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Winnipeg Jewish community’s newest centenarian gets surprise party at the Shaftesbury

100-year-old Ruth Gutkin

By MYRON LOVE
With her 100th birthday approaching, Ruth Gutkin was resigned to a low key affair due to the Covid situation. However, her younger son, Donald, had other ideas – such that the Shaftesbury Retirement Home resident was more than pleasantly surprised by what actually transpired.

The celebration became in Friday, October 9, the day before her actual birthday with a shout out from CTV’s Morning Show.
Then, looking out from her third floor balcony that morning, she saw below the Shaftesbury management in costume with flowers and streamers and a “happy birthday” sign who commenced to sing the birthday song for her.
Following that, as is traditional at the Shaftesbury, she was given a birthday tea party in the hallway – with the grand piano moved in to the hall for the occasion. “It was beautiful,” she says. “It was outstanding. The Shaftesbury staff outdid themselves.”
On her birthday itself, she was greeted by staff in 1950s and ‘60s attire who sat her in a special chair downstairs surrounded by balloons. Two large tables were set up – one with a huge birthday cake and the other with cards and well wishes from The Queen, the PMO, the Premier, the Mayor and other well wishers.
The celebrations ended with a private dinner for the honoree with her two sons, Terry and Donald and their wives, Carole and Belva, in the multipurpose room and an opportunity to connect with her four grandchildren and six great grandchildren via Zoom.
Of her sons, she says proudly that they helped her realize every Jewish mother’s dream. Terry is a lawyer and Donald a dentist.
At 100 years young – and despite having had a hip replaced about a year ago (when she was the oldest Manitoban to ever undergo that surgery) – Ruth Gutkin still looks 25 to 30 years younger than her chronological age – and her mind is little dimmed by age. The former Ruth Moscovitch was born into a family of eight on Argyle Street. She grew up on Boyd and Anderson in the north end and attended Machray School and St. John’s.
Her earliest memory, she says, was having her tonsils out when she was 6.
Her father, Benjamin, had a candy wholesale on Pacific Avenue, she recalls. “He would take some of us kids out on Saturday when he did his rounds,” she recounts. “WE would go to the grocery stores where he would take the orders. Then, we would go to the manufacturers to pick up the candies and, after we kids helped him sort and fill the order, we would deliver them to the stores.
“It was a real treat helping our dad.”
After Grade 11, the young Ruth set about looking for work. “It was the Depression,” she remembers. “You couldn’t get a job for love or money. I pounded the pavement trying to find work as a sales girl. I finally got a job part time at the Belgian Glove and Hosiery store on Portage near Edmonton. I got paid 25 cents an hour.
“We were worked to the bone. We couldn’t sit for a minute.”
Ruth met her husband-to-be, Jack, in 1940, shortly before he enlisted. Fortunately, he came home from the war early due to a medical discharge. The couple married in 1943.
For their honeymoon, they took the train to Kenora. “Jack had been a salesman before the war and Kenora was part of his territory,” Ruth recounts. “We got off the train. I was farputzed (dressed up) and wearing high heels. Jack said the hotel was just a short walk away. It wasn’t so close.”
She also recalls that the newlyweds visited one of the islands. On their way back, the canoe that they were paddling began to take on water.
“We weren’t wearing life jackets,” she says. “While we made it back to shore, I could see the headlines – Honeymooners Drown in Kenora.”
Back in Winnipeg, the young couple moved into a third floor walkup on Burrows and Salter. And while jack went to work for the late Harry Silverberg, Ruth set about raising a family, looking after the home – or rather, homes, as the Gutkins moved several times from Scotia to River Heights and back to West Kildonan – and throwing herself into volunteer work. Over the years, Ruth Gutkin was involved in Bnai Brith – where she was a chapter president, National Council of Jewish Women, Ort and the Rosh Pina Synagogue – and she and Jack co-chaired an Israel Bonds campaign.
Her real passion, she says, was cooking and baking – as well as decorating and entertaining. “I would get up early in the morning with Jack every morning and start baking,” she recalls.
Jack, she adds, made sure that the family went away for yearly vacations and, after he retired, they began spending winters in the southwest and seeing the world. “We had a wonderful time,” she says. “We went on cruises. We went to Hawaii and Florida, to Europe and Israel (many times).”
After Jack’s passing 16 years ago, Ruth continued to travel – including a tour to China when she was 87.
She moved into the Shaftesbury just four years ago after living at the Tuxedo Estates for 40 years.
Ruth credits her longevity to a lifetime of being physically active. As a teen, she says, she skated, swam, played baseball and tennis. “I have always worked out,” she says. “I joined the Rady centre right after it opened. I swam, took aquacize classes and did Zumba.”
“I never expected to live to 90, never mind 100. I guess the Almighty hasn’t decided that it’s my time yet.”

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Nakba exhbit at CMHR – you can see it right here and make your own assessment

By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).

There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.

We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.

Here is what we received the morning of June 26:

Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
 
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
 
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.  

Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.

Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.

Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.

Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.

Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.  

Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
 
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit


“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted


“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
 
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
 
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”

  • – Isha Khan, CEO
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Local News

A photo that’s being circulated on the internet about me

For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)

Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.

So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.

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Local News

Ami Hassan returning as owner of Falafel Place

By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.

Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.

We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.

We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.

Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!

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