Features
Film producer Corey Marr’s new release draws inspiration from Leonard Cohen

By MYRON LOVE Filmmakers Corey Marr and Matthew Bissonnette have just released their newest production, “Death of a Ladies’ Man” to general acclaim. Former Winnipegger Marr reports that the film – which was unveiled in Canada on March 12th has garnered several positive reviews, is currently #6 on the iTunes charts, and has a 100% score on the popular ratings site Rotten Tomatoes.
The movie, starring internationally acclaimed star Gabriel Byrne (“The Usual Suspects”, “In Treatment”) and Canadian actress Jessica Paré (who may be best known for her role as Mrs. Don Draper in “Mad Men”) tells the story of a carousing college professor whose life takes a series of unimaginable turns when he begins to have surreal hallucinations and learns he may not be long for this world. “Death of a Ladies’ Man” is a Canadian-Irish co-production inspired by the work of great Canadian poet Leonard Cohen, and notes Marr, features some of his best known songs. Cohen gave Marr his blessing to use the music in the film before his death in 2016.
“We actually finished filming in 2019,” Marr says. “Our initial plan was to unveil the film at the annual Toronto International Film Festival last September, and follow it with a large theatrical release. The pandemic had other plans for all of us.”
To help promote “Death of a Ladies’ Man”, Marr, a former ad man and a musician himself (guitar and piano) contacted a number of leading Canadian recording artists about doing covers of their favourite Cohen songs. “We have been releasing one video a day since the movie’s release,” he says. “The artists have tens of thousands of followers on their platforms. This has really helped to raise awareness about the film. The response has been fantastic.” The series includes covers of Cohen songs by Ron Sexsmith, Whitehorse, Jenn Grant, Dan Mangan, and others, andn can now be viewed on the YouTube channel for “Death of a Ladies’ Man”.
The Toronto-based Marr launched Corey Marr Productions about 15 years ago after transitioning from advertising into film production. The son of David and Terri Marr and father of two boys notes that he always had a creative bent, starting with music and acting while growing up in Winnipeg. The Grant Park High School grad first left Winnipeg in 1993, after a couple of years of study at the University of Manitoba, to finish his B.A. in Toronto and study Creative Advertising. He returned to his hometown in ’97 for a couple of years before relocating permanently to Toronto.
Before hooking up with Matthew Bissonnette, Marr learned the ropes of filmmaking through development positions at Water Pictures and Heroic Film Company and as the assistant to Academy Award-winning producer Craig Zadan. He has also made a couple of short films.
Marr and Bissonnette met at a film festival. “We spoke about doing a feature film together,” Marr recalls. “Matthew sent me a script and we were on our way.”
Marr notes that their first collaboration – “Who Loves the Sun” – which was released in 2006 – was filmed in Winnipeg Beach and Kenora.
“We did some of the filming on an island in Kenora,” Marr recalls. “We actually hired B’nai Brith Camp staff to ferry cast and crew to and from the island.”
Marr himself is a Massad graduate and he attributes a lot of his creative drive to his years spent at the camp. “Massad is a place where the creative spirit can flourish.” He served as camp director for one summer in 1996 and is looking forward to attending Massad’s 70th anniversary reunion next year.
The award-winning “Who Loves the Sun” played numerous film festivals before being released theatrically and selling internationally.
The second collaboration between Marr and Bissonnette was the Los Angeles-set indie road trip film “Passenger Side”, starring Adam Scott. The movie was described by L.A. Weekly as “a thinking man’s Judd Apatow flick” and by The Hollywood Reporter as “a poignant portrait of sibling rivalry and affection”. The film premiered at the Los Angeles Film Festival. “Passenger Side” won the City TV Award for Best Canadian Film at the Edmonton International Film Festival and was named to “Canada’s Top Ten” by the Toronto International Film Festival. Following a successful theatrical run in Canada, the film was released internationally.
“Death of a Ladies’ Man” has its U.S. premiere on March 20th. The film has been given the prestigious opening night slot at the Cinequest Film and Creativity festival in California. The virtual screening will be accompanied by a live introduction with star Gabriel Byrne and a live Q+A with writer/director Bissonnette, producer Marr and actor Jessica Paré.
Marr reports that the film is currently playing in select theatres across Canada and is available on Apple TV/iTunes, GooglePlay, and everywhere you rent and buy movies.
Celluloid Dreams, which handles international sales on the Gabriel Byrne-starring film, negotiated deals with Transmission Films in Australia and DDDream in China. The project was also picked up in Germany (MFA), Austria (Polyfilm and MFA), Switzerland (MFA), Russia (Kinologistika), China (DDDream), Middle East (Front Row), and the Balkans (Cinemania). In Australia and Zealand, the film will be released theatrically on May 20.
It was financed by Telefilm Canada, Monte Rosso Productions, SODEC, Fís Éireann/Screen Ireland, The Canada Media Fund, Ontario Creates, Bell Media’s Crave and the Harold Greenberg Fund, CBC Films and the Western Regional Audiovisual Producer’s Fund (WRAP Fund), and developed with the assistance of Telefilm Canada and the Harold Greenberg Fund.
In addition to his feature films, Marr over the years has produced content for Nike USA and worked on various television projects. He has also been associated with Canadaland, a news site and podcast network, funded by its audience, which focuses on Canadian media, news, current affairs, and politics.
Features
Ontario Online Casinos Let Players Set Daily, Weekly and Monthly Deposit Limits
A deposit limit sets a ceiling on how much money someone can add to an online gambling account. In Ontario’s regulated market, players can choose limits covering 24 hours, seven days and one month, with the website’s system enforcing the amounts they select.
The settings are straightforward, but the timing deserves attention. A daily allowance may sit within weekly and monthly caps, while an increase can involve a waiting period. For adults using Chrome on a Chromebook, understanding these account rules starts with knowing where to find them.
Finding the Settings and Choosing a Period
Deposit controls sit within the gambling website’s account menus. The Tooniebet Ontario responsible gaming page is an operator-specific resource readers can consult alongside their account settings. ToonieBet is operated by Canadix Limited and regulated by the AGCO under an agreement with iGaming Ontario.
Ontario’s standards require an easy and obvious way to set financial and time limits during registration and afterward. Players must be offered deposit and loss limits when signing up, and the controls must remain easy to reach and change once an account is open.
Menu names differ between sites. Published examples place deposit limits under account settings or responsible-gaming tools, where players can select an amount and a period.
Each type of limit measures something different. Deposit limits cap money added to the account. Loss limits restrict net losses after winnings are taken into account, while time limits govern playing time. iGaming Ontario’s player guidance explains all three.
For Chromebook users, these settings are managed through the website’s account interface. Chrome’s own permissions handle separate browser functions, such as access to location information.
How Several Limits Apply to One Deposit
Players can have daily, weekly and monthly limits running together. A deposit must fit within every active cap.
Take a hypothetical account with limits of CAD $40 daily, CAD $100 weekly and CAD $250 monthly. These figures illustrate the process.
If someone has already deposited CAD $90 during the weekly period, the remaining weekly allowance is CAD $10. That becomes the most they can add, even when the daily limit has more room. Reaching the monthly cap would likewise block another deposit until some monthly allowance becomes available.
This is why checking all active limits matters. A new day may bring fresh daily capacity while the weekly or monthly total remains close to its ceiling. The longer periods continue to apply as the shorter one refreshes.
When Money Drops Out of a Rolling Window
The next question is when previous deposits stop counting toward a cap. Some sites use rolling periods, which track elapsed time from individual deposits.
Published Ontario policies include daily windows of 24 hours, weekly windows of 168 hours and monthly windows of 720 hours, equivalent to 30 days. Under that approach, each deposit frees up its corresponding allowance once it falls outside the window.
Suppose someone has a CAD $100 rolling weekly limit and deposits CAD $25 on Friday, followed by CAD $75 on Saturday. Seven days after Friday’s deposit, CAD $25 becomes available again. The other CAD $75 returns seven days after Saturday’s deposit.
Leaving the restored Friday allowance unused means it combines with Saturday’s restored amount. At that point, the full CAD $100 is available. Reviewing deposit dates and times helps explain how much room remains within a rolling period.
Changing a Cap Takes a Separate Step
A limit refreshing follows the schedule already attached to the account. Raising that limit requires a request and a wait.
Ontario’s standards require at least 24 hours before a player’s request to relax or remove an established limit can take effect. The existing limit remains enforceable during the cooling-off period.
Operators publish their own timings. Documented examples include a seven-day wait for deposit-limit increases or removals. Another published schedule allows increases after one day for a daily cap, seven days for a weekly cap and 30 days for a monthly cap.
Lower limits take effect immediately under these published policies. Some policies also restart the waiting period when a player requests another increase while an earlier change is pending. The effective date shows which amount currently applies.
Other Controls and Support
Deposit limits work alongside loss limits, time limits, short breaks and self-exclusion. Together, these give players ways to restrict account funding, gambling activity or access.
Ontario-regulated online casino play is restricted to adults aged 19 and older who are physically in Ontario. Gambling involves financial risk.
For concerns about your gambling or someone else’s, ConnexOntario offers free, confidential information and referral support around the clock. Call 1-866-531-2600 or text CONNEX to 247247. Standard message and data rates may apply.
Features
What “Best Odds” Really Means When Comparing Gambling Review Websites
The phrase best odds appears frequently in gambling discussions, but it is surprisingly easy to use imprecisely. MonsterBetList is primarily a casino review and rankings website, not a dedicated live sportsbook odds comparison terminal. That difference is central to evaluating what its reviews can and cannot establish. A casino rating may explain payout conditions, licence information and bonus restrictions, while a claim about the best available price on a sporting outcome requires a different kind of evidence altogether.
Odds and ratings answer different questions
Sports betting odds represent a price offered on a specified outcome. A review rating is an editorial judgement built from multiple criteria. These two numerical systems cannot be substituted for one another. A bookmaker rated highly for service may offer a less competitive price on a particular match, while a service with a more attractive price may impose different limits or verification rules.
Similarly, a casino review can discuss return-to-player statistics, but RTP is not the same as sportsbook odds. RTP describes a theoretical long-run percentage built into a game model. It does not tell a reader what will happen in one session and it is not an individually negotiable market quotation.
What makes sports odds comparable?
A fair odds comparison starts with identical selections: the same event, outcome, market rules and settlement conditions. Comparing a three-way football result with a draw-no-bet price is invalid because the products pay under different circumstances. The observation time also matters; displayed prices can change quickly as market information or trading decisions evolve.
The numerical format should be standardised. Decimal odds provide one convenient representation, but American and fractional formats express the same underlying idea differently. Converting these formats is straightforward. What matters is the net price, the operator’s rules and whether the quoted offer remains available when reviewed.
Overround explains the hidden cost of many markets
In a simplified two-outcome market, dividing one by each decimal price produces an implied probability. If the implied probabilities add to more than 100%, the excess is commonly described as the bookmaker’s overround. It is one way of understanding the margin embedded in prices, although individual market structure and adjustments can complicate the interpretation.
This concept explains why the word best should not be attached to a price without context. A strong headline may look appealing yet represent an ordinary margin after calculation. More importantly, any single quote is time-dependent. Genuine comparison requires a dated observation and equivalent market rules; broad editorial praise is not enough.
What casino rankings can establish instead
MonsterBetList publishes casino reviews and guides addressing licences, bonuses, payout experiences and responsible gambling. Those topics are relevant to evaluating consumer risk and service quality. A report about the length of a withdrawal process, for example, can be useful if its methodology is transparent. A bonus review can help identify restrictive wagering requirements that marketing headlines omit.
However, a casino ranking should not be presented as evidence that its highest-rated operator consistently offers the best sports prices. Unless a site publishes repeated market-by-market comparisons, that conclusion is not supported. Readers benefit when publishers clearly distinguish what was measured from what readers might assume was measured.
Bonuses can complicate comparisons
A sportsbook may offer free-bet tokens, cashback or other promotions. Their effective value depends on conditions rather than the largest number printed in a banner. Some credits are not withdrawable as cash; others require qualifying selections, minimum odds or a deadline. Casino welcome bonuses often introduce wagering requirements, game-contribution rules and limits on withdrawals. Combining these products under one generic promotional score can hide important differences.
For instance, a large matched deposit might require extensive play before bonus-related funds become eligible for withdrawal. The required betting volume is not a promise of profit. The presence of a promotion may therefore make comparisons more complex instead of simpler. Clear disclosures should precede any judgement about value.
Editorial independence and methods
Review sites sometimes state that rankings are editorially independent. Such a statement is relevant but does not replace evidence of consistent testing. Readers should look for the criteria used, the date of each review, whether real transactions were examined and how negative findings are treated. If one platform receives detailed testing while another is scored on marketing copy, the ranking loses comparability.
Commercial incentives should also be visible. Referral relationships or sponsorships do not automatically make every observation inaccurate, but they create reasons to ask how rankings are insulated from revenue. A publication that explains its methodology and corrections process gives readers a stronger basis for trust than one that simply declares its winners.
Licensing and dispute rights before price claims
A marginally attractive price is of limited value when the operator is not legally available to the reader or does not provide meaningful avenues for redress. Regulations vary by jurisdiction, and a licence in one country may not authorise service in another. It is prudent to verify the legal entity behind a brand and the current status of any licence through official records.
Consumers should also review identity verification, account restrictions and dispute resolution procedures. These operational conditions influence the actual experience of using a gambling service. A sensible evaluation includes them before discussing promotions or theoretical market advantages.
Why guaranteed-profit language is a warning sign
No ordinary review or odds list can guarantee that an individual will win money from gambling. Claims of certain returns often omit the fact that results are uncertain, prices move and transactions are subject to restrictions. Casino games generally incorporate a house advantage, and sports outcomes remain uncertain regardless of a persuasive analysis. The safest response to absolute promises is scepticism.
Readers should also avoid treating gambling as a means of addressing financial problems. Chasing previous losses and increasing stakes to recover money can deepen harm. Consumer-oriented coverage is more valuable when it explains risk and offers realistic options for stepping away.
Conclusion: define the claim before ranking the service
“Best odds” is a specific comparative proposition, not a synonym for a high casino rating. MonsterBetList can be examined for its published casino research, review structure and risk disclosures, but those materials should not be stretched into claims they have not tested. Clear definitions, dated evidence and honest limitations are the foundations of trustworthy comparison journalism.
Features
Noah Wyle explains Robby’s controversial behaviour in season two of The Pitt
Noah Wyle believes audiences struggled to accept the changes in Dr. Michael “Robby” Robinavitch during the second season of The Pitt. In a recent interview with Vanity Fair, Wyle explained why viewers reacted strongly to the emergency physician’s increasingly difficult behaviour, arguing that audiences often expect their heroes to maintain an unrealistic standard of “purity”.
(Spoiler warning: for anyone who hasn’t yet watched The Pitt, this article contains minor spoilers.)
In season one of the HBO medical drama, Robby was a dedicated doctor whose composure and clinical instincts made him a reliable member of staff. Season two revealed a more troubled side of the character, with grief and deteriorating mental health affecting his relationships with colleagues.
“An interesting American hypocrisy”
Wyle, who also works as a writer, director and executive producer on the show, sees Robby’s behaviour as part of a character journey rather than a sudden departure from the person audiences admired.
He said that viewers often forgive villains who occasionally do something admirable but tend to judge traditionally heroic characters much more harshly when they make mistakes. Wyle described this as “an interesting American hypocrisy”.
Wyle credited executive producer John Wells for encouraging the team to tell Robby’s story honestly.
Gaming and the success of House
Wyle has suggested a potential five- or six-season trajectory for Robby, with the character currently moving from denial towards recognizing his problems and seeking a way forward. Season two was uncomfortable for viewers, as Robby struggled to acknowledge his condition.
The success of The Pitt, particularly if it lasts for that five- or six-season run, may interest game developers. House, another of the most popular TV medical dramas, inspired two games back in its heyday. In 2008, Exelweiss designed a cellphone game for the show, releasing Spanish and English versions. Two years later, Legacy Interactive released a video game based on the series; players acted as House’s diagnostic team to solve five unusual medical cases.
For now, iGaming companies like Casino Days Ontario are more focused on the immensely popular slots themes, such as ancient civilizations, as well as variations on table classics like poker and blackjack.
The Pitt has been credited with reviving the medical drama, after a successful era of shows that included House (a “prickly” take on the format, in the words of one critic) alongside ER, Grey’s Anatomy, and The Good Doctor. That same critic praised The Pitt for showing that TV medical dramas can be “satisfyingly elongated”, which could inspire developers who specialize in RPGs or other long form games.
Season three could change Robby’s relationships
Wyle offered a glimpse of how the next season might develop Robby’s complicated connection with Dr. Langdon.
Their relationship changed after Langdon disappointed his mentor in the first season. Robby was reluctant to welcome him back in season two, leaving the two characters more separated despite their history.
Robby will return to the hospital after spending a couple of months away, potentially confronting embarrassment about his previous conduct and uncertainty about his abilities.

