Features
David Steinberg speaks fondly of his Winnipeg roots in autobiography
By MARTIN ZEILIG When asked why he decided to write this entertaining and insightful book comedian/director/writer/producer/actor David Steinberg provides a concise and reasonable response.
“Money,” Steinberg said in an email response to a series of questions sent to him by this reporter.
He seems to be following, at least in part, the wise words of Samuel Johnson (Dr. Johnson) the 18th century English writer, moralist, critic, editor and lexicographer who famously said, “No man but a blockhead ever wrote except for money.”



David as a youngster in Winnipeg
Left: David (right) with his older brother Fishy, in 1946
Top right: David in Israel while on a scholarship to the Hebrew University
Bottom right: David playing basketball at the YMHA on Hargrave, 1953
But, to be fair, there was more to Steinberg’s reply: “And I have a lot of memories and information about comedy and comedians I wanted to share.”Steinberg grew up in Winnipeg, where he studied theology at yeshiva at the age of fifteen, and went to the University of Chicago, leaving to become a member of Second City, notes his bio.
He appeared on Broadway with Elliot Gould in Jules Feiffer’s Little Murders and Carry Me Back to Morningside Heights, directed by Sidney Poitier. During Steinberg’s almost three decades as a stand-up comedian, beginning at the Bitter End, he released four comedy albums and received two Grammy nominations. Steinberg has directed many TV shows, among them Seinfeld, Curb Your Enthusiasm, Designing Women, The Bob Newhart Show, and The Golden Girls. He lives in Los Angeles and New York with his wife, Robyn.
This writer has known David “Duddi” Steinberg for decades. His sister, Tammy Lazer, and her (late) husband, Harry, and their two children, Hart and Shelley, lived next door to the Zeilig family in Garden City for a number of years.
I have vivid memories of Hart and me playing football catch on Primrose Crescent with “Uncle Duddi” whenever he used to come visit the family. David drove a blue 1959 Plymouth Valiant.
On at least one occasion, he even visited my parents, Lillian and Morrey, and played his guitar and sang a folk song while sitting on the orange shag carpeted living room floor of our five room blue bungalow.
While watching David on a television comedy special from Hollywood many years later, my mother reminisced about that special time when the young “still undiscovered” Duddi Steinberg had serenaded her.
I recall a standup comedy show Steinberg gave at the Centennial Concert Hall back in the late 1970s. Afterwards, he invited some friends, including my mother, and family members backstage to visit him in his dressing room for a while.
As someone said afterwards, “Fame and success hasn’t changed him. Duddi Steinberg is still a real down-to-earth mentsch.”
My late brother, Ken, worked as a radio arts correspondent for CBC in London, England for many years back in the 1960s and ‘70s. I recall him telling me that he and his first wife, Gillian, saw a play in the west end, which had first appeared on Broadway, starring Steinberg.
“The play wasn’t memorable,” Ken said. “But, David is an engaging actor. He’s very good.”
Steinberg writes that it took him a few years to write the book—all the stories, reminiscences, tales of directing, performing and related anecdotes and incidents—to get it “where I wanted it.”
The list of comedians in the book seems endless, from Sid Caesar and Mel Brooks, to Don Rickles, Lucille Ball, Rodney Dangerfield, Richard Pryor, Robin Williams, Billy Crystal, Lily Tomlin, Ben Stiller, Chris Rock, Martin Short, Steve Martin and so many more.
“We didn’t have TV in Winnipeg while I was growing up,” the author writes.
“I watched every movie as a kid and listened to every radio show. Radio was so exciting. It was all about your imagination. You were creating pictures in your head from what you were hearing. I always applied that to my stand up. Second City (the Chicago comedy and improvisational troupe) was one of the best things that happened to me early on.
“I learned from seeing Lenny Bruce perform at the Gate of Horn that a comedian could be dapper and still be funny (rare for the time). Lenny was a genius. He was soft-spoken and never pandered to the audience. He was never afraid of being controversial. He was my comedic hero. He was everyone’s comedic hero.”
He also considers being on The Tonight Show Starring Johnny Carson for over 30 years as a major highlight of his career.
“Johnny asked me to host it when I was 26,” Steinberg says. “Looking back, being on that show with Johnny was everything to me. I love comedians and I love my life in comedy. I loved directing all the shows from Bob Newhart to Curb Your Enthusiasm. And I’m so proud of this book.”
Yet, in looking back at his long and illustrious career, Steinberg says that “Getting the Order of Canada (presented by former Governor General Her Excellency the Right Honourable Julie Payette) was one of the most important moments in my life. Remember, my father (a rabbi/grocer) and mother were Russian immigrants, with very little. My only regret is that they were not there to see me get one of the highest honors of my beloved country.”
Some notable excerpts: “Insecurity combined with arrogance is good DNA for a comedian. So is anger, aggression, and sadness. If you’ve had a great life and a wonderful bar mitzvah and you’ve been given a lot of money, you’d make a lousy comedian. You’re better off being the comedian’s lawyer.
“…I may be the only comedian to have made Elie Wiesel laugh; that I was admired by the great New Yorker writer S.J. (Sid) Perelman, and by Philip Roth, Kenneth Tynan, and Harold Pinter. And that I was virtually adopted by Groucho Marx and many of the legendary old-timers (such as Jack Benny and George Burns) at Hillcrest Country Club. I also directed Burt Reynolds at the height of his considerable fame, before he self-destructed.
“It’s a funny thing about comedy: when you give your life to it, it can become a serious business. I spent my life in and outside the comedy world, and it is a world, a universe unto itself.
“But this book is not just about my life in comedy—it’s about my life and comedy in the last half century. I lived through a time when stand-up comedy was a poor relation to other forms of entertainment, when being on a successful sitcom was nothing to write home about. But, I think I was one of a group of people—along with Steve Martin, Richard Pryor, George Carlin, and a few others—who pushed stand-up forward as an art form and made comedy an important part of the culture.
“Comedians ‘steal’ from each other all the time—not material, but ideas. There’s no good comedian that hasn’t stolen ideas from someone. And you don’t really ‘steal’ material. You do your own version of it. And so that’s a bar code. So Shelley Berman on the phone—I guarantee you Nichols and May had their comedic ‘on the phone’ piece before him. Bob Newhart was on the phone in a way no one else was.”
Then, there was the time Steinberg was best man at the wedding of the notorious Mafia kingpin Joey “Crazy Joe” Gallo.
He writes: “Joey Gallo was about forty years old when we met and about as famous in his own high-visibility field as I was in mine.”
Caption under a photo— one of many photos— in the book: “I hadn’t known Joey Gallo that long, maybe a year or so, but I arrived at Jerry and Marta Orbach’s house for a party, and when I got there, I was told that Joey and Sina were getting married right then.When Joey insisted I be his best man, the priest was so excited I froze, surprised and shocked, as you can imagine. (I thought it should have been Jerry, who had known him for many, many years). And here I am right after the ‘I do’s’ with the happy couple. March 1, 1972.
“I remember, as a child, sitting in my neighborhood Winnipeg movie theatre all day, every weekend, watching the same Marx Brothers movies over and over again, and laughing and laughing and laughing, worshipping this great, odd, funny man with the funnier name, Groucho.
“Cut to eighteen years later, meeting my childhood hero, my new friend, Groucho. He could still make me laugh, but this time I could reciprocate the gift of laughter.”
David Steinberg’s life has, as he admits, been a dream built on laughter.
A legend in his field.
“Inside Comedy: The Soul, Wit, and Bite of Comedy and Comedians of the Last Five Decades”
By David Steinberg
(Knopf 335 pg. $40.00)
Captions for above photos, as supplied by David Steinberg:
Left: “On set with Jordan Peele (left) and Keegan-Michael Key (center). Many years ago, I directed Keegan in the pilot Frangela and subsequently became a big fan of Key & Peele. I was lucky to have Keegan and Jordan on Inside Comedy and to get to know these two amazingly talented people.”
Credit: Ty Watkins
Centre: “On the set of Inside Comedy. These are all people I love. They light up a room. Mel Brooks and Tim Conway are always buoyant, Jon Lovitz is so smart and just finished doing a perfect imitation of Woody Allen’s moose story, which he said inspired him into comedy. And my good friend Alan Zweibel, who is every comedy writer’s matzo brei. (Left to right: Brooks, Lovitz, Zweibel, me, Conway.) “
Credit: © Nicholas Rowan Adams
Right: One of my favorite birthdays with Don Rickles, Marty Short, Bob Newhart, and of course my wife, Robyn, who threw the party at E. Baldi restaurant in Beverly Hills, August 9, 2014.”
Credit: Courtesy of the Author

Captions for above photos:
Left: “Sharing a cigar with Groucho, as we always did. He was reluctant to come on as my co-host, but I’m so glad he did; it really meant everything to me, and the audience loved him.”
Credit: The Music Scene
Centre: “John Candy and his family lived in my guesthouse in Los Angeles for a year while we were writing and shooting the cult classic Going Berserk, circa 1982. John wrote most of the script on a napkin. That should tell you something. That was the whole script.”
Credit: Courtesy of the Author
Right: “This is Kong (short for “King Kong”). Kong was my monologue go-to. Sometimes I would talk about current events, and I also would do a Dietrich-like rendition of “Falling in Love Again.” One of the many places Kong and I went was on The David Steinberg Show, the CBS summer replacement for The Carol Burnett Show, 1972.”
Credit: Courtesy of the Author
Features
How to read fixed, daily, and progressive jackpot labels at Betscore Casino
Modern casino lobbies feature distinctive jackpot tags designed for easy recognition across various game tiles. Browsing through Bet Score, you will see that the platform uses a consistent system to present fixed, daily, and progressive jackpot displays. This brief guide explains how these labels are typically formatted, offering visual cues so you can confidently interpret each jackpot category. Betscore Casino presents these markers in a clear and recognizable way.
Across the lobby, jackpot labels act as immediate visual indicators that separate one game’s prize structure from another. These tags use bold text, simple icons, and standard placements, which makes scanning for your preferred jackpot type quick and intuitive. While game tiles may share basic design language, the wording on a label—along with visual styling such as meters or timers—lets you know at a glance whether a jackpot is static, day-specific, or incrementally building. Familiarizing yourself with these UI elements helps you compare options in Betscore Casino without clicking through each game panel. Understanding the visual symbolism of these badges saves time and keeps your focus on how casino interfaces communicate essential details about their jackpot mechanics.
Decoding fixed and daily jackpot displays in casino lobbies
When you spot a “Fixed” jackpot label in the lobby, it indicates a set prize amount displayed the same way every time you encounter it. This number stays constant, appearing directly on the game’s tile or badge and often repeating on the game’s detail page, to minimize ambiguity. The layout generally favors a clean, uncluttered presentation, with the static number supported by an icon or highlighted term that reinforces its status as unchanging. In Betscore Casino, these design choices create a straightforward reading experience where the fixed amount sits front-and-center beside the badge, making it easy to identify among multiple game tiles.
For “Daily” jackpot displays, the interface uses visual cues to highlight the time-based nature of the prize. You’ll often see the jackpot label paired with a reference to days or a timer-style icon, sometimes in the form of a calendar symbol or a clearly defined time window. These elements are usually grouped with the label and placed at the top or side of the tile so you can instantly tell that the jackpot is awarded on a daily basis. The combination of wording and visual accompaniments ensures that the daily structure stands out. This consistent tagging makes daily jackpots particularly easy to sort when scanning the available offerings.
How progressive jackpot meters stand apart and quick display checks
Within the lobby, “Progressive” jackpot labels are closely linked with animated or meter-style visual treatments. The jackpot amount is shown as an ever-increasing figure, typically larger or highlighted in a contrasting color, to draw attention to its dynamic nature. Often, the progressive badge sits beside or above this meter, so the relationship between label and rolling number is obvious and direct. In Betscore Casino, this design philosophy visually distinguishes progressive jackpots from fixed or daily options at a glance, creating an immediate sense of anticipation around the changing prize amount each time you browse the lobby.
When identifying jackpot types quickly, three main cues make reading the tags straightforward. Fixed jackpots always feature a stable, non-animated number next to their badge, keeping things simple and clear. Daily jackpots consistently add a day-based timeframe indicator, which could be text or a countdown, usually positioned close to the label for easy association. Progressive jackpots, by contrast, are marked by a running total or animated meter, making them stand out as prize amounts increase. Paying attention to these conventions, you’ll find it much easier to compare options and navigate the jackpot categories provided with confidence and efficiency.
Features
35 years ago 14,000 Ethiopian Jews were rescued and brought to Israel in a short, but brilliant 36-hour operation
By BERNIE BELLAN My memory of an event that took place 35 years ago was jogged recently when I received an email from someone who himself was one of 14,000 Ethiopian Jews who were brought to safety in Israel during what was known as “Operation Solomon.”
That individual wrote that he wanted to thank me for articles I had written over the years, including about the rescue of Ethiopian Jews.
Here is part of what he wrote: “I am an Ethiopian Jew who live in Winnipeg. I recently came across Bernie Bellan’s articles and i was very fascinated by the depth of them and the fact they are informative and educational. I am not sure if he wrote anything about the thousands old dream of Ethiopian Jews who at the end reached their destination Israel. Thanks to operations Solomon and Moses that airlifted the Ethiopian Jews to become Israel’s citizens. I personally am grateful for the support i got from a couple of Jewish individuals in Winnipeg….My ancestors were hiding who they were in Ethiopia and i will never stop from telling who i am and my support for Israel. Please tell Bernie i said hello and i pray for his health so that he will continue sharing his knowledge. Little did he know that one day an Ethiopian Jew will read one of his articles.”
Reading that email led me to look back at articles that appeared in The Jewish Post & News around the time of Operation Solomon, also a later article that I wrote in 2013 about Israeli Brigadier General Eden Attias, who was deeply involved in Operation Solomon and who appeared at an event in Winnipeg that year.

I would be remiss, however, to write anything about Operation Solomon without mentioning the absolutely pivotal role that the late Professor Elliot Levine played in orchestrating support among some Winnipeg Jews to help in the rescue of Ethiopian Jews. I found two articles Levine had written around the time of that incredible rescue effort in which he described the clandestine work in which he – and several other Winnipeggers were involved in reaching out to Ethiopian Jews at a time when anyone in Ethiopia who openly announced they were Jewish put their lives in peril.
To begin with, here’s some background about what led to Operation Solomon – taken from my 2013 article about Israeli Brigadier General Eden Attias. General Attias had played a key role in Operation Solomon, including having been on the ground in Ethiopia during the actual rescue operation. He was introduced at that 2013 event by the late Yude Heneleff.
“Henteleff gave a brief overview of Operation Solomon: ”In 1991 the Ethiopian government was threatened with being toppled,’ explained Henteleff.
“For several years previous Israeli operatives had been secretly working in Ethiopia to procure the escape of as many ‘Falasha’ Jews as possible (whom Henteleff noted should be rightfully referred to as ‘Beth Israel’.)
“Concerned that a new government would put a stop to this ongoing exodus of Ethiopian Jews, the Israeli government decided to implement a bold plan to ferry out as many Jews as possible in a condensed period before the window of opportunity was closed.
“Thus ‘Operation Solomon was born and carried out with precision. It involved the use of 34 aircraft, including several El Al passenger aircraft, as well as Israeli Air Force planes. In 36 hours the planes carried over 14,000 Ethiopian Jews to safety in Israel. In fact one Boeing 747 set the record for the most passengers ever transported on one aircraft when 1,122 passengers were crammed into the plane.
“During his talk Gen. Attias gave a detailed explanation of the events leading up to Operation Solomon, beginning as far back as 1862, when a group of Ethiopian Jews began the trek to Israel through the hostile territory of Sudan. Very few actually survived that journey, Attias noted.
“Through the years there had been various other attempts to bring Ethiopian Jews to Israel, with the most notable effort prior to Operation Solomon being ‘Operation Moses’, which was carried out in 1984. That operation was undertaken with the complicity of the Sudanese government and involved Mossad agents working to bring Ethiopian Jews to secret departure points in Sudan. Unfortunately members of the Israeli media learned of the operation and, even though they were asked to withhold revealing what they knew, went ahead and published details. That brought the operation to a sudden end, and with the rescue of only 7,000 Jews.”
Prior to Operation Solomon Ethiopia had been engulfed in a civil war that had contributed to mass starvation and brutal violence. In 1991 the Marxist regime that had been in power was threatened with being toppled and there was heightened concern within Israel – also in many communities in the diaspora, for the safety of Ethiopia’s Jewish population. As has already been noted, there had been other efforts to rescue Ethiopian Jews, but with mixed results. Thus, the bold plan to rescue as many Ethiopian Jews in one fell swoop was hatched. But in order to bring that rescue about contacts had to be made within the Ethiopian Jewish community.
How those many thousands of Ethiopian Jews were contacted is in itself a totally fascinating story. That’s where Elliot Levine’s description of the cloak and dagger nature of the work that was involved in making contact with those Jews was so vividly described in the two articles he wrote for us in 1991.
Levine noted that the vast majority of Ethiopian Jews – also known as “Falashas” (which is a derogatory term meaning stranger that was commonly applied to Ethiopian Jews by other Israelis) lived in Gondar province, which is in the north of Ethiopia.
As he wrote in the first of his articles describing the part that some Winnipeg Jews played in that rescue effort (published in the June 5, 1991 issue of The Jewish Post & News), “In April 1990 an agent if the American Association of Ethiopian Jews went into Ethiopia from North America….
“By May 1990 thousands of Ethiopian Jews had arrived in Addis Ababa with the help of a field worker placed by the American agent. A ‘truck stop’ outside of Gondar city was the rendezvous point. A few dollars a head paid for the road transport to the capital.
“By early June, however, an arrest had been made and a message had been sent out not to replace the field agent. Thereafter, those who made their way out of the hills had to make their own arrangements…
“With over 10,000 now in the capital (Addis Ababa), overburdened workers reported the weekly death tolls… By month’s end, emergency meetings and commitments had been made in Israel…
“In Winnipeg meanwhile, our Council of Rabbis was briefed on the situation and their response, among other things, funded an Ethiopian Jewish ‘agent’ we sent from Israel to assist families with particular problems.”
Levine went on to describe the invaluable assistance that agent played in helping Ethiopian Jews through “nighttime meetings, escorted tours that evaded security patrols and interviews with Ethiopian Jewish refugees.”
Levine noted, however, that the effort to help rescue Ethiopian Jews was organized entirely by a group of private individuals – with no assistance whatsoever from what was then the Winnipeg Jewish Community Council (later to become the Jewish Federation of Winnipeg). Further, the Committee for Ethiopian Jews – as the group was known, was an initiative led by members of Temple Shalom, Winnipeg’s Reform congregation.
At this point I want to return to that initial email I received from the Ethiopian Jewish individual who had reached out to me. In very dramatic fashion he described what happened when one father was approached by one of the agents who had been dispatched by the Israeli government to make contact with Ethiopian Jews and try to persuade them to flee their homes in Gondar:
“ ‘The silent call’ Operation Solomon
“ ‘good morning my name is …..i am here to tell you that we are on a mission to send a lot of people from Bet Israel( Ethiopian Jews) to Israel. And we know you are one of them. Are you interested’
“ ‘no I am not a Jew I went through horrible times I do not want to talk about myself and how would I know you are not a spy’
” ‘No I am not a spy please I know your family that is why I came to tell you about this mission’
“ ‘yes I am and please don’t tell anyone I am a Jew’
“This was a conversation that took place with the father of Anna and Jerusalem, 13 and 15 year olds who were sexually assaulted in front of their mother who took her own life the following day.
“That month in March 1991 preparation to evacuate 14000 Ethiopia Jews was planned secretly.
“In that same year 1991 bitter civil was raging in the Western part of Ethiopia, Just a month later the military junta was about to be overthrown.”
To return to Elliot Levine’s account of the role Winnipeg Jews played in the rescue of some Ethiopian Jews, in the follow-up article he wrote about that effort, he noted that Winnipeg Jews often responded quickly when told of specific urgent cases of individuals in need of direct help: “In the months preceding the airlift we had the luxury of responding to emergency appeals quickly….We in Winnipeg had arranged an especially prompt conduit – on most favourable terms. We also functioned as supporters of last resort for some of the inevitable cases that fell between the cracks. Recipients often confirmed receipt of our aid within a few days of our being notified of their plight.”
Ultimately, Operation Solomon helped rescue over 14,000 Ethiopian Jews in just 36 hours – from May 24-25, 1991. Non- stop flights of 35 Israeli aircraft were involved, including military and civilian planes. Almost all of Ethiopia’s Jewish population was rescued as a result.
Features
“The Desert Doesn’t Forget” – a short story
By H. C. Piloski
Foreword
This story is loosely based on a true event shared between father and son. The exact year has blurred with time — somewhere in the early to mid1960s — but the Las Vegas my father described was unmistakably the Las Vegas of that era: hot, bright, and dangerous in ways polite men didn’t discuss.
Many years after the incident, my father introduced me to one of the businessmen involved. As we approached him, my father leaned in and whispered that I was not to mention Las Vegas — not to ask, not to hint, not even to let the word cross my mind. The warning was quiet, but firm, and it told me more than any story could.
The details here have been fictionalized, but the core incident — a trip abruptly cut short after a threatening encounter — comes from those private recollections. Some memories fade, others distort, but certain moments remain sharp as desert glass. This is one of them.
Las Vegas, 1965
The desert air hit Harold Bernstein like a blast furnace the moment he stepped off the plane — not just heat, but a smell, too. A dry, mineral sting carrying dust, sun cooked metal, and the faint tang of jet fuel settling over the tarmac.
Winnipeg men weren’t built for this. They were built for honest cold, for wind that cut straight and didn’t pretend to be anything else.
Harold paused at the top of the stairs, blinking against the glare. Miriam had tucked a small prayer book into his suitcase “just in case.” He almost smiled. There was no “case” for this — not the kind Miriam meant, anyway.
He and his business partner, Leonard “Lenny” Krawitz, ran Bernstein & Krawitz Apparel Distributors — a respectable prairie outfit, steady as a metronome. They’d been raised in the North End — synagogue basements, rye bread, and quiet rules — but now lived in Tuxedo, where the houses were larger, the streets quieter, and success felt like something you had to defend.
Harold had known Solly Markowitz since they were boys in the North End — same streets, same synagogue basement — but Solly had always moved faster, talked faster, lived faster. Too fast.
Rumors drifted back over the years like smoke: Vegas. Casinos. “Connections.” And the darkest whisper of all — that Solly had been with Benjamin “Bugsy” Siegel the night Siegel was shot to death in his Los Angeles home in 1947.
Siegel, one of the architects of modern Las Vegas, had built his empire on danger. Siegel’s murder was never officially solved. Men tied to Siegel didn’t retire. They drifted into darker corners.
You don’t play around with the mob.
Still, Solly called every few years. Usually around the High Holidays. Usually to ask if anyone remembered his parents.
This time, he had a business proposition.
“A warehouse,” Solly said. “Distribution. Vegas is booming. You boys could expand. And listen — you’ll be dealing with our people. Markowitz runs things on this end. Good man. Efficient. You’ll be safe.”
Harold didn’t trust men who promised safety.
But Lenny was curious. And Harold had been partners with him long enough to know that curiosity was a tide you didn’t fight. So they booked two tickets, packed their best suits, and flew into the desert.
The Strip
The taxi was a 1965 Dodge Coronet, the kind every Vegas cab company seemed to buy in bulk — boxy, dependable, sun bleached around the edges. Its vinyl seats were hot enough to sting through Harold’s trousers, carrying the ingrained smell of desert dust, gasoline, and a hundred previous fares who’d sweated their way down the Strip.
The driver wore a shortsleeved white shirt and a narrow black tie, loosened past respectability. A pack of Luckies sat tucked above the visor. He didn’t talk. Vegas drivers rarely did. They’d seen too much, and they knew silence was sometimes the safest tip a man could give.
Neon signs flickered to life in the early evening glare — reds, blues, golds shimmering like they were trying to outshine the sun itself. Billboards shouted from every corner:
FRANK SINATRA — LIVE AT THE SANDS; SAMMY DAVIS JR. — TONIGHT ONLY; DEAN MARTIN — MIDNIGHT SHOW; DON RICKLES — ONE NIGHT ONLY — CAESAR’S PALACE
Harold watched the lights smear past the window. Vegas looked like a city built by men who didn’t believe in consequences — men who thought the world could be rewritten in neon and smoke.
At a stoplight, Harold noticed a man in a dark suit standing outside the Desert Inn. Ninety degrees even after sundown, yet the man didn’t sweat. He stared at their cab with the flat, patient look of someone waiting for a decision already made.
Harold looked away.
Their hotel was one of the older ones — brass fixtures dulled by fingerprints, red carpets worn thin, cigarette smoke curling under chandeliers. The casino floor hummed with slot machines, dice clattering, and the low murmur of gamblers who had already lost more than they could afford.
Harold felt the city watching him.
They checked in, rode the elevator up, and began unpacking. Lenny talked about expansion, about opportunity. Harold listened, nerves tight.
Then came the knock.
The Knock
A heavy, deliberate thud — the kind that didn’t wait for permission.
Lenny froze. Harold felt his pulse climb into his throat.
Lenny opened the door.
Two men stood there — tall, broad, wearing dark suits that didn’t belong in the Nevada heat. Their faces were blank, carved from something that didn’t melt. One shifted slightly, revealing the unmistakable outline of a holstered pistol.
“You’re Bernstein and Krawitz,” the first man said. His voice was calm, almost bored — the tone of someone who had delivered this message before.
Harold nodded before he realized he’d done it.
“Mr. Markowitz appreciates your interest,” the second man said. “But he doesn’t want you involved. Not now. Not ever.”
Lenny swallowed. “We just got here—”
The first man stepped forward, jacket pulling back just enough to show steel. “If you stay,” he said, “the desert will take you. And the desert doesn’t give anything back.”
They turned and walked away without waiting for a response.
Lenny closed the door slowly.
“Harold,” he whispered, “we’re leaving.”
Harold was already zipping his suitcase.
The Retreat
They moved through the casino like ghosts. The noise felt distant, muffled, as if the city itself were holding its breath. Harold avoided eye contact with everyone — dealers, tourists, men in suits who always seemed to be standing just far enough away to pretend they weren’t watching.
At the front desk, Harold slid their room keys across the counter. The clerk raised an eyebrow.
“Checking out already, sir? You just arrived.”
“Change of plans,” Harold said. His voice sounded like it belonged to someone else.
Outside, a row of gleaming Cadillacs and Lincolns lined the valet area, their long bodies catching the neon glow like blades. The desert air smelled different now — harsher, metallic, as if the heat itself were warning them. The Strip looked less like a playground, more like a trap.
At the Western Airlines counter, Harold’s hands shook so badly he dropped his wallet. They managed to get seats on a late flight to Los Angeles, with a connection north to Winnipeg. Luck, or something like it, was still on their side.
On the jet, Lenny stared straight ahead, silent. Harold didn’t speak either.
When the aircraft began its run, the engines didn’t just roar — they howled, a rising metallic fury that made the cabin tremble. Harold gripped the armrests as the desert dropped away beneath them, Las Vegas shrinking into a glittering lie the desert never bothers to hide.
Only when they were safely above the clouds did Lenny finally whisper, “What do you think that was about?”
Harold didn’t answer. He didn’t have to.
They both knew.
Home Again
Back in Winnipeg, winter arrived early. Harold welcomed it. Snow didn’t lie. Cold didn’t threaten. The prairie wind didn’t bury men in unmarked graves.
Their wives were waiting at the airport, bundled in coats, cheeks pink from the cold.
“You’re home early,” Miriam said, frowning.
“Business fell through,” Harold said. “Whole thing was a waste.”
Esther looked from her husband to Harold, suspicious. “Barely two days?”
“Solly wasn’t organized,” Lenny said quickly. “Nothing to see.”
Miriam touched Harold’s arm. “You look pale.”
“Heat,” Harold said. “Didn’t agree with me.”
It was the closest he had ever come to lying to her.
That night, Miriam asked again. “Something happened.”
Harold kissed her forehead. “Nothing we need to talk about.”
She didn’t press. Tuxedo wives knew when a door was meant to stay closed.
A week later, Solly called.
“Boys! You never showed! Markowitz said you headed home early. Shame — I had everything lined up. Next time, we’ll make sure things are clearer.”
Harold hung up without answering.
Lenny unplugged the phone.
They never spoke of the trip again.
Not to their wives. Not to their families. Not to the men at shul or the ones they played cards with on Thursday nights.
Some stories were too heavy to carry into daylight.
Years Later
Decades passed. Their children grew. Their hair thinned. Their business went to younger hands.
Sometimes, late at night, Harold would wake in the middle of the dark, heart pounding, hearing that knock again — heavy, deliberate, final.
And he would think of Solly. Of Vegas. Of the desert.
How it didn’t forget. How it didn’t forgive. How close he and Lenny had come to disappearing into it.

