance) South Sudan, and just this morning I was saying to Isabelle that I received an email about the situation for people from Burundi in the Democratic Republic of the Congo.
I didn’t realize that was a problem. I know that the Congo has had ongoing problems with displacement of populations. It it seems to me it’s not an unlimited number of stories like this you could tell, but there are a lot of others. How do you decide which ones take priority?
Khan: We’re often asked the question of how we decide, and it comes back to how this museum is designed. Each gallery is intended to tell a different story. It has an objective. So this exhibit, Palestine Uprooted, is in our Rights Today gallery. It’s to talk about global human rights issues. And we know that people want to better understand human rights of Palestinians. There’s no question. It’s being talked about, debated, discussed all over the world. And so we’re being responsive there to that need. And we know that Palestinian experiences were under represented in our galleries and have heard that for years. To your point though that there are other stories – the design of this museum is that you ought to be able to feel something, understand something about the forced displacement of one community and apply it to another. So now this story stands along the forced displacement of the Rwanda people, indigenous peoples, Ukrainian people, the Igbo people. You’ve named a number of others that we do need to develop content on over time, but it’s done depending on what gallery it is, what we are trying to invoke…because we’ll never be the encyclopedia of all human rights atrocities in the world. That’s actually why we’re called the Canadian Museum for Human Rights rather than the Canadian Museum of Human Rights.
We’re here to to develop an understanding through the stories that will impact people.
JP: Okay. I want to ask a politically loaded question.
Khan: Okay.
JP: The Jewish population of Canada is at best 450,000. In that range, Jews don’t have the political impact that they used to. At most, there are 12 to 16 ridings where the Jewish vote can make a difference. The Muslim population has grown substantially. It has a much larger political impact. Did that factor in to this exhibit being mounted in any way?
Khan: Absolutely not.
JP: So, I’ll ask the question that I asked the curator of the exhibit. Where did the impetus for this come from? Did it come from Palestinian Canadians?
Khan: The this exhibit came from a recognition, our decision. I hold responsibility ultimately for the decisions made by my team. It was made based on the recognition that Palestinian experiences were under represented in this museum. We absolutely heard from the Palestinian community organizations in Canada and had heard for many years that their stories were underrepresented. Ultimately, the decision was ours. And as we look at this gallery and updating our content, this is ‘rights today’ – global human rights. We know that the world is talking about Palestinian human rights and the stories of Palestinian Canadians naturally belong in our collective memory alongside many other stories that are told here.
JP: There was one particular aspect on one of the panels when I was sent a preview this morning and it referred to the Palestinian uprising from 2000 to 2005 which led to a lot of Israeli deaths that we generally refer to as the Intifada. Um there’s no mention of Israeli deaths on that panel. Would you agree that that might have been an oversight?
Khan: I mean I know that there the factual point is absolutely accurate. The decisions on the curation of the exhibit are not ones that I make, but certainly if that is a concern that we will look at.
Local News
Nakba exhbit at CMHR now open – here’s what it looks like
By BERNIE BELLAN (Posted June 26)The following press release was sent to me early Friday morning June 26 (Photos supplied by Annie Kierans, CMHR) Nothing that follows has been edited. I leave it to you to form your own opinion:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
Nakba exhibit at human rights museum set to open despite mounting criticism
By NOAH STRAUSS (posted June 25) The Canadian Museum for Human Rights’ Nakba exhibit is scheduled to open this Saturday, June 27, despite growing criticism and calls for it to be delayed or revised. The exhibit has sparked public debate in Winnipeg and beyond regarding how it presents the history surrounding the creation of the State of Israel.
Earlier this week, Mark Berlin resigned from the museum’s board. In his resignation letter, he expressed concern that the exhibit presents a one-sided narrative and does not adequately address the experiences of Jewish communities affected by the events surrounding Israel’s independence.
The Nakba, an Arabic word meaning “catastrophe,” refers to the displacement of hundreds of thousands of Palestinians during the 1947–1949 conflict that followed the creation of the State of Israel. Critics of the exhibit argue that it focuses primarily on Palestinian displacement without sufficiently acknowledging the broader regional consequences of the period.
Some Jewish advocacy groups also point to the experiences of Jews who left or were expelled from several Arab and Muslim-majority countries in the decades surrounding Israel’s creation. Estimates suggest that between 850,000 and 950,000 Jews left or were displaced from countries including Iraq, Egypt, and Yemen, under a range of circumstances including persecution, expulsion, and confiscation of property.
In his resignation letter, Berlin, a faculty member at McGill University specializing in human rights law, wrote, “Telling the story with a one-sided perspective chosen by the museum serves to deepen division and contributes to further hostility toward Jews in Canada.”
Following his resignation, CIJA President Noah Shack released a statement saying, “The resignation of the museum’s only Jewish board member is a clear indictment of the museum’s handling of the controversial ‘Nakba’ exhibit.”
The exhibit’s VIP opening is expected to include invitations to representatives from all three levels of government. Winnipeg Mayor Scott Gillingham had initially been invited but later declined following discussions with representatives from the Jewish community, including CIJA Manitoba Vice President Gustavo Zentner and Jeff Lieberman, President and CEO of the Jewish Federation of Winnipeg.
Members of Winnipeg’s Jewish community are also planning a peaceful rally outside the museum on Friday at 5 p.m., according to organizers.
The Canadian Museum for Human Rights is expected to release a formal statement ahead of the exhibit’s opening.
(added June 26) To see interviews that Bernie Bellan conducted with Isabelle Masson, curator of the “Palestine Uprooted: Nakba Past and Present” exhibition at the Canadian Museum for Human Rights (CMHR) in Winnipeg and Isha Khan, CEO, CMHR about the exhibit go to curator of exhibit and CEO interviewed
