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Two murders of two Jewish Winnipeggers – one in 1913 and one in 1928 Could they have been eerily connected?

Left: David & Sarah Feinstein
Sarah was murdered in her bed in 2013.
Right: Ruven (or Robert) Cohen
Ruven was murdered in Saskatchewan in 1928.
His body was tied to the saddle of his horse.

By BERNIE BELLAN The story you’re about to read started off in one direction – then, following a phone call I received Tuesday evening, January 25, took a completely different – and frighteningly eerie direction.
My original story was going to be about a new book that is about to be launched titled “The End of Her”. The book’s author, Wayne Hoffman, is someone who first came to my attention, and subsequently the attention of our readers, in 2015 when he sent me a tantalizingly provocative email whose subject was the long-ago murder of his great-grandmother, Sarah Feinstein.

Mrs. Feinstein was only 26 years old at the time of her murder and, although as Wayne Hoffman notes in his book, there have been many theories advanced as to who could possibly have wanted to murder such a young, innocent woman, the case remains a total mystery.
(You can read my story about “The End of Her” elsehwhere on this website.)
Now, the story of how Wayne Hoffman came to write his book is in of itself quite a fascinating one, but that January 25 phone call really sent my head spinning.
The caller, as it turned out, was a woman with a relatively deep voice. She began by saying that it had just been brought to her attention that there is a Jewish newspaper in Winnipeg. Not only had she never heard of The Jewish Post & News, she said, she wondered what any Jewish newspaper would be all about? Would it be religious in content? she asked. When I assured her that this paper is mostly secular in content she seemed more interested in perhaps taking out a subscription.
We were enjoying a lengthy conversation when the caller sprung this one on me – totally out of the blue: Her grandfather, whose name was Robert Cohen, she told me, had been murdered in Winnipeg in 1928.
“Really?” I asked. “That’s an amazing coincidence,” I said. I explained that I was going to be publishing a story about a new book whose subject was also a long-ago murder of a Jewish Winnipegger.
“I actually have a copy of his obituary,” the caller continued. “But it’s in Yiddish – and I can’t read it.”
She wondered in which newspaper it might have appeared. I said that the main Yiddish language circulation newspaper in Winnipeg at that time was something called Der Yiddishe Vort. I told the caller that I was going to try and see whether there was anything I could find out about her grandfather’s murder and that I would get back to her.
The next day I contacted Stan Carbone, curator of the Jewish Heritage Centre, and asked him whether he or Andrew Morrison, the Centre’s archivist, could help me find the obituary of Robert Cohen from 1928.
Andrew was quick to respond, writing me that when he did a search he was able to come up with one reference to a Robert Cohen in a February 27, 1928 edition of the Israelite Press (which was called Der Yiddishe Vort in Yiddish.)
Andrew sent me the link to the story, which I was able to access on the Jewish Heritage Centre website. What I found was a pdf of the front page from that February 1928 issue which had a story about someone named “Ruven Cohen”, not Robert Cohen. (I can read Yiddish somewhat but my understanding is quite limited.)
But, it was a front page story in that pdf – not an obituary. I realized immediately that the story was about Cohen’s murder.
Next, I contacted Rochelle Zucker, host of the Jewish Radio Hour, and asked her whether she might be able to translate the story for me. Rochelle obliged me that same evening.
Here is the shocking translation of that story , as provided by Rochelle Zucker:
Feb. 17, 1928 Israelite Press
Young Jewish Man from Winnipeg Mysteriously Murdered
R. Cohen murdered in the area of Shell Lake Sask.

Shelbrook Sask, – From the coroner’s inquest of the mysterious death of Ruven Cohen, a cattle merchant from Winnipeg it was found that the $1190 that he had with him when he was leaving the area remained in his pocket. Therefore, the motive for the murder could not have been robbery. The tragic death of R. Cohen, a young man from Winnipeg, made a deep impression here in the city. His body is expected to arrive tomorrow.
According to the information that has been received to date, Mr. Cohen, on his buying trip, had found merchandise in the area and had telegraphed to Winnipeg for money. He got the money and according to reports from the town of Kenwood in that area, he deposited $2000 in the bank. Monday, he took out $1200 and took it with him to pay the farmers for the animals that he bought.
He borrowed a horse from Alfred Schwartz, a Jewish farmer from the area, and rode on horseback in the area. Tuesday, the horse came back home with Cohen’s dead body on it. His hands and feet were tied to the saddle.
Mr. Schwartz and Harry Adelman, a merchant from Shell Lake, traveled immediately to Shelbrook, 40 miles from there and notified the police who immediately started an investigation.
The deceased left behind a widow and 4 children.

Wow! I thought – Mr. Cohen was murdered, but apparently he was not robbed – even though he was carrying a huge amount of cash on his person! And he was in Saskatchewan buying cattle! Sarah Feinstein’s husband, David, was also a cattle buyer who was in Canora, Saskatchewan at the time of her death.
How similar though was Ruven Cohen’s murder to Sarah Feinstein’s I asked myself. Here were two Jewish Winnipeggers, both murdered in the early part of the 20th century, yet with no apparent motive for either one’s murder.
Yet, there was much more to the story, as I was to find out. The next day I contacted the woman who had called me Tuesday evening to tell her what I had found out, including that her “grandfather” was murdered in Saskatchewan, not Winnipeg. But then I was in for another surprise when the woman with whom I was talking told me that she was 19 years old.
“Nineteen?” I said. “But you sound so much older.” After I got over how young this woman was it dawned on me that something else didn’t make sense.
Robert or Ruven Cohen – as he was referred to in the Israelite Press, couldn’t have been her grandfather. She’s much too young to have had a grandfather who was murdered as long ago as 1928. “He had to be your great-grandfather,” I said to her.
“I guess,” she answered. “I hadn’t really thought about it much.” I told her that I was so caught up in this story now that I was determined to try and find out whether there was anything else that I could find out about Mr. Cohen’s murder.
Subsequently, I renewed my subscription to something called newspaperarchives.com, which is a fabulous source for investigative reporters. I had actually taken out a subscription to that service a year and a half ago when I was pursuing the mystery of why someone named Myer Geller had left $725,000 to the “Sharon Home” after he died – without offering any explanation.
It was after searching newspaperarchives.com that I came across a story that was every bit as tantalizing as that initial story from the Israelite Press.
Here is that story, from the February 15, 1928 issue of a newspaper called the Shelbrook Chronicle:
R. Cohen of Winnipeg tied hand and foot to saddle
Horse returns home with dead body
Grim tragedy stalked through the little hamlet of Shell Lake on Tuesday morning when the dead body of Robert Cohen, cattle buyer of Winnipeg, was found tied to the saddle of the horse he was riding. The horse, which Robert Cohen had borrowed from Perry Turrell on Sunday afternoon to go to Kenwood, returned early Tuesday morning to the farmstead of his owner dragging his dead body, and when Mr. Turrell found the body the hands were securely and apparently expertly tied together and then tied to the stirrup of the saddle. The feet were likewise securely tied and the body apparently thrown over the saddle and the feet and hands tied to the same stirrup by the same rope passed underneath the body of the horse. The conjecture is that when the horse was started off the saddle turned under the horse and the body was then thrown under the horse and dragged. The head was severely bruised and lacerated.
It is alleged that a sum of money was sent to Cohen through the bank at Kenwood by his Winnipeg partner and the purpose of his trip to Kenwood was to draw out some of the money for the purpose of buying cattle in the country about Shell Lake.
He is alleged to have withdrawn $1300, distributed about $100 in Kenwood and started for Shell Lake with about $1200. He borrowed the horse – a rather spirited one from Perry Turrell on Sunday afternoon and rather late in the afternoon left for Kenwood. Monday he spent in Kenwood. When interviewed by long distance the pioneer cattle buyers of Kenwood said that Robert Cohen was a stranger to them until his visit of this week.
On Tuesday morning Turrell rose early, noticed that the yard about his buildings was marked as if by an object dragged over it. On examination he found blood stains and then noticed the horse in the yard riderless.
On going over to investigate in the half light of the early morning the horse took fright and ran to the field dragging a dark object. Terrell approach the frightened animal again and this time found that the heavy object was the dead body of Robert Cohen who had on Sunday afternoon borrowed his horse. Thinking life might not be extinct he cut the cinch of the saddle and also the rope which bound the body to the saddle. He then discovered that the man was dead and left the body where it was and immediately sent alarm to several of his neighbours…
In the meantime Turrell and some of his neighbours followed the blood trail out of the yard east on the roadway and across some vacant land for a distance of a mile. An empty pocketbook was found on the snow in this vacant land, presumably that of the dead man, for when the Constable and coroner later examined Cohen there was no money on his person.
Cohen is a large man, apparently about 35 years of age. He has a wife and family in Winnipeg, the wife at present in hospital in that city. His wife has a sister and brother-in-law, residents of Shelbrook, the brother-in-law a blacksmith also named Cohen
There are a number of theories as to how the man may have met his death. The most commonly held is that his assailant, with the intent of robbery, knocked the man insensible, took his money and then tied him to the saddle.
Yet, there is one gaping hole in that Shelbrook Chronicle story. Why on earth would a robber have gone to the trouble of tying Mr. Cohen’s body to his horse after he murdered him? What possible motive could there have been for such a savage and what must have been fairly time consuming task if the motive were simply to rob the poor man? And, why were the two stories – the one in the Israelite Press and the other in the Shelbrook Chronicle so contradictory? Never mind that the name of the person who gave Mr. Cohen a horse was completely different in both stories, the question of whether he was robbed or not is also180 degrees different in both stories.
It was when I came across one final story about Mr. Cohen’s murder, however, in an April 7, 1930 issue of the Winnipeg Free Press that the robbery motive seems to have been thoroughly disproven. Here is an excerpt from that story:
Government offers $1000 reward for slayer of Cohen Winnipeg cattle buyer
Cohen was a likeable man who paid good prices for his cattle and was thought well of in the district where he met his death. Robbery apparently was not the motive for his killing for his money was found in his pockets. (Editor’s note: emphasis mine.) He had been killed before he was roped to the saddle of a horse. A blow at the base of his skull was the cause of death.

So, there we have it. Despite the Shelbrook Chronicle’s claiming that Mr. Cohen had been robbed of $1300, both the Israelite Press’s and the Free Press’s story say the exact opposite: that no money was taken from him. Whether or not he was robbed, the manner in which he was killed and tied to his horse certainly would suggest that the motive for his murder was far more insidious than simply robbing the poor man.

And, what does this have to do with the murder of Sarah Feinstein? Think about it: Two murders of Jews – who both have strong ties to the cattle buying business.
This is where another story written by Wayne Hoffman enters into the picture. In January 2019 we published a story by Wayne about his great-grandfather David, which was titled “My Great-Grandfather, the Jewish Cowboy”.
In that story Wayne goes into great detail about his great-grandfather’s time spent in Canora, Saskatchewan, where he and his brothers had a thriving business, including before and after Sarah Feinstein’s murder. The story is quite vivid in how it describes what an outstanding cowboy David Feinstein was, but when you read the following two paragraphs from that story, just stop to think how much more sense it now makes to think that Sarah Feinstein’s murder was a hit – exacted by some very tough competitors of David Feinstein:

“David’s stay in Canora coincided with Canadian, and later American, Prohibition. According to a few of my cousins, some of the Feinstein brothers–possibly including my great-grandfather–were probably involved in bootlegging. There was more than just horses in those barns, one suggested; perhaps the family’s connection to organized crime had something to do with the murder? It did explain one odd thing I’d found in my research: While the brothers were dealing cattle in Saskatchewan, according to a business directory, they were also officers of a short-lived company in Winnipeg called Manitoba Vinegar Manufacturing.
“The notion that the brothers might have been involved in unsavory endeavors was bolstered by other stories I learned, about how they were serious gamblers, and tax cheats; two of my great-grandfather’s brothers were later fined in what the Tribune called ‘Canada’s biggest tax evasion case.’”

Could both Sarah Feinstein’s and Ruven Cohen’s murders have been part of the same pattern of “sending a message”, which was all too common among gangsters of that era?
You be the judge.

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Features

MEDIA BRAT/ The Artsy Sportswriter’s Daughter Deconstructs Life With John Robertson in New Memoir

We received an interesting email from a brand new book publishing company called Meat Draw Books. Ordinarily, we wouldn’t include a blurb for a book that wasn’t about a Jewish subject but the press release was so intriguing – and humourous, that we’ve decided to print it here ver batim:

Hello at The Jewish Post & News.

I’m D. Grant Black, publisher of Meat Draw Books. I thought you might be interested in a new book, Media Brat: a Gen-X memoir, by sportswriter-broadcaster John Robertson’s daughter, Patricia, about her time following her father’s crazy career and antics around North America. It just released on April 8.

John, who founded the Manitoba Marathon, was a B’nai B’rith Man of the Year in the mid-1970s during his time as host for an English open-line radio show at CFCF Montréal, owned by Charles Bronfman. I would appreciate if you could spread the word in the Winnipeg Jewish community about Patricia Dawn Robertson’s very funny new book, Media Brat. Robertson has written freelance dispatches for the Winnipeg Free Press’ Op/Ed pages for over 20 years (View from the West & Perspectives).

SOME BACKGROUND:
Patricia Dawn Robertson, Canada’s cheekiest satirist, just released her much-anticipated memoir, Media Brat, about growing up on the sidelines of old school media with her father. Sportswriter John Robertson worked at the Winnipeg Free Press from 1956 to the early 1960s, as a broadcaster/host of 24Hours at CBC TV Winnipeg (1977–1982) and he founded the Manitoba Marathon in 1979.

John Robertson also worked at the Toronto Sun (1982-1985) covering the Blue Jays during the Golden Era of the Toronto Sun where he boosted the Toronto weekend circulation to 300,000 in the 1980s with his controversial sport column. Sun readers flipped to the Sunshine Girl then to Robertson’s column.

Media Brat: a Gen-X memoir (April 8) is a hilarious outlier’s account of an artsy girl’s reluctant pilgrimage in the turbulent wake of John Robertson, her manic sportswriter-broadcaster father. The author, as a child and young woman, hated spectator sports but loved her sportswriter father. John Robertson rubbed shoulders with baseball great Rusty Staub (Robertson’s book “Rusty Staub of the Expos”), Blue Jays player Kelly Gruber, CFL QB Ron Lancaster, NHLers Bobby Hull & Willie Lindstrom, politicians Robert Bourassa & René Lévesque and Canadian comedy legend, John Candy.

Robertson’s epic book-length tantrum is set in the stands and parking lots of major league North American sport plus the author’s experiences in Winnipeg, Montréal and Toronto from the early 1960s to the early 1990s. Media Brat explores living in the fish bowl of a media family and coming-of-age in the educational institutions, workplaces and dating ghettos of major North American cities, from the 1970s to the early 1990s. Robertson’s smart reader can always count on her funny no-bullshit truth. Media Brat is Robertson’s first instalment of no-bullshit memoir in book form — in a mere 254 pages. (Robertson is busy at work on Media Brat Goes West, the second instalment of three memoirs, for a spring 2026 release.)

Media Brat’s WINNIPEG chapters (1963, 1977–1982) include:
It Was Snowing on the Day You Were Born (born in the Gateway to the West); The Velvet Hammer (mother-daughter power struggle); The Dutch Uncle (visiting auditor fails to put the brakes on John Robertson’s spending); Frozen Turkeys, Corduroy Knickers & Tia Maria in the Snow Tires (Family Christmas 1977); Klinic With a ‘K’ (autonomy and the pill); The Curse of Lono (Father-Daughter Hawaiian Marathon); Great With Beer (camping trip at Riding Mountain gone awry); Meet Me at The Monty (summer job at Winnipeg Parks & Rec); The Cook, the Marxist, the Candidate & his Daughter (Robbie runs in the provincial election); John Takes a Mulligan (stroking out); and Binge Ate Her Way to a Size 16 (Patricia tips the scales before moving to Toronto and her dad’s new sports columnist gig at the Toronto Sun).

I’ve attached a book release pdf with links to the Meat Draw Books website. (Purchase at MeatDrawBooks.com) This is the first book for my new Canadian imprint, which will publish non-fiction books in small batches, direct-to-reader and without any Canada Council or provincial arts funding.

And, if you want to read an excerpt from the book, you can download it here:

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Features

Experience Nonstop Tongits Action on GameZone

In the ever-evolving world of online gaming, one classic Filipino card game has found a new lease on life. Tongits, a beloved pastime in the Philippines, has made a spectacular transition to the digital realm, and GameZone is leading the charge. This comprehensive guide will explore why Tongits on GameZone is the go-to destination for card game enthusiasts in 2025, offering an unparalleled blend of tradition, innovation, and nonstop action.

The Timeless Appeal of Tongits

Before we dive into the GameZone experience, let’s revisit what makes Tongits so special. This rummy-style card game, typically played by three players, has been a staple of Filipino social gatherings for generations. Its appeal lies in its perfect balance of luck, skill, and strategy, making it accessible to beginners while offering depth for seasoned players.

In Tongits, players aim to be the first to discard all their cards by forming valid sets and runs, or to have the lowest points when the game ends. This simple premise belies a game of intense concentration, clever tactics, and social interaction. It’s this combination that has allowed Tongits to stand the test of time and now thrive in the digital age.

GameZone: Revolutionizing Tongits for the Digital Era

GameZone has taken the essence of Tongits and enhanced it for today’s online gaming landscape. Here’s why it’s become the premier platform for Tongits enthusiasts:

1. Diverse Game Modes

GameZone understands that players have different preferences and time constraints. That’s why they offer multiple Tongits variants:

  • Tongits Classic: The traditional game that purists love, featuring all the rules and strategies that have made Tongits a favorite for decades.
  • Tongits Plus: An enhanced version with slight rule modifications to add extra excitement.
  • Tongits Joker: Introduces joker cards to the mix, adding an element of unpredictability and new strategic possibilities.
  • Tongits Quick: A fast-paced version with fewer cards, perfect for quick games on the go.

This variety ensures that whether you’re a traditionalist or looking for a new challenge, GameZone has a Tongits experience for you.

2. 24/7 Accessibility and Global Player Base

One of the biggest advantages of playing Tongits on GameZone is the ability to find a game at any time of day or night. With a global player base, you’re never more than a few clicks away from jumping into a match. The platform’s robust servers ensure smooth gameplay, whether you’re on a desktop computer or mobile device.

3. Fair Play and Security Measures

In the world of online gaming, trust is paramount. GameZone has gone to great lengths to ensure a fair and secure gaming environment:

  • Licensed by PAGCOR (Philippine Amusement and Gaming Corporation)
  • Advanced encryption to protect user data and transactions
  • Sophisticated algorithms to prevent cheating and ensure random card distribution

These measures mean you can focus on enjoying the game, knowing that every match is fair and your personal information is safe.

4. Competitive Tournaments and Rewards

For those with a competitive streak, GameZone offers a thrilling tournament scene:

  • Regular tournaments with cash prizes and trophies
  • The annual GTCC (GameZone Tongits Championship Cup), a prestigious event drawing top players from around the world
  • Daily and weekly challenges with in-game rewards
  • Leaderboards to track your progress and compare skills with other players

These competitive elements add an extra layer of excitement to the Tongits experience, giving players goals to strive for beyond individual matches.

5. Vibrant Community Features

GameZone isn’t just a platform for playing cards; it’s a social hub for Tongits enthusiasts. The platform includes:

  • In-game chat features for friendly banter during matches
  • Forums for discussing strategies, sharing tips, and organizing games
  • Regular community events and challenges
  • A friend system to connect with fellow players

These social features recreate the camaraderie of playing Tongits in person, fostering a sense of community among players from diverse backgrounds.

Mastering Tongits on GameZone: Strategy Tips

Whether you’re new to Tongits or looking to refine your skills, these tips will help you excel on GameZone:

1. Perfect Your Timing for Knocking

Knowing when to “knock” (end the game early) is crucial. It’s a delicate balance between minimizing your points and not giving opponents the chance to go out. Pay attention to the flow of the game and the cards being discarded to make informed decisions.

2. Master Card Counting

Keep track of discarded cards to deduce what your opponents might be holding. This information is invaluable for making strategic decisions about which cards to keep or discard.

3. Build Flexible Sets

Aim for sets and runs that can be easily modified. For example, if you have 5-6-7, look for 4 or 8 to extend your options. This flexibility increases your chances of going out quickly.

4. Manage Your High Cards

High-value cards (K, Q, J) can be a liability if an opponent knocks. If these cards don’t fit into your strategy, consider discarding them early to minimize potential point loss.

5. Adapt to Different Game Modes

Each GameZone variant requires slightly different strategies. In Tongits Joker, for instance, save your jokers for critical moments rather than using them early. In Tongits Quick, be more aggressive in forming sets due to the reduced card count.

6. Practice Regularly

Like any skill, proficiency in Tongits comes with practice. Take advantage of GameZone’s 24/7 availability to play regularly and experiment with different strategies.

Conclusion: Join the Tongits Revolution

Tongits on GameZone represents the perfect fusion of traditional card gaming and modern technology. With its diverse game modes, fair play guarantees, exciting tournaments, and vibrant community, it offers an unparalleled gaming experience for Tongits lovers of all levels.

Whether you’re looking to relive childhood memories, challenge yourself against top players, or simply enjoy a fun card game with friends, GameZone’s Tongits platform has something for everyone. The nonstop action, combined with the strategic depth of Tongits, creates an addictive and rewarding experience that keeps players coming back for more.

So why wait? Join the millions of players already enjoying Tongits on GameZone. Download the app or visit the website today, and immerse yourself in the world of nonstop Tongits action. Who knows? You might just become the next Tongits champion!

Remember, in the world of online Tongits, every hand is an opportunity, every match a new adventure. See you at the virtual card table!

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Features

Ottawa police detective Akiva Geller and the case of the famed purloined Yousef Karsh photograph

Akiva Gelller with the famed photograph of Winston Churchill taken by Yousef Karsh

By MYRON LOVE It had all the elements of a novel, heist movie or televison episode – a brazen art thief and forger, an iconic work of art, secret storage lockers, DNA and an international trail of crumbs to follow ..and Ottawa police service detective (also a former Winnipegger) Akiva Geller was right in the middle of the action.
The case revolved around the theft from the Fairmont Chateau Laurier Hotel of an iconic photograph of Winston Churchill, taken in 1941, \by the world famous photographer Yousef Karsh. Karsh and his wife, Estrellita, lived at the classy hotel for 18 years. Toward the end of his life, the photographer donated that print – “The Roaring Lion”  – along with several others to the hotel.  The print, valued at $20,000, was hung in the hotel’s reading room. It was reported stolen – and replaced with a forgery – in the summer of 2022.
 Geller joined the Ottawa police force in 2012 following a 14-year career in the Canadian military.
He recalls that he initially considered becoming a pharmacist. He was inspired to change his plans by the yeoman work of the Canadian soldiers who helped stem the tide during the great flood here in 1997. 
“That kind of community service resonated with me,’ he says.  “I appreciated the hands-on aspect of it all.”
He enlisted the next year.
While serving in the military largely in  a series of administrative and teaching capacities, Geller began taking classes at Algonquin College in security management that led to his taking a criminology program – and degree – at Carleton University.
He left the military in 2012 to join the Ottawa police force.  He began his policing career as a patrol officer. He was promoted to the investigative branch in 2020.    
Now, unlike what we may see on television, being a police detective is not a case of investigating the murder of the week.  Geller notes that much of his time is spent looking into suspicious deaths – including overdoses. A high profile case such as the Karsh photo heist comes along once in a lifetime for most police detectives.
This articular story begins, according to Geller, somewhere between late December 2021, and mid-January 2023, when an individual who has since been identified as Jeffrey Wood,walked into the hotel, removed the framed portrait print from the wall, and replaced it with a copy on which Wood had forged Karsh’s signature. At the time, the hotel was largely shut down due to the Covid lockdowns; thus few people were around.
The switch wasn’t discovered, Geller reports,  until the following August, when hotel engineer Bruno Lair noticed that the framed print was a little off kilter. When he went to straighten it, he saw that the portrait was hung by a wire – with holes in the wall where screws had held the portrait in place.
“Wood was identified as the seller after we obtained the response to a ‘Mutual Legal Assistance Request’ sent o the United Kingdom,” Geller recalls.  “In the response, Sotheby’s London gave us his information, including scanned copies of his passport and IDs.”
The Hotel GM and staff contacted the Yousuf Karsh estate and spoke to the director, Jerry Fielder, who, it was assumed, could verify whether the fraudulent portrait signature was forged, Geller continues.  He was sent a picture of the signature and fake portrait, confirmed it was forged and that the portrait was a fake.   The hotel reported the theft of the authentic Roaring Lion to Ottawa Police, at which time
Geller began his investigation.  Geller goes on to say: “In searching for the authentic portrait I sourced two photos of the authentic portrait on the wall before it was stolen, one from Trip Advisor and the other from Twitter.  Both had the portrait signature clearly visible so I could compare them to other signatures I found.
“I came across the Sotheby’s London Auction from May 2022 in which a portrait with a very similar size and signature was sold,” Geller says.  “I compared the signature to the ones I sourced from online and determined they were the same. I asked Library and Archives Canada to assist in examining the fake print and also in comparing the signatures.  While signature analysis is not in their expertise, they were able to advise that it was highly probable that they were the same.  With this I was able to complete a Mutual Legal Assistance Request to the United Kingdom for assistance in obtaining the details of the Sotheby’s Auction. London Metropolitan Police assisted in obtaining the information on the auction and sent it back to me here in Canada.  This took almost a year to obtain because of the levels of approvals, editing and paperwork involved.” 
Sotheby’s London’s documents identified the seller of the Roaring Lion portrait as well as details about him, communications they had with him and photographs of the portrait before it was obtained by Sotheby’s.  Wood was identified as the seller. 
“I wrote numerous production orders to all of Wood’s known bank accounts, phone numbers, and credit cards,” Geller recalls.  “Once I received the return from his phone company I had to go line by line through his phone bills.  There I found a phone call to a storage unit here in Ottawa.” 
I wrote a search warrant for the storage locker and a production order for the information on the locker and owner.  I executed the search warrant and, in the locker, we found a second fake Churchill print,” he reports. “We also found a toothbrush which we believed would have Wood’s DNA on it.  We sent the toothbrush directly to the Centre for Forensic Sciences in Ontario.  They compared the DNA from the toothbrush to DNA obtained from inside the fake portrait which was put up in the real one’s place.” 
 
The next piece of the puzzle was to reclaim the portrait to return it to the Chateau Laurier.  The drawback here that the buyer of the portrait was an Italian lawyer – one Nicola Castinelli.  In Italy, Geller notes, if you buy stolen items in good faith – in other words, if you didn’t know the item was stolen – you have a legal claim to the property, which would mean that you would have to be taken to court to have you relinquish it. 
Geller reports that the Italian carabinieri in Rome sent officers to visit the buyer in Genoa and persuaded him to return the portrait in return for what he paid.
Wood was arrested last April.  At his hearing on March 14, he pleaded guilty.
Geller reports that, although the maximum sentence is 14 years in prison, the prosecution is requesting of the court a two year sentence while his lawyer is asking for a suspended sentence.
As for the portrait, it was reframed and remounted at the chateau Laurier in the former reading room, which has been converted into a lounge.  He adds that the hotel now has a lot more security in place.
“It was a nice reinstallation ceremony,” Geller says. 
Mrs. Karsh (who is in her 90s) even wrote a letter to the hotel expressing her appreciation about the portrait being “back home”, he adds.   

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