Local News
Winnipeg Jewish Theatre to present Canadian premiere of “The Flying Lovers of Vitebsk”
By BERNIE BELLAN Following upon the Winnipeg Jewish Theatre’s resounding success with its 2021 summertime production of “Dear Jack Dear Louise,” the WJT is once again about to present a play outdoors, beginning June 11, with the Canadian premiere of “The Flying Lovers of Vitebsk”.
Since I really knew nothing about this upcoming production, other than how it was described in an ad that ran in our last issue: “Art comes to life in this music-filled tale of the romance between Marc and Bella Chagall,” I thought I’d better contact WJT Artistic Director Ari Weinberg to give me a more complete description of what this play is all about.
Ari said: “It’s a play by Daniel Jamieson, who’s a British playwright. It tells the story of the relationship between Marc and Bella Chagall. It’s all about their love for each other and the history of their relationship – and his painting, and the story of their meeting in 1914 in Vitebsk, the revolution in Russia, how they survived pogroms together, built a life together, and when she passed away, he shared the stories and the notebooks that she wrote – so the play is all about creativity and love.”
I asked: “How is the play set? Is it dialogue between the two or is it reading out reminiscences – or letters (as was the case in “Dear Jack Dear Louise”)?”
Ari: “It’s sort of a memory play. It starts with Marc as an old man and then it goes back in time and we see various snippets of their relationship at various points in their lives. The time is a bit fluid – it’s mostly chronological, but there are a couple of moments when we go backward in time. It’s sort of like a dream play…it’s sort of like his paintings.
“There are scenes where they talk to each other, and there are scenes where they talk directly to the audience. We also have a pianist and a cellist to play this beautiful music – there are also dance sequences throughout the show.”
JP&N: “There’s no singing then?”
Ari: “There is. There are a couple of songs in the show.”
JP&N: “It sounds highly original. Where has this play been staged before now?”
Ari went on to describe how it was first staged by a British-based theatrical company known as “Knee high” which, unfortunately, was forced to close as a result of the hit that Covid took on almost all live theatrical productions.
“The Flying Lovers of Vitebsk” was first performed seven years ago, Ari explained – which also corresponded with his first year as WJT Artistic Director.
“It received rave reviews,” he noted, and it “toured a little bit in Britain.”
“I actually tried to get this play,” he said – “in the same year we did ‘Dr. Ruth.’”
At the time though, Ari continued, “Knee high” was actually hoping to tour the play throughout North America, including Canada, and they wanted to do the Canadian premiere themselves (even though their planned tour didn’t include Winnipeg), “so we didn’t get the rights.”
“After the pandemic,” Ari said, after the success of “Dear Jack Dear Louise” I began thinking of other shows we could produce and this one came up.”
Like “Dear Jack Dear Louise,” “The Flying Lovers of Vitebsk” is going to be performed in a tent.
“Chagall painted on a canvas. This play will be performed inside a canvas,” Ari observed. “How do we bring people into the world of Chagall? This play seemed like the perfect play to do.”
This will be the first production outside of the UK production then – which toured in the States, Ari said, but “this will be the Canadian premiere – the first production to ever happen that was not the original production.
“The really other beautiful thing about our production,” Ari continued, “is we’re doing it in the round – so the tent will be set up and the set is a giant circle.”
As far as the performers go, Ari said “We have two incredible young performers: Daniel Greenberg, who is from Toronto, and Isidora Kecman, who is also from Toronto. They sing, they dance, they act – they’re incredible performers.”
As I was preparing to end my conversation with Ari, I added this comment: “Marc Chagall; he was quite the surrealist. I can just imagine what your set is going to look like – dancing cows and, of course, the moon prominently featured – right?”
Ari: “Wait till you see it. There are props that evoke his paintings – we’ve got a cow and a rooster that look like they came right out of his paintings.”
Sounds like a real trip!
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
A photo that’s being circulated on the internet about me
For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)
Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.
So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.
Local News
Ami Hassan returning as owner of Falafel Place
By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.
Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.
We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.
We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.
Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!
