Features
A visit to the Children of Israel Cemetery in Transcona – the Jewish community’s first cemetery
By SHARON LOVE My first visit to the Children of Israel Cemetery was in August 2008. A descriptive article about this group visit, written by Matt Bellan (zl), then editor of The Jewish Post & News can be found in the Aug. 20th, 2008 edition.
Over the years I hadn’t thought very much about going there again. This past year I was a student in the Yiddish Literature and Language class instructed by Professor Itay Zutra. The class was part of the Judaic Studies curriculum held at the University of Manitoba. We were reading “Motl Peysi the Cantor’s Son” in Yiddish, which was written by the renowned Yiddish author Sholem Aleichem.
Towards the end of the spring term I started thinking about the cemetery because Nissel Rabbinovich Zimmerman is buried there. He was the uncle of Sholem Aleichem, whose real name was Solomon Naumovich Rabinovich. I knew that Professor Zutra and possibly other class members had never been to the cemetery and would probably find it very interesting.
To make arrangements for the visit I called Bill Croydon, the long time building and maintenance supervisor at the Shaarey Zedek Synagogue. The synagogue has maintained the cemetery since the 1950s. Bill suggested that we wait a few more weeks after the initial phone conversation until the nearby fields and the cemetery would be fairly dry.
Our group met Bill in the Kildonan Place Shopping Centre parking lot on Reenders Drive in Transcona on Thursday, June 23rd at 11.00 am. An open field separates the cemetery from the main road. It was a hot, sunny morning. We all ‘dressed’ for the mosquitoes. Luckily there weren’t any around to bother us. Bill had seen that the grass was cut short and the cemetery, surrounded by a mesh fence and gate is basically treeless. Trees are on the outer sides of the surrounding fence. This does help to make the cemetery fairly hidden.
Over the years there has been some vandalism. The tombstones have been purposely flattened to discourage such events. It is believed that at most there are 113 graves there. However, due to flooding and loss of original wooden markers, records are incomplete. This is disappointing for current family members who know that they have family buried there but cannot find their graves. There are indeed impressions in the ground in various spots sadly missing markers.
The cemetery was opened in 1883. The last burial was that of Frank Druxerman, which took place in 1933. Some tombstones are rather ornate. The lettering on some has faded and is hard to read. Some have cracks in them, with grass coming up through the cracks. Most have English writing along with Hebrew and some with what looks like possibly Romanian lettering.
Nisl or Nathan Rabbinovich Zimmerman has a very ornate stone as well as a description attesting to his leadership roles in Jewish community life at the time. He passed away in 1898, aged 64. His wife, Hudel, who passed away in 1910, aged 77, is also buried there.
According to Ron and Audrey Zimmerman, Nathan – Ron’s great-grandfather, bought a passport in order for their family to come to Canada. The name on the passport was Zimmerman. Both surnames are on his tombstone. Nathan continued to use Zimmerman for his surname for the rest of his life. Today there is at least a sixth generation of the Zimmerman family.
Sadly, I spotted the tombstone of Samson, the 10-day-old son of H. Bronfman, who passed away on Jan. 4th, 1910. The renowned Bronfman family was on the prairies before most of the family moved east.
I also came across the tombstone of Sarah, the 19-year-old daughter of J. and D. Pierce who drowned (as printed on the stone) on June 22nd, 1894. There was another tombstone of someone else who drowned as well. The tombstone of Lena Abremovich caught my eye. It reads that she was the wife of Leon, and passed away aged 20 in 1893, along with their infant son.
I did find the stone of Sarah Fainstein, who was murdered in her sleep on August 28th, 1913 at 28 years of age. Sarah was the great-grandmother of Wayne Hoffman, who recently published a book titled “The End of Her,” which chronicles his quest to solve the mystery of why she was murdered. Wayne’s book was recently the subject of a long story in The Jewish Post & News (February 2, 2022 edition.).
I know that we found this visit to be both interesting and thought provoking. Life could not have been easy for the souls who are buried there. Professor Zutra was very helpful with translating the printing on many of the tombstones. As a Yiddish language scholar he was very moved to be standing at the grave of Nisl, both a poet and author in his own right.
Thanks also to Bill Croydon, who was very generous in sharing his knowledge of the history of the cemetery. Final discussions left us with unsure feelings. There is a red large Shindico sign in the field west of the cemetery. My friend Sonia Kaplan and I have both heard of a proposed retail and housing development in the area. Bill told us that he heard that the plan is to build around the cemetery. The thought of this makes me sad. I am pleased to note that in his August 2008 article, Matt Bellan mentions the existence of an undeveloped Shindico property in the area. I hope that those wheels are grinding slowly.
This brings to mind the closing lyrics of the song, “If I Were a Rich Man,” with which many of us are familiar from “Fiddler On The Roof.” The song, which is sung by Tevye, is based on the monologue, “If I Were a Rothschild,” written by Shalom Aleichem in 1902. The last two lines of the song ask the question, ‘Would it spoil some vast eternal plan if I were a wealthy man?’
I wonder whether it would spoil some vast eternal plan if those laid to rest so many years ago at the Children of Israel Cemetery could continue to rest there in peace for many years to come.
Features
Bitcoin Price Volatility: WOA Crypto – Why Cloud Mining Becomes a Safe Haven for Investors
(Posted Oct. 10, 2025) Bitcoin once again attracted market attention today, with the price around $122,259, with an intraday high of $124,138 and a low of $121,141. Driven by capital flows, ETF inflows, and macroeconomic factors, Bitcoin recently hit a new high, but encountered retracement pressure today and fluctuated widely between $121,000 and $124,000 during the initial decline.
There have been no major structural changes in capital flows. For most investors, the best way to deal with volatility is not to try to precisely time peaks and troughs, but to let assets generate returns both in the ups and downs.
Cloud Mining: A New Approach Beyond “Observing the Charts”
In a constantly volatile market, checking charts, chasing peaks (and then cutting losses) is routine—actions that often lead to emotional exhaustion and poor decision-making. Cloud mining offers a solid, rules-based revenue model.
What is cloud mining?
Cloud mining allows you to mine Bitcoin and other altcoins without having to purchase, manage, or maintain any mining hardware. Simply invest your digital assets (e.g., BTC, ETH, XRP, USDT), and the platform will provide you with the computing power and handle all technical issues. Yes, the system will mine for you and pay you daily.
To summarize: you invest cash, the platform provides computing power, and your time pays off.
During periods of high prices and volatility, cloud mining (due to its daily payouts and weak correlation with price fluctuations) attracts more rational investors.
WOA Crypto Mining: Making Cloud Mining Practical
Among the many cloud mining services, WOA Crypto positions itself as a simple, secure, and transparent service—allowing investors to focus on more than just price monitoring.
Key highlights of WOA Crypto
Zero technical barriers: No hardware setup or maintenance required.
Daily payouts: Profits are automatically settled every 24 hours, ensuring a stable cash flow.
Multi-asset support: Accepts BTC, ETH, XRP, and USDT.
Transparent and secure system: Clear rules, an open profit structure, and a proven withdrawal mechanism.
Green energy and global deployment: Using efficient computing centers powered by renewable energy to increase stability and reduce costs
How to start your WOA Crypto mining journey
Visit the official WOA Crypto website.
Register using your email address and create a password.
Simply deposit BTC, ETH, XRP, or USDT, and your funds will be converted into computing power.
Choose a mining contract plan and start earning your first profit within 24 hours.
No technical knowledge or hardware required, no need to follow market trends: this simple-to-use app will give you a comfortable home cloud mining experience. Click here to get started.
Conclusion: Finding stability amidst volatility
While the price of Bitcoin has fluctuated between $121,000 and $124,000, the winners haven’t been those who perfectly timed the tops and bottoms, but rather those who consistently let the asset perform.
Cloud mining eliminates most of the emotional fluctuations in trading and provides a strategy that is easy to accumulate over the long term, which can continue to accumulate capital even in uncertain times. In times of market volatility, letting assets grow in value is undoubtedly the most resilient investment strategy.
Official email: info@woacrypto.com
Features
Beyond Pusoy and Tongits: A Look at GameZone’s Exclusive Gaming Portfolio
For generations, Tongits and Pusoy have stood as cornerstones of Filipino gaming culture. These games transcend mere pastime; they are social rituals—played during birthdays, family reunions, and even the quiet nights of a lamay.
Each hand dealt carries a blend of laughter, banter, and skill, weaving together community and camaraderie.
Yet as the Filipino way of life becomes increasingly digital, traditional card games are evolving. Platforms like GameZone Philippines have taken up the mantle of preserving this heritage while pushing it forward.
Through its exclusive lineup of innovative titles, GameZone bridges the past and the future, offering a selection of games that celebrate the Filipino gaming spirit while embracing modernity.
Beyond the familiar cards of Tongits and Pusoy, GameZone exclusive games represent a new chapter in online entertainment—one defined by variety, quality, and distinctly Filipino ingenuity.
GameZone Exclusive Games: The New Standard of Digital Play
While Tongits and Pusoy remain at the heart of the GameZone experience, the platform’s exclusive gaming portfolio expands far beyond them.
These titles embody both creativity and technical precision, providing fresh gameplay experiences that suit every mood—from strategic planning to fast-paced reflex challenges.
Below are six of the most notable GameZone exclusive games that exemplify this new wave of Filipino digital entertainment.
1. Tongits Joker: A Reinvention of a Classic
In the hierarchy of Filipino card games, Tongits reigns supreme. But GameZone’s Tongits Joker brings a compelling innovation to this beloved classic.
The addition of the Joker card injects a new level of unpredictability into each round, allowing it to function as a wildcard that can transform the tide of play.
Players can now form unique combinations, such as the elusive five-of-a-kind, while testing their ability to think ahead and adapt in real time.
This heightened complexity introduces a more dynamic experience—balancing luck, logic, and creativity.
Tongits Joker honors the original’s community-based spirit while challenging players to reimagine their strategies.
It is both a tribute to Filipino tradition and a step toward a more competitive and intellectually engaging future for local gaming.
2. Mines+: The Pursuit of Precision
While many online games lean on chance, Mines+ rewards observation, calculation, and the courage to take measured risks.
Drawing inspiration from the classic minesweeper concept, this GameZone exclusive enhances the experience through refined visuals, intuitive gameplay, and a structure that prioritizes precision over luck.
Each click becomes a strategic decision—an interplay between instinct and logic. One mistake can end a run, yet each victory feels earned through sheer focus.
Mines+ encapsulates the essence of mental discipline, offering a simple yet sophisticated game that appeals to players who appreciate mastery over fortune.
3. Ultra Ace: Where Speed Meets Skill
Modern gaming thrives on immediacy, and Ultra Ace delivers precisely that. This fast-paced card-based competition challenges players to think and react under pressure, rewarding sharp timing and accuracy.
Every round becomes a test of reflex and reason as players chase the elusive “Ultra Ace” hand—the perfect combination that guarantees victory.
The game’s minimalistic design ensures focus remains on the action, while its competitive environment captures the spirit of Filipino resilience and determination.
Ultra Ace exemplifies GameZone’s approach: offering entertainment that is not only thrilling but also deeply skill-oriented. It invites players to refine their instincts while enjoying the exhilaration of quick, decisive play.
4. Candy Rush: Simplicity Refined
At the lighter end of the spectrum lies Candy Rush, a game designed to soothe rather than stress. Despite its charming aesthetic and simple mechanics, it is far from ordinary.
Players engage in an endless rhythm of matching and scoring, each round inviting a satisfying sense of progression. Its accessible gameplay ensures it can be enjoyed by all ages, while its clever design keeps engagement high even during short breaks.
More than just a casual diversion, Candy Rush demonstrates GameZone’s understanding of player psychology. It balances challenge and comfort, ensuring that gaming remains a pleasurable escape rather than a test of endurance.
By stepping beyond card-based mechanics, GameZone showcases its versatility, proving it can craft experiences that entertain across genres while maintaining polish and playability.
5. Lucky Hilo: Strategy in Simplicity
At first glance, Lucky Hilo appears deceptively straightforward: predict whether the next card or number will be higher or lower. Yet beneath that simplicity lies a complex interplay of intuition and statistical reasoning.
GameZone’s refined interface and brisk pacing elevate Lucky Hilo into something more strategic and rewarding than chance alone. Each decision tests a player’s understanding of probability and pattern recognition, encouraging thoughtful play over reckless guessing.
It’s a game of instinct—but also of restraint. And that balance between gut feeling and smart calculation makes Lucky Hilo a standout among GameZone’s exclusive offerings.
6. Super Gems: The Pressure of Precision
In contrast to Candy Rush’s calm charm, Super Gems thrives on intensity. The game demands that players match colorful gems under strict time limits, transforming each session into a contest of focus and reflexes.
Every second counts. The ticking clock heightens tension, rewarding quick thinking and composure under pressure. Yet beneath that adrenaline rush lies an elegant design—proof that competitive play can be both thrilling and aesthetically pleasing.
Through Super Gems, GameZone delivers a polished arcade-style experience that merges strategy with spectacle, further diversifying its gaming catalog.
About GameZone Philippines
GameZone Philippines is a premier online entertainment platform that redefines digital gaming for Filipino audiences.
With a deep respect for local culture and an eye toward technological innovation, GameZone curates a library of skill-based, interactive, and socially engaging titles that mirror the vibrancy and wit of Filipino gamers.
The platform’s commitment to quality and creativity has established it as a leader in the Philippine gaming landscape.
Each of its exclusive titles—whether rooted in tradition or exploring new frontiers—underscores a dedication to community, fairness, and fun.
GameZone also prioritizes accessibility, ensuring that players of all backgrounds can participate and connect through shared experiences.
Its games foster friendly competition, mental engagement, and social connection, embodying the true spirit of Filipino gaming: inclusive, inventive, and endlessly entertaining.
Beyond recreation, GameZone’s mission extends to community-building. It aims to strengthen the digital bonds among Filipino players worldwide by providing a safe, enjoyable, and skill-oriented gaming environment.
Redefining Filipino Gaming in the Digital Era
The GameZone exclusive games discussed here symbolize a broader cultural shift. Where once the nation’s gamers gathered around tables and decks of cards, they now connect across screens and servers—united by nostalgia, skill, and innovation.
These titles represent not just entertainment but evolution. They reaffirm that Filipino gaming is alive, adaptive, and forward-looking.
From the strategic depth of Tongits Joker to the casual charm of Candy Rush, every game reflects GameZone’s vision of blending tradition with technology.
In essence, GameZone is more than a platform; it is a movement to reimagine Filipino play for the modern age.
By offering diverse experiences that balance challenge, creativity, and cultural identity, it ensures that the joy of gaming remains a shared and enduring part of Filipino life.
So the next time you log in, look beyond Pusoy and Tongits. Explore GameZone’s exclusive portfolio—and discover how the future of Filipino gaming continues to evolve, one expertly crafted game at a time.
Features
László Krasznahorkai, grim Hungarian author with hidden Jewish roots, wins literature Nobel
This year’s Nobel Prize for literature was awarded to a Hungarian writer whose work offers bleak visions of existence, and whose father hid his Jewish ancestry from him for much of his childhood.
László Krasznahorkai, the 71-year-old novelist and screenwriter, achieved international acclaim for formally daring books like “Satantango” and “The Melancholy of Resistance,” as well as a series of collaborations with the filmmaker Bela Tarr. He is often compared to master Russian novelists like Dostoyevsky and Gogol.
The Swedish Nobel jury called him “a great epic writer in the Central European tradition that extends through Kafka to Thomas Bernhard, and is characterized by absurdism and grotesque excess.” Another prominent champion of Krasznahorkai’s: the Jewish culture critic Susan Sontag, who praised the infamous 7.5-hour film adaptation of “Satantango” and deemed him a “master of the apocalypse.”
Krasznahorkai was born in 1954 in the small town of Gyula, near the Romanian border. As a child, he has said in interviews, he had no idea his father hailed from a Hungarian Jewish family. In 1931, as antisemitism was on the rise in Hungary but before the passage of formal anti-Jewish laws in the country, the author’s grandfather had changed their family name from Korin to the more native Hungarian-sounding Krasznahorkai.
“Our original name was Korin, a Jewish name. With this name, he would never have survived,” Krasznahorkai told a Greek interviewer in 2018. “My grandfather was very wise.”
When the author turned 11, he learned about his Jewish heritage for the first time. “In the socialist era, it was forbidden to mention it,” Krasznahorkai has said about his Jewish ancestry. “Korin” would later serve as the name of the protagonist, a suicidal Hungarian archivist, in Krasznahorkai’s acclaimed 1999 novel “War and War.”
Many of the author’s books, written in challenging postmodern style, are concerned with the effects of political turmoil and national upheaval on everyday citizens, from provincial farm workers to intellectuals. Some of his novels, including “Hersch 07769” and “Baron Wenckheim’s Homecoming,” have plots that deal directly with neo-Nazis.
In that 2018 interview, the author, an outspoken opponent of Hungary’s authoritarian prime minister Viktor Orban, also addressed his relationship to Judaism in characteristically pessimistic fashion.
“I am half Jewish,” he said, “but if things carry on in Hungary as they seem likely to do, I’ll soon be entirely Jewish.”
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