Features
Bernie Senensky: Jazz Pianist / Organist, Composer, Teacher
By DAVID EISENSTADT Fifty-plus years active, and jazz icon Bernie Senensky is still working hard and going strong.
That doesn’t begin to describe this notable Canadian Jewish musician’s incredible career.
The Winnipeg, Manitoba native was born to Reuben and Shauna (née Pascov) Senensky on December 31, 1944.
His Canadian-born parents ensured he took piano lessons. Classical with Clara Perlman at age eight, and at 14, he studied with jazz pianist Bob Erlendson.
Peter Hum of the Ottawa Citizen reported, “he had one jazz teacher, and thereafter was self-taught.”
Senensky said he is “essentially a bebop player, and beyond. My heroes are anyone from Bud Powell to McCoy Tyner to Keith Jarrett and Herbie Hancock.” He’s also an organist “influenced by Larry Goldings, Mike LeDonne and Larry Young,” wrote Hum.
In Winnipeg, he played with local musicians including guitarist Lenny Breau and bassist Dave Young. For a time, he led a house band in Edmonton, Alberta, for the Holiday Inn hotel chain.
Senensky transitioned to Toronto in 1968 where he became a first-call accompanist for a who’s-who list of illustrious musicians. He toured the globe with many of them. His biography lists:
Eighteen saxophonists/clarinetists including Pepper Adams, Ravi Coltrane, Buddy DeFranco, and Zoot Sims; 30 trumpeters from Chet Baker, Guido Basso and Terence Blanchard to Dizzy Gillespie, Red Rodney and Freddie Stone; 8 trombonists – Wycliffe Gordon, Slide Hampton, Russ Little and Rob McConnell; 23 guitarists – Ed Bickert, Herb Ellis, Lorne Lofsky,1 Rob Pilch, Bucky Pizzarelli, and Reg Schwager; 26 bassists from Eddie Gomez, Rufus Reid to Slam Stewart and Eugene Wright; 26 drummers – Archie Alleyne, Art Blakey, Jerry Fuller and Elvin Jones; 6 vibists including Peter Appleyard, Gary Burton, Paul Hoffert,2and Don Thompson; 4 flautists – Sir James Galway, Moe Koffman to Herbie Mann and Bill McBirnie; 4 violinists – Moshe Hammer, Drew Jureka, Lenny Solomon,3 and Lara St. John; 29 vocalists including Tommy Ambrose, Heather Bambrick, Salome Bey, Ori Dagan,4 Catherine McKinnon, Ginette Reno, and Bobby Vinton.
He played piano duets with Marian McPartland and Oscar Peterson and joined established groups like The Maynard Ferguson Orchestra, The Moe Koffman Quintet, The Herbie Mann/Al Grey All-Star Septet, and Rob McConnell & The Boss Brass.
Mark Miller, in the New Grove Dictionary of Jazz, noted, “his playing is characterized by an obvious comfort in a wide range of styles, from swing to the assertive post-bop of his group.”
Peers recognized Senensky for his true artistry. Some years ago, Oscar Peterson said, “Bernie is one of my favourite local pianists, I really can’t understand why he hasn’t become better known.” Buddy DeFranco called him “The best of the best!” The late Boris Brott said, “It is always a great privilege to have our festival [in Hamilton, Ontario] associated with artists of Senensky’s stature.” Oliver Jones added “a brilliant, world-class pianist.”
A recipient of many accolades/awards, including the Toronto Musicians’ Association Lifetime Achievement Award, he was nominated twice for Jazz Album of the Year at the Juno Awards – 1989 for Friday the 14th– 1993 for Wheel Within A Wheel.
In the ‘70s Senensky led his trio. In 1979 he was the keyboardist in Moe Koffman’s Quintet when that band was the top Canadian jazz combo. That gig lasted 20 years. The Canadian Jazz Archive reported, “As part of Koffman’s Quintet, Senensky ultimately had the opportunity to contribute many of his compositions to the band’s repertoire.” He has kept that music memory alive since 2003 leading the Moe Koffman Tribute Band.
Senensky’s debut album, “New Life,” was released in 1976; in 1989 he recorded with drummer Barry Elmes and bassist Kieran “Over The Chalet Season.” In 1991 with his septet, he released “Re-Action.” Then came “Homeland” in 1994, which featured US musicians Gary Bartz, Harvie Schwartz, and Arkia Tana. Two years later he recorded an album of his own, recorded in 1993 at the Top of The Senator Toronto venue with bassist Jim Vivian and drummer Bob Moses. In 1999, came “New Horizons,” featuring Eddie Henderson on trumpet and Kirk MacDonald on drums. In 2011 he released “Invitation” with Gene Perla on bass and drummer Ben Riley.
Senensky excels on the Hammond B3 Organ. A few years back he formed “Organic, “with drummer Morgan Childs, guitarist Nathan Hiltz and sax player Ryan Oliver for weekly Sunday evening gigs at the (now shuttered) Joe Mama’s in Toronto. That led to his album – “Live at Joe Mama’s,” in 2013.
Senensky told me he’s “been busier since COVID eased up,” releasing a new CD – “Don’t Look Back,” with “another on its way.” He’s been playing, recording, and teaching in Vancouver, BC, and had an October 2022 German tour with his organ trio, “Organic Earfood,” including vibraphonist Stefan Bauer and drummer Peter Baumgartner.
In early 2023, he fronted a tribute to Moe Koffman’s band in Toronto, that included Moe’s son, Jake Koffman, an accomplished saxophonist, clarinetist, and flautist. I was privileged to attend and enjoy that York University Department of Music concert.
1David Eisenstadt, “Community Jewish News,” April 30, 2022, cjnonline.com | cjnonline.ca.
2 David Eisenstadt, “Community Jewish News,” September 12, 2022, cjnonline.com | cjnonline.ca.
3 David Eisenstadt, “Community Jewish News,” August 7, 2022, cjnonline.com | cjnonline.ca.
4 David Eisenstadt, “Community Jewish News,” May 9, 2022, cjnonline.com | cjnonline.ca
This Chapter is excerpted from David Eisenstadt’s second book – MUSICIANS UNDER THE RADAR – 36 NOTABLE CANADIAN JEWISH PERFORMERS – available on Amazon.ca, Amazon.com or by contacting the author, deisenstadt@tcgpr.com.
Features
ClarityCheck: Securing Communication for Authors and Digital Publishers
In the world of digital publishing, communication is the lifeblood of creation. Authors connect with editors, contributors, and collaborators via email and phone calls. Publishers manage submissions, coordinate with freelance teams, and negotiate contracts online.
However, the same digital channels that enable efficient publishing also carry risk. Unknown contacts, fraudulent inquiries, and impersonation attempts can disrupt projects, delay timelines, or compromise sensitive intellectual property.
This is where ClarityCheck becomes a vital tool for authors and digital publishers. By allowing users to verify phone numbers and email addresses, ClarityCheck enhances trust, supports safer collaboration, and minimizes operational risks.
Why Verification Matters in Digital Publishing
Digital publishing involves multiple types of external communication:
- Manuscript submissions
- Editing and proofreading coordination
- Author-publisher negotiations
- Marketing and promotional campaigns
- Collaboration with illustrators and designers
In these workflows, unverified contacts can lead to:
- Scams or fraudulent project offers
- Intellectual property theft
- Miscommunication causing delays
- Financial loss due to fraudulent payments
- Unauthorized sharing of sensitive drafts
Platforms like Reddit feature discussions from authors and freelancers about using verification tools to safeguard their work. This highlights the growing awareness of digital safety in creative industries.
What Is ClarityCheck?
ClarityCheck is an online service that enables users to search for publicly available information associated with phone numbers and email addresses. Its primary goal is to provide additional context about a contact before initiating or continuing communication.
Rather than relying purely on intuition, authors and publishers can access structured information to assess credibility. This proactive approach supports safer project management and protects intellectual property.
You can explore community feedback and discussions about the service here: ClarityCheck
Key Benefits for Authors and Digital Publishers
1. Protecting Manuscript Submissions
Authors often submit manuscripts to multiple editors or publishers. Before sharing full drafts:
- Verify the contact’s legitimacy
- Ensure the communication aligns with known publishing entities
- Reduce risk of unauthorized distribution
A quick lookup can prevent time-consuming disputes and protect original content.
2. Safeguarding Collaborative Projects
Digital publishing frequently involves external contributors such as:
- Illustrators
- Designers
- Editors
- Ghostwriters
Verification ensures all collaborators are trustworthy, minimizing the chance of intellectual property theft or miscommunication.
3. Enhancing Marketing and PR Outreach
Promoting a book or digital publication often involves connecting with:
- Bloggers
- Reviewers
- Book influencers
- Digital media outlets
Before sharing press kits or marketing materials, verifying email addresses or phone contacts adds confidence and prevents potential misuse.
How ClarityCheck Works
While the internal system is proprietary, the user workflow is straightforward and efficient:
| Step | Action | Outcome |
| 1 | Enter phone number or email | Search initiated |
| 2 | Aggregation of publicly available data | Digital footprint analyzed |
| 3 | Report generated | Structured overview presented |
| 4 | Review by user | Informed decision before engagement |
The platform’s simplicity makes it suitable for authors and publishing teams, even those with limited technical expertise.
Integrating ClarityCheck Into Publishing Workflows
Manuscript Submission Process
- Receive submission request
- Verify contact via ClarityCheck
- Confirm identity of editor or publisher
- Share draft or proceed with collaboration
Collaboration with Freelancers
- Initiate project with external contributors
- Run ClarityCheck to verify email or phone number
- Establish project agreement
- Begin content creation safely
Marketing Outreach
- Contact media or reviewers
- Verify digital identity
- Share promotional materials with confidence
Ethical and Privacy Considerations
While ClarityCheck provides useful context, it operates exclusively using publicly accessible information. Authors and publishers should always:
- Respect privacy and data protection regulations
- Use results responsibly
- Combine verification with personal judgment
- Avoid sharing sensitive data with unverified contacts
Responsible use ensures the platform supports security without compromising ethical standards.
Real-World Use Cases in Digital Publishing
Scenario 1: Verifying a New Editor
An author is contacted by an editor claiming to represent a small publishing house. Running a ClarityCheck report confirms the email domain aligns with publicly available information about the company, reducing risk before signing an agreement.
Scenario 2: Screening Freelance Illustrators
A digital publisher seeks an illustrator for a children’s book. Before sharing project details or compensation terms, ClarityCheck verifies contact information, ensuring the artist is legitimate.
Scenario 3: Marketing Outreach Safety
A self-publishing author plans a social media and email campaign. Verifying influencer or reviewer contacts helps prevent marketing materials from reaching fraudulent accounts.
Why Verification Strengthens Publishing Operations
In digital publishing, speed and creativity are essential, but they must be balanced with security:
- Protect intellectual property
- Maintain trust with collaborators
- Ensure financial transactions are secure
- Prevent delays due to miscommunication
Verification tools like ClarityCheck integrate seamlessly, allowing authors and publishing teams to focus on creation rather than risk management.
Final Thoughts
In a world where publishing is increasingly digital and collaborative, verifying contacts is not just prudent — it’s necessary.
ClarityCheck empowers authors, editors, and digital publishing professionals to confidently assess phone numbers and email addresses, protect their intellectual property, and streamline communication.
Whether managing manuscript submissions, coordinating external contributors, or launching marketing campaigns, integrating ClarityCheck into your workflow ensures clarity, safety, and professionalism.
In digital publishing, trust is as important as creativity — and ClarityCheck helps safeguard both.
Features
Israel’s Arab Population Finds Itself in Dire Straits
By HENRY SREBRNIK There has been an epidemic of criminal violence and state neglect in the Arab community of Israel. At least 56 Arab citizens have died since the beginning of this year. Many blame the government for neglecting its Arab population and the police for failing to curb the violence. Arabs make up about a fifth of Israel’s population of 10 million people. But criminal killings within the community have accounted for the vast majority of Israeli homicides in recent years.
Last year, in fact, stands as the deadliest on record for Israel’s Arab community. According to a year-end report by the Center for the Advancement of Security in Arab Society (Ayalef), 252 Arab citizens were murdered in 2025, an increase of roughly 10 percent over the 230 victims recorded in 2024. The report, “Another Year of Eroding Governance and Escalating Crime and Violence in Arab Society: Trends and Data for 2025,” published in December, noted that the toll on women is particularly severe, with 23 Arab women killed, the highest number recorded to date.
Violence has expanded beyond internal criminal disputes, increasingly affecting public spaces and targeting authorities, relatives of assassination targets, and uninvolved bystanders. In mixed Arab-Jewish cities such as Acre, Jaffa, Lod, and Ramla, violence has acquired a political dimension, further eroding the fragile social fabric Israel has worked to sustain.
In the Negev, crime families operate large-scale weapons-smuggling networks, using inexpensive drones to move increasingly advanced arms, including rifles, medium machine guns, and even grenades, from across the borders in Egypt and Jordan. These weapons fuel not only local criminal feuds but also end up with terrorists in the West Bank and even Jerusalem.
Getting weapons across the border used to be dangerous and complex but is now relatively easy. Drones originally used to smuggle drugs over the borders with Egypt and Jordan have evolved into a cheap and effective tool for trafficking weapons in large quantities. The region has been turning into a major infiltration route and has intensified over the past two years, as security attention shifted toward Gaza and the West Bank.
The Negev is not merely a local challenge; it serves as a gateway for crime and terrorism across Israel, including in cities. The weapons flow into mixed Jewish-Arab cities and from there penetrate the West Bank, fueling both organized crime and terrorist activity and blurring the line between them.
The smuggling of weapons into Israel is no longer a marginal criminal phenomenon but an ongoing strategic threat that traces a clear trail: from porous borders with Egypt and Jordan, through drones and increasingly sophisticated smuggling methods, into the heart of criminal networks inside Israel, and in a growing number of cases into lethal terrorist operations. A deal that begins as a profit-driven criminal transaction often ends in a terrorist attack. Israeli police warn that a population flooded with illegal weapons will act unlawfully, the only question being against whom.
The scale of the threat is vast. According to law enforcement estimates, up to 160,000 weapons are smuggled into Israel each year, about 14,000 a month. Some sources estimate that about 100,000 illegal weapons are circulating in the Negev alone.
Israeli cities are feeling this. Acre, with a population of about 50,000, more than 15,000 of them Arab, has seen a rise in violent incidents, including gunfire directed at schools, car bombings, and nationalist attacks. In August 2025, a 16-year-old boy was shot on his way to school, triggering violent protests against the police.
Home to roughly 35,000 Arab residents and 20,000 Jewish residents, Jaffa has seen rising tensions and repeated incidents of violence between Arabs and Jews. In the most recent case, on January 1, 2026, Rabbi Netanel Abitan was attacked while walking along a street, and beaten.
In Lod, a city of roughly 75,000 residents, about half of them Arab, twelve murders were recorded in 2025, a historic high. The city has become a focal point for feuds between crime families. In June 2025, a multi-victim shooting on a central street left two young men dead and five others wounded, including a 12-year-old passerby. Yet the killing of the head of a crime family in 2024 remains unsolved to this day; witnesses present at the scene refused to testify.
The violence also spilled over to Jewish residents: Jewish bystanders were struck by gunfire, state officials were targeted, and cars were bombed near synagogues. Hundreds of Jewish families have left the city amid what the mayor has described as an “atmosphere of war.”
Phenomena that were once largely confined to the Arab sector and Arab towns are spilling into mixed cities and even into predominantly Jewish cities. When violence in mixed cities threatens to undermine overall stability, it becomes a national problem. In Lod and Jaffa, extortion of Jewish-owned businesses by Arab crime families has increased by 25 per cent, according to police data.
Ramla recorded 15 murders in 2025, underscoring the persistence of lethal violence in the city. Many victims have been caught up in cycles of revenge between clans, often beginning with disputes over “honour” and ending in gunfire. Arab residents describe the city as “cursed,” while Jewish residents speak openly about being afraid to leave their homes
Reluctance to report crimes to the authorities is a central factor exacerbating the problem. Fear of retaliation by families or criminal organizations deters victims and their relatives from coming forward, contributing to a clearance rate of less than 15 per cent of all murders. The Ayalef report notes that approximately 70 per cent of witnesses refused to cooperate with police investigations, citing doubts about the state’s ability to provide protection.
Violence in Arab society is not just an Arab sector problem; it poses a direct and serious threat to Israel’s national security. The impact is twofold: on the one hand, a rise in crime that affects the entire population; on the other, the spillover of weapons and criminal activity into terrorism, threatening both internal and regional stability. This phenomenon reached a peak in 2025, with implications that could lead to a third intifada triggered by either a nationalist or criminal incident.
The report suggests that along the Egyptian and Jordanian borders, Israel should adopt a technological and security-focused response: reinforcing border fences with sensors and cameras, conducting aerial patrols to counter drones, and expanding enforcement activity.
This should be accompanied by a reassessment of the rules of engagement along the border area, enabling effective interdiction of smuggling and legal protocols that allow for the arrest and imprisonment of offenders. The report concludes by emphasizing that rising violence in cities, compounded by weapons smuggling in the Negev, is eroding Israel’s internal stability.
Henry Srebrnik is a professor of political science at the University of Prince Edward Island.
Features
The Chapel on the CWRU Campus: A Memoir
By DAVID TOPPER In 1964, I moved to Cleveland, Ohio to attend graduate school at Case Institute of Technology. About a year later, I met a girl with whom I fell in love; she was attending Western Reserve University. At that time, they were two entirely separate schools. Nonetheless, they share a common north-south border.
Since Reserve was originally a Christian college, on that border between the two schools there is a Chapel on the Reserve (east) side, with a four-sided Tower. On the top of the Tower are three angels (north, east, & south) and a gargoyle (west); the latter therefore faces the Case side. Its mouth is a waterspout – and so, when it rains, the gargoyle spits on the Case side. The reason for this, I was told, is that the founder of Case, Leonard Case Jr., was an atheist.
In 1968, that girl, Sylvia, and I got married. In the same year the two schools united, forming what is today still Case Western Reserve University (CWRU). I assume the temporal proximity of these two events entails no causality. Nevertheless, I like the symbolism, since we also remain married (although Sylvia died almost 6 years ago).
Speaking of symbolism: it turns out that the story told to me is a myth. Actually, Mr. Case was a respected member of the Presbyterian Church. Moreover, the format of the Tower is borrowed from some churches in the United Kingdom – using the gargoyle facing west, toward the setting sun, to symbolize darkness, sin, or evil. It just so happens that Case Tech is there – a fluke. Just a fluke.
We left Cleveland in 1970, with our university degrees. Harking back to those days, only once during my six years in Cleveland, was I in that Chapel. It was the last day before we left the city – moving to Winnipeg, Canada – where I still live. However, it was not for a religious ceremony – no, not at all. Sylvia and I were in the Chapel to attend a poetry reading by the famed Beat poet, Allen Ginsberg.
My final memory of that Chapel is this. After the event, as we were walking out, I turned to Sylvia and said: “I’m quite sure that this is the first and only time in the entire long history of this solemn Chapel that those four walls heard the word ‘fuck’.” Smiling, she turned to me and said, “Amen.”
This story was first published in “Down in the Dirt Magazine,”
vol, 240, Mars and Cotton Candy Clouds.
