Features
Dan Petrenko brings a youthful enthusiasm to his role as the new WJT artistic director
By BERNIE BELLAN At the age of 24, Dan Petrenko became the youngest artistic director of any of the member theaters of the Canadian Professional Association of Canadian Theaters (PACT) when he was hired this past November as the new artistic director of Winnipeg Jewish Theatre.
Dan was actually in London, England, having just moved there two and a half months previously, when he was contacted by a recruiter for the WJT, who asked him whether he might like to meet with the WJT board (via Zoom) to discuss the possibility of his becoming the new WJT artistic director.
The WJT’s previous artistic director, Ari Weinberg, announced in June 2022 that, after seven seasons as WJT artistic director, he would be moving on to a new position in Ontario.
Now in its 35th season the WJT has had only five artistic directors prior to Dan Petrenko: Bev Aronovitch, Kayla Gordon, Mariam Bernstein, Michael Nathanson, and Ari Weinberg. The WJT is the only professional theatre company in Canada dedicated to developing and producing new Jewish works.
Recently, we sat down with Dan Petrenko to discuss the path he took to his present position.
Dan was born in Israel, the son of Jewish parents who had moved from their hometown of Odessa in Ukraine.
A formative influence in his life, he says, was his grandmother, who had been a pianist in Ukraine. She had aspirations early in her life to study in a music conservatory, but the antisemitism that was pervasive in the Soviet Union prevented her from achieving that ambition. Instead, she had to travel all the way to Siberia in order to obtain training to become a pianist.
In 1991, Dan’s parents made two momentous decisions, he says: They got married and they moved to Israel, settling in Givaataim.
As Dan describes it, “For the first time in their lives, my parents felt they could be Jewish.”
Life in Israel was good for the Petrenkos, but things changed for the worse in 2006 when Israel became engaged in a major conflict in Lebanon.
Dan and his sister were enrolled in a kindergarten in Givaataim when, one day after dropping Dan and his sister off, his parents heard on the radio that a bus had exploded right next to their children’s kindergarten.
“They didn’t want to leave Israel,” Dan observes, but, like other Israelis who wanted to find someplace safer in which to raise their children, his parents decided to leave, eventually moving to Toronto.
Arriving to Toronto, however, had a paradoxical effect on the Petrenko family, Dan explains.
“In Israel you didn’t have to be Jewish; everyone was.” But coming to Toronto, with its polyglot ethnic mix, awakened a desire in the Petrenkos to embrace their Jewish heritage.
“It was in Toronto that we celebrated our first Passover seder,” Dan says. “We also started going to synagogue for the first time.”
As well, the Petrenkos started keeping kosher and observing Shabbat, something Dan says he adheres to.
Still, when I asked Dan whether he went to Jewish school in Toronto, he says he didn’t.
His first real immersion in a Jewish milieu in Canada, he explains, came when he went to a Jewish summer sleep-over camp near Toronto, called J Academy.
“It was specifically for kids from Russian-speaking Jewish backgrounds,” he explains.
In time Dan went on from being a camper at J Academy to becoming a counsellor, and eventually a senior staff member.
It was also during his high school years that Dan says he began playwriting and directing. In fact, when he was still in high school, Dan wrote a play called “Train for Two,” which was based on his own family’s experience in the Holocaust. Later, he was able to mount a successful production of that play when he was only 17 and had started his own youth theatre company called JDY Theatre.
I asked Dan from where he derived his artistic sensibility?
He answers that, as a young boy, his grandmother had taken him to the opera and to ballet, so developing an interest in theatre was a natural progression.
Even through his years at the University of Toronto, where he double majored in Theatre and International Relations, Dan remained the artistic director of JDY Theatre.
By the time the Covid epidemic began in 2020, however, Dan had moved on to become artistic director of another theatre company: Olive Branch Theatre, which is described as “a non-profit professional company dedicated to providing opportunities for new-generation artists.”
In 2022 Dan returned to university to obtain his masters degree in Theatre. That same year he directed a production of “A Night on Jewish Broadway” in the newly renovated Leah Posluns Theatre in the Bathurst Jewish Community Centre.
This past fall, Dan decided to move to London to pursue opportunities in the West End theatre district.
While in London, he received that unexpected request from a recruiter for the WJT.
It turns out that Dan already had an extensive knowledge of the WJT, as he explains: “I had written a paper on the WJT while I was in university.”
His meeting with the WJT board via Zoom must have been an impressive one for, as Dan says, “I was offered the job the same day.” (He also says he has no idea how many other people might have been considered for the job as WJT artistic director.)
By the same token, the immediate positive reception Dan received from the WJT board was reciprocated. “After meeting with the board,” he says, “I felt this was an organization I wanted to be a part of…So far I feel I’ve hit the jackpot.”
We also have a story by Myron Love about WJT’s upcoming production of “Summer of Semitism,” but we wanted to ask Dan about the play. Since he was hired after the 2022-23 playbill had been announced, Dan won’t be at the helm of the play. (It will be directed by Winnipeg’s Krista Jackson, a former associate artistic director at the Manitoba Theatre Centre.)
The play was written by Ori Black, a young Torontonian. “It’s been in development for six years,” Dan explains.
“It’s a play about belonging – or not belonging,” he continues. “Is it only in a time of crisis that we think we’re part of the Jewish community?”
The play is set in an overnight summer camp (Camp Mazel), where four friends who grew up together and who are now tasked with running the camp, find they have to deal with an unexpected challenge having to do with antisemitism. (We won’t reveal the exact nature of what that challenge is.)
Tension develops among the four camp leaders stemming from the fact that one of them isn’t Jewish.
As Dan puts it: “They’re all brothers, but the question is: ‘Who belongs…who really fits in in a time of crisis?”
The show is intended to provoke a wider discussion of antisemitism and how we respond to it. Dan notes that following two of the shows – on April 30 and May 4, audience members will be invited to participate in a talk-back session.
Tickets for “The Summer of Semitism” can be obtained from the WJT, either online at https://www.wjt.ca or by calling 204-477-7478.
Features
The Moneymaker Poker Tour 2025 Is Coming To Canada
This year, the highly acclaimed Moneymaker Tour is finally coming to Canada for the first time. Previously hosted just across the US, the Moneymaker Tour’s Canadian leg marks only its second time abroad. The first time was last year’s Moneymaker Tour Aruba, which was held in October. During this leg, the Caribbean island country also hosted a USD$200,000 (CAD$285,527) guaranteed Main Event.
Following this successful overseas experience, the team behind the Moneymaker Tour, led by its namesake, Chris Moneymaker himself, will host 23 events in Kahnawake, just some minutes from downtown Montreal.
Chris Moneymaker and his poker legacy
A certified living poker legend, Chris Moneymaker is credited with kickstarting the early 2000s poker boom. A former accountant who qualified via (what was then relatively new) online satellite means, Moneymaker went on to win the 2003 World Series of Poker (WSOP) Main Event with a USD$2.5 million (CAD$3.5 million) prize. His win marked a turning point in the industry, as it convinced thousands that poker was now more accessible and promising than ever. Since then, Moneymaker has won multiple bracelets and has been included in the Poker Hall of Fame.
Over the years, Moneymaker has expanded his presence on the felt as a poker pro for ACR Poker, which is the US’ leading online poker site. Since 2001, it’s been known for its huge tourneys, secure gaming and banking methods, and an impressive roster of poker personalities. Moneymaker was officially brought on in this capacity in 2021. In recognition of Chris’ influence, the site has even begun hosting special weekly promotions called The Sunday Moneymaker, which offer supersized guarantees of up to USD$300,000 (CAD$428,397). This is, of course, aside from the Moneymaker Tour itself, which is also hosted in partnership with the operator across several US cities, nearby territories, and now in international locations, like Canada.
What to expect from the Moneymaker Tour in Canada
Set to be held from May 7-20, the Canadian leg of the Moneymaker Tour will be hosted in cooperation with local casino and cardroom Playground. As mentioned above, there will be 23 events, during which there will be a USD$980,343 (CAD$1.4 million) guaranteed prize pool across the board. From May 16 onwards, the events will be dedicated to the Main Event, where there is a USD$350,122 (CAD$500,000) guarantee.
Designed to provide an opportunity for poker players of all skill levels and backgrounds to experience their own extraordinary poker wins inspired by Moneymaker, the tour’s events notably feature considerably lower buy-ins. In the Canadian leg, for instance, the Main Event’s buy-in is only USD$805 (CAD$1,150). With this in mind, reports state that players from across Canada, the US, and other neighboring countries are expected to join in.
Per executives behind the Moneymaker Tour, this foray into the Canadian poker scene will ideally set the scene for future activations. That said, whether the tour will extend to other provinces is yet to be determined, considering that there are varying stances on gambling. For instance, in Alberta, there are still some delays in regulatory gambling launches. This has pushed back the legal release of potential gaming opportunities, especially in iGaming. However, since most citizens and legislators see the value in exploring this issue positively, it bodes well for any future poker events, including Moneymakers’.
Features
How to Determine the Best Canadian Online Slot Sites for Your Needs
Your choice of online slot site may be different between winning and losing. More and more Canadian online slot sites have been added to the market quickly, so finding a site that works best for you is pivotal. That diversity also means that not all sites are equal. Find one that has an assortment of games, and the security features you want, and is simple and user-friendly, depending on your taste. Here we are going to look at how you can get yourself lost in online slots in Canada and what makes a game juicy.
Key Factors to Consider When Choosing Canadian Online Slot Sites
There are some very important things that you need to keep in mind when picking the best Canadian online slot sites. Knowing about these factors can help you have a safe and pleasant gaming experience.
1. Licensing and Regulation:
One of the first things you need to look at is if the site has a license or not. All good Canadian slot sites should hold licenses from respected and well-known authorities like the Kahnawake Gaming Commission or Malta Gaming Authority. This means that the site must meet very high standards of fairness and security.
2. Game Selection:
Online slot gaming is all about variety. Choose online slot sites that offer a wide variety of reputable developer games. Some of the most popular providers, including Microgaming, NetEnt, and Playtech, produce games with stunning graphics and exciting gameplay features. Experiencing other sites with their wider game libraries makes for a nice change too.
3. User Experience:
A simple and easy-to-use user interface makes your game more enjoyable. Check how user-friendly the website is, the game loaders, and the management of your account. In contrast, top Canadian slot sites with beautifully crafted websites save players from technical issues and dispense with the mindset that you are here to play.
4. Easy Payments:
Payment options should be secure and easy to use. Make sure the site allows for plenty of payment options—credit cards, e-wallets, and bank transfers. Also, make sure the site has implemented encryption to help secure your financial transactions and personal information.
5. Customer Service:
Good customer service can go a long way. Choose Canadian slot sites that provide professional support for assistance by live chat, email, or even phone if necessary. Great customer support ensures that if you face any kind of problem, it gets resolved as soon as possible.
To make it easier for you to locate and select the top Canadian online slot sites that meet these points, check out New Online Casinos. From the reviews and comparisons that this resource provides, you will be able to notice which sites really hit all those crucial aspects with other elements of playing games, only adding a cherry on top!
Top Red Flags in Canadian Slot Sites to Watch Out For
The main point is to avoid landing on sites that purport themselves as Canadian slot sites but are actually wolves in sheep’s clothing.
- No Licensing: Make sure the online casino is licensed to ensure fair play.
- Unrealistic Bonus Offers: Unrealistic Bonus Offers are also another warning sign, as too-good-to-be-true bonuses with high minimum turnover requirements may be designed to make players lose their money.
- Low Ratings: The poor user reviews may have an issue with customer support or even fairness.
- Limited Payment Options: Moreover, there are limited payment options and vague security measures to ensure your financial safety.
To avoid getting into trouble and to ensure that you have a safe experience with online slots in Canada, always take these aspects under the microscope.
Conclusion
The best online slot sites in Canada will have their game selection well-cataloged, helping you to browse the hundreds of options and figure out which are right for you. If you take all of these into consideration, you should be able to find a site that offers some fun and safety. Keep your eyes open for red flags all the time and use services like New Online Casinos to help you pick new casinos.
Features
Fitzdares Exiting March 31, Stake.ca Prepares for Highly Anticipated Launch
Ontario’s rapidly evolving online betting industry faces another significant shift as British bookmaker Fitzdares has confirmed plans to permanently withdraw from Ontario by March 31, 2025. The unexpected exit comes after two challenging years for Fitzdares, which struggled to establish a foothold in Ontario’s increasingly crowded and competitive gambling landscape.
UK-based Fitzdares, known for its premium betting experience and personalized service, entered the Ontario market in early 2023. Despite hosting exclusive Toronto events and significant investment in local marketing efforts, the bookmaker struggled to establish a foothold. Recent industry data shows Fitzdares captured less than 0.2% of Ontario’s betting volume, placing it well behind established competitors BetMGM, FanDuel, and DraftKings.
Fitzdares confirmed it had stopped accepting deposits as of March 10 and will halt all new wagers by March 24. So if you’re signed up with Fitzdares, you have until midnight on March 31 to withdraw any remaining balances before the platform officially shuts down.
The departure of Fitzdares highlights the tough realities operators face in Ontario—a market that has rapidly expanded since its regulation began in April 2022. Today, more than 50 licensed brands compete fiercely for local bettors’ attention, making differentiation critical for success.
Amid this shifting landscape, anticipation is steadily building around the return of Stake.com—this time under its new Canadian-specific brand “Stake.ca.” Stake previously operated in Ontario but was forced to suspend services due to stricter licensing requirements introduced by iGaming Ontario and AGCO, the Alcohol and Gaming Commission of Ontario. Now, after a lengthy hiatus and extensive preparations, Stake is gearing up to re-enter the province legally and fully regulated under its new Canadian-facing brand: Stake.ca.
Stake.ca has already launched an informational portal at StakeOntario.com, providing regular updates on regulatory progress and launch details. While an exact launch date hasn’t been publicly confirmed yet—currently listed simply as “coming soon”—the platform is widely expected to go live later this year.
Industry insiders point out that Stake is making significant investments to ensure full compliance with Ontario’s stringent regulatory standards. The company recently hired Canadian iGaming veteran Kris Abbott as its representative for Canada, demonstrating a clear commitment to successfully navigating local licensing procedures.
Stake originally gained global popularity through its innovative cryptocurrency-friendly betting model, extensive game library—including exclusive original titles—and robust sports betting markets featuring live streaming and unique betting experiences like Plinko and Crash games. While Ontario currently restricts crypto gambling transactions, industry experts predict Stake.ca will initially offer CAD-based payments with potential crypto integration down the line if provincial regulations evolve.
Stake.ca’s return has Ontarian gamblers fired up. Online forums and social feeds are packed with bettors hyped about its exclusive casino games, VIP rewards, live-streamed sports, and especially the real-time chat where you can talk to other members directly.
For now, Ontarian bettors will have to wait just a little longer—but when Stake.ca finally goes live later this year, it could significantly reshape the province’s online betting landscape once again.