Features
Israeli Consulate to screen incredible film about Israeli photographer Amos Nachoum – produced by Nancy Spielberg
By BERNIE BELLAN Two and a half years ago we published a story by Martin Zeilig about a new documentary produced by Nancy Spielberg about an incredibly brave Israeli deep sea photographer by the name of Amos Nachoum. From April 22-29 you can watch that amazing documentary at https://youtu.be/TCLUq_4BoFU. Click on Read more to find out about how this film was made and how you can interact with the film’s director, Yonatan Nir on April 29.
Here is the information we were sent by the Israeli Consulate in Toronto: “This film follows the journey of world-renowned underwater wildlife photographer Amos Nachoum in his effort to photograph a polar bear up close while swimming with it – an incredibly dangerous and nearly impossible feat – all the while painting a nuanced picture of Nachoum’s complex life and relationships. Nachoum is the only underwater wildlife photographer in the world to attempt (and succeed at) this shoot, with the help of a couple local Inuit. The film also reminds viewers of the disruptions these polar bears experience in their ecosystems due to environmental changes, and stresses the importance of preserving it.”
On April 29 the Consulate will be holding a webinar with Yonatan Nir. Register here: https://bit.ly/3ghPMJY
Here is the story that Martin Zeilig wrote in 2019 about the film and about his interview with the film’s director:PICTURE OF HIS LIFE (Directors: Yonatan Nir and Dani Menkin Hey Jude Productions Playmount Productions– Executive Producer: Nancy Spielberg 2019)
review/interview By Martin Zeilig
At one point in this remarkable and awe-inspiring documentary film, world renowned Israeli wildlife photographer Amos Nachoum is interviewed while sitting on a rock on the barren shores of Baker Lake, Nunavut.
“Believing in yourself, and going on with it, no matter what the obstacle, this all the power of being here. This is life,” the stocky 65 year old says with a deep-seated emotion in his voice, while raising a clinched fist in fierce determination as he shifts his gaze slightly to the camera.
It’s a stirring moment.
The film follows Nachoum in the Canadian Arctic, as he prepares for his decisive challenge- to photograph a polar bear underwater, while swimming alongside it.
“It’s his final remaining photographic dream,” says the film’s publicity material.
As the journey unfolds, so does an intimate and painful story of dedication, sacrifice and personal redemption.
“Amos to me is one of the best ambassadors of the ocean,” Jean Michel Cousteau, the celebrated Oceanographic Explorer, says in an off camera commentary. “He takes huge amount of risks to bring those images, which no one has ever been able to capture.”
“He comes back with images that no one has been able to get,” adds Adam Ravetch, Emmy Award winning cinematographer, who is part of the team filming the documentary. “He is probably the best underwater still photographer in the world.”
Marine biologist Sylvia Earle, the female chief scientist at the National Oceanic and Atmospheric Administration, also attests to Nachoum’s prowess as an underwater wildlife photographer.
We see some of the striking shots that Amos has captured over the years: an open jawed leopard seal moments before it’s about to chomp into a penguin in the waters of Antarctica; amazing (and chilling) close-ups of great white sharks; blue whales; anacondas in the Amazon; snow leopards in the Himalayas; a huge crocodile resting on the bottom of an African river, and much more.
The film’s US premiere was July 25 at the San Francisco Jewish Film Festival, with a follow-up screening July 28 and a separate screening in San Rafael on August 2, noted an article earlier this summer in The Times of Israel (In Arctic, polar bear is final frontier for famed Israeli wildlife photographer). Earlier this year, the film debuted at Docaviv in Tel Aviv, with Nachoum attending the screening.
‘“Be calm and collected with wildlife,”’ Nachoum, who was interviewed by The Times of Israel, said in the article. ‘“The biggest mistake all photographers do is be quite aggressive.”’
Nachoum has a fractious relationship with his father. On a visit home, the father belittles his son for not living up to his standards. He wanted his only son to become a carpenter and to settle down with a wife and children.
Another scene shows him on life support systems in a hospital room calling for Amos.
During the 1973 Yom Kippur War, Nachoum served with an elite unit. The experience left him shattered.
“Speaking about his service still left him “very emotional, my hair standing still,” he says in The Times of Israel article. He was also a war photographer in Israel.
He left for the United States shortly after his stint in the army to pursue his dream of becoming an underwater wildlife photographer.
“Calmness is important even when photographing the polar bear – which can include Homo sapiens as part of its diet,” he said in The Times of Israel story, and which Adam Ravetch emphasizes in the film.
A male polar bear can weigh up to 750 kilograms and are exceptional swimmers. “Polar bears usually dive 3 to 4.5 m i.e. 9.8-14.8 feet deep into the cold water of arctic and can hold their breath for Researchers really don’t know that actually how deep can a polar more than three minutes,” says the Zoologist website. “But they estimated that it can dive as deep as 6m i.e. 20 feet.”
Nachoum’s first effort at photographing a polar bear in arctic waters occurred in 2005. It “nearly proved deadly” for him, noted The Times of Israel .
‘“I was scared to death,”’ he said to the reporter. ‘“I was laughing about it, but I was scared. My heart was pounding. Yet, I wanted to do it again.”’
“His second attempt, in 2015, helped Menkin and Nir culminate what they describe as a 10-year odyssey to make the film,” the Israeli newspaper states.
Nachoum and his crew, including, of course, their Inuit guides, have a five day window in which to find and photograph a polar bear in the water.
Their first sighting takes place on Day two. It’s a big male polar bear.
Nachoum is ready to with full scuba gear. He plunges backwards into the icy waters from the side of the boat.
The aggressive bear dives after this camera totting intruder. It’s a heart stopping moment.
The screen goes blank for several seconds. But, Nachoum managed to elude Nanook in the nick of time.
He’s a bit shaken by the experience and disappointed.
Without giving away too much, success is achieved on the final day.
A mother bear and her two large cubs are spotted swimming in the lake. Nachoum dives into the water. It’s a miraculous moment.
The final scene shows Nachoum returning to Israel to visit his father’s gravesite. He places a special gift on the gravestone– a small framed photograph of the three bears taken underwater.
A voice over of the late Canadian poet/musician/novelist, Leonard Cohen, singing his song, Anthem, plays as the credits begin to roll: “There is a crack in everything. That’s how the light gets in.”
The directors agreed to an email interview with this newspaper.
The Jewish Post & News: 1)What were some difficulties involved in making this film?
Menkin: There are two sides to this question. One is technical and the other is psychological / personal. The technical issues were huge– starting with selling a film about a man who is 65 years old and wants to do something that no one ever done before him, and that when HE tried to do it before – he almost got killed.
So prior to the shooting in the Arctic many potential financiers said: “Please keep us posted, it sounds amazing – call us when you come back… alive….”
Then when we finally raised the money, we had to build the whole infrastructure for the production by ourselves. There are no diving clubs over there, no hotels or transportation. We had to ship compressors, ice diving equipment, generators, food, fuel, and so on. I had to fly on nine flights from Israel to the location of the shooting.
Then to live there in the middle of nowhere and to find the right bears and create the opportunity for Amos to get into the water and have a peaceful encounter with these magnificent animals… it is all very complicated.
We could not have done it without ADAM RAVETCH – who is not only the best Arctic Cinematographer in the world (and not only in my opinion), but also has 25 years of experience working with the Inuit people in the high Arctic.
Of course we could not have done it without the Kaludjack family. Two members of the family, Billy and Patrick Kaludjak, who were with us on the shoot, died a year and a half later when their snowmobile broke through the ice.
Our film is dedicated to the memory of these two wonderful human beings, who we had the privilege to know even if it was for a short period of time.
The other difficulty was to get our protagonist open up and talk about things that he kept inside for 40 years. It is always a complicated issue to get someone’s trust; it’s more complicated when it’s on film and it’s even more complicated when your protagonist is one of the best and most famous in his field.
JP&N: How long did it take to film?
Nir: It took us 10 years to get this movie off the ground. It was also how Yonatan and I have met, and started to work on this and DOLPHIN BOY (another of their films). The main reason it took us so long was that we had to raise a feature film budget for a documentary; and we were deferring to go with Amos all the way to the arctic and try to take his picture.
JP&N: Please share some anecdotes/incidents in the making of the Picture of His Life.
Menkin: One day, we left Adam and Billy Kauldjack RIP on a small island, maybe 50 meters by 10 meters with a camera and a drone.
We wanted to get a shot of Amos alone in the water in the empty Arctic sea… we never used that shot in the film BTW (by the way).
We sailed away from them (to allow) Adam to fly the drone back and forth above Amos with no boats in the frame. The time passed, strong winds, maybe 20 minutes (later).
When Adam reported to us that he got the shot, we sailed back to Amos to take him out of the water. He was very cold, so we warmed him up with some hot water and tea when suddenly I hear screaming from the little island.
I looked back terrified. I thought a bear got on the island or something like that, and to my amazement there was no island, literally.
The tide came in very fast and almost drowned Adam and Billy with our expensive gear. We sailed as fast as we could to get them out of there in the very last second.
JP&N: How long have you two been working together?
Nir: After (his first film) 39 POUNDS OF LOVE, I met Yonatan when I was approached by a producer to direct the film about Amos. We joined forces on DOLPHIN BOY and now PICTURE OF HIS LIFE while we both have our own films. Yonatan focuses on documentaries, like MY HERO BROTHER, and I’m writing and directing fiction and docs. We are good friends and both like road trip movies and wanted to give this story all the elements we have in our previous work.
JP&N: What has been the response in Israel to the film?
Menkin: The response is unbelievable. We are in cinemas all over the country, and sold out almost every screening. The story of Amos with the Yom Kippur war is the story of a whole generation.
People love adventures and inspiring human beings who chase their dreams and are fighting their own fears, doubts and inner demons. To my happiness, people in Israel are starting to care about the future of our planet more and more, and our film is also about that. There is something to relate to in our film for everyone.
The most touching feedback to the film was from my eight year old daughter who said, “Abba I liked the film very much. I just didn’t like it when Amos father was yelling at him and I didn’t understand why did you have to include wars in your film?”
I didn’t know how to answer that.
JP&N: Anything else you’d like to add?
Nir: We just premiered PICTURE OF HIS LIFE in North America, and got incredible reviews and standing ovations. We are excited to tour with it around the world (in Canada as well) and spread the message.
Features
Understanding the Differences Between the Three Roulette Classes
Roulette is one of those games that denotes the world of casinos most iconically with its spinning wheel and suspenseful moment when people wait for the ball to land on a number. Not all roulette, however, is the same. There are three classes of roulette: European, American, and French. They have rules and variations that somehow make them stand out and give extremely different gaming experiences. Let’s take a look at some of these differences and understand what makes each roulette class special.
The Classic Choice of the European Roulette
The typical character of European Roulette is the presence of a single zero, thus making it highly favorable among players due to a very low house advantage of 2.7% and, therefore, higher odds of winning. It offers a number of inside and outside bets that can suit different players’ appetites for risk. The reason the players like European Roulette is that it is easy to play, and the odds are quite even.
This game of roulette easily finds its place on most online websites in several variants, from differently themed games to different betting limits to accommodate any type of player. Be it a new starter or a seasoned gamer, European Roulette offers them all a slick and smooth experience with good graphics and interaction that they would want more of.
The Elegance and the Strategy of the French Roulette
French Roulette is often touted as the most sophisticated style of the game. It shares this with European Roulette, which also has a single zero wheel; however, the features are different, with the inclusion of various rules termed “La Partage” and “En Prison.” These rules create such a drastic reduction in the house edge down to as low as 1.35% on even-money bets that it affords the player a number of options for a gaming experience. French Roulette also boasts an assortment of table layouts and special bets that give the game a strategic edge, intriguing experienced players.
Spin Casino roulette games offer a sophisticated, classic European casino atmosphere in the version of French Roulette. The detailed tutorials and user-friendly interface mean that new players will take no time to learn the nuances of this great game, allowing everyone to enjoy the strategic depth of this variation.
The American Roulette, With High Stakes
Another successful variant is American Roulette, most especially in North American casinos. The key difference between American and European roulette lies in the addition of a double zero slot on the wheel. This adds to a 5.26% house edge, thereby giving it a moderate advantage over its European cousin. This also contains an extra layer of unpredictability and fun with the double zero and lures players who like higher stakes and a faster-moving pace of the game.
The realness of the experience means that American Roulette fans will get a true taste of Las Vegas-style casino action. From this brand, high-quality American Roulette games are available for players to try their luck with the double zero in immersive graphics and sound effects that bring the excitement of the casino right to your screen.
Try these roulette variations and enter a whole new world of casino gaming, where each spin holds a new chance at excitement and rewards. Be it for the first-timer or a seasoned player, roulette is a game in which the thrill keeps one sitting on the edge.
Features
Auschwitz Tours from Warsaw: Preserving Memory, Honoring History
Auschwitz is one of the most powerful symbols of the Holocaust and its lessons are as current as ever. As the world prepares for International Holocaust Day the need to remember and educate becomes even more urgent.
At Auschwitz Tours from Warsaw, our mission is to help you connect with this dark chapter in history. We offer guided tours to Auschwitz-Birkenau from Warsaw and Krakow so you can visit the largest Nazi concentration and extermination camp where over a million innocent lives were taken.
Why Auschwitz Tours from Warsaw?
A visit to Auschwitz is an emotional experience and we want you to get the most out of it. Our guides will walk you through the historical context, tell you stories of those who suffered, resisted, and in some cases survived. With respect and sensitivity, we will share the history that can’t be forgotten.
We offer full day tours from both Warsaw and Krakow so you can visit Auschwitz whether you’re coming from Poland’s capital or its cultural hub. Our tours include comfortable round trip transportation so you can focus on the experience without worrying about the logistics.
Extra Educational Content
Apart from the day trips, Auschwitz Tours from Warsaw also provides a lot of educational content about Auschwitz and the Holocaust. Our website is a resource for learning with articles and materials about Auschwitz’s history, World War II, and the long-term impact of the Holocaust.
For those who can’t visit in person, these materials are a window into this dark period of human history so the lessons of the Holocaust are available to everyone.
Honoring the Past on International Holocaust Remembrance Day
International Holocaust Remembrance Day on January 27th is a global moment of remembrance. It’s a day to remember the 6 million Jews and millions of others murdered by the Nazis during World War II.
It’s not just about the victims of the Nazi regime but about learning from history so we never repeat the mistakes.
January 27th is the anniversary of the liberation of Auschwitz-Birkenau in 1945, a day of unimaginable suffering but also of survival. The site itself is closed on this day for commemoration, but it’s a place of great importance for those who want to reflect on what happened here.
Although the gates are closed to visitors on January 26 and 27, it’s a day of personal reflection and remembrance for those who have passed away.
But on January 27th, a special area will be open for those who want to mark this solemn day on the grounds of the Memorial. This is a unique opportunity to reflect and remember in silence, on the very ground where so many lives were lost.
If you can’t visit Auschwitz today, International Holocaust Remembrance Day is still a chance to connect with the stories of survivors and victims. It’s a day to educate ourselves and others, not just about the past but about the present need to face hatred, intolerance, and anti-Semitism in all its forms.
If you’d like to learn more about our tours or explore our educational content, visit us at auschwitztoursfromwarsaw.com. Join us in remembering the past and keeping the message of “Never Again” alive.
Features
The Hurdles Facing Egyptian Intellectuals
By HENRY SREBRNIK In the twentieth century, many middle-class Egyptians adopted a cosmopolitan cultural style. They wanted to move the country toward a more liberal and secular state.
But they always came up against, and were unable to surmount, the strength of a very strong Islamic religious culture. In despair, some, despite their own preferences, ended up preferring autocracy to what they considered a backward and dangerous ideology.
In 1952, a revolution brought the Free Officers movement, led by Gamal Abdel Nasser, to power. It seemed to have brought a secular quasi-socialist regime to power.
But the undercurrents of politicized religion, though banned by Nasser, did not disappear. The Muslim Brotherhood, which had been founded in 1928 by Hassan al-Banna and preached a fundamentalist Islamism guarded exclusively by the sharia, was outlawed. Its most prominent theoretician, Sayyid Ibrahim Qutb, was executed in 1966.
But secular movements fell from favour following Egypt’s defeat by Israel in 1967, and the country was transformed into an autocracy following Nasser’s death three years later. From 1981 until 2011, Egypt was ruled with an iron hand by Hosni Mubarak, until popular unrest forced him to step down during the Arab Spring.
Would this herald a new, democratic chapter in Egypt? Would free elections bring about a rebirth of secular politics? The answer was no.
Mubarak’s ouster cleared the way for the Muslim Brotherhood to participate openly in Egyptian politics, and to that end the group formed the Freedom and Justice Party. In April 2012 the party selected Mohamed Morsi to be its candidate in Egypt’s presidential election. Morsi defeated Ahmed Shafiq, a former prime minister under Mubarak, that June.
Morsi soon issued an edict declaring that his authority as president would not be subject to judicial oversight until a permanent constitution came into effect. Although he defended the edict as a necessary measure to protect Egypt’s transition to democracy, mass demonstrations were held against what many saw as a seizure of dictatorial powers.
Worsening economic conditions, deteriorating public services, and a string of sectarian incidents, including attacks on the country’s Coptic Christian minority, strengthened opposition to Morsi’s rule. Clashes between Morsi’s supporters and critics in late June 2013 culminated in massive anti-Morsi protests around the country.
On July 3 the military under the head of the Egyptian Armed Forces, General Abdel Fattah al-Sisi, removed Morsi from power. A figurehead president, Adly Mansour, was installed, but it was clear that Sisi, who retained the title of defence minister, wielded power.
Sisi claimed that the military had carried out the will of the Egyptian people, as expressed in the anti-Morsi protests, and that the Islamist-dominated administration led by Morsi had put the Muslim Brotherhood’s interests before those of the country.
A month later the Egyptian police and armed forces committed what Human Rights Watch deemed “one of the world’s largest killings of demonstrators in a single day in recent history.”
Eleven years on, the murder of over 1,000 supporters of the deposed president, known as the Rabaa Massacre, has gone largely unpunished. The Muslim Brotherhood was formally outlawed that September and Morsi was jailed. Prison conditions were harsh, and he was denied adequate medical attention. He died in 2019.
Sisi officially left the military to run for president and was elected in a clearly fraudulent manner in May 2014. He has been re-elected twice since, in March 2018 and again in December 2023, when he was reported to have won with 89.6 per cent of the vote after several opposition figures were prevented from participating. Under his reign, Egypt has degenerated into a police state even more repressive than the 30-year dictatorship of Hosni Mubarak.
Caught between the proverbial rock and a hard place, Egypt’s pro-democracy and civil society movements jettisoned their long-standing commitments to human rights and the rule of law and enthusiastically supported the return of military rule.
One of those civil society leaders, Saad Eddin Ibrahim, was among Egypt’s most influential intellectual figures. He had spent his career insisting that democracy is the solution both to political authoritarianism and to the allures of religious fundamentalism in the Arab world.
Pushing back against the prevailing view that Islamist groups must be marginalized, he argued that they should be included in the democratic process. He even went so far as to advocate, in an article titled “Toward Muslim Democracies,” that “it will be better for us as democrats, for the Islamists, and for Egypt to enlist Islamists under the flag of democracy.”
He encouraged Egyptians to support this vision and put aside common fears about Islamist movements and had been arrested for his views under Mubarak. Yet even he abruptly became an apologist for authoritarian rule.
The “problem” was that the bulk of the Egyptian masses were unwilling to part with their religious traditions or wholly consign them to the realm of the private. Put another way, if most Egyptians were given the choice between being liberal or being Muslim, they would overwhelmingly select the latter.
Faced with that reality, these intellectuals forged authoritarian alliances to forcibly impose their worldview on an otherwise unwilling populace. When Morsi and the Muslim Brotherhood were in actual control of the state rather than at its fringes, the liberal secularists chose authoritarian rule. This is the same tragedy found in most of the Arab world.
Henry Srebrnik is a professor of political science at the University of Prince Edward Island.
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