Connect with us

Features

David Steinberg speaks fondly of his Winnipeg roots in autobiography

Twitter photoBy MARTIN ZEILIG When asked why he decided to write this entertaining and insightful book comedian/director/writer/producer/actor David Steinberg provides a concise and reasonable response.
“Money,” Steinberg said in an email response to a series of questions sent to him by this reporter.

He seems to be following, at least in part, the wise words of Samuel Johnson (Dr. Johnson) the 18th century English writer, moralist, critic, editor and lexicographer who famously said, “No man but a blockhead ever wrote except for money.”

 

 

 

with brother

David Steinberg in Israel 1958 while on a scholarship to the Hebrew University

Basketball

 

David as a youngster in Winnipeg

Left: David (right) with his older brother Fishy, in 1946

Top right: David in Israel while on a scholarship to the Hebrew University

Bottom right: David playing basketball at the YMHA on Hargrave, 1953

 

 

 

 But, to be fair, there was more to Steinberg’s reply: “And I have a lot of memories and information about comedy and comedians I wanted to share.”Steinberg grew up in Winnipeg, where he studied theology at yeshiva at the age of fifteen, and went to the University of Chicago, leaving to become a member of Second City, notes his bio.
He appeared on Broadway with Elliot Gould in Jules Feiffer’s Little Murders and Carry Me Back to Morningside Heights, directed by Sidney Poitier. During Steinberg’s almost three decades as a stand-up comedian, beginning at the Bitter End, he released four comedy albums and received two Grammy nominations. Steinberg has directed many TV shows, among them Seinfeld, Curb Your Enthusiasm, Designing Women, The Bob Newhart Show, and The Golden Girls. He lives in Los Angeles and New York with his wife, Robyn.

This writer has known David “Duddi” Steinberg for decades. His sister, Tammy Lazer, and her (late) husband, Harry, and their two children, Hart and Shelley, lived next door to the Zeilig family in Garden City for a number of years.
I have vivid memories of Hart and me playing football catch on Primrose Crescent with “Uncle Duddi” whenever he used to come visit the family. David drove a blue 1959 Plymouth Valiant.
On at least one occasion, he even visited my parents, Lillian and Morrey, and played his guitar and sang a folk song while sitting on the orange shag carpeted living room floor of our five room blue bungalow.
While watching David on a television comedy special from Hollywood many years later, my mother reminisced about that special time when the young “still undiscovered” Duddi Steinberg had serenaded her.

I recall a standup comedy show Steinberg gave at the Centennial Concert Hall back in the late 1970s. Afterwards, he invited some friends, including my mother, and family members backstage to visit him in his dressing room for a while.
As someone said afterwards, “Fame and success hasn’t changed him. Duddi Steinberg is still a real down-to-earth mentsch.”
My late brother, Ken, worked as a radio arts correspondent for CBC in London, England for many years back in the 1960s and ‘70s. I recall him telling me that he and his first wife, Gillian, saw a play in the west end, which had first appeared on Broadway, starring Steinberg.
“The play wasn’t memorable,” Ken said. “But, David is an engaging actor. He’s very good.”

Steinberg writes that it took him a few years to write the book—all the stories, reminiscences, tales of directing, performing and related anecdotes and incidents—to get it “where I wanted it.”
The list of comedians in the book seems endless, from Sid Caesar and Mel Brooks, to Don Rickles, Lucille Ball, Rodney Dangerfield, Richard Pryor, Robin Williams, Billy Crystal, Lily Tomlin, Ben Stiller, Chris Rock, Martin Short, Steve Martin and so many more.
“We didn’t have TV in Winnipeg while I was growing up,” the author writes.
“I watched every movie as a kid and listened to every radio show. Radio was so exciting. It was all about your imagination. You were creating pictures in your head from what you were hearing. I always applied that to my stand up. Second City (the Chicago comedy and improvisational troupe) was one of the best things that happened to me early on.
“I learned from seeing Lenny Bruce perform at the Gate of Horn that a comedian could be dapper and still be funny (rare for the time). Lenny was a genius. He was soft-spoken and never pandered to the audience. He was never afraid of being controversial. He was my comedic hero. He was everyone’s comedic hero.”

He also considers being on The Tonight Show Starring Johnny Carson for over 30 years as a major highlight of his career.
“Johnny asked me to host it when I was 26,” Steinberg says. “Looking back, being on that show with Johnny was everything to me. I love comedians and I love my life in comedy. I loved directing all the shows from Bob Newhart to Curb Your Enthusiasm. And I’m so proud of this book.”
Yet, in looking back at his long and illustrious career, Steinberg says that “Getting the Order of Canada (presented by former Governor General Her Excellency the Right Honourable Julie Payette) was one of the most important moments in my life. Remember, my father (a rabbi/grocer) and mother were Russian immigrants, with very little. My only regret is that they were not there to see me get one of the highest honors of my beloved country.”

Some notable excerpts: “Insecurity combined with arrogance is good DNA for a comedian. So is anger, aggression, and sadness. If you’ve had a great life and a wonderful bar mitzvah and you’ve been given a lot of money, you’d make a lousy comedian. You’re better off being the comedian’s lawyer.
“…I may be the only comedian to have made Elie Wiesel laugh; that I was admired by the great New Yorker writer S.J. (Sid) Perelman, and by Philip Roth, Kenneth Tynan, and Harold Pinter. And that I was virtually adopted by Groucho Marx and many of the legendary old-timers (such as Jack Benny and George Burns) at Hillcrest Country Club. I also directed Burt Reynolds at the height of his considerable fame, before he self-destructed.
“It’s a funny thing about comedy: when you give your life to it, it can become a serious business. I spent my life in and outside the comedy world, and it is a world, a universe unto itself.

“But this book is not just about my life in comedy—it’s about my life and comedy in the last half century. I lived through a time when stand-up comedy was a poor relation to other forms of entertainment, when being on a successful sitcom was nothing to write home about. But, I think I was one of a group of people—along with Steve Martin, Richard Pryor, George Carlin, and a few others—who pushed stand-up forward as an art form and made comedy an important part of the culture.
“Comedians ‘steal’ from each other all the time—not material, but ideas. There’s no good comedian that hasn’t stolen ideas from someone. And you don’t really ‘steal’ material. You do your own version of it. And so that’s a bar code. So Shelley Berman on the phone—I guarantee you Nichols and May had their comedic ‘on the phone’ piece before him. Bob Newhart was on the phone in a way no one else was.”
Then, there was the time Steinberg was best man at the wedding of the notorious Mafia kingpin Joey “Crazy Joe” Gallo.
He writes: “Joey Gallo was about forty years old when we met and about as famous in his own high-visibility field as I was in mine.”
Caption under a photo— one of many photos— in the book: “I hadn’t known Joey Gallo that long, maybe a year or so, but I arrived at Jerry and Marta Orbach’s house for a party, and when I got there, I was told that Joey and Sina were getting married right then.When Joey insisted I be his best man, the priest was so excited I froze, surprised and shocked, as you can imagine. (I thought it should have been Jerry, who had known him for many, many years). And here I am right after the ‘I do’s’ with the happy couple. March 1, 1972.

“I remember, as a child, sitting in my neighborhood Winnipeg movie theatre all day, every weekend, watching the same Marx Brothers movies over and over again, and laughing and laughing and laughing, worshipping this great, odd, funny man with the funnier name, Groucho.
“Cut to eighteen years later, meeting my childhood hero, my new friend, Groucho. He could still make me laugh, but this time I could reciprocate the gift of laughter.”
David Steinberg’s life has, as he admits, been a dream built on laughter.
A legend in his field.

“Inside Comedy: The Soul, Wit, and Bite of Comedy and Comedians of the Last Five Decades”
By David Steinberg
(Knopf 335 pg. $40.00)

   Captions for above photos, as supplied by David Steinberg:

Left: “On set with Jordan Peele (left) and Keegan-Michael Key (center). Many years ago, I directed Keegan in the pilot Frangela and subsequently became a big fan of Key & Peele. I was lucky to have Keegan and Jordan on Inside Comedy and to get to know these two amazingly talented people.”
Credit: Ty Watkins

Centre: “On the set of Inside Comedy. These are all people I love. They light up a room. Mel Brooks and Tim Conway are always buoyant, Jon Lovitz is so smart and just finished doing a perfect imitation of Woody Allen’s moose story, which he said inspired him into comedy. And my good friend Alan Zweibel, who is every comedy writer’s matzo brei. (Left to right: Brooks, Lovitz, Zweibel, me, Conway.) “
Credit: © Nicholas Rowan Adams

Right: One of my favorite birthdays with Don Rickles, Marty Short, Bob Newhart, and of course my wife, Robyn, who threw the party at E. Baldi restaurant in Beverly Hills, August 9, 2014.”
Credit: Courtesy of the Author

 Montage 2

Captions for above photos:

Left: “Sharing a cigar with Groucho, as we always did. He was reluctant to come on as my co-host, but I’m so glad he did; it really meant everything to me, and the audience loved him.”
Credit: The Music Scene

Centre: “John Candy and his family lived in my guesthouse in Los Angeles for a year while we were writing and shooting the cult classic Going Berserk, circa 1982. John wrote most of the script on a napkin. That should tell you something. That was the whole script.”
Credit: Courtesy of the Author

Right: “This is Kong (short for “King Kong”). Kong was my monologue go-to. Sometimes I would talk about current events, and I also would do a Dietrich-like rendition of “Falling in Love Again.” One of the many places Kong and I went was on The David Steinberg Show, the CBS summer replacement for The Carol Burnett Show, 1972.”
Credit: Courtesy of the Author

 

Continue Reading

Features

Building Credit in College for Future Real Estate Deals

Most college students aren’t thinking about mortgages. But the students who buy their first investment property at 25 or 27 started building credit at 19 or 20. The two are directly connected.

Real estate is a game of capital access. Lenders don’t care how motivated you are – they care what your FICO score says. A 760+ score gets you prime mortgage rates. A 620 gets you higher interest and fewer options. The difference in monthly payments over a 30-year mortgage can be tens of thousands of dollars.

The window you have in college to build credit without major financial pressure is one of the most underused advantages Jewish students have.

Credit Foundations: Where To Start

Your credit score is built from five factors. Payment history makes up 35% – the largest single component. Credit utilization (how much of your available credit you’re using) accounts for 30%. Length of credit history, credit mix, and new inquiries cover the rest.

For most students, the first practical step is a secured credit card or a student credit card. Secured cards require a deposit that becomes your credit limit – typically $200-$500. They report to all three major bureaus and build history the same way unsecured cards do.

The rules are simple but require consistency. Pay the full balance every month. Keep utilization below 30% of your limit. Don’t apply for multiple cards in a short period. These habits compound over years – a student who starts at 18 has 7 years of credit history by the time they’re ready for a first mortgage.

One underused option: ask a parent or family member to add you as an authorized user on an older card with a clean payment history. You don’t need to use the card. The account’s age and payment history get added to your credit file immediately.

Researching Investment Options During Studies

Business, economics, and finance students regularly analyze real estate markets as part of their dissertation. That work isn’t just academic – it’s actual market research that doubles as preparation for real investing decisions.

However, balancing dataheavy analysis, market research, and exams often leads to extreme burnout. To survive the final semester, many students look for external support. Some of them use EduBirdie – best dissertation writing services for timely delivery and consistent quality on deliverables when the research load is heavy. Outsourcing the formatting and drafting frees up time to dig deeper into the actual market data that matters for real investment decisions. The analysis you build during college becomes your knowledge base before you ever make an offer.

Smart students treat every finance and real estate assignment as a portfolio of personal research. That perspective shifts the work from obligation to investment preparation.

How Student Loans Affect Your Future Mortgage

This is where many graduates get surprised. Student loan debt directly affects your debt-to-income ratio (DTI) – a key metric lenders use in mortgage approval. Most conventional lenders want your total monthly debt payments to stay below 43% of gross monthly income.

If you graduate with $40,000 in student loans at a standard repayment, your monthly payment is roughly $400. That $400 counts against your DTI before you add a car payment or rent. Managing your loan balance and making consistent payments not only builds credit – it keeps your DTI workable when you’re ready to buy.

Income-driven repayment plans can lower monthly payments but extend the loan period. For mortgage purposes, lenders typically use the actual monthly payment shown on your credit report when calculating DTI.

Practical Steps For Building Credit In College

Keep Utilization Low

Staying under 30% of your credit limit matters more than most students realize. If your card limit is $500, that means keeping your balance below $150 before the billing date. Paying in full each month handles this automatically.

Monitor Your Score Regularly

Free monitoring is available through Credit Karma, Experian, and most major banks. Checking your score doesn’t hurt it. Set up alerts for new inquiries, changes in balance, or any accounts you don’t recognize. Catching errors early prevents damage that takes months to fix.

Build Your Credit Mix Over Time

Lenders like to see that you can handle different types of credit. A student card, a small personal loan, and eventually a car loan create a credit mix in college that strengthens your profile. Don’t open accounts you don’t need, but don’t avoid credit out of fear either.

Here’s a practical credit-building checklist for college students:

  • Open one student or secured credit card and use it monthly
  • Pay the full balance before the due date every month
  • Keep utilization below 30% at all times
  • Become an authorized user on a parent’s old card if possible
  • Check your credit report annually at AnnualCreditReport.com
  • Make all student loan payments on time once they enter repayment
  • Don’t close old accounts – account age matters

Understand What Mortgage Pre-Approval Requires

When you eventually apply for a mortgage, lenders will look at your FICO score, DTI, employment history, down payment, and reserves. The credit score threshold for a conventional loan is 620, but most competitive rates start at 740 and above. FHA loans allow scores down to 580 with a 3.5% down payment.

Starting to build credit at 18 or 19 means arriving at your first mortgage application with 6-8 years of credit history. That length alone adds 15% of your score. Combined with responsible utilization and clean payment history, you can realistically hit 740+ before you graduate.

The Long Game

Real estate investing after college isn’t a fantasy – it’s a planning problem. The students who pulled it off didn’t get lucky. They started building credit years before they needed it, kept their DTI manageable, and used their time in school to understand the markets they wanted to invest in.

The credit habits you build now are the credentials lenders will evaluate later. Start with one card, pay it in full, and let the history accumulate. Five years from now, that consistency becomes a mortgage approval and the keys to your first property.

Continue Reading

Features

How Pioneer Families Kept Hebrew Alive on the Early Canadian Prairies

Canadian Prairies of the West and Jewish Pioneer Families

Early Western Canada boasted prairies and Jewish immigrant families’ settlements. Here is how they kept the Hebrew language alive and built makeshift schools.

Western Canada in the late 1800s was nothing more than plains. Wild grass and strong prairie winds covered the terrain. But that open land and freedom became a lifeline for thousands of Jewish immigrants. They were running from dangerous attacks in Europe to the safety of farm life in Canada. These families settled where there was nothing and the closest towns were miles away. They lived without electricity or running water. But even though every day was a survival for them, they managed to preserve their heritage and language.

Their effort to do so was enormous, but the information about it is mostly available in deep historical archives. If you need to write a detailed history paper on Canadian homesteaders, you’d probably be better off using the WritePaper academic help platform. Their experts have access to extensive knowledge bases, including numerous archives. If you just want to get a glimpse of how these families did it, here are some interesting facts.

Let’s start with the early farming towns these families built from scratch.

Early Farming Towns

Between 1880 and 1910, several Jewish farming towns started on the Canadian plains. These families left dangerous conditions in European countries like Russia, Lithuania, and Romania. They wanted a safe, fresh start on the land. They built farming communities with unique names like Hirsch, Wapella, Lipton, and Edenbridge in Saskatchewan. Other families started settlements like Bender Hamlet in Manitoba. When they first arrived, the land was completely wild and flat.

The weather was incredibly tough for the new farmers. The first winters were so cold that many families lived in sod dugouts. These were temporary homes dug right into the ground with roofs made of thick dirt and grass. Luckily, local Indigenous and Métis neighbors stepped in to help. They taught the newcomers how to build warm log cabins out of wood and clay. They also showed them how to survive freezing winter blizzards. Once the families had food and shelter, they focused on education. They knew that even though Yiddish was their everyday language, their kids still needed to learn Hebrew. Without Hebrew, their religious identity would fade away in the wilderness.

Classrooms out of Logs and Mud

How do you run a school when your neighbors live miles away? Several academic papers on this era show that starting a school required hard work and teamwork. One of the articles by Eric Stelee, who also writes for the best paper writing service WritePaper, points out that studying these early schools requires looking at deep community sacrifices. Farming families had to build everything with their own two hands. They set up Talmud Torahs. These were traditional afternoon Hebrew schools. Kids there were taught religious reading, writing, and daily prayers.

Building these schools, however, wasn’t the only problem pioneers came face to face with:

  • Since trained teachers wouldn’t move to remote frontier farms, communities had to find and hire traveling tutors.
  • Kids often had to walk or ride horses for many miles through deep snow just to get to a single lesson.
  • Before permanent schoolhouses were finished, simple log cabins and small community halls had to double as schoolrooms during the week.
  • Spring planting and fall harvest affected attendance significantly. Parents often needed their kids to help them in the fields.

Real Numbers of the Prairie Frontier

Old records show exactly how fast these prairie communities grew out of the wilderness. Between 1884 and 1912, Jewish families started 31 different farming communities across the Canadian prairies. The Canadian government offered 160 acres of wild land to any settler for a fee of just ten dollars. The only catch was that families had to clear the land and farm it successfully.

In 1892, a group of 47 families started the Hirsch community in Saskatchewan. Later, in 1906, another group of 56 pioneers started the Edenbridge community further north. By the year 1911, the official census counted exactly 2,066 Jewish people living in the province of Saskatchewan alone. These families proved that hard work could protect their language and history in a brand-new country.

The Tools of Prairie Learning

Books were very rare and expensive on the early Canadian frontier. Most families could only bring a few holy books packed tightly into their wooden trunks when they left Europe. These family treasures became the main textbooks for pioneer kids.

To keep their traditions alive without modern school supplies, families had to be creative:

  • Parents spoke Yiddish at home, but they also repeated Hebrew prayers and holy songs aloud while cooking or feeding farm animals.
  • They would gather kids around a single, worn-out family Bible to read the Hebrew letters together by the light of a lamp.
  • Small towns shared their money to hire one person who worked as both the community butcher and the school teacher.
  • Permanent wood synagogues, like the Beth Israel Synagogue built in 1908, became the centers for kids’ religious education.

Hebrew stayed alive as a sacred language on the flat plains because of these efforts. Kids learned the ancient alphabet and historic prayers while living thousands of miles away from big cultural cities.

Conclusion

Canadian prairie communities proved to the world that language and heritage can be preserved if you put your heart into it. Unfortunately, most of these farms disappeared during the Great Depression and the draw of big cities. But places like Edenbridge still exist today and have become important historic sites. These places keep memories of those mud and log schoolhouses alive.

Pioneer Jewish families that came to Canada in the 1800s had nothing, yet they still managed to pass knowledge down to their children. One candlelit lesson at a time.

Continue Reading

Features

Why Modern Torah Scribes Still Mix Ink by Hand

It’s 2026 and Torah Scribes Still Mix Ink by Hand

Did you know that Jewish ritual scribes don’t actually use any of the modern printing tools? They still mix a 2,000-year-old ink recipe by hand and here is how.

Our lives are run by smartphones and computers. Everything can be typed or copied in a matter of minutes or even seconds. Yet, there is still a certain profession that rejects all these modern conveniences. They also reject the obsession with speed we have, exactly because of all these tools. These professionals are Sofrim. They are ritual scribes in Jewish communities. They are responsible for hand-writing Torah scrolls, holy books, and small mezuzah scrolls for doorways.

The contrast between their craft and the constant typing we are used to is striking. Just think of it. If a student or even a professional is pressed for time, they just go online and look for a writing service to help them out. A digital platform like PaperWriter can write and format an entire paper in just a few hours. But this same speed is the enemy of a holy Torah scribe. To write a sacred scroll, they must be deeply concentrated and slow about their process. Rush can’t be part of it. In fact, this special care begins before the pen touches the page. First, they gather the ingredients and mix the writing ink.

The Strict Rules of Sacred Ink

Why can’t a scribe just buy a bottle of high-quality black ink at a local art supply store? It all comes down to traditional Jewish law, which is called Halakha. A Torah scroll is a highly holy object with very strict manufacturing standards. A single scroll contains exactly 304,805 letters and takes a full year of daily manual labor to finish. If even a single letter fades, cracks, or peels off the page over time, the entire scroll becomes invalid. It cannot be used in a synagogue service until it is carefully repaired.

There is also a common myth that the ink itself must be “kosher.” But Jewish law actually focuses on durability and natural purity. While the parchment page absolutely must come from a kosher animal species, the ink simply needs to be permanent, deeply black, and made from scratch.

To make sure the holy words last for hundreds of years, the ink must follow these specific standards:

  • Color. It must be a deep, solid jet-black color that is easy to read.
  • Durability. The ink must bond with the skin page so it never flakes off.
  • Texture. It must remain smooth enough to avoid cracking over the centuries.

Modern writers often focus on how much digital tools have changed our daily habits. As a blog writer for the paper writing service PaperWriter, Jacky M. points out, “modern text has become instant, temporary, and easily erasable.” Ritual scribes, however, take the opposite path. They preserve a slow, physical process that has remained unchanged for thousands of years. They make sure ancient texts endure for future generations.

The 2,000-Year-Old Ink Recipe

To get the perfect black color and long-lasting quality, scribes use a formula that dates back to ancient times. This traditional mixture is a special kind of iron gall ink. It creates a permanent chemical bond directly on the page.

The Raw Ingredients

Before beginning the brewing process, a scribe must gather a small collection of organic materials:

  • Oak Galls. Round, woody bumps from oak trees that contain a natural acid.
  • Iron Sulfate. A natural mineral salt that turns the liquid dark black.
  • Gum Arabic. A sticky tree sap that acts as a natural glue.
  • Pure Water. The liquid base for boiling the ingredients together.

The Preparation Steps

The process of turning these raw elements into smooth writing fluid requires a lot of patience and precision:

  1. The hard oak galls are crushed into a fine powder.
  2. The powder is boiled in water for several hours until it creates a dark, strong tea.
  3. Tea is strained to remove solid pieces of wood.
  4. The iron sulfate is then added to the warm liquid.
  5. The gum arabic is added last to give the liquid a thick, glossy texture.

The moment the iron touches the oak gall tea, a chemical reaction happens. The pale brown liquid instantly turns into a deep, pitch-black ink. The added gum arabic keeps the ink from dripping too fast off the tip of the scribe’s traditional quill or reed pen.

Why This Ancient Ink Lasts Longer

This handmade chemical compound is perfectly suited for parchment, which is made from processed animal skins. Modern factory inks are full of harsh chemicals and alcohols designed to dry instantly on wood-based paper. If you use factory ink on animal parchment, it will eventually ruin the surface. The letters will turn brittle, dry out, and fall off the page like old house paint.

Handmade iron gall ink works completely differently. It actually bites into the organic fibers of the animal skin. As the years go by, the iron in the ink reacts with the oxygen in the air. This chemical reaction causes the ink to get darker over time instead of fading away.

Conclusion

Some traditions are just too important to be simply replaced by automation. Yes, mixing the ink and writing a sacred text by hand takes time and focus. But the result is outstanding. The tradition is preserved, and these holy texts look and feel the same as they did a thousand years ago. It’s a way for people to touch and be closer to history, so to speak.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News