Features
Film producer Corey Marr’s new release draws inspiration from Leonard Cohen
By MYRON LOVE Filmmakers Corey Marr and Matthew Bissonnette have just released their newest production, “Death of a Ladies’ Man” to general acclaim. Former Winnipegger Marr reports that the film – which was unveiled in Canada on March 12th has garnered several positive reviews, is currently #6 on the iTunes charts, and has a 100% score on the popular ratings site Rotten Tomatoes.
The movie, starring internationally acclaimed star Gabriel Byrne (“The Usual Suspects”, “In Treatment”) and Canadian actress Jessica Paré (who may be best known for her role as Mrs. Don Draper in “Mad Men”) tells the story of a carousing college professor whose life takes a series of unimaginable turns when he begins to have surreal hallucinations and learns he may not be long for this world. “Death of a Ladies’ Man” is a Canadian-Irish co-production inspired by the work of great Canadian poet Leonard Cohen, and notes Marr, features some of his best known songs. Cohen gave Marr his blessing to use the music in the film before his death in 2016.
“We actually finished filming in 2019,” Marr says. “Our initial plan was to unveil the film at the annual Toronto International Film Festival last September, and follow it with a large theatrical release. The pandemic had other plans for all of us.”
To help promote “Death of a Ladies’ Man”, Marr, a former ad man and a musician himself (guitar and piano) contacted a number of leading Canadian recording artists about doing covers of their favourite Cohen songs. “We have been releasing one video a day since the movie’s release,” he says. “The artists have tens of thousands of followers on their platforms. This has really helped to raise awareness about the film. The response has been fantastic.” The series includes covers of Cohen songs by Ron Sexsmith, Whitehorse, Jenn Grant, Dan Mangan, and others, andn can now be viewed on the YouTube channel for “Death of a Ladies’ Man”.
The Toronto-based Marr launched Corey Marr Productions about 15 years ago after transitioning from advertising into film production. The son of David and Terri Marr and father of two boys notes that he always had a creative bent, starting with music and acting while growing up in Winnipeg. The Grant Park High School grad first left Winnipeg in 1993, after a couple of years of study at the University of Manitoba, to finish his B.A. in Toronto and study Creative Advertising. He returned to his hometown in ’97 for a couple of years before relocating permanently to Toronto.
Before hooking up with Matthew Bissonnette, Marr learned the ropes of filmmaking through development positions at Water Pictures and Heroic Film Company and as the assistant to Academy Award-winning producer Craig Zadan. He has also made a couple of short films.
Marr and Bissonnette met at a film festival. “We spoke about doing a feature film together,” Marr recalls. “Matthew sent me a script and we were on our way.”
Marr notes that their first collaboration – “Who Loves the Sun” – which was released in 2006 – was filmed in Winnipeg Beach and Kenora.
“We did some of the filming on an island in Kenora,” Marr recalls. “We actually hired B’nai Brith Camp staff to ferry cast and crew to and from the island.”
Marr himself is a Massad graduate and he attributes a lot of his creative drive to his years spent at the camp. “Massad is a place where the creative spirit can flourish.” He served as camp director for one summer in 1996 and is looking forward to attending Massad’s 70th anniversary reunion next year.
The award-winning “Who Loves the Sun” played numerous film festivals before being released theatrically and selling internationally.
The second collaboration between Marr and Bissonnette was the Los Angeles-set indie road trip film “Passenger Side”, starring Adam Scott. The movie was described by L.A. Weekly as “a thinking man’s Judd Apatow flick” and by The Hollywood Reporter as “a poignant portrait of sibling rivalry and affection”. The film premiered at the Los Angeles Film Festival. “Passenger Side” won the City TV Award for Best Canadian Film at the Edmonton International Film Festival and was named to “Canada’s Top Ten” by the Toronto International Film Festival. Following a successful theatrical run in Canada, the film was released internationally.
“Death of a Ladies’ Man” has its U.S. premiere on March 20th. The film has been given the prestigious opening night slot at the Cinequest Film and Creativity festival in California. The virtual screening will be accompanied by a live introduction with star Gabriel Byrne and a live Q+A with writer/director Bissonnette, producer Marr and actor Jessica Paré.
Marr reports that the film is currently playing in select theatres across Canada and is available on Apple TV/iTunes, GooglePlay, and everywhere you rent and buy movies.
Celluloid Dreams, which handles international sales on the Gabriel Byrne-starring film, negotiated deals with Transmission Films in Australia and DDDream in China. The project was also picked up in Germany (MFA), Austria (Polyfilm and MFA), Switzerland (MFA), Russia (Kinologistika), China (DDDream), Middle East (Front Row), and the Balkans (Cinemania). In Australia and Zealand, the film will be released theatrically on May 20.
It was financed by Telefilm Canada, Monte Rosso Productions, SODEC, Fís Éireann/Screen Ireland, The Canada Media Fund, Ontario Creates, Bell Media’s Crave and the Harold Greenberg Fund, CBC Films and the Western Regional Audiovisual Producer’s Fund (WRAP Fund), and developed with the assistance of Telefilm Canada and the Harold Greenberg Fund.
In addition to his feature films, Marr over the years has produced content for Nike USA and worked on various television projects. He has also been associated with Canadaland, a news site and podcast network, funded by its audience, which focuses on Canadian media, news, current affairs, and politics.
Features
The Popularity of Simpler Slot Games in 2026: Review From Casino Online CrazyTower Experts
Online casinos now fill their libraries with numerous video slots that have dozens of functions, long bonus rounds, complex mechanics, and so on. Interestingly, despite this huge range of modern options, many Canadian visitors at sites like Casino Online CrazyTower here https://crazytower.com/ca/ no longer want complicated gameplay that requires constant attention and long explanations.
Simpler slots now attract a wider audience because they save time and create faster sessions. So, let’s figure out why this change happened and reasons for the popularity of simpler machines.
Why Many Players Are Returning to Basic Gameplay
Modern websites like Casino Online CrazyTower pushed complex video slots for years, but many people now prefer classic formats again. Simple gameplay has fewer interruptions and is simpler in terms of budgeting, which is important when you gamble for fun.
These are a few potential reasons explain why simpler slots became popular again in 2026:
- Faster rounds. Symbols appear quickly, and rounds continue without long animations or extended bonus sequences.
- Easier controls. Most classic slots have simple menus and familiar layouts that don’t confuse new visitors.
- Smaller feature lists. Simple slots usually have standard wilds, scatters, and multipliers instead of dozens of random mechanics.
- Better session flow. People spend more time on gameplay instead of reading explanations about symbols and special functions.
- Lower visual pressure. Simpler slots use calmer designs and shorter effects that don’t overload attention.
Classic gameplay also suits mobile devices better because shorter rounds work well on smaller screens. Plus, many visitors now prefer games that start instantly and explain their mechanics within seconds.
Features That Make Simpler Slots Appealing
Simple machines at Casino Online CrazyTower and similar websites continue to attract attention because they have a high gameplay speed. Many classic titles also replicate older casino machines that people already know from physical casinos.
However, these aren’t the only factors that attract gamblers. So, check out this list:
- Short bonus rounds. Free spins and multipliers finish quickly instead of interrupting gameplay for several minutes.
- Common and standard paylines. Traditional layouts help people understand payouts without long explanations.
- Faster loading times. Simpler graphics reduce waiting time on phones, tablets, and older computers.
- Stable gameplay pace. Long cutscenes and constant pop-up notifications don’t interrupt the session.
- Traditional themes. Fruit symbols, bars, sevens, and classic casino designs still attract large audiences.
- Smaller menus. Important information appears immediately without complicated tabs or hidden sections.
Modern video slots often contain too many mechanics in a single game. Developers now combine expanding reels, random modifiers, mission systems, tournaments, and multiple bonus levels in one title. Many visitors lose interest because gameplay turns repetitive and overloaded with constant interruptions.
Compare this to a session when you get results immediately and aren’t interrupted. These still have free spins and even mini risk games, but not as loaded as innovative titles.
Conclusion
Simple slots usually create better replay value because people understand the mechanics immediately. Common and standard gameplay doesn’t cause frustration and allows faster decisions during casino sessions.
Many classic slots also function better during short breaks because rounds finish quickly without long bonus interruptions. That’s why simpler slots became popular again at many casinos, including Casino Online CrazyTower and such.
Features
Football: Which team from Israel could we see in the European Cup next year?
With Europe’s club competitions heading into another summer of drama, Israeli football is on the table. The domestic season is done, trophies picked up and now a new batch of clubs can now try their luck against continental competition.
What are the prospects of these teams in Europe next year and who are they? It all starts with Hapoel Be’er Sheva’s title, Maccabi Tel Aviv’s cup win and the competition of the best Israel football teams against each other, as fans look to Champions League on Wincomparator to see what teams are in contention.
How Israel’s clubs qualify for Europe: The 2026-2027 spots
Qualification to join the European elite hinges on the 2025-26 Israeli Premier League table and the Israel State Cup. Israel will have one Champions League spot, one Europa League spot, and two Europa Conference League spots in 2026-27.
That means the league winner gets into the Champions League, the State Cup winner goes on to Europa League qualifying. The next eligible league’s finishers take the Conference League slots. It’s a good model as it provides a tangible reward for consistency at home, while at the same time demonstrating the importance of each playoff game. A top three finish can help a club’s summer, bring in better players and provide fans with a European tour before the next season’s start.
The Champion’s quest: Israel’s hope for the Champions League
Meet the 2025-26 Premier League winner: Hapoel Be’er Sheva
Hapoel Be’er Sheva have qualified for Israel’s Champions League after their Israeli Premier League title win with 79 points scored in 36 games. Ran Kozuch’s side closed the gap on the three-point lead but also showed significant strength in the attacking phase to secure a win in a crucial championship round with Beitar Jerusalem.
Their challenge also comes as their reward. Hapoel Be’er Sheva are only expected to begin in the second round of the Champions League, not the league round. To get to the main competition they need to pass through the first round of the other national champions in two-legged ties, and their seeding, fitness and sharpness in early-season competition could be a game breaker.
While the club has experience in Europe and a rabid Turner Stadium following, the path is tough. It takes one bad outing to wipe out a year’s worth of work. However, as long as the bedrock remains the same and they are able to put some depth into the team, the champions have the balance to fight.
Battling in the Conference League: Israel’s other European contenders
The State Cup winner and league runners-up
Maccabi Tel Aviv go to Europe after the Israel State Cup final 2-1 win against Hapoel Be’er Sheva at Teddy Stadium, Jerusalem. That win denied Be’er Sheva a home double, and also meant that Maccabi got into the Europa League qualifying, where they were put in the second qualifying round thanks to access-list rebalancing.
The Conference League qualifiers are Beitar Jerusalem who finished second in the league with 76 points, and Hapoel Tel Aviv who finished fourth with 60 points. The importance of Maccabi Tel Aviv’s cup victory lies in the fact that it unlocked the rest of the way in the league. Beitar’s season was particularly impressive as they scored 78 goals and lost just four matches. On the other hand, Hapoel Tel Aviv managed to remain above Maccabi Haifa in the final table standing, earning them a well-deserved European berth.
The Europa Conference League is no consolation prize for these clubs. It’s a realistic platform. Although there are still a few hurdles to navigate, Israeli sides consider this competition to be the most realistic one for European football in the autumn.
A look at past successes and future hopes
This group has reason for belief, based on recent history. Israeli teams can make significant nights in Europe, and Maccabi Haifa did just that, when they made it into the Champions League group stage in 2022-23, and then impressively took out Juventus 2-0 in Haifa.
There is significant monetary and sporting worth in qualification. A UEFA cup can make a difference to a club, as can better attendance, TV coverage and recruitment opportunities. The early storylines will be the draw for Hapoel Be’er Sheva in the Champions League, as well as Maccabi Tel Aviv in the Europa league and the two Conference League routes — Beitar Jerusalem and Hapoel Tel Aviv. They all have tricky paths to follow, but all four provide Israeli football with a realistic European presence next summer.
Features
At one time one entire block of McAdam Ave. was almost totally Jewish
This story originally appeared in a November 2014 issue of The Jewish Post & News:
1994 McAdam Ave. reunion (names inside story)By GERRY POSNER (This story first appeared in November 2014.)
Once upon a time when life was simpler and gentler, there was a street in the north end of Winnipeg which was like all other streets in the city except in one significant way. Everyone, but for one family, living on McAdam east of Main Street was Jewish.
