Features
Nani Vazana, the only known composer of new songs in Ladino, performs in Canada
By IRENA KARSHENBAUM In early November, just prior to arriving in Canada from her home in Amsterdam, the Netherlands, Ladino singer and songwriter, Nani Vazana, evokes images of centuries past when men prayed in the synagogues of their Spanish villages while the women had to make their way in the market. Their Spanish imperfect, a paella of the local language tossed with spoonfuls of Hebrew, evolved into a language of its own, Judeo-Spanish, also known as Ladino. It was this language — Vazana calls “matriarchal” because it was created by women — and used in their daily lives to discuss mother-daughter relationships, share recipes and domestic knowledge, secret desires and unattained loves that, with time, flourished with poetry and songs.
Today, Ladino is considered a dying language because most of its speakers are over 70 years of age. Vazana who, in her 30s, not only speaks the language, but is believed to be the only person in the world who writes new songs in the dying language, which are “reflective of millennial life,” as she explains.
It is a musical path that almost did not happen. Vazana’s father, who was either born in Vazan, Morocco or on a boat to Israel — his exact place of birth is unknown due to the turbulent early years of the modern state of Israel, forbade his daughter to speak Ladino. She only did so in secret, when her father was not around, with her maternal grandmother, “Savta Mami,” from when she was four to the age 12, when her grandmother passed away.
Born in Be’er Sheva, Israel, Vazana’s musical journey did not begin with Ladino music, but had European musical origins. Vazana explains that she always knew she wanted to become a singer and songwriter. “My mother says that I was imitating opera singers in the shower when I was two or three years old and I asked for a piano when I was three.” It was a wish Vazana did not see fulfilled until she was 10, but she never stopped asking for the instrument while starting piano lessons at age five or six and having to use the piano at her conservatory. She took up playing the trombone because, as a child, she had a high-pitched voice and wanted to expand her range, which is now over three octaves. She became principal trombone player for the Ra’anana Symphony Orchestra, then moved to study at the Jerusalem Music Academy, and then moved to Amsterdam to study at the Amsterdam Conservatory. That is where she decided to stay, explaining, “The city is at a crossroads for many international musicians and is great for collaborations.”
While in her new home, Vazana was invited to perform at the Tangier Jazz Festival in Morocco and took the opportunity to visit her grandmother’s home town of Fez. Walking through the ancient streets, she heard a song her late grandmother used to sing to her. The song, called “Kuando El Rey Nimrod,” translated as “When Nimrod Was King,” was sang in Arabic, not in Ladino, but had the same melody, which she recognized. “I had flash backs and it became very special and from this moment I understood what the path was about for me.”
For two years Vazana took Ladino lessons to relearn the language and started to research Ladino music. She admits the music is hard to relate to because Ladino singers do a lot of “ornaments” with their voices, “So I created my own version of the classical songs and I started to perform and record them, but without the ornaments.” The collection of songs became her third album and her first work of traditional Ladino music called, “Andalusian Brew.”
Vazana performed this repertoire for three years, which took her to all continents around the world, except Australia (and Antarctica).
She continues, “I started feeling it wasn’t enough to sing classical Ladino songs, so around 2018, I started writing my own songs in Ladino that are more reflective of modern life.” This work led to the making of her current album entitled, “Ke Haber,” translated as “What’s New.” She explains the title has a double meaning referring to the dying language and that it is also a common Ladino phrase, “It’s meant to preserve the language and make it current.”
In “I don’t want, mother,” with music and lyrics by Vazana, she sings, “I bring good news / A wealthy man / From the high society / Will propose to you,” with the daughter’s response she continues, “No mother, I don’t want that / For he only cares about wealth / And so emotionally detached.” In the notes to the album, Vazana describes the mother-daughter dialogue where the mother suggests a tall man, a jealous man or a rich man and the daughter rejects them all. Exasperated, the mother finally states that her daughter marry a drunk, only to have her daughter reveal that in fact she already is in love with a drunkard.
“El Gacela,” translated as “The Gazelle,” with lyrics by Shmuel Hanagid and Moses ibn Ezra and music by Vazana, touches on the homoerotic. She writes in the notes to the album, “It was hard to find secular materials. I asked a rabbi at the Etz Chaim library and he showed me these 2 homoerotic poems from the 11th century, written by 2 Jewish rabbis who are considered saints. It’s amazing that we feel that we’re very new and modern and advanced, but it seems that we raise the same questions 1000 years later. And maybe society was even more open minded back in the Middle Ages?”
Vazana plays the piano and trombone when performing and considers herself a solo artist employing different musicians in different locations. Being fluent in five languages — English, Hebrew, Dutch, Ladino and German — she explains that “everything” inspires her music and, “Every song is like a short movie that tells its own story.”
She says she cannot pick a favourite song, but specifically mentions “Sin Dingun Hijo Varon,” translated as “Without Any Sons,” which is included in “Ke Haber.” A song based on 11th century text, and one of the earliest examples in history of a song on a transgender subject, it uses sparse language to tell the story of a young girl who declares to her father that she will be a son he never had and her mother accepts her daughter as her son. Vazana explains, “We think that as millennials we invented this, but this has been around for centuries. The feeling of looking for your identity has very strong meaning for us today.”
Vazana’s unique contributions to world music have been recognized by her performing at the Kennedy Centre and, in September of 2023, her concert was recorded by the Library of Congress in Washington, DC.
Vazana had concerts in Vancouver, Canmore, Montreal and Toronto in November before returning to Amsterdam. In January of 2024, she plans to continue her world tour with 67 scheduled performances, at the time of this interview.
This story was originally published in Alberta Jewish News.
Features
Football: Which team from Israel could we see in the European Cup next year?
With Europe’s club competitions heading into another summer of drama, Israeli football is on the table. The domestic season is done, trophies picked up and now a new batch of clubs can now try their luck against continental competition.
What are the prospects of these teams in Europe next year and who are they? It all starts with Hapoel Be’er Sheva’s title, Maccabi Tel Aviv’s cup win and the competition of the best Israel football teams against each other, as fans look to Champions League on Wincomparator to see what teams are in contention.
How Israel’s clubs qualify for Europe: The 2026-2027 spots
Qualification to join the European elite hinges on the 2025-26 Israeli Premier League table and the Israel State Cup. Israel will have one Champions League spot, one Europa League spot, and two Europa Conference League spots in 2026-27.
That means the league winner gets into the Champions League, the State Cup winner goes on to Europa League qualifying. The next eligible league’s finishers take the Conference League slots. It’s a good model as it provides a tangible reward for consistency at home, while at the same time demonstrating the importance of each playoff game. A top three finish can help a club’s summer, bring in better players and provide fans with a European tour before the next season’s start.
The Champion’s quest: Israel’s hope for the Champions League
Meet the 2025-26 Premier League winner: Hapoel Be’er Sheva
Hapoel Be’er Sheva have qualified for Israel’s Champions League after their Israeli Premier League title win with 79 points scored in 36 games. Ran Kozuch’s side closed the gap on the three-point lead but also showed significant strength in the attacking phase to secure a win in a crucial championship round with Beitar Jerusalem.
Their challenge also comes as their reward. Hapoel Be’er Sheva are only expected to begin in the second round of the Champions League, not the league round. To get to the main competition they need to pass through the first round of the other national champions in two-legged ties, and their seeding, fitness and sharpness in early-season competition could be a game breaker.
While the club has experience in Europe and a rabid Turner Stadium following, the path is tough. It takes one bad outing to wipe out a year’s worth of work. However, as long as the bedrock remains the same and they are able to put some depth into the team, the champions have the balance to fight.
Battling in the Conference League: Israel’s other European contenders
The State Cup winner and league runners-up
Maccabi Tel Aviv go to Europe after the Israel State Cup final 2-1 win against Hapoel Be’er Sheva at Teddy Stadium, Jerusalem. That win denied Be’er Sheva a home double, and also meant that Maccabi got into the Europa League qualifying, where they were put in the second qualifying round thanks to access-list rebalancing.
The Conference League qualifiers are Beitar Jerusalem who finished second in the league with 76 points, and Hapoel Tel Aviv who finished fourth with 60 points. The importance of Maccabi Tel Aviv’s cup victory lies in the fact that it unlocked the rest of the way in the league. Beitar’s season was particularly impressive as they scored 78 goals and lost just four matches. On the other hand, Hapoel Tel Aviv managed to remain above Maccabi Haifa in the final table standing, earning them a well-deserved European berth.
The Europa Conference League is no consolation prize for these clubs. It’s a realistic platform. Although there are still a few hurdles to navigate, Israeli sides consider this competition to be the most realistic one for European football in the autumn.
A look at past successes and future hopes
This group has reason for belief, based on recent history. Israeli teams can make significant nights in Europe, and Maccabi Haifa did just that, when they made it into the Champions League group stage in 2022-23, and then impressively took out Juventus 2-0 in Haifa.
There is significant monetary and sporting worth in qualification. A UEFA cup can make a difference to a club, as can better attendance, TV coverage and recruitment opportunities. The early storylines will be the draw for Hapoel Be’er Sheva in the Champions League, as well as Maccabi Tel Aviv in the Europa league and the two Conference League routes — Beitar Jerusalem and Hapoel Tel Aviv. They all have tricky paths to follow, but all four provide Israeli football with a realistic European presence next summer.
Features
Cheap Weed In Canada: A Smart Shopper’s Guide
Since legalisation, cannabis has settled into Canadian life as an ordinary, regulated purchase. And like groceries or gas, the price can vary a surprising amount from one shop to the next once you start comparing.
For a lot of buyers, that has turned the focus to value. Affordable options like cheap weed prove a lower price and a tested, quality product can go together. This guide explains how to shop smart in Canada without cutting corners.
Why Has Affordable Cannabis Become So Popular?
Because the novelty has worn off, and buyers now shop like they do for anything else. In the early days, people paid whatever the new legal stores asked. That has changed.
A few things drove that shift:
- A maturing market, with more retailers competing on price.
- Online sellers, whose lower overhead keeps costs down.
- Savvier buyers, who now compare rather than grab the first option.
- A wider range of formats and budget-friendly bulk sizes.
The result is a real focus on getting value for money. Crowdsourced figures put the early average near $6.85 a gram, and cannabis price data from Statistics Canada shows how legal and illegal prices have differed since 2018.
That gap is exactly why shopping around pays off. A careful buyer can pay noticeably less than a careless one for a comparable product. The sticker price is only where the comparison starts.
How Do Canadians Shop for Cheaper Weed?
With the same care they bring to any regular expense. A handful of habits make the biggest difference. These are the ones worth adopting:
- Compare the per-gram price. It is the only fair way to weigh two options.
- Buy larger formats. Bigger quantities almost always lower the unit cost.
- Skip premium markups. Plain flower beats pricey pre-rolls for value.
- Watch for sales. Online retailers run them often, especially on holidays.
- Match potency to the plan. A stronger product means you use less each time.
None of these involve settling for a worse product. They simply put your money to better use, the same way you would stretch your money on any other purchase. The cheapest sticker is rarely the best value, and the priciest is seldom worth it.
The same logic applies whether you shop in person or online in Canada. Read the label, weigh the cost per gram, and let the numbers guide you rather than the branding.
Is There a Catch With Low-Priced Cannabis?
Not in the legal market, which is the part newcomers miss. In Canada, every legal product is tested and labelled to the same standard, whatever it costs.
That means a budget option from a licensed seller has cleared the same checks as a premium one. It is screened for contaminants, and its potency is verified. Price reflects branding, packaging, and store margins far more than basic safety.
The genuine differences are in the finer points. Premium flower might offer a better aroma or a richer flavour, and some formats simply cost more to make. For everyday use, though, a well-priced choice usually performs just fine.
The real catch is buying outside the legal system. Health Canada’s overview of the Cannabis Act is a sensible read on what legal really means. Buying legal protects you, not buying expensive.
What Makes a Cheap Purchase a Smart One?
A couple of quick checks, mostly. A real bargain holds up to a second look, while a false one does not. The table below shows what to weigh.
| Check | Why It Matters |
| Is the seller licensed? | Only legal retailers guarantee tested product |
| What is the per-gram cost? | The headline price can hide a weak deal |
| Is potency on the label? | Higher strength can stretch your money |
| Are there bulk or sale deals? | These usually beat single-unit pricing |
| What does delivery cost? | Shipping can erase an online saving |
Any shaky answer there is a reason to pause. A licensed seller with clear pricing and labelling is the safe choice, while a suspiciously cheap unlicensed source is not. The legal age applies regardless, at 18 or 19 depending on the province.
Treat cannabis like any other considered purchase. Compare, check the details, and let value rather than habit lead the decision. That is how modest savings add up across a whole year.
Before You Buy
- Cannabis prices vary widely by retailer, format, and store overhead.
- Comparing the per-gram cost is the fairest way to judge value.
- All legal Canadian cannabis is tested, so cheaper is not unsafe.
- Bulk buys, sales, and plain formats keep spending down.
- Always buy from a licensed source, and factor in delivery fees.
Photo by Jakub Zerdzicki on Pexels
Alt text: A shopper comparing prices online at home
Smart Savings, No Compromise
Buying affordable cannabis in Canada is not about chasing the lowest number you can find. It is about understanding what shapes the price and shopping with a little intention. Stick to licensed, tested products, compare the real cost per gram, and lean on bulk deals and online pricing. Do that, and an affordable choice stays a smart one, purchase after purchase.
Frequently Asked Questions
Is Cheap Weed Safe to Buy In Canada?
Yes, provided it comes from a licensed retailer. All legal cannabis in Canada is tested for contaminants and labelled for potency, regardless of price. A lower cost usually reflects branding and overhead rather than weaker safety, so a budget option from a legal seller is still a safe one.
How Do I Find the Best Cannabis Deals?
Compare the per-gram price, buy larger formats, and watch for sales from online retailers. Checking potency against price helps too, since a stronger product can mean you use less. The key is shopping deliberately instead of defaulting to the same brand or store each time.
Why Is Cannabis Cheaper Online?
Online sellers usually carry lower overhead than physical stores, and they run sales and bulk deals more often. That lets them price competitively while still selling tested, legal product. Just remember to factor in shipping, which can offset the saving on a small order.
Does Paying More Mean Better Cannabis?
Not necessarily. Price reflects branding, format, and store margins as much as quality, and all legal product meets the same testing standards. Premium options may offer a better aroma or appearance, but a well-priced choice often works just as well day to day.
Features
Author and lifelong nurse Tilda Shalof’s new book a guide not only for young nurses but one that will appeal to a wider readership
By MYRON LOVE Tilda Shalof’s most recent book – “The Handover – a Nurse’s Last Shift” was, in the words of its author, “written for the general public, to understand nursing. Nursing is everyone’s concern, not just nurses. The general public has a stake in the matter,” she observes.
I can guarantee that there are plenty of stories and anecdotes that the author shares from her own experiences that will also be of interest to a wider readership. I certainly enjoyed the book.
The title – “The Handover,” she explains, is the regular exchange between nurses going off their shift and the nurses beginning the next shift, during which the outgoing nurses pass on all relevant information about the patients under their care to the incoming nurses. A recurring thread throughout the book – of close to 400 pages – is the retiring Shalof’s interaction with three student nurses whom she had recently befriended through one of her many speaking engagements. In particular, Shalof gives co-writing credit to one Lisa Mochrie – a nurse who the author acted as mentor to during Mochrie’s last period as a student and continuing through her early nursing career.
There is a tendency for many people to take for granted people I would describe as working in a service capacity such as nursing. One of the reasons that Shalof points out in her book for our ongoing nursing shortages is that young men and women are more likely to be encouraged to pursue a medical career (to be a doctor) than a nurse. This, she points out, despite the fact that hospitals can function without doctors – but not without nurses.
Some other factors, she notes, are the ever increasing demands of documentation – which detract from patient care – and regulations, which have taken much of the satisfaction out of the profession.
In an interview with this writer, she observes that Jewish nurses are few and far between because nursing is not a profession that most Jewish families encourage. (I can only name a handful of Jewish nurses that I have known or have come across.)
She spoke about how she became a nurse early in life to her aged and ailing parents – being the only daughter – (she has three older brothers) and the last of her siblings to leave home. In “The Handover”, she also makes frequent reference to fictional nurse Cherry Ames – the heroine of numerous books written between 1943 and 1968 – as inspiration for Shalof’s choice of career.
For the first 30 years as a nurse, Shalof worked in an intensive care ward at Toronto General Hospital. She subsequently worked for a short time at an HIV clinic and, later a hospital day clinic and a neurosurgery unit. She also spent several summers as a camp nurse at a Jewish camp while her kids were campers there.
“The Handover” is Shalof’s seventh book. Her first book, published in 2004, was “A Nurse’s Story,” chronicling her experiences over 30 years as an ICU nurse. Among her other books are:“Camp Nurse,” recounting anecdotes from her time working summers at her children’ summer camps, and “Opening My Heart” – an account of the profession from the point of view of a patient after she had open heart surgery.
Coincidently, she notes, she began her first book around the time of the SARS outbreak in Toronto in 2003. Shalof says she started writing her latest book at the height of the Covid lockdowns, which she references from time to time in the book. .
The approach Shalof has taken in writing “The Handover” – following a foreword and introduction – is literally an A to Z overview of everything there is to know about nursing – with each chapter focusing on one specific letter of the alphabet. Each chapter relates her thoughts and tells anecdotes from her own nursing experiences over 40 years in the profession, as well as her interactions with Lisa Mochrie and the other two student nurses as they transition from students to professionals.
In her conclusion, she observes that “nursing can be a path to making a difference – having an impact. It can be a front row seat at the theatre of life. Or it can be a job, a way to make a living and help support your family. “
Most importantly, she added, “make sure you try to have some fun. Do everything in your power to enjoy being a nurse”.
Although the now 67-yeear-old author is retired from the practice of nursing, she remains in demand as a speaker and advisor. She continues to get calls from throughout North America seeking her advice.“The Handover” is available from the University of Toronto Press.
