Features
Holocaust survivor – and great boxer, Harry Haft
By MARTIN ZEILIG Harry Haft Survivor of Auschwitz, Challenger of Rocky Marciano by Alan Scott Haft is the firsthand testimony of the author’s father, Harry Haft , “a Holocaust survivor with a singular story of endurance, desperation, and unrequited love,” noted an earlier commentary on the book.
“Harry Haft was a sixteen-year-old Polish Jew when he entered a concentration camp in 1944,” says online material about Haft. “Forced to fight other Jews in bare-knuckle bouts for the perverse entertainment of SS officers, Haft quickly learned that his own survival depended on his ability to fight and win. Ultimately escaping the camp, Haft left an embittered and pugnacious young man. Determined to find freedom, Haft traveled to America and began a career as a professional boxer, quickly finding success using his sharp instincts and fierce confidence.
“In a historic battle, Haft fights in a match with Rocky Marciano, the future undefeated heavyweight champion of the world. Haft’s boxing career takes him into the world of such boxing legends as Rocky Graziano, Roland La Starza, and Artie Levine, and he reveals new details about the rampant corruption at all levels of the sport. Harry Haft is an embattled survivor, challenging the reader’s capacity to understand suffering and find compassion for an antihero whose will to survive threatens his own humanity. Haft’s account, at once dispassionate and deeply absorbing, is an extraordinary story and an invaluable contribution to Holocaust literature.”
Now, the story has been made into a major motion picture.
The biographical movie, Harry Haft, is directed by Barry Levinson (Rain Man, Wag the Dog, and numerous other movies), and stars Ben Foster as the title character. The cast also includes Danny DeVito, Vicky Krieps, Peter Sarsgaard, and John Leguizamo, notes Wikipedia and the Internet Movie Database. The movie will be released sometime this year on a streaming service.
Alan Haft, a retired lawyer in Albuquerque New Mexico, agreed to conduct an interview with The Jewish Post & News about his father, the book and the upcoming movie. It was done via email.
JP&N: What prompted you to write the book about your father?
Alan Haft: Ever since I was a college student, my father had been asking me to write the story of his life. I did not want to. I did not want to hear any of his excuses for his abusive behavior, experienced by me, my brother and sister, and mother.
But, in 2003, he was diagnosed with lung cancer – and he expressed genuine remorse for his treatment of his family. Although his memory was slipping, I felt it was the last opportunity to learn what made him who he was.
It took several weeks to record his story, and months to write. It reads like a journal, hampered by his inability to express himself and failing memory.
JP&N: What was your relationship like with your father?
AH: My relationship with my father was torturous. As a boy I was forced to work at an early age at his fruit and vegetable stand (pushcarts) on Blake Ave. in Brooklyn, then in various fruit and vegetable stores he had in African American neighborhoods.
My mother was American, and my father was a “refugee”. He could not read or write, so he could not help me with my homework, or throw a baseball and have a catch. My discipline was brutal beatings, and the belt was fast to come off his pants.
I was under constant pressure to get good grades, without any help – and since he was known in our neighborhood as ‘Harry the Fighter,’ all the other kids took pleasure in beating me up. If I lost a fight, even with someone years older, I’d get beat up again by him at home. My mother also suffered physical and emotional abuse. He was always out at night, either gambling or chasing women. I often slept with a bottle under my pillow in case he came back drunk and wanted to hurt me.
He had terrible nightmares, and a raging temper which was easy to set off. He threatened suicide all the time, scaring me half to death, forcing me to cry and beg him not to.
JP&N: I guess, then, that your father wasn’t a religious man?
AH: He lost his faith in God in the camps, and although he grew up in a Hassidic household, he always expressed his disdain for religion. Strangely enough, I never went to Hebrew school, but a Bar Mitzvah was important, so I read the English transliteration of the Torah.
JP&N: Writing the book must have been an emotionally wrenching experience?
AH: I learned about what his life was like as a boy in Poland before the war. What surprised me about his Holocaust experience was the number of civilians, in addition to the other fighters, that he had to kill to survive.
When my mother died I wrote him this letter, but I had no place to mail it to.
September 30, 2019
Dear Popsie,
You’ve been gone nearly 12 years, and I miss not having a father. Growing up, you beat me, for my childish misbehavior. The rage you had inside, you often took out on me. I feared your very presence. You broke furniture and punched out windows – abused mom to no end. Despite the abuse, mom always protected you – excused your behavior because of your “background.” I could not excuse you, until I learned what that background was. I was ashamed of you. You could not read or write. You spoke broken English with a thick accent – and had those green numbers on your arm.
I wish I knew then what I know now. You suffered terribly at the hands of the Nazis. You saw horror, and were forced to participate in it. After you told me all about your ordeal, what you had to do just to live another day, it helped me understand why you were who you were and are who you are. I now see how sorry you are for the abuse –
How can anyone judge you? They call you a holocaust survivor – but does anyone really survive. It has been said that the Nazi’s murdered your soul.
Popsie, I have spent my later years trying to make the world better for you. Your story was published by Syracuse University Press, you were inducted into the Jewish Sports Hall of Fame, there is now a major motion picture about your life; I know that you would have been happy that I made you famous.
Despite the physical and psychological abuse – I would want you to know I forgive you. Mom died this summer. She was the angel sent by God to care for you.
Now it’s your turn to take care of her.
Love,
Alan
JP&N: What was the public’s reaction when the hardcopy version of your book was released some years ago?
AH: After the book was published in 2006 his story took on a life of its own. Strangers were putting “movie teasers” on the internet. It was republished in Germany. Reinhard Kleist, a renowned German artist, turned it into a Graphic Novel.
It has been translated into German, Italian, English, Bulgarian, Portuguese, French, Greek, Indonesian, Czech, Serbian, Hebrew, Spanish, Chinese and Macedonian. In 2017 an award winning screenplay was written by Justine Gillmer, and it attracted the attention of Barry Levinson.
I read the screenplay and loved it. But aside from approving the treatment, I had no role in the production.
JP&N: Is there anything else you’d like to share with our readers?
AH: I have not seen the movie, but I was shown a 5 minute clip and it was awesome. Ben Foster, had to play my father from age 16 – late 30’s. He lost 60 pounds to play the role in the Camps, had to buff up to fight Roland La Starza and Rocky Marciano, then play my father as an out of shape late 30’s.
Filming was completed last summer, and was to open in theaters this winter, but COVID- 19 has forced them to sell it to a streaming service, like Netflix or Amazon. It should be available this year.
Harry Haft Survivor of Auschwitz, Challenger of Rocky Marciano , 208 pages, is published by Syracuse University Press, and is available in paperback for $14.95 US.
Features
Card Game Traditions: Complete Review from Casino Online Lolajack Experts
Card games have been around for centuries. They are constantly evolving and improving. For example, there are now many different formats of online games available. On sites like casino online Lolajack https://Lolajack.com/ca/, you can choose a title according to your preferences and skills. The traditions of card games date back to ancient times. To better show yourself, it is worth familiarizing yourself with these features. This way, you will gain experience, have a good time, and get acquainted with something completely new.
Roots of Card Games
Card games directly reflect cultural identity. They have a unique mathematical structure and thoughtful moves that make even professionals think. Depending on the tradition, the rules differ, but the basic principles always remain similar. Each game has a unique origin:
- Poker. It originated in the USA back in the 19th century. During its existence, many variations of gameplay have appeared. It combines risk, strategy, and psychology; therefore, it requires high skill from each player.
- Baccarat. This game has ancient origins. It appeared in the 15th century in Italy, after which it spread throughout Europe. Now it is the basis of any operator like casino online Lolajack.
- Rimmy and bridge. Card games require the cooperation of participants, so coordinated communication is important here.
- Blackjack. This is the perfect combination of skill and chance. The player needs to learn to make decisions quickly and monitor the circumstances.
Card games have their own origins and characteristics. Currently, they are an integral part of any online casino, offering a wide range of opportunities for participants.
Why Card Games Are So Popular
Experts from casino online Lolajack emphasize the importance of card games in many cultures. For example, poker remains the leader for a reason. There are more than 100 million active players worldwide who compete and work on their skills. Blackjack also does not lag behind the trends. The level of participation exceeds 40% of regular online casino users.
Every year, the level of online card games grows by 10%. This is possible due to digitalization and increased player awareness. In addition, seasonal events also increase the involvement of participants during peak periods.
Traditions of Card Games
Unique events attract the attention of fans. For example, the World Series of Poker attracts not only participants but also millions of viewers around the world. Sites such as casino online Lolajack also give participants the opportunity to try their hand and compete with professionals.
Baccarat is associated with high stakes. This is especially noticeable among the Asian audience, who like to put probability theory into practice. Blackjack also has an appeal among math lovers. The probabilities of the model and observations directly affect the decisions of players. Online casinos strive to ensure that participants have the opportunity to communicate and find an activity option according to their own preferences.
As a result, card games remain the true leaders of the gambling market. They not only entertain, but also develop attention, perseverance, and social skills. A large selection of various variations of classic games allows you to choose the version that suits your preferences. Developers do not lag behind trends and do everything possible to surprise fans.
Features
“Lessons from the Holocaust for Today”
By HENRY SREBRNIK On April 12, I spoke at our annual Yom Hashoah memorial ceremony in Charlottetown. The last time I did so was in April 1976, in Montreal. It was, for Canadian Jews, a completely different time. Montreal was still the first city of Canadian Jewry, with Toronto a distant second. Israel seemed a secure country, having won a hard-fought victory three years earlier in the Yom Kippur War.
There were clouds gathering, true – after all the UN General Assembly had passed the “Zionism is a form of racism” the previous December, and a powerful Communist bloc led by the Soviet Union was still a formidable enemy.
Today, Jewish life has become far more precarious. Two things are essential for an anti-democratic political movement to succeed: ideological justification by academics and intellectuals, and control of the streets by violent mobs. Since Oct. 7, 2023, when Hamas invaded Israel, we have seen both.
At McGill University in Montreal, a March 21 referendum by the Law Students’ Association (LSA) supported amending the group’s constitution to boycott Israeli academic bodies, though it was deemed illegitimate by the university’s president. Similar actions are taking place across Canada. Indeed, at Vanier College, a Montreal CEGEP, it abruptly cancelled its Holocaust commemoration on March 25 because it didn’t think it could keep guests and the college community safe.
Unfortunately, we know a terrible precedent for this union of the intellectuals and the mob. Nazi ideology, too, was not formulated by street thugs. Historian Max Weinreich published his book Hitler’s Professors in 1946, noting that German scholarship provided the ideas and techniques that led to and justified unparalleled slaughter. All too many Nazi war criminals were holders of PhDs.
As historian Niall Ferguson reminds us, in an article published in the New York Free Press of Dec. 11, 2023, “Anyone who has a naive belief in the power of higher education to instill morality has not studied the history of German universities in the Third Reich.” The “final solution of the Jewish question” began, he has written, with words — “to be precise, it began as lectures and monographs and scholarly articles.”
The American writer Vivian Gornick, reviewing a book, “Turning a Blind Eye, A memoir of daily accommodation to fascism,” by the German historian Joachim Fest, about Hitler’s Germany in the 1930s (before the Holocaust), quotes this passage:
“Everyone sees that life for the Jews is gradually shutting down. Take their neighbor and good friend, Dr. Meyer: one day he can no longer subscribe to newspapers and magazines; another, he has to hand in his bicycle and typewriter; another, he can no longer keep a pet or buy flowers. Then all the Jews simply start disappearing from the neighborhood.” The Nazi march to power literally begins with shutting Jews out of public life while using academia as the heavy hand of indoctrination.
Is this slowly happening to Jews in Canada today, as they are pushed out of or refused admittance to cultural events, colleges, universities, and graduate schools, academic university positions, publishing, music, theatre, and so on? In “Canada’s Polite Pogrom,” By Jesse Brown, Atlantic, March 24, 2026, he writes: “Is a national tolerance for zealotry purging Jews from public life?” Jewish life in Canada may have “forever changed,” he argues. “I can no longer take for granted that people like me are represented in Canada’s hospitals, schools, newsrooms, and legislatures.”
We may see the quiet withdrawal of Jews from Canadian society “without any glass or bones being broken,” simply because the evidence that they are no longer welcome has become overwhelming. Another writer calls it the social and academic “shtetelization” of Western Jewry.
We even face obstruction from the Canadian government. In just the last two years, eight explicitly Jewish non-profit charities, including the Jewish National Fund, have been stripped of their ability to collect tax-deductible donations by the Canada Revenue Agency — often amid pressure campaigns from anti-Israel activists. The delisting was also celebrated by the Professional Institute of the Public Service of Canada (PIPSC), the union representing CRA workers.
We now witness continuous large “pro-Palestinian” rallies through our cities, invasions of shopping malls and thoroughfares, including intimidating behaviour against Jewish passersby. Today, police stand and watch mobs chant for Israel’s destruction, call for the genocide of its people, harass visibly Jewish citizens, and drive antisemitic intimidation deep into urban life. They now believe their job is to enforce the law only if it does not risk upsetting violent constituencies. This makes Jews expendable, because defending them risks confrontation.
And these events are not just “political protests.” At an al-Quds rally in Toronto March 14, protesters held signs that showed rats crawling out of a Star of David, depicting a Jewish man as a goblin-like creature emerging from a cave, and showing a Jewish man as a hook-nosed caricature.
Three Jewish synagogues in Toronto were hit with gunfire in one week in March. After every such incident, we hear that “antisemitism has no place in Canada.” But if that were true, synagogues would not require concrete barriers. Jewish schools would not need armed security. Community institutions would not conduct threat assessments before hosting events. Yet big city mayors like Toronto’s Olivia Chow don’t seem, to put it diplomatically, be losing much sleep over what’s going on in their cities.
The attacks on Jews, including physical assaults and social media campaigns, are part of a purposive campaign designed to make Jews think twice about gathering with other Jews, entering a synagogue, going to kosher restaurants, putting a mezuzah on the doorpost of their apartments or dorm rooms, or wearing a Jewish star around their necks. In fact people have been attacked on the street for speaking Hebrew.
If each Jewish holiday will now be seen by antisemites as an opportunity for terror, then the prognosis for diaspora Jewry is bleak. Unless things change, Jewish life in the diaspora will become more sealed off from the larger society.
We may be returning to a time that we thought was long behind us. And we are less prepared for it than our forebearers were, because they were used to living in a semi-segregated world, and expected less from the larger society. As large swaths of the Jewish community are beginning to retreat inward, the greater long-term fear is the collapse of Jewish life here altogether.
Henry Srebrnik is a professor of political science at the University of Prince Edward Island.
Features
Streaming the Diaspora: Jewish Stories in the Digital Age
The digital era has transformed how cultural narratives are created, shared, and preserved. For Jewish communities around the world, streaming platforms have become powerful tools for storytelling — enabling voices from different countries, traditions, and generations to connect in ways that were once impossible. What used to rely on local gatherings, printed texts, or regional broadcasts is now accessible globally, instantly, and interactively.
Streaming has allowed Jewish stories to transcend geography. Whether it’s historical documentaries, modern dramas, or personal testimonies, audiences can now explore a wide spectrum of perspectives — from Ashkenazi and Sephardic traditions to contemporary Israeli culture and diaspora experiences in North America, Europe, and beyond. This shift reflects not only technological progress but also a deeper need for identity, continuity, and shared memory.
A New Era of Cultural Storytelling
Streaming platforms have opened doors for creators who might previously have struggled to find mainstream distribution. Independent filmmakers, historians, and content creators now have the ability to reach global audiences without relying on traditional gatekeepers.
This has led to:
- more diverse representation of Jewish identities
- storytelling that blends history with modern perspectives
- greater visibility for lesser-known traditions and communities
As media scholar Henry Jenkins noted,
“Digital culture allows stories to travel, evolve, and find new audiences beyond their original context.”
Jewish storytelling, rooted in centuries of oral and written tradition, naturally adapts to this model — evolving while maintaining its core themes of resilience, identity, and community.
The Role of Streaming in Preserving Memory
One of the most significant contributions of streaming platforms is the preservation of historical memory. Documentaries about the Holocaust, migration stories, and cultural archives are now widely accessible, allowing younger generations to engage with history in a more immediate and emotional way.
Streaming enables:
- access to survivor testimonies and historical footage
- educational content for global audiences
- preservation of languages like Yiddish and Ladino
This accessibility helps ensure that stories are not lost, but instead reinterpreted and shared across generations.
Bridging Generations Through Digital Media
Another important aspect of streaming is its ability to connect different age groups. Older generations may bring lived experiences, while younger viewers engage through modern formats such as series, podcasts, and short-form video content.
This creates a dynamic exchange:
- elders share traditions and personal histories
- creators reinterpret these stories for modern audiences
- viewers engage, discuss, and reshape narratives in digital spaces
The result is a living, evolving cultural dialogue rather than a static archive.
Entertainment, Identity, and Digital Habits
In today’s digital ecosystem, cultural content exists alongside many forms of online entertainment. Users often move fluidly between watching series, engaging with interactive platforms, and exploring different types of digital experiences.
For instance, while streaming culturally rich content, users may also explore entertainment platforms featuring zoome slots, where interactivity, design, and engagement play a central role. Although the purposes differ, both environments reflect how digital platforms are designed to capture attention, create immersion, and keep users engaged through evolving content.
This coexistence highlights a broader reality: modern digital life blends education, culture, and entertainment into a single, continuous experience.
Challenges of Representation in the Digital Space
While streaming has expanded opportunities, it also raises important questions about representation and authenticity. Not all stories are told equally, and some narratives may be simplified or commercialized for broader appeal.
Key challenges include:
- balancing authenticity with accessibility
- avoiding stereotypes or oversimplification
- ensuring diverse voices are included
Creators and platforms must navigate these issues carefully to maintain cultural integrity while reaching wider audiences.
The Globalization of Jewish Narratives
Streaming platforms have also contributed to the globalization of Jewish stories. A viewer in Canada can watch an Israeli drama, a French documentary, or an American series — all within the same platform. This interconnectedness allows for a richer understanding of how Jewish identity varies across regions while still sharing common roots.
This global reach encourages:
- cross-cultural dialogue
- broader empathy and understanding
- new interpretations of identity in a modern context
Streaming vs Traditional Media
| Aspect | Streaming Platforms | Traditional Media |
| Accessibility | Global, on-demand | Limited by region and schedule |
| Diversity of content | High | Often restricted |
| Viewer interaction | Possible (comments, sharing) | Minimal |
| Content longevity | Long-term availability | Time-limited broadcasts |
| Entry for creators | Lower barrier | High barrier |
This comparison shows why streaming has become such a powerful medium for cultural storytelling.
Final Thoughts
The digital age has reshaped how Jewish stories are told, preserved, and experienced. Streaming platforms have turned local narratives into global conversations, allowing voices from across the diaspora to connect in meaningful ways.
By combining accessibility, diversity, and interactivity, streaming has created a new space where tradition meets innovation. As audiences continue to explore these stories alongside other forms of digital engagement, the importance of thoughtful, authentic storytelling becomes even more significant.
In this evolving landscape, Jewish narratives are not just being preserved — they are being reimagined, shared, and lived in real time across the digital world.