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Youngest survivor of Auschwitz calls for greater Holocaust education efforts
By MYRON LOVE
Angela Orosz-Richt is greatly concerned about the rising tide of Anti-Semitism in the world.
“It seems that the world hasn’t learned anything from the Holocaust,” she said. “There are still a lot of people who believe that all Jews are rich and influential, that we control Hollywood and the media. The internet is full of garbage and we are seeing rising levels and Anti-Semitic attacks in Germany and France and even Brooklyn.
“And it’s not just the old Anti-Semitism. The lies about Israel are outrageous.”
She further noted that half of Canadians can’t name one concentration camp and many don’t know what Auschwitz was.
“There is still so much more (in terms of education) that needs to be done,” she said.
Orosz-Richt has in recent years taken a leading role in Holocaust education. On Thursday, February 27, the youngest survivor of Auschwitz was in Winnipeg for the first time speaking on behalf of the March of the Living to a full house at the Shaarey Zedek Synagogue.
Her appearance in Winnipeg came at the behest of Carrie Shenkarow, chair of the Jewish Federation of Winnipeg’s March of the Living Committee.
Her father was an architect, her mother a well-educated young lady who was raised by French nannies. They met and fell in love and were married in 1943.
“Life was good at first,” she said. “My parents had an active social life. They didn’t see the clouds on the horizon.”
The Germans invaded Hungary in April, 1944, and, shortly after, Orosz-Richt’s parents were removed from their apartment to the ghetto and, on May 22, loaded with hundreds of other Hungarian Jews onto boxcars en route to Auschwitz. Orosz-Richt recounted the standard scenes of yelling, beatings, snarling German shepherds and the presence of Joseph Mengele on the platform designating the new arrivals for life or death.
Prisoners whose lives were spared had their heads shaven, were given uniforms and wooden shoes and were given numbers. “All their dignity was removed,” Orosz-Richt said. “They were no longer counted as human beings.”
While her father was worked to death, her pregnant mother somehow survived. She was first assigned to go through the belongings of victims for anything of value. Then, the five-months pregnant woman was put to work at hard labour building roads. What saved her was a reassignment to kitchen duties where she was able to scrounge potato peels.
When, at seven months pregnant, her condition was brought to the attention of Mengele whose staff subjected her to medical experiments consisting of injecting caustic substances into her cervix.
She was being encouraged by others in her barracks to abort her baby. “MY mother had a dream of her mother telling her to trust in God and not abort her child,” Orosz-Richt said.
She gave birth in the barracks with the help of another inmate who had had some medical experience. Orosz-Richt weighed one kilo at birth and her chances of survival were slim. Further upping the odds against her, almost immediately after birth, her mother had to go outside with the other prisoners for the daily roll call.
“She had to stand for three hours in freezing temperatures in flimsy clothing,” Orosz-Richt said. “It was the thought of her baby waiting inside that kept her going. She was afraid that I might have died before she got back.”
After liberation, mother and sickly child returned to Hungary where they lived with Vera’s mother. Vera found a doctor who looked after her baby. Mother and daughter escaped from Communist Hungary in 1948 and, shortly after, Vera married an older man who had lost his wife and daughter in the Holocaust.
“I grew up with loving and protective parents,” she said.
Orosz-Richt – who has four children of her own – noted that for the first twenty years, survivors didn’t want to talk about what happened to them. For the next twenty years, no one wanted to listen. It has only been in the last 30 years that Holocaust victims are talking and people are listening.
“Holocaust education is so very important,” she said. “Government needs to be involved and we need to start teaching the Holocaust at a younger age.”
Speaking on behalf of the Federation, Jessica Cogan, Israel and Overseas Chair, spoke about the importance of the March of the Living. “I consider the March of the Living a sacred duty,” she said. “My own participation I consider one of the most meaningful moments in my life. It shaped who I am today.”
She noted that the March of the Living began in 1988. Every year, thousands of young people from all over the world gather once a year at Auschwitz, walk the three kilometers from Auschwitz to Birkenau following in the footsteps of the death march near war’s end and show that the world that the Nazi’s failed in their “final solution”. Then they follow up with a trip to Israel where they celebrate Yom Hatzmaut and celebrate the miracle which is the rebirth of Jewish life in our ancestral homeland.
“Our goal this year was to send 20 students from Winnipeg on the March of the Living – 20 in ’20,” Cogan said. “I am happy to announce that we have exceeded that number. We will have 24 students going this spring.”
While the students contribute to the cost of the trip, Cogan noted, the March of the Living Committee raises funds to subsidize those costs.
“We want to thank our donors and encourage others to give,” she said.
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Talented Winnipeg composer Sara Kreindler teams up with her mother Reena Kreindler to create new satirical show to premiere here in May
By BERNIE BELLAN It’s been many years since I’ve heard from Sara Kreindler. Sara’s name first appeared in The Jewish Post & News in 2002 when a satirical musical titled “A Touch of Class” was reviewed by the late Arnold Ross. That particular production featured songs from popular Broadway shows that touched upon themes such as “greed, poverty, oppression, and social unrest.”
When she appeared in that show, Ross noted, Kreindler had just recently returned to Winnipeg from England, where she had obtained a doctorate in Social Psychology from Oxford University.
While at Oxford, Kreindler found time to compose a satirical musical titled “Charity,” which played to rave reviews there, and was performed five times.
Continuing in the theme of writing satirical musicals, Sara has now teamed up with her mother, Reena, to write a new musical titled “A Perfect Man,” which is set to run at the Gargoyle Theatre from May 6-17.
According to a press release we received, “A Perfect Man” is “a satirical musical, set on a fictional analogue of ‘The Bachelor’.
“The story follows an anthropologist who arrives to research TV’s hottest reality-dating show — only to discover she’s been made a contestant, and the bachelor is her high school crush. Past and present collide against an exuberant pastiche score that uses vintage musical styles to highlight modern absurdities.”
“Praised as ‘a musician [who] can make biofuels funny’ (CBC), Sara is known for whip-smart satire on a panoply of topics. Her digital musical, ‘Larry Saves the Canadian Healthcare System, created during her former life as an academic, has garnered over 84,000 YouTube views. Naturally, she had a field day with the subject of reality dating.
“The topic just begs for campy zaniness, which I think we all need in these times — but also for a more cerebral critique of what these shows say about the culture that spawned them,” says Kreindler. And thanks to the romance context, the satire is woven into a deeper, more personal story. “It’s satire with a heart.”
Here is some more information about Sara Kreindler, taken from a 2009 article I wrote about her:
“Born in Israel, Sara’s precocious talent was nurtured by her mother, Reena, whose own particular talent is literary, not musical. According to Reena, however, Sara was singing from the time she was a baby, and she began to study piano at the age of four.
“As a young girl, Sara began writing her own songs and poems, along with the “occasional musical”, notes Reena. Yet, Sara’s rare talent put her at odds with the typical interests of other children her own age, on top of which she attended a school to which she was exposed to a fair degree of antisemtism.
“As a result, Sara says, being bullied was a common aspect of her childhood. On one occasion, when she was nine, she notes, Sara fought back against one particular bully by reciting the following little ditty:
“I write so many epigrams to you that all the people laugh.
I’m tired of writing epigrams.
I want to write your epitaph!”
“Sara went on to compose a musical titled ‘Flutesong’ while she was a student at Vincent Massey Collegiate, she says. After doing her undergraduate work at the University of Manitoba, majoring in Psychology, Sara won a Rhodes Scholarship to attend Oxford University.
“Sara eventually earned a doctorate in Social Psychology and returned to Winnipeg, where she began teaching at the University of Manitoba, but she said she didn’t enjoy the “mass production” style of teaching upwards of 300 students at a time, so she switched careers and began doing health research for the Winnipeg Regional Health Authority.”
All the while Sara has been continuing to compose and perform her own songs, often teaming up with her mother, as she has for “A Perfect Man.”
Showtimes and ticket information for The Perfect Man are available at:
http://www.thegargoyletheatre.com/upcoming-events/the-perfect-man
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Rabbi Kliel Rose to leave Congregation Etz Chayim for new post in Ottawa
The following email from Congregation Etz Chayim Executive Director Morissa Granove was sent to members of the congregation on Friday, April 10:
“Dear Members and Friends,
“As we know, Rabbi Kliel recently spent a weekend with Kehilllat Beth Israel where he has since been offered a position. After much thought and consideration, he has made the decision to sign a contract in Ottawa. He will continue to lead our congregation through Yom Kippur.
“This news marks a significant ending for our Etz Chayim community, and at the same time with change comes opportunity. Congregation Etz Chayim will soon embark on our own Rabbinical search with excitement as we look for our perfect candidates and explore the new possibilities that will help us to continue to shape a strong future for our synagogue and members.”
Kliel Rose took up the position of rabbi at Etz Chayim in August, 2018.
In an article announcing his appointment to the position in the June 6, 2018 issue of The Jewish Post & News, Myron Love wrote:
The congregation has been without a permanent rabbi since last summer when Rabbi Larry Lander chose to retire – after ten years here – and relocate to Toronto.
Kliel Rose is already a well-seasoned rabbi. He was ordained in 2004 by the Jewish Theological Seminary in New York.
He previously served as spiritual leader at the West End Synagogue in Nashville and Temple Enamu-El in Miami Beach. His current posting is Beth Shalom Synagogue in Edmonton.
Following the example of his parents, Kliel Rose has been active in interfaith dialogue and human rights work for which he was honoured in 2014 with the Human Rights Hero Award by Truah: The Rabbibic Call for Human Rights.
He has also participated in the Kellogg Management Education for Jewish Leaders program at Northwestern University and was most recently chosen to be among 20 rabbis from different denominations chosen to train in the Clergy leadership Incubator – a two-year program, under the leadership of Ranni Sidney Schwarz, intended to educate younger rabbis in innovative thinking, change management and institutional transformation.
In Edmonton, Rose also served as Jewish chaplain at the University of Alberta and took the lead on a program called “Faith and Inclusion”, whose mandate was to support individuals with cognitive and physical learning challenges to feel more welcome within various faith communities.