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New thriller by Israeli-Canadian Herschy Katz combines love of hockey with intrigue behind the Iron Curtain in 1972

left: author Herschy Katz
cover of “The Ninth Terrorist”

By BERNIE BELLAN In 2019 I wrote a review of a book titled “The Clarinetist”. It had been sent to me by an expatriate Canadian who had moved to Israel in 1984 by the name of Herschel Katz.
As I noted in that review, the book was quite good for a first-time author. In it we were introduced to a young Montreal high school student by the name of Danny Kahn who ends up enmeshed in an intriguing situation having to do with the Montreal father of his girlfriend.

The father, it turns out, is tied in with some very shady characters and, one thing leading to another, Danny becomes involved in some hair-raising adventures that take him from Montreal to New York, and then Israel.
Katz had become a writer, he noted on the book jacket, because “Several years ago, the author worked as a part time book reviewer, then decided to try writing his own story.”
Now, two years later, Katz has come up with another mystery novel, again featuring Daniel Khan (who, I guess, has graduated from being called “Danny”). By this time Daniel has progressed to becoming a 22-year old medical student at McGill, also a writer for the McGill student newspaper. The book is titled “The Ninth Terrorist” and, after reading it, I sent Katz a note saying he had the makings of another Daniel Silva, who is one of the world’s most popular mystery writers and who has also created a recurrent hero by the name of Gabriel Allon.

As good as “The Clarinetist” was for a first-time effort, “The Ninth Terrorist” shows terrific improvement on Katz’s part in terms of plot structuring and dialogue. The book actually blends three different plots into one overarching story, which has to do with nefarious activities involving East Bloc bad guys in the 1970s – when the Soviet Union was still very much a Communist dictatorship and closely aligned with Palestinian terrorist organizations .
The story begins with the legendary “Summit Series” between Canada and the USSR in 1972, in which a team composed of Canada’s best professional hockey players from the NHL faced off against the powerful Soviet team in an eight-game series.
I had forgotten though, that at the same time as that series was being played, the Munich Olympics were also being staged and, anyone who was around then will no doubt recall how horrified we all were at the tragic murder of 11 Israeli athletes by members of the terrorist group known as “Black September”.
Into that backdrop of high drama Katz inserts Daniel Khan, who continues to display the ability as a clever agent that he first demonstrated in “The Clarinetist”. This time, however, Daniel is enmeshed in a series of events in which he has to play multiple roles, all the time fully aware that one slip-up could lead to his arrest and imprisonment in the Soviet Union.

Katz is clearly a great hockey fan and his depictions of the action during games are quite vivid. You don’t have to be a sports fan at all in order to enjoy the book though, as hockey merely serves as the excuse for Daniel to be able to go to the Soviet Union as a reporter. Still, setting so much of the action in venues that would resonate with Canadian sports fans makes “The Ninth Terrorist” all the more appealing.
I would note, too, that in my review of “The Clarinetist” I was somewhat critical of the dialogue in that book, writing that Katz could have used help in creating some more authentic sounding conversations between characters. This time around, the dialogue is much improved and sparkles with often very clever exchanges.
Turning Khan into a reporter is an especially credible device, as reporters have often served as agents for various intelligence services. The fact that Khan is a Canadian Jewish reporter who can easily substantiate his wanting to go to the Soviet Union (and who also speaks German, it turns out) certainly adds plausibility to his becoming an agent for not just one intelligence agency, but several, all of which are aware just how useful he can be to them.

One aspect of “The Ninth Terrorist”, however, that seems drawn straight out of the 1960s “Mission Impossible” television series (and later, the movies as well), is the use of facial disguises. Having a number of different characters put on masks that are so lifelike they can get you through any number of checkpoints is something that still remains a largely fictitious plot device – even at a time when 3D print technology has certainly made it more feasible.
Still, the ruse that Daniel Khan must employ in going back to the Soviet Union a second time – four months after the first Canada-Soviet series, certainly adds to the complexity – and intrigue of what is already a terrific spy novel. In fact, not only must he adopt a disguise at various times, he has to help others disguise themselves. At times it all becomes a little dizzying trying to remember just who it is that not only Daniel is pretending to be, but others as well.
Into this already fairly complicated plot Katz inserts a quite clever subplot having to do with someone who purportedly assisted the members of Black September when they went about kidnapping the 11 Israeli athletes in 1972. The individual, who is the “ninth terrorist” referred to in the title, turns out to be an extremely dangerous agent and Katz certainly makes this character come alive.

With action aplenty and very creative plotting, “The Ninth Terrorist” is an excellent thriller. When one considers that both “The Clarinetist” and “The Ninth Terrorist” have been self-published by Herschy Katz, one wonders how long it will be before he’s approached by a major publisher with a juicy offer to continue producing more in what could become a Daniel Khan series.
I asked Herschy how one could buy “The Ninth Terrorist”. (He had sent it to me as a pdf.) He replied that “My book is available directly from Pomeranz Booksellers in Jerusalem. www.Pomeranzbooks.com. My previous book, “The Clarinetist”, is also available through them.”
Both “The Clarinetist” and “The Ninth Terrorist” are now available on Amazon – Kindle for $9.99 CDN.
Then Herschy sent me another quite interesting tidbit of information after I told him that I was going to print an accompanying article, also about someone who entered into some subterfuge in the Soviet Union (in his case, smuggling tallisim and sidurim), during a hockey tournament. (See my story about Sherry Bassin on the opposite page.)
After I wrote Herschy about Sherry Bassin’s escapade, he sent me this note:
Dear Bernie,
A personal note about me you may want to add to your book review. My late father, Boris Katz, z”l, escaped Stalin in 1924 and came to Montreal as a young man. He and his nephew founded a business making men’s clothes, which became quite successful. During the 1950s, 60s and 70s, he would send packages of clothes to his family back in the USSR. Knowing how the Russian customs inspectors would steal the contents, he would pack extra jeans and put some American dollars inside the box, which, of course, were stolen. However, inside the cuffs and collars of the clothes that weren’t stolen, he sewed large amounts of cash, which his family ended up getting.
This tidbit I incorporated into my story, “The Ninth Terrorist”.
Herschy

I enjoy helping to publicize Jewish writers (in particular, writers from Israel) whose works might not otherwise receive much publicity because they’re self-published. In Herschy Katz’s case, providing a boost to a former Canadian who made aliyah 37 years ago, but who’s also remained a huge hockey fan, should be ample reason for some readers to want to proceed to buy “The Ninth Terrorist”. Herschy even sets some of the action in Winnipeg – in case you needed any more cajoling!

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Toronto home sales up in February from last year as consumers eye rate cuts: TRREB

The Toronto real estate market saw a big increase in home sales this February. The increase was compared to the same period last year. The data comes from the Toronto Regional Real Estate Board (TRREB). This trend suggests an increasing optimism among consumers, potentially spurred by anticipations of rate cuts. The dynamics of the Toronto real estate market are indicative of a shift in consumer behavior and underlying market trends, reflecting broader economic signals and policy implications.

Home sales rose in February. This happened amid a complex mix of economic factors. These included the current interest rates, government housing policies, and global economic trends. The expectation of rate cuts is key. Lower rates cut borrowing costs, making mortgages cheaper for buyers. This prospect can increase demand in real estate. It will drive up sales and might impact prices.

Sales rose. This was due to the growing confidence of consumers. They are confident in the market and the broader economy. After uncertain times, like the pandemic, signs of recovery and stability can encourage buyers. Moreover, the rise in listings reported by TRREB. It suggests that sellers are also responding to these market conditions. They are providing more options for buyers. This is contributing to the market’s overall activity.

However, the dynamics of the Toronto real estate market are not without challenges. Housing affordability and supply problems are still key policy topics. More sales might make these issues worse. This might happen if demand outpaces the supply of homes. That would cause price hikes. The hikes could strain many buyers’ ability to afford homes.

In response to these challenges, many groups are exploring solutions. These include policymakers, developers, and community organizations. They want to increase housing supply and affordability. The strategies include changes in zoning laws. They also include incentives for affordable housing construction. And they include initiatives to help first-time homebuyers. These are the approaches being considered to address these pressing issues.

The TRREB report also shows the importance of staying informed about market trends. Economic indicators can affect the real estate market. Potential buyers and sellers can use these trends to make informed choices. Resources like Avalon offer valuable insights and information that can assist consumers in navigating the complexities of the real estate market.

As the Toronto real estate market continues to evolve, it will be important to monitor these trends and their implications for housing affordability, market stability, and economic growth. The increase in home sales in February is a positive sign, but addressing the broader challenges facing the market will require concerted efforts from all stakeholders involved.

The urbanization and immigration patterns in Toronto’s population continue to put pressure on the real estate market. The city’s appeal as a center for work, education, and cultural diversity supports a consistent demand for housing. The need for a planned approach to housing construction that emphasizes not only quantity but also quality and diversity of housing options to suit the needs of a diverse population is highlighted by this demographic pressure.

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Features

Famous Jewish Horse Jockeys Throughout History

Photo by Milena de Narvaez Ayllon:

When you think of horse racing, what comes to mind? The thunderous applause of the crowd, the heart-pounding thrill of the race, or perhaps the elegant hats and mint juleps of the Kentucky Derby?

Still, if I tell you to picture famous Jewish horse jockeys, does your mind draw a blank? Maybe there are some names among the contenders in the 2024 Kentucky Derby betting?

Well, prepare to be enlightened, entertained, and possibly a bit surprised as we dive into the fascinating world of Jewish horse jockeys throughout history.

Jewish Participation in Horse Racing

Contrary to what stereotypes might suggest – no, not all Jewish professionals are doctors, lawyers, or tech moguls – a number of Jewish athletes have made significant marks in the world of horse racing.

This might come as a shock to some, given the historical and cultural barriers that have often sidelined Jewish participation in various sports. But just like breaking into Hollywood or winning Nobel Prizes, Jewish jockeys have defied odds, gravity, and sometimes, even logic.

The Jewish influence in horse racing is actually quite big. If we look back on some of the most successful horse racing stories, we can see traces of Jewish people involved in the process. Just take American Pharoah for example. The horse that won the Triple Crown (first time since 1978) and the Breeders Cup in the same year.

The owner of American Pharoah was Ahmed Zayat; an Orthodox Jew from Egypt has become one of the most powerful figures in horse racing.

The Beginnings of Jewish Presence in Horse Racing

Let us start with the early days by going back to the late nineteenth and early twentieth centuries, when horse racing was one of the only activities with considerable popularity.

Jewish jockeys, like as Tod Sloan, began to emerge from the crowd. Sloan was more than simply a jockey; he was a celebrity, renowned for his “monkey crouch” riding style, which transformed horse racing. But why is Sloan not a household name like other sports legends?

Perhaps it is due to the specialized character of horse racing or to the overshadowing of successes in other industries. Whatever the cause, Sloan and his contemporaries paved the way for what was to follow.

Jewish Influence on the Kentucky Derby

The Kentucky Derby is one of the biggest sporting events in the world that dates back 150 years.

Most visitors are astonished to learn that the Jewish community has had a substantial impact on the event’s history and culture.

From horse owners to riders to industry executives, Jews have left their imprint on horse racing.

One of the most well-known is the Wertheimer family, who owned the famous horse Exterminator, who won the race in 1918. The Wertheimers were well-known for their successful thoroughbred breeding and racing enterprise, which they had run for many years.

But we also have the Phipps family and the Zayat family, who also left a big mark on the Kentucky Derby.

Most Popular Jewish Jockeys Over the Years

But Jewish people are not only owners of horses. In fact, we can see many Jewish jockeys that actually made a rather successful horse racing career.

William Harmatz

William Harmatz (February 9, 1931–January 27, 2011) was an American Thoroughbred horse racing jockey who won the 1959 Preakness Stakes riding Royal Orbit.

Harmatz, a Jewish jockey, received the George Woolf Memorial Jockey Award in 1960 for demonstrating high standards of personal and professional behavior on and off the racecourse. He was elected into the International Jewish Sports Hall of Fame in 1999.

Isaac Murphy

Here we have one of the most successful Jockeys, at least when it comes to win rate.

Isaac Murphy won with more than a third of his rides each year. According to his own assessment, Murphy won 44% of his races. Only 34.5% can be validated in era-specific chart books, although it’s possible that some of his races were not included. Murphy set a level that no other jockey has surpassed.

He won three Kentucky Derbys, five Latonia Derbys, and four of the first five runnings of the American Derby, which was formerly the richest 3-year-old event in America.

Murphy was recognized not just for his horseback riding abilities, but also for his honesty and commitment. He once refused to allow champion Falsetto to lose the 1879 Kenner Stakes, despite bribes from gamblers.

Walter Blum

Speaking of successful jockeys, we cannot miss Walter Blum, a Hall of Famer who had an incredible career in horse racing spanning across almost two decades. When he retired in 1975, only four jockeys actually managed to have more wins than Blum.

Despite being blind in his right eye since the age of two, when he fell from a toy horse, in 1953 he began a career as a jockey, riding his first winner on July 29 at Saratoga Race Course. Blum spent the majority of his 22-year career riding on East Coast tracks from New England to Florida, and he is one of only four riders to have won six races on a single program at Monmouth Park.

However, in the 1960s, he rode seasonally at California races, winning the 1966 Santa Anita Derby, and he also dominated Chicago’s summer racing circuit, particularly at Arlington Park.

Honorable Mentions

We’ve covered some of the most successful Jewish jockeys, but they are not the only ones in the sport. Over the year’s we’ve seen many other Jewish jockeys that might not have the same success, but definitely left a mark on the sport.

Sol Levitch competed in the Kentucky Derby six times between 1929 and 1940, placing in the top three twice. David Erb rode in the Kentucky Derby three times in the 1920s, with his best finish of third place in 1927. Herb Fisher rode in the Kentucky Derby twice during the 1940s, finishing seventh in 1941 and ninth in 1947.

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Features

The real story behind Sammy Davis Jr.’s conversion to Judaism

Sammy Davis Jr. (1972 photo - source: Wikipedia)

Jewish comedians made racist jokes about him. Some Black audiences booed him. But his faith was genuine

By Beth Harpaz February 23, 2023

(This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.)

Sammy Davis Jr. was a short and skinny Black man with one eye. His wife was white, his mother was Puerto Rican and he was a convert to Judaism. In the crass and racist world of mid-20th century comedy, he was a walking punchline, even in his own routines.

“When I move into a neighborhood, I wipe it out,” was his standard self-deprecating gag. The line received knowing laughs in the 1950s and ’60s when many towns forbade property sales to Blacks and Jews, and whites often fled when Black families moved into their neighborhoods.

Jokes by his fellow entertainers were crude. In a live skit at the Sands in Las Vegas in 1963, Dean Martin physically lifted Davis up (he weighed a mere 120 pounds) and said, “I’d like to thank the NAACP for this wonderful trophy.” At a Friars Club roast, comedian Pat Buttram said that if Davis showed up in Buttram’s home state of Alabama, folks “wouldn’t know what to burn on the lawn.” 

Jewish comedians got their licks in, too. Milton Berle cross-dressed as Davis’ white wife, May Britt, and sang, to the tune of “My Yiddishe Mama,” “My Yiddish Mau-Mau,” a reference to an anti-British rebellion in Kenya. 

At another roast, Joey Bishop said he’d “never been so embarrassed” in his life as when he met Davis in synagogue. When the rabbi came in, Bishop said, “Sammy jumped up and hollered, ‘Here come the judge!’”

This cringeworthy line was delivered by Davis himself in a show at the Copa: “I don’t know whether to be shiftless and lazy, or smart and stingy.”

Some of these jokes implied that it was preposterous for a Black man to convert to Judaism. But for Sammy Davis Jr., being Jewish “was the most logical thing in the world,” historian Rebecca L. Davis told me. “Over and over again, he made this analogy between being Jewish and African American. He was very admiring of the Jewish millennia-long struggle against oppressors and overcoming all kinds of obstacles.” He saw himself as “an outsider and very marginalized, and he could see in the Jewish experience a similarity that really drew him in emotionally.” 

Davis, a history professor at the University of Delaware (and no relation to Sammy), has done extensive research on the entertainer’s conversion, his career and how he was perceived. Her article, “‘These Are a Swinging Bunch of People’: Sammy Davis, Jr., Religious Conversion, and the Color of Jewish Ethnicity,” appeared in the American Jewish History journal in 2016, and she included a chapter about him in her 2021 book, Public Confessions: The Religious Conversions That Changed American Politics. Her take is that Davis was not only one of the most successful entertainers of the 20th century despite the many racist barriers in his way, but that his Jewish faith was utterly genuine.

The fateful accident

Davis lost his eye when he crashed his car driving home to California from Las Vegas in November 1954. One of several stories about what sparked Davis’ path to conversion originates with the aftermath of the accident. He wrote in his 1965 autobiography, Yes I Can, that his friends Tony Curtis, who was Jewish, and Janet Leigh, who was not, arrived at the hospital and Leigh gave him a religious medal with St. Christopher on one side and a Star of David on the other. “Hold tight and pray and everything will be all right,” Leigh told him.

Davis later told Alex Haley in a Playboy interview that he gripped the object so tightly that the Star of David left a scar on his hand, “like a stigmata.” He took it as a sign that he should convert. 

Davis also felt that he owed his career to a Jewish man, Eddie Cantor, who ironically had been one of vaudeville’s best-known blackface performers; Cantor’s act earned him a spot with the Ziegfeld Follies. Decades later, Cantor gave Davis his first big break, a solo televised appearance on the Colgate Comedy Hour in 1952, and became a father figure to him. “He saw Cantor’s Jewishness as part of what made Cantor a good person,” said Rebecca Davis. 

In another version of how his car accident led to his conversion, Sammy Davis said that a mezuzah Cantor gave him had mistakenly been left behind in a hotel room the day of the crash. That story transformed the mezuzah “into a talisman,” Rebecca Davis observed, another signpost on the road to his conversion. 

Identifying as a Jew

In his memoir, Sammy Davis recalled Rabbi Max Nussbaum, of Temple Israel in Hollywood, telling him, “We cherish converts, but we neither seek nor rush them.” But he began to publicly identify as Jewish before formally converting. In 1959 he refused to film scenes for the movie Porgy and Bess on Yom Kippur, while Ebony ran a photo of him holding Everyman’s Talmud.

He also repeatedly compared the oppression of Jews to that of African Americans. In his 1989 book, Why Me?, he wrote that he was “attracted by the affinity between the Jew and the Negro. The Jews had been oppressed for three thousand years instead of three hundred but the rest was very much the same.” When he visited the Wailing Wall in 1969, he said Israel was his “religious home.”

The reception from Black audiences

American Jews by and large loved him, and his reception in the Jewish press, including the Forward, was also positive, Rebecca Davis said. But it was more complicated for Black media. On the one hand, she said, he was “this exemplar of Black success, very wealthy, very famous, very successful” in an era of rampant racism.

On the other hand, there was “confusion and anger” about why — as a prominent Black activist who joined marches, raised money and was the United Negro College Fund’s largest donor — Sammy Davis so often connected the civil rights cause to Judaism. While there were a “disproportionate number of Jews who were passionate about civil rights and were willing to put their personal safety on the line to stand up for civil rights,” at the same time, Jews were part of a “broader American culture that saw African Americans as inferiors. That was the prevailing cultural norm among white people in the 1950s,” Rebecca Davis said. Other critics felt that he had converted to ingratiate himself with whites as a way to get ahead.

And when he “let himself be the joke” as part of the Rat Pack — a loose ensemble of performers that included Dean Martin, Frank Sinatra and Peter Lawford — that “really angered a lot of African Americans who saw him more as performing for white audiences than for Black audiences.”

He formally converted with Britt shortly before their wedding in 1960. She was as serious about it as he was, making sure, even after they were divorced, that their children went to Hebrew school and that their son was bar mitzvahed.

Disinvited from JFK’s inauguration

But their marriage also resulted in one of the most painful episodes of his life, when he was disinvited from John F. Kennedy’s presidential inauguration. The Democratic coalition that elected JFK included Southern white Democrats, and they did not want a Black man married to a white woman performing at the celebration. “They forced Davis out,” Rebecca Davis said. “He was so stung by that. Here he was on stage and on film with Dean Martin and Frank Sinatra and the biggest stars of the day, and they all got to go to the inauguration, but he didn’t.”

That rejection helps explain Davis’ subsequent embrace of Richard Nixon. “Nixon, who was politically very devious, figured he could use Sammy Davis as a token African American supporter by overdoing it and inviting him to sleep in the Lincoln bedroom,” Rebecca Davis said. That made him the first Black man to spend the night as a guest in the White House.

Some African Americans saw Davis’ alignment with Nixon and the Republicans as a betrayal. Harry Belafonte and Sidney Poitier stopped returning his phone calls, Rebecca Davis wrote, and a year or two after he performed at the 1972 Republican National Convention, he was booed at an event organized by Jesse Jackson.

He responded to the boos by saying, “I get it. I understand. But I need you to know, I always did it my way. It’s the only way I’ve got,” Rebecca Davis said. “Then he sang ‘I’ve Gotta Be Me,’ and they gave him a standing ovation.”

A steadfast Jew until the end

His third wife, Altovise, was a churchgoer, but Sammy Davis remained a steadfast Jew until the day he died. Everything he said about Judaism “was said with the utmost sincerity,” Rebecca Davis said. “He never once looked back and said, ‘Oh, that was just a phase I was going through.’ And he never talked about it in terms of his career. He only talked about it as something that spoke to him on a deep level.”

Davis died of throat cancer in 1990 at age 64. Sinatra, Berle, Liza Minnelli, Stevie Wonder, Dionne Warwick and many other celebrities were among thousands of mourners who backed up traffic for 8 miles en route to the funeral at Forest Lawn Memorial Park in LA. Rabbi Allen Freehling presided at the service, but the eulogy was given by Jesse Jackson. 

“To love Sammy was to love Black and white, Black and Jew,” he said, “and to embrace the human family.”

The service also included one last standing ovation for Davis, when they played a recording of – what else? – “I’ve Gotta Be Me.”

Beth Harpaz is a reporter for the Forward. She previously worked for The Associated Press, first covering breaking news and politics, then as AP Travel editor. Email: harpaz@forward.com.

This article was originally published on the Forward

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