Features
New book about sensational 1913 murder of young Winnipeg Jewish mother about to be released

By BERNIE BELLAN In November 2016 we received a very interesting email from someone by the name of Wayne Hoffman. As it turned out, Wayne was the executive editor of Tablet magazine, an online Jewish magazine, from which we’ve run stories from time to time.
But the reason for Wayne’s email was quite fascinating. As he wrote back then, “My great-grandmother Sarah Feinstein was murdered in her sleep in 1913 in the North End of Winnipeg. It was a huge event at the time, staying on the front page of the daily papers for weeks. The funeral drew some three thousand people, and the investigation dragged on for weeks before ending without resolution. It was one of the most brutal crimes the city had seen, drawing a record reward from the city and provincial governments, to no avail.
“I’m attaching the front page of the Tribune from August 1, 1913, the day of the murder, to give you an idea of how big the story was. There were dozens more stories following up.
“I’ve been researching the story of Sarah Feinstein (sometimes spelled Fainstein) – my mother’s mother’s mother – for a few years. Allan Levine met with me in 2013 on a visit to Winnipeg, as did Ava Block-Super. I also went to visit her grave in Transcona…”
In March 2017 Wayne followed up that initial email with another one, this time asking for help in finding relatives who might be in Winnipeg. Here’s what he wrote then:
“I don’t know if I have distant relatives still living in Winnipeg – I think I probably do, even though most of the more immediate family moved away in the 1950s. But there may still be people connected to the family, and my murdered great-grandmother in particular, who still live there…
“I’d love to find people who are related to Harry Fainstein, Louis Fainstein, Morris Fainstein, Isadore Fainstein, Harry Dorfman, Louis Gelmon, or Joe Gelmon; those were my great-grandfather David Fainstein’s brothers and brothers-in-law back in the 1910s. I can figure out if there’s a connection if someone isn’t sure. Mostly, I’m hoping to get more information about the family – not just the murder of my great-grandmother, but how the whole family lived before and after that. Any information would be much appreciated (and might, just might, help solve a hundred year old murder!)”
As it was, Wayne did connect with three long-lost relatives upon his visit to Winnipeg in the fall of 2017 (when I also had the chance to meet with him in my own home):
“Beth Goldenberg, Linda Katz, and Lisa Fainstein — all my second cousins, once removed.” (By coincidence, when Wayne mentioned that after he was going to leave my house, he was going to be going to Beth Goldenberg’s house for lunch, I told him he didn’t have far to go. “Beth lives right behind us,” I said.
Then, in February 2019, Wayne sent me a story that also appeared in “Tablet” magazine, titled “My Great-Grandfather, the Jewish Cowboy”.
Here’s the introduction to that story:
“While I was doing research for a book about my great-grandmother’s murder, I discovered stories I’d never heard about my great-grandfather–stories of gambling, wild horses, organized crime, and a forgotten slice of Jewish life on the Canadian prairies.”
Now, with all that as preamble, I’m delighted to report that Wayne Hoffman did finish his research into his great-grandmother’s murder in 2013, and he has turned that story into a fascinating book titled “The End of Her”, which is just about to be released.
The title, “The End of Her”, however, has a double meaning for, at the same time that Wayne was beginning his long investigation into his great-grandmother’s still unsolved murder, he was also dealing with his own mother’s worsening dementia.
Since the story of Sarah Feinstein’s murder and his own mother’s quite apparent slipping into dementia were approximately 100 years apart, Wayne decided that it would be appropriate to combine the two stories into one.
What follows, therefore, in “The End of Her” is both a murder mystery and an agonizingly personal account of Wayne’s watching his once brilliant and vivacious mother deteriorate into a shell of her former self. The stories are intertwined and, while I’m sure Winnipeg readers will have a particular interest in reading the very detailed accounts of the murder and the follow-up reporting in Winnipeg newspapers at the time, the description of Wayne’s watching his mother’s deterioration is moving to the point where it is impossible not to feel so totally saddened at the tragedy that has befallen the two women in his family who are the central characters in the book.
Focusing on the Winnipeg aspect of the story, however, as any good reporter would do, Wayne examined every last shred of reporting that he was able to find about a story that absolutely gripped Winnipeg in the summer of 2013. By quoting from the actual newspaper accounts of the day, Wayne is able to take the reader back to a time when newspapers competed with one another on a daily basis to try and get one more scoop – often resorting to all sorts of chicanery to achieve that goal. In fact, as Wayne shows, much of the reporting was horribly inaccurate, with a variety of explanations constantly being put forward for Sarah Feinstein’s ultimately inexplicable murder.
As someone for whom writing is his profession, thrusting himself into a search for clues as to why his great-grandmother might have been murdered offers Wayne the opportunity to demonstrate both his admirable investigative abilities along with a mastery of the English language – as one could see even in those brief excerpts of emails that Wayne sent to us over five years ago.
In the days to come you’re going to be reading and hearing a lot more about Wayne Hoffman and “The End of Her”, as the Free Press is also going to be reviewing his book, plus providing an excerpt from it.
On February 20 at 1 pm, noted historian Allan Levine will be talking to Wayne Hoffman about his new book in a program sponsored by the Jewish Heritage Centre of Western Canada. See the adjoining notice for information about that program.
Features
Winnipeg Beach Synagogue about to celebrate 75th anniversary

By BERNIE BELLAN (July 13) In 1950 a group of cottage owners at Winnipeg Beach took it upon themselves to relocate a one-room schoolhouse that was in the Beausejour area to Winnipeg Beach where it became the beach synagogue at the corner of Hazel and Grove.
There it stayed until 1998 when it was moved to its current location at Camp Massad.
On August 2nd members of the synagogue will be holding a 75th anniversary celebration.

As part of the celebration anyone who is a descendant or relative of any of the original members of the first executive committee (as seen in the photo here) is invited to attend the synagogue that morning.
If you are a relative please contact Abe Borzykowski at wpgbeachshule@shaw.ca or aborzykowski@shaw.ca to let Abe know you might be attending or for more information about the 75th anniversary celebration.
We will soon be publishing a story about the history of the beach synagogue, which is something I’ve been writing about for over 25 years.
Features
Kinzey Posen: CBC Winnipeg’s former “go-to guy”

By GERRY POSNER If former Winnipegger Lawrence Wall was the CBC go-to guy in Ottawa, CBC Winnipeg had its own version of a go-to guy for many years with none other than the very well known Kinzey Posen. Of course, many readers will recognize that name from his career with Finjan, the Klezmer group so famous across Canada and beyond. It has been written about Posen and his wife Shayla Fink that they have been involved in music since they got out of diapers. And, as an aside, their love and ability in music has now been transmitted to the next generation as in their son, Ariel Posen (but that’s another story).
Kinzey Posen (not to be confused with Posner, or maybe we are to be confused, but who knows for sure?), was a graduate of Peretz School, having attended there from nursery right until Grade 7, graduating in1966. That was followed by Edmund Partridge and West Kildonan Collegiate. Musically, he was in large part self taught. However, he did have some teachers along the way. After moving to Vancouver – from 1974-78, he had the chance to study acoustic classical bass with a member of the Vancouver Symphony Orchestra. When Kinzey lived in Vancouver, he also worked as a jazz musician.
Upon returning to Winnipeg, Kinzey enrolled as a mature student at the University of Winnipeg, where he obtained a Bachelor of Urban Studies degree. Although the degree was in no way connected to the career that followed, his attending the University of Winnipeg was critical to his connecting with the CBC. Why? you ask. Kinzey had a position after graduation working for the Institute of Urban Studies. While there, he met someone who invited him to work for the Department of Continuing Education as one of their program directors. At the time the Department of Continuing Education was located at 491 Portage Avenue, which was also known as the TJ Rice Building. The CBC also leased some space in the same building. According to Kinzey, the CBC part of the building “included HR, different shows and other support offices. Continuing Education was located in the basement and main floor and that’s where I worked.”
KInzey had long had an interest in the CBC, which made the fact that the CBC had some offices in the same building where he was working serendipitous. That Kinzey might be interested in visiting the CBC was not an accident. As a young boy he had a nightly connection to CBC, as it was his ritual to listen to CBC Radio (as well as all sorts of other radio stations across the USA) on his transistor radio every night in bed. He became enamoured of one particular CBC host, Bill Guest, so that when going to sleep, he imagined that he was Guest doing interviews with imaginary guests. That dream of working for CBC became a reality when he had a chance to do a one week gig with Jack Farr’s network program.
Kinzey took a week off from his Continuing Education job and spent five days at the CBC. That week was a training session for Posen, as he had to create ideas, research, pre-interview, write the script, and set up the studio for Farr’s interview. He was almost in his dream job – although not quite – since it was only for one week. His opportunity, however, came in 1988, when he was offered a one-year term as a production assistant – the lowest guy on the ladder, for a show called “ Simply Folk,” with the late Mitch Podolak as the host. Although he was indeed at the bottom as far as those working on the show were concerned, he took a chance and gave his notice to the U of W. The rest is history. In his new job, Kinzey learned how to become a producer. Lucky for him, at the end of the year, when the person he replaced was supposed to come back, she never returned (just like the song, “MTA,” by the Kingston Trio). At that point, Kinzey was hired full time at the CBC.
Kinzey was a fixture at the CBC for 27 years. During those years, Kinzey had the chance to work with Ross Porter, a respected former CBC host and producer, also with Karen Sanders – on the “Afternoon Edition.” One aspect of Kinzey’s job on the Afternoon Edition was to come up with ideas, mix sound effects, arrange interviews and music, to create a two-hour radio experience. In addition, he covered jazz and folk festivals and, as a result, was exposed to some of the best musicians in the world. With Ross Porter in the 1990s, he worked on a network jazz show called “ After Hours,” which was on from 8-10 PM five nights a week. Kinzey was involved with writing the scripts, picking the music, and recording the shows, as well as editing them and then presenting them to the network for playback.
Of course, over his career, Kinzey had many memorable moments. He told me about one of them. The story revolved around the National Jazz Awards one year in particular. The awards were to be broadcasted after the National News which, in those days, began much earlier in the evening, and were over by 8:00 pm. The legendary Oscar Peterson was lined up to play a half hour set at the awards, starting at 7:30. But, as Kinzey told me, Oscar Peterson had a “hate on” for the CBC ecause one of his recorded performances was wrongly edited and he refused to appear on CBC under any circumstances. As the time neared 8:05 PM, which was when the CBC was to begin its broadcast of the jazz awards, it became apparent that Oscar was not going to finish on time. As the producer of the awards show, Kinzey was tasked with telling Oscar Peterson to wrap it up and get off the stage. There was Kinzey Posen, a huge fan of Oscar Peterson, now faced with the prospect of telling Oscar – while he was still playing – with 500 people in the audience, to stop and get off the stage. Not often was or is Kinzey Posen frozen, but that was one such moment. There was one loud “Baruch Hashem” from Kinzey when Oscar completed his set literally just in time.
Clearly, Kinzey was part of a very successful run with After Hours as it was on the air for 14 years. It was easily one of the most popular shows on CBC Radio 2, and a winner of several broadcasting awards. Kinzey also played a major role in producing a two part documentary about legendary guitarist Lenny Breau.
When After Hours ended, Posen became one of the contributing producers to Canada Live and specialized in producing live radio specials for the network, such as the Junos, for CBC Radio One and Two. Needless to say, his career planted Posen in the world of some top notch musicians, including his time spent working with Robert Plant (Led Zeppelin), Dave Brubeck, Randy Bachman, Chantal Kreviazuk and a list of prominent names in the Canadian, American and European music spheres. Locally, the CBC came to refer to Kinzey as the Jewish expert. I would add music expert to that title.
After his 27 year run at the CBC – and before he fully retired, Kinzey went on to work for the Rady JCC as a program director for a year and a half. Of course, to say that Kinzey Posen is retired is a major contradiction in terms. You really can’t keep him down and he has his hand in a variety of programs and projects – most of which he remains silent about, as is his style.
When I realized the full depth and talent of Kinzey Posen, I quickly concluded that he must certainly be related to me. Even if he isn’t, I now tell people he is.
Features
History of a Holocaust Survivor Turning Eighty

By HENRY SREBRNIK On July 19, I turn 80 years old. This is indeed a milestone, but for me, an even bigger one was just being born. My parents were Holocaust survivors, and I found out just a few months ago that, technically, so am I. My parents were from Czestochowa, Poland, where I was born in 1945. By 1943 most Jews in the city, including their own families, had been murdered by the Nazis, at Treblinka, and after the uprising in the Jewish ghetto, my parents, by now married, became slave labour in a major Nazi munitions plant, the HASAG-Pelcery concentration camp, in the city.
The Russian army liberated Czestochowa January 16-17, 1945, and I was born July 19, six months later. You can do the math. My mother was emaciated and didn’t even know she was pregnant, but another month, and it would have been obvious, and she would have been killed. (I never asked how this happened but found out when listening to her testimony for the Shoah Foundation in 1995. The men and women were housed in different barracks, but one night the Germans were delousing one of the buildings and allowed married couples to sleep together in the other.)

In 1945 the 9th of Av fell on July 19, and the Jewish world had just gone through our worst period in history. I was born in a makeshift hospital at the Jasna Gora, the famed Pauline Catholic monastery in the city. The actual city hospital had been destroyed in the fighting. It is home to the Matka Boska Czestochowska, (“the mother of God”), a very beautiful and large icon of Mary and the baby Jesus. Other women giving birth were surprised and one said, “Ona jest Zydowka” (She’s a Jew). So, though I am a proud Polish Jew, this could only have helped! The doctor who delivered whispered to my mother that he was Jewish but added that he wanted it kept quiet because he wasn’t going to leave Poland. It also took awhile for a mohel to come to the city for me.
The next few years were spent in Pocking-Waldstadt, a DP camp in the American zone in Bavaria, Germany, and then on to Pier 21 in Halifax and Canada. We lived in Montreal, though at home we were to all intents and purposes in Czestochowa, Jewish Poland.
As I was packing up my books in May because we all had to vacate our offices for the summer due to repairs in our building, I came across a book that I had never read – I don’t even recall where I got it — by the Polish historian Lucjan Dobroszycki, Survivors of the Holocaust in Poland: A Portrait Based on Jewish Community Records 1944-1947 (Armonk, New York: M.E. Sharpe, 1994). Chapter 5 is comprised of “Lists of Jewish Children Who Survived,” in alphabetical order. I am listed on p. 146 (Heniek Srebrnik, 1945). I sent in a form to the Claims Conference in New York informing them. So, at age 80, I’ve become a Holocaust survivor! Compared to that start, the next decades have been easy street! As the Aussies say, “no worries! But the Jewish world has grown darker. Like many others, were I to write a memoir, I’d call it From Hitler to Hamas.
I grew up in Montreal, and have lived in Calgary and Charlottetown, as well as London, England, and four American cities. But I’ve only been to Winnipeg twice, in 1982 and, more dramatically, the weekend of Sept. 7-10, 2001. I presented a paper on “Birobidzhan on the Prairies: Two Decades of Pro-Soviet Jewish Movements in Winnipeg,” to a conference on “Jewish Radicalism in Winnipeg, 1905-1960,” organized by the Jewish Heritage Centre of Western Canada. I left the morning of Sept. 11. An hour into the flight to Toronto we were told all airplanes had to land at the nearest major airport. I spent the next three days in Sault Ste. Marie, Ont., with fellow passengers. We mostly watched the television reporting on the 9/11 catastrophe.
Though an academic, I have always written for newspapers, including Jewish ones, in Canada and the United States. Some, like the Jewish Free Press of Calgary, the Jewish Tribune of Toronto, and the previous version of the Canadian Jewish News, no longer exist, which is a shame. Fortunately, the Jewish Post still does.
Henry Srebrnik is a professor of political science at the University of Prince Edward Island.