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15-year-old Mitchell Brown’s Holocaust poem

Introduction: We received a call from subscriber Joe Brown in Toronto, who was very proud of his 15-year-old grandson Mitchell, for having composed a Holocaust-themed poem. Joe sent us the poem and, although I said to him that I wasn’t sure we had enough space to print it in its entirety in the newspaper, I assured Joe we would post it to our website.
But, I told Joe I wanted to know more about Mitchell, so he contacted Mitchell and asked him to get in touch with me.
When I spoke with Mitchell, I asked him to describe how he had come to write his poem. What follows is the explanation Mitchell sent us.
“My name is Mitchell Brown and I’ve always had a passion for writing. Through my schooling, my teachers have encouraged me to begin to share my writing with other readers and use my words to spread meaning. So, I decided to take a plain old school assignment in history class and share powerful emotions and words on a very serious and difficult topic. The result was my Holocaust poem titled “A Mothers Nightmare in Auschwitz Death Camp.” I decided to make this poem a reflective piece to commemorate the victims of the Holocaust. I feel so disappointed when peers my age have little knowledge of the tragedies of the Holocaust, and I feel that it is the job of the youth to have a voice and spread awareness on important topics such as the Holocaust. I’ve learned throughout my writing the most powerful tool to spread messages and share emotions is through words. My poem follows a mother and her two children as they enter Auschwitz death camp, a common narrative that too many innocent Jewish families underwent. The poem captures the emotions and thoughts that this family experienced.”
“A Mother’s Nightmare in Auschwitz Death Camp”
By Mitchell Brown
Hilda felt confusion
Where are we she wondered
Why are we here she pondered
She and her two boys exited the cattle car
Why are we being grouped up
A menacing building appeared in front of Hilda
A large factory she thought as big as a city
A huge city
With the words Arbeit Macht frei
She knows that means work sets you free
Am I working
Why do I need to be set free
She asked questions
She thought the worse
Her heart was pounding
The ground she stood on felt rock hard like stone
Scared and numb she felt
Cold and anxious
Screams so loud
It looked like a place from a nightmare
What they are creating in this factory
Smog coming from the building
Deep earthy stench pumping out of the building ahead of her
Clouds of burnt smog
Hilda had never smelt this type of smog before
It confused her and her children
Large hoards of people were being pushed
Separated like cattle at a farm
Nazi soldiers yelling with authority
Humans everywhere
She felt like an animal
What is this smog why is it so cloudy
The smog smelt as burned as a campfire
Why does it smell like that
Hilda’s young boys hated the stench
It must be smog from a factory my children
We are here to help out at this factory
Hilda repeated to her children
Natural intuition
Something isn’t right here
Why are my children here
Tattoos
Scary strong Nazi men
Giving tattoos
Numbers
Are we humans
Why am I number
Why are my children a different number than me
I want them to know my name
Not a number
I feel so scared
I want to be a human
Is this a factory
What are they making
Are they burning something
Why am I labeled with a number
93102
What does this mean
If so what
What are they burning
Getting nervous and her heart is thudding
Calm down Hilda
Take a deep breath
You will be back home soon
In your warm comfortable safe town soon
Come now boys don’t be scared
Hilda calmed her children
With her soft Mothers voice
You will be safe in my arms
Soldiers were separating family taking kids away from parents
Like robots systematically dismantling families with no remorse
Like water and oil
Children and parents apart far apart
The boys are gone
Where did they go
A soldier took all the children
Where are my children
Her throat was pulsing
Hilda cried
Hilda was grabbed by a soldier
She shouted to the soldier
Where are my children
No response
Hilda never seen her two children ever again
Four weeks later
Skinny and weak
Hungry and scared
Dirty and sore
Soldiers are moving us like farm animals
Hordes of crowds
Numbers all have numbers
All in pajamas
Nazis said we are going to bathe
Hilda needed it she was weak and dirty
A crowd of 700 people were shoved into a dark cold room with no windows or light
Shower time shouted a German soldier
All naked
She and 700 other frail and malnourished numbered people were here
Door locked
No escape she thought
All had numbers on their wrist
Why are we numbers
A shower with numbers
Strange and unknown
Scratch marks on the walls of this shower room
Hilda was crammed
Where is the water for this shower
Why are we all naked and packed like sardines
I’m scared
Help me god please
Crammed into this dark cold terrifying room
She felt numb and fearful
Desensitized and anesthetized
All she could think about was her children she had not seen them for 4 weeks
Their gentle smile
Where are they
She questioned
Where did they take the children
I love them
I want sympathy
Relief and reassurance
Her last thought in her mind was her two beautiful children
There short brown hair and green eyes
Their tender and humane skin
They’re comforting and cheerful voices
I can’t escape this
Thud
A mechanism clicked and vents above opened
People were screaming in terror
Scratching on the walls for freedom like nails on a chalkboard
I want to be a human again
This isn’t a shower
Good night my dearest children she thought
I’ll see you guys soon
I love you
Auschwitz Death Camp is responsible for 1.1 million deaths out of the 11 million victims of the Holocaust.
We must never forget the atrocities of the Holocaust.
We vow never again.
Good night my dearest children she thought
I’ll see you guys soon
I love you
Auschwitz Death Camp is responsible for 1.1 million deaths out of the 11 million victims of the Holocaust.
We must never forget the atrocities of the Holocaust.
We vow never again.
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Hair straightening at Sets on Corydon
Features
Ontario Online Casinos Let Players Set Daily, Weekly and Monthly Deposit Limits
A deposit limit sets a ceiling on how much money someone can add to an online gambling account. In Ontario’s regulated market, players can choose limits covering 24 hours, seven days and one month, with the website’s system enforcing the amounts they select.
The settings are straightforward, but the timing deserves attention. A daily allowance may sit within weekly and monthly caps, while an increase can involve a waiting period. For adults using Chrome on a Chromebook, understanding these account rules starts with knowing where to find them.
Finding the Settings and Choosing a Period
Deposit controls sit within the gambling website’s account menus. The Tooniebet Ontario responsible gaming page is an operator-specific resource readers can consult alongside their account settings. ToonieBet is operated by Canadix Limited and regulated by the AGCO under an agreement with iGaming Ontario.
Ontario’s standards require an easy and obvious way to set financial and time limits during registration and afterward. Players must be offered deposit and loss limits when signing up, and the controls must remain easy to reach and change once an account is open.
Menu names differ between sites. Published examples place deposit limits under account settings or responsible-gaming tools, where players can select an amount and a period.
Each type of limit measures something different. Deposit limits cap money added to the account. Loss limits restrict net losses after winnings are taken into account, while time limits govern playing time. iGaming Ontario’s player guidance explains all three.
For Chromebook users, these settings are managed through the website’s account interface. Chrome’s own permissions handle separate browser functions, such as access to location information.
How Several Limits Apply to One Deposit
Players can have daily, weekly and monthly limits running together. A deposit must fit within every active cap.
Take a hypothetical account with limits of CAD $40 daily, CAD $100 weekly and CAD $250 monthly. These figures illustrate the process.
If someone has already deposited CAD $90 during the weekly period, the remaining weekly allowance is CAD $10. That becomes the most they can add, even when the daily limit has more room. Reaching the monthly cap would likewise block another deposit until some monthly allowance becomes available.
This is why checking all active limits matters. A new day may bring fresh daily capacity while the weekly or monthly total remains close to its ceiling. The longer periods continue to apply as the shorter one refreshes.
When Money Drops Out of a Rolling Window
The next question is when previous deposits stop counting toward a cap. Some sites use rolling periods, which track elapsed time from individual deposits.
Published Ontario policies include daily windows of 24 hours, weekly windows of 168 hours and monthly windows of 720 hours, equivalent to 30 days. Under that approach, each deposit frees up its corresponding allowance once it falls outside the window.
Suppose someone has a CAD $100 rolling weekly limit and deposits CAD $25 on Friday, followed by CAD $75 on Saturday. Seven days after Friday’s deposit, CAD $25 becomes available again. The other CAD $75 returns seven days after Saturday’s deposit.
Leaving the restored Friday allowance unused means it combines with Saturday’s restored amount. At that point, the full CAD $100 is available. Reviewing deposit dates and times helps explain how much room remains within a rolling period.
Changing a Cap Takes a Separate Step
A limit refreshing follows the schedule already attached to the account. Raising that limit requires a request and a wait.
Ontario’s standards require at least 24 hours before a player’s request to relax or remove an established limit can take effect. The existing limit remains enforceable during the cooling-off period.
Operators publish their own timings. Documented examples include a seven-day wait for deposit-limit increases or removals. Another published schedule allows increases after one day for a daily cap, seven days for a weekly cap and 30 days for a monthly cap.
Lower limits take effect immediately under these published policies. Some policies also restart the waiting period when a player requests another increase while an earlier change is pending. The effective date shows which amount currently applies.
Other Controls and Support
Deposit limits work alongside loss limits, time limits, short breaks and self-exclusion. Together, these give players ways to restrict account funding, gambling activity or access.
Ontario-regulated online casino play is restricted to adults aged 19 and older who are physically in Ontario. Gambling involves financial risk.
For concerns about your gambling or someone else’s, ConnexOntario offers free, confidential information and referral support around the clock. Call 1-866-531-2600 or text CONNEX to 247247. Standard message and data rates may apply.
Features
What “Best Odds” Really Means When Comparing Gambling Review Websites
The phrase best odds appears frequently in gambling discussions, but it is surprisingly easy to use imprecisely. MonsterBetList is primarily a casino review and rankings website, not a dedicated live sportsbook odds comparison terminal. That difference is central to evaluating what its reviews can and cannot establish. A casino rating may explain payout conditions, licence information and bonus restrictions, while a claim about the best available price on a sporting outcome requires a different kind of evidence altogether.
Odds and ratings answer different questions
Sports betting odds represent a price offered on a specified outcome. A review rating is an editorial judgement built from multiple criteria. These two numerical systems cannot be substituted for one another. A bookmaker rated highly for service may offer a less competitive price on a particular match, while a service with a more attractive price may impose different limits or verification rules.
Similarly, a casino review can discuss return-to-player statistics, but RTP is not the same as sportsbook odds. RTP describes a theoretical long-run percentage built into a game model. It does not tell a reader what will happen in one session and it is not an individually negotiable market quotation.
What makes sports odds comparable?
A fair odds comparison starts with identical selections: the same event, outcome, market rules and settlement conditions. Comparing a three-way football result with a draw-no-bet price is invalid because the products pay under different circumstances. The observation time also matters; displayed prices can change quickly as market information or trading decisions evolve.
The numerical format should be standardised. Decimal odds provide one convenient representation, but American and fractional formats express the same underlying idea differently. Converting these formats is straightforward. What matters is the net price, the operator’s rules and whether the quoted offer remains available when reviewed.
Overround explains the hidden cost of many markets
In a simplified two-outcome market, dividing one by each decimal price produces an implied probability. If the implied probabilities add to more than 100%, the excess is commonly described as the bookmaker’s overround. It is one way of understanding the margin embedded in prices, although individual market structure and adjustments can complicate the interpretation.
This concept explains why the word best should not be attached to a price without context. A strong headline may look appealing yet represent an ordinary margin after calculation. More importantly, any single quote is time-dependent. Genuine comparison requires a dated observation and equivalent market rules; broad editorial praise is not enough.
What casino rankings can establish instead
MonsterBetList publishes casino reviews and guides addressing licences, bonuses, payout experiences and responsible gambling. Those topics are relevant to evaluating consumer risk and service quality. A report about the length of a withdrawal process, for example, can be useful if its methodology is transparent. A bonus review can help identify restrictive wagering requirements that marketing headlines omit.
However, a casino ranking should not be presented as evidence that its highest-rated operator consistently offers the best sports prices. Unless a site publishes repeated market-by-market comparisons, that conclusion is not supported. Readers benefit when publishers clearly distinguish what was measured from what readers might assume was measured.
Bonuses can complicate comparisons
A sportsbook may offer free-bet tokens, cashback or other promotions. Their effective value depends on conditions rather than the largest number printed in a banner. Some credits are not withdrawable as cash; others require qualifying selections, minimum odds or a deadline. Casino welcome bonuses often introduce wagering requirements, game-contribution rules and limits on withdrawals. Combining these products under one generic promotional score can hide important differences.
For instance, a large matched deposit might require extensive play before bonus-related funds become eligible for withdrawal. The required betting volume is not a promise of profit. The presence of a promotion may therefore make comparisons more complex instead of simpler. Clear disclosures should precede any judgement about value.
Editorial independence and methods
Review sites sometimes state that rankings are editorially independent. Such a statement is relevant but does not replace evidence of consistent testing. Readers should look for the criteria used, the date of each review, whether real transactions were examined and how negative findings are treated. If one platform receives detailed testing while another is scored on marketing copy, the ranking loses comparability.
Commercial incentives should also be visible. Referral relationships or sponsorships do not automatically make every observation inaccurate, but they create reasons to ask how rankings are insulated from revenue. A publication that explains its methodology and corrections process gives readers a stronger basis for trust than one that simply declares its winners.
Licensing and dispute rights before price claims
A marginally attractive price is of limited value when the operator is not legally available to the reader or does not provide meaningful avenues for redress. Regulations vary by jurisdiction, and a licence in one country may not authorise service in another. It is prudent to verify the legal entity behind a brand and the current status of any licence through official records.
Consumers should also review identity verification, account restrictions and dispute resolution procedures. These operational conditions influence the actual experience of using a gambling service. A sensible evaluation includes them before discussing promotions or theoretical market advantages.
Why guaranteed-profit language is a warning sign
No ordinary review or odds list can guarantee that an individual will win money from gambling. Claims of certain returns often omit the fact that results are uncertain, prices move and transactions are subject to restrictions. Casino games generally incorporate a house advantage, and sports outcomes remain uncertain regardless of a persuasive analysis. The safest response to absolute promises is scepticism.
Readers should also avoid treating gambling as a means of addressing financial problems. Chasing previous losses and increasing stakes to recover money can deepen harm. Consumer-oriented coverage is more valuable when it explains risk and offers realistic options for stepping away.
Conclusion: define the claim before ranking the service
“Best odds” is a specific comparative proposition, not a synonym for a high casino rating. MonsterBetList can be examined for its published casino research, review structure and risk disclosures, but those materials should not be stretched into claims they have not tested. Clear definitions, dated evidence and honest limitations are the foundations of trustworthy comparison journalism.

