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Former CBC TV host Reg Sherren tells of his time with the mother corp.
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By MARTIN ZEILIG
For “a freckle-faced, red-headed kid growing up in small-town Western Labrador,” who sort of stumbled into his profession, former CBC reporter Reg Sherren sure made a name for himself.
He ended up travelling the world and telling stores for CBC’s flagship news program, The National, as well as hosting the popular TV program, Country Canada.
“That plan certainly wasn’t part of any plan I was aware of,” he writes in this entertaining, insightful—in a number of ways – and anecdote laden memoir: “That Wasn’t the Plan: A memoir by Reg Sherren”
But, then life so often turns out that way. Physicists might even say it is due to the randomness of existence. Others would call it fate.
Reg Sherren is a popular commentator, writer and freelance producer. A two-time Gemini and Canadian Screen Award nominee, Sherren has also been the recipient of numerous journalism awards from the New York and Columbus international film and video festivals, as well as the Radio-Television Directors’ Association, says his brief bio. He lives in Winnipeg.
Sherren got his first job at age 15 as an announcer on a radio station in his home town, where his father was one of the iron-ore mine managers. It was the same station that, as he writes, “offered the ability to escape,” because radio stations from “faraway places would find their way skipping across the Labrador sky: CFGO Ottawa, WOR New York or WBZ Boston.”
He had absolutely zero training for the job.
“For my first show I was given some very brief instruction by the fellow on the air before me, a guy who called himself Buffalo Bill Cody,” the author writes. “He looked the part like Wild Bill Hickok with his long hair, moustache, cowboy hat and fringe jacket.”
Being on the air was only one of the teenager’s duties. He also had to make sure all the garbage cans were clean for Monday morning, and change the paper on the teletype machine.
It was a good training ground, or at least an introduction, for the future broadcast journalist.
After graduating from high school, Sherren studied journalism at Canadore College in North Bay.
“It was a fabulous place to learn,” the author says.
Sherren started out his professional career as the main television news anchor at CKPR-TV in Thunder Bay, Ontario.
“Four years flew by as I honed my craft, even eventually making a little more money, and I landed my first byline—my name on a network radio report on forest fires in Northwestern Ontario, pounding out on teletypes across the system,” he writes.
Thunder Bay was also the place where he met “my beautiful future wife, Pamela Tennant” – the weekend anchor at CKPR and a daily reporter.
“She left before me, taking a reporting gig with CTV Edmonton,” Sherren says. “Not long afterwards, I chased her west, landing a job at CBC Calgary.”
Over the years, Sherren would cover stories that “crisscrossed” Canada. He also did everything from guest hosting network radio shows like Cross Country Checkup to reporting from war zones.
He found so much history, so many characters and so many stories to tell throughout his varied career with CBC.
Among the many vivid “behind-the scenes” stories Sherren shares are about riding on the back of a humpback whale; a journey down “the world’s longest ice road” in a solar-powered car, visiting Nagaski, Japan with a former Canadian solider, John Ford, who was a Japanese prisoner of war during the Second World War and who had lived through the second atomic bomb ever dropped in wartime—in Nagasaki; doing an item for a Remembrance Day (November 11) special on The National on Nichola Goddard, a Captain in the Canadian Armed Forces, who was the first Canadian women to be killed in combat (during a tour of duty in Afghanistan); researching a story about First World War hero Francis Pegahmagabow, the most highly decorated Aboriginal soldier in Canadian history; interviewing Roberta Bondar, the first Canadian woman in space; and much more.
Sherren writes that he had a “long-standing commitment to chronicling our country’s military service.”
He also praises many of his colleagues and other fellow workers at the CBC, such as local television producer Cecil Rosner, for their support and creative initiatives over the years.
His modus operandi never wavered: “When approaching people to do interviews, to let you in, you must be 1) professional, 2) truthful and, above all, 3) respectful. I never lie or try to fudge what the call is about.”
Sherren left the CBC, after some four decades as one of their top journalists, at the end of December 2017.
He writes that he misses the idea of the CBC, “but then, I had been missing that for some time before I left. What leaving has empowered me to do is share a few observations about the state of public broadcasting in this country.”
Sherren maintains that CBC stories are more urban based, and the country isn’t being reflected like it used to be on the TV, the internet or even the radio.
“People pay their taxes,” he writes. “Their taxes pay for the CBC.”
He recommends, among other things, that CBC.ca should decommercialize. He suggest that instead of selling advertising, set up a news wire service like Reuters or CP to help the privates survive, or at least transition.
Sherren also calls on the CBC “to be the champion of maintaining diversity of voices in all broadcasting/media communities, not playing a role in their demise. And it should seriously think about ending relationships with entities like Facebook.
“Take chances. Don’t be afraid of failure. Give the future a chance. Develop shows from the inside. Be the CBC.”
Some of his suggestions, especially maintaining diversity, seem to be happening now in the CBC.
“The CBC helped me grow as a journalist and as a human being,” Sherren says. “It gave me and my family a wonderful life and allowed me to travel the world to bring you stories. Together we explored everything from the best to the worst that Canadians, as a group of people on this planet, have to offer. For that I will be eternally grateful.”
That’s a pretty good journey for a wide-eyed, ambitious and talented fellow from Wabush.
That Wasn’t the Plan: A memoir by Reg Sherren
Published by Douglas & McIntyre
350 pg.
Uncategorized
Volatility, Hit Frequency, and RTP: Why the Number Casinos Advertise Is the Least Useful One
The return to player percentage looks clean as a casino data point. It gives players a neat number, usually around 94% to 97% for many online slots, and that number feels easy to compare. A 96.5% game appears better than a 95.2% game. The problem starts when players treat RTP as a forecast for their next 50 spins or one evening.
You may find the RTP listed on slot pages on a leading online casino in Ontario, but the number only tells part of the story. Two games can share the same RTP and create different sessions: one may return small wins often, while the other may drain a balance before one bonus round changes everything.
The RTP Trap
Return to player (RTP) measures the theoretical share of total wagers a game returns across a very large number of rounds. In plain terms, a 96% RTP slot returns about $96 for every $100 wagered in the long run. That does not mean one player who deposits $100 should expect $96 back.
The trap sits in the word “theoretical.” RTP comes from the game’s math model. It works across huge samples, not personal sessions. A player can finish far above that percentage, far below it, or with nothing left after a short run of poor results.
Is it useless then? No, RTP can still help. It gives a baseline cost of play. Lower-RTP games cost more on average than higher-RTP games. Still, once a game passes a reasonable threshold, the next question matters more: how does it distribute that return?
Hit Frequency: The Number That Shapes Session Feel
Hit frequency tells you how often a game produces a winning outcome. This often misleads players because any win can count. A spin that returns $0.10 on a $1 bet may still count as a hit, even though the player lost $0.90 in real terms.
A game can feel active because symbols connect often, sounds play, and the screen keeps celebrating small returns. The balance may still fall. In many modern slots, “win” does not always mean profit on the spin.
Hit frequency answers one practical question: how much silence can you tolerate? Some players dislike long dry spells. Others accept quieter sessions because they chase bonus rounds or larger payouts.
The educational site Get Gambling Facts gives a useful distinction: RTP concerns the percentage of money returned over time, while hit frequency concerns how often a machine stops on a winning combination.
Volatility: The Risk Label Players Need More Often
Volatility, also called variance, describes how unevenly a game pays. Low-volatility games tend to return smaller amounts more often. High-volatility games hold more value in rare events: bonus rounds, premium symbols, multipliers, or jackpots.
Here is where RTP becomes less useful on its own:
- A 96% low-volatility slot may give modest returns and longer play from the same balance.
- A 96% high-volatility slot may burn through funds quickly unless the player hits a strong feature.
- A progressive jackpot game may look exciting, but it often places more value on rare top prizes.
The same RTP can hide very different risk profiles. Players who ignore volatility often blame the casino or the game when the session follows its math design.
Why the Same RTP Can Feel So Different
Picture two slots with 96% RTP. Slot A pays small wins on many spins, has a modest top prize, and rarely creates dramatic balance swings. Slot B pays less often but offers a large max win and volatile bonus rounds. The advertised return matches, but the experience does not.
Slot A may suit a player who wants a slower bankroll drop and more regular feedback. Slot B suits someone who accepts sharper losses in exchange for a shot at a heavier payout.
A Better Way to Read a Slot Page
Most slot pages give players more clues than they notice. The trick is to read the details together rather than chase the highest percentage.
Start with RTP. If two games look similar, the higher number has better long-term value. Then check volatility. If the game uses terms such as high, very high, or extreme variance, lower your bet size or expect shorter sessions. Next, look at the paytable. A huge max win usually means the game saves a lot of its value for rare outcomes.
A sensible pre-play check looks like this:
- RTP: What is the average long-term return?
- Volatility: How rough can the session become?
- Hit frequency: How often will the game show any wins?
- Paytable: Where does most value sit?
To Conclude
Casinos advertise RTP because it looks objective, tidy, and easy to rank. Players should read it, but they should not give it more authority than it deserves. For long sessions, volatility may matter more than a small RTP difference. For comfort, hit frequency may explain the feel better than the payback rate.
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The Popularity of Simpler Slot Games in 2026: Review From Casino Online CrazyTower Experts
Online casinos now fill their libraries with numerous video slots that have dozens of functions, long bonus rounds, complex mechanics, and so on. Interestingly, despite this huge range of modern options, many Canadian visitors at sites like Casino Online CrazyTower here https://crazytower.com/ca/ no longer want complicated gameplay that requires constant attention and long explanations.
Simpler slots now attract a wider audience because they save time and create faster sessions. So, let’s figure out why this change happened and reasons for the popularity of simpler machines.
Why Many Players Are Returning to Basic Gameplay
Modern websites like Casino Online CrazyTower pushed complex video slots for years, but many people now prefer classic formats again. Simple gameplay has fewer interruptions and is simpler in terms of budgeting, which is important when you gamble for fun.
These are a few potential reasons explain why simpler slots became popular again in 2026:
- Faster rounds. Symbols appear quickly, and rounds continue without long animations or extended bonus sequences.
- Easier controls. Most classic slots have simple menus and familiar layouts that don’t confuse new visitors.
- Smaller feature lists. Simple slots usually have standard wilds, scatters, and multipliers instead of dozens of random mechanics.
- Better session flow. People spend more time on gameplay instead of reading explanations about symbols and special functions.
- Lower visual pressure. Simpler slots use calmer designs and shorter effects that don’t overload attention.
Classic gameplay also suits mobile devices better because shorter rounds work well on smaller screens. Plus, many visitors now prefer games that start instantly and explain their mechanics within seconds.
Features That Make Simpler Slots Appealing
Simple machines at Casino Online CrazyTower and similar websites continue to attract attention because they have a high gameplay speed. Many classic titles also replicate older casino machines that people already know from physical casinos.
However, these aren’t the only factors that attract gamblers. So, check out this list:
- Short bonus rounds. Free spins and multipliers finish quickly instead of interrupting gameplay for several minutes.
- Common and standard paylines. Traditional layouts help people understand payouts without long explanations.
- Faster loading times. Simpler graphics reduce waiting time on phones, tablets, and older computers.
- Stable gameplay pace. Long cutscenes and constant pop-up notifications don’t interrupt the session.
- Traditional themes. Fruit symbols, bars, sevens, and classic casino designs still attract large audiences.
- Smaller menus. Important information appears immediately without complicated tabs or hidden sections.
Modern video slots often contain too many mechanics in a single game. Developers now combine expanding reels, random modifiers, mission systems, tournaments, and multiple bonus levels in one title. Many visitors lose interest because gameplay turns repetitive and overloaded with constant interruptions.
Compare this to a session when you get results immediately and aren’t interrupted. These still have free spins and even mini risk games, but not as loaded as innovative titles.
Conclusion
Simple slots usually create better replay value because people understand the mechanics immediately. Common and standard gameplay doesn’t cause frustration and allows faster decisions during casino sessions.
Many classic slots also function better during short breaks because rounds finish quickly without long bonus interruptions. That’s why simpler slots became popular again at many casinos, including Casino Online CrazyTower and such.
