Features
Canadian Associates of Ben Gurion University hold online gala event featuring Shira Haas of “Shtisel” and “Unorthodox” fame
By BERNIE BELLAN Shira Haas may be only 26 years old, but she has already become one of Israel’s best known actors, having starred as an Orthodox Jew in both “Shtisel” and “Unorthodox”. (In real life Shira is not Orthodox, by the way.)
On Wednesday, July 7th, Canadian Associates of Ben Gurion University presented a cross-Canada online event promoting brain research at Ben Gurion University, during which Senator Linda Frum, who was in Toronto, took a leaf from her late mother, Barbara Frum’s playbook, and interviewed Shira Haas, who was in Tel Aviv, in what turned out to be an enjoyable and quite interesting 40 minutes back and forth.
In introducing the event, CABGU National CEO Mark Mendelson said that the event had raised a total of $850,000 toward brain research at BGU.
Mendelson also noted that last year’s “Support our Students” campaign had also raised $1.4 million starting in the spring of 2020 – when Covid was taking an especially heavy toll in Israel. The funds raised were used to allow students at the university to remain in school rather than having to drop out due to financial constraints brought about by Covid.
“Canadian Associates of Ben Gurion University” is “the number one Israel based organization in Canada,” Mendelson said.
Proceeds from the gala event will “fund research into neuro-degenerative disease,” Mendelson explained, including Epilepsy, ALS, Alzheimer’s,
Parkinson’s, Dementia, and Stroke. Prior to Senator Frum’s interview of Haas, some 1500 audience members were given an overview of the advances various researchers at BGU have been making in the treatment of different disorders associated with the brain.
Five different researchers at BGU offered explanations of new developments in which they have been involved in each of those areas. In commenting on the challenges they face, BGU President Daniel Chamovitz quoted David Ben Gurion himself, who once said: “If an expert says it’s impossible, find another expert.”
Chamovitz, who was born in Pennsylvania and obtained his undergraduate degree from Columbia before transferring to the Hebrew University of Jerusalem, where he obtained his Ph.D. in plant science, offered the audience some very personal reflections about the toll Covid had taken on both him and his wife.
Chamovitz noted that he had his own experience dealing with Covid, when both he and his wife, Shira, came down with Covid last September. (Chamovitz has been keeping a very interesting online journal tracking Covid at BGU, called “My Covid Year”.) He said that he’s still dealing with the effects of Covid many months later, noting that “Post Covid Syndrome” affects about 10-15% of individuals – mostly women, who have come down with Covid.
Later, however, during the portion of the evening in which Shira Haas was being interviewed, Chamovitz, who displayed a wry sense of humour whenever he appeared during the event, made a funny observation about his Hebrew-speaking ability.
It turns out that Haas’s next starring role will be as a young Golda Meir in a movie about Golda’s life, to be produced by none other than Barba Streisand, called “Lioness”. Haas was asked how she will master Golda’s American-accented Hebrew. (Golda Meir, although born in Russia, moved to Milwaukee as a young woman, which is where she learned to speak English.)
Haas said it was really just a matter of mastering an accent, to which Chamovitz added that he can readily identify with Golda Meir, whom Israelis often made fun of for her American English manner of speaking Hebrew.
In accepting the position of President of BGU, Chamovitz said, he was proud to become head of a university that has been at the forefront of so many advances within Israeli society, including its inclusion of many members of the Bedouin minority who live near Beer Sheva.
Ben Gurion University is now home to the first female Bedouin professor in Israel, he noted: Sarab Abu-Rabia-Queder, who was also the first Bedouin woman to receive a Ph.D.
When it comes to innovation, Chamovitz observed, “All the nations in the Middle East are looking to us (in Israel) for answers. We’ve been living in the desert” – no university more so than BGU.
Turning to Senator Linda Frum’s question and answer session with Shira Haas, while Frum was seated in some sort of studio, Haas was in a room in her home, which looked quite unadorned – hardly what you would expect to see in the home of a major television star. Following are excerpts from the interview:
Frum: “What’s it like to be an Israeli celebrity?”
Haas: “It’s a feeling of being a family in Israel. Everyone knows everyone. When you walk in the streets and get compliments it’s like people feel they know you.”
Frum: “How did you know you were going to be an actor?”
Haas: “I was very shy. I never thought I’d be an actor. Thanks to Facebook I auditioned for a part just before I turned 16. One of my first auditions was for ‘Shtisel’ (in which she played the part of Ruchamie). It’s hard to believe that was already 10 years ago.”
Frum: “Did you think you’d have a career only in Hebrew or did you want to be an international actor?”
Haas: “When we were doing ‘Shtisel’ or ‘Unorthodox’ nobody ever thought it would get to Netflix – so I never thought I would become an international actor.”
Frum: “When you choose your projects, you don’t take the easy road. Of all the difficult things you’ve done, what was the hardest?”
Haas: “Your question reminded me that a few weeks ago someone stopped me on the street and complimented me. I gave him a big smile and he said: ‘Omigod, it’s so nice to see you smile!’” (in reference to Haas’s roles in “Shtisel” and “Unorthodox” where she faced unremittingly difficult choices and hardly ever smiled.)
“My most challenging role was in ‘Asia’ (pronounced A-seea – in which Haas plays a young girl struggling with a degenerative neurological disease. It hasn’t reached Winnipeg yet.) It was very personal for me.” (Haas had kidney cancer when she was 2, and saw her growth stunted as a result of her chemotherapy treatments, according to a story we ran in our June 23 issue.)
Frum: “You are obviously secular. How did you prepare yourself for ‘Shtisel’ and ‘Unorthdox’?”
Haas: “I was very young when I started doing ‘Shtisel’. I didn’t know much about the Orthodox world. It didn’t occur to me that it’s an Orthodox story. It’s a story about people. It brings people together.”
Frum: “It’s popular because it’s unusual, but also because it humanizes a group about which we don’t know very much. Did it change the dialogue in Israel?”
Haas: “It opened people’s minds – the power of watching art. People all over were suddenly interested.”
Frum: “Did you learn Yiddish for ‘Unorthodox’?”
Haas: “I found out that the Yiddish I needed to learn was completely different from the Yiddish I learned for ‘Shtisel’. Two of my favourite words from ‘Shtisel’ were a ‘bissel’ (meaning “a little”) and ‘koach’ (pronounced “coy-ach” – meaning “strength”).
“I know there are a lot of curse words in Yiddish, but I played Orthodox characters, so I didn’t learn any Yiddish curse words.”
Frum: ‘You’re on a list of the ten hottest Israeli women. (Haas blushed.) How are you going to play Golda Meir?”
Haas: “When she was a young lady she had lovers. I’m going to tell her story. I’m not going to imitate her.”
Frum: “Golda had an American accent. How are you going to pick it up?”
Haas: “Her Hebrew was good, but not as good as her English or Yiddish. She learned Hebrew in her 20s.”
Question from Daniel Chamovitz: “Without Covid, would you be where you are today” (referring to the fact that ‘Unorthodox’ first debuted on Netflix on March 26, 2020 – just as so much of the world was going into lockdown mode)?
Haas: “The first time I knew it (‘Unorthodox’) was a big success was when I was in quarantine and I looked out my window and saw my face on so many screens. I wish circumstances were different.”
Chamovitz: “Covid opened up markets for smaller scale TV shows. Shira, I read that you said you might have been a psychologist. Is that something you’d still consider doing? We have a great psychology program at Ben Gurion University.”
Haas: “Yes, I know. My sister studied psychology at Ben Gurion for her first degree.”
Frum began reading questions sent in by audience members. The first one was: “Time Magazine named you one of the 100 most influential people in the world. How do you feel about that?”
Haas: “It’s amazing. Here I am in Tel Aviv in my pajamas. It’s hard to think of me as one of the 100 most influential people in the world!”
Question: “Are you very active on social media?”
Haas: “Not much. I have an Instagram account, but to me it is something that doesn’t come naturally.”
Chamovitz: “You said that as a child you were shy. Maybe that explains it (her not being active on social media).”
Frum: “I wonder about that – you’re being private and interior, and forcing yourself to expose yourself A lot of times actors let their acting speak for themselves rather than talking.”
Frum: “Why do you feel it’s important to do events such as these? We’re in a moment when it’s not so easy.”
Haas: “I am Jewish, I am Israeli. Even if I play Mary Magdalene, I’m still Shira. I’m very proud Ben Gurion University is where my sister studied, and where my best friend is now studying.”
Frum: “Do you feel pressure to be a voice for Israel?“
Haas: “I don’t have to be political to do what I do.”
Frum: “Are you close with the ‘Shtisel’ family? Will there be a Season 4?”
Haas: “Very close. They will forever by my ‘mishpoche’. (But), it doesn’t feel like there will be a fourth season.”
At that point, various representatives of CABGU came on screen to thank Shira Haas and Linda Frum. And, even though it was the middle of the night in Israel, Shira said she had enjoyed herself so much she would have liked to continue. (There’s an idea for some other Winnipeg organizations.) It was a truly delightful evening. There’s something to be said for a well-planned online event. Congratulations to the organizers.
Features
MEDIA BRAT/ The Artsy Sportswriter’s Daughter Deconstructs Life With John Robertson in New Memoir
We received an interesting email from a brand new book publishing company called Meat Draw Books. Ordinarily, we wouldn’t include a blurb for a book that wasn’t about a Jewish subject but the press release was so intriguing – and humourous, that we’ve decided to print it here ver batim:
Hello at The Jewish Post & News.
I’m D. Grant Black, publisher of Meat Draw Books. I thought you might be interested in a new book, Media Brat: a Gen-X memoir, by sportswriter-broadcaster John Robertson’s daughter, Patricia, about her time following her father’s crazy career and antics around North America. It just released on April 8.
John, who founded the Manitoba Marathon, was a B’nai B’rith Man of the Year in the mid-1970s during his time as host for an English open-line radio show at CFCF Montréal, owned by Charles Bronfman. I would appreciate if you could spread the word in the Winnipeg Jewish community about Patricia Dawn Robertson’s very funny new book, Media Brat. Robertson has written freelance dispatches for the Winnipeg Free Press’ Op/Ed pages for over 20 years (View from the West & Perspectives).
SOME BACKGROUND:
Patricia Dawn Robertson, Canada’s cheekiest satirist, just released her much-anticipated memoir, Media Brat, about growing up on the sidelines of old school media with her father. Sportswriter John Robertson worked at the Winnipeg Free Press from 1956 to the early 1960s, as a broadcaster/host of 24Hours at CBC TV Winnipeg (1977–1982) and he founded the Manitoba Marathon in 1979.
John Robertson also worked at the Toronto Sun (1982-1985) covering the Blue Jays during the Golden Era of the Toronto Sun where he boosted the Toronto weekend circulation to 300,000 in the 1980s with his controversial sport column. Sun readers flipped to the Sunshine Girl then to Robertson’s column.
Media Brat: a Gen-X memoir (April 8) is a hilarious outlier’s account of an artsy girl’s reluctant pilgrimage in the turbulent wake of John Robertson, her manic sportswriter-broadcaster father. The author, as a child and young woman, hated spectator sports but loved her sportswriter father. John Robertson rubbed shoulders with baseball great Rusty Staub (Robertson’s book “Rusty Staub of the Expos”), Blue Jays player Kelly Gruber, CFL QB Ron Lancaster, NHLers Bobby Hull & Willie Lindstrom, politicians Robert Bourassa & René Lévesque and Canadian comedy legend, John Candy.
Robertson’s epic book-length tantrum is set in the stands and parking lots of major league North American sport plus the author’s experiences in Winnipeg, Montréal and Toronto from the early 1960s to the early 1990s. Media Brat explores living in the fish bowl of a media family and coming-of-age in the educational institutions, workplaces and dating ghettos of major North American cities, from the 1970s to the early 1990s. Robertson’s smart reader can always count on her funny no-bullshit truth. Media Brat is Robertson’s first instalment of no-bullshit memoir in book form — in a mere 254 pages. (Robertson is busy at work on Media Brat Goes West, the second instalment of three memoirs, for a spring 2026 release.)
Media Brat’s WINNIPEG chapters (1963, 1977–1982) include:
It Was Snowing on the Day You Were Born (born in the Gateway to the West); The Velvet Hammer (mother-daughter power struggle); The Dutch Uncle (visiting auditor fails to put the brakes on John Robertson’s spending); Frozen Turkeys, Corduroy Knickers & Tia Maria in the Snow Tires (Family Christmas 1977); Klinic With a ‘K’ (autonomy and the pill); The Curse of Lono (Father-Daughter Hawaiian Marathon); Great With Beer (camping trip at Riding Mountain gone awry); Meet Me at The Monty (summer job at Winnipeg Parks & Rec); The Cook, the Marxist, the Candidate & his Daughter (Robbie runs in the provincial election); John Takes a Mulligan (stroking out); and Binge Ate Her Way to a Size 16 (Patricia tips the scales before moving to Toronto and her dad’s new sports columnist gig at the Toronto Sun).
I’ve attached a book release pdf with links to the Meat Draw Books website. (Purchase at MeatDrawBooks.com) This is the first book for my new Canadian imprint, which will publish non-fiction books in small batches, direct-to-reader and without any Canada Council or provincial arts funding.
And, if you want to read an excerpt from the book, you can download it here:
Features
Experience Nonstop Tongits Action on GameZone
In the ever-evolving world of online gaming, one classic Filipino card game has found a new lease on life. Tongits, a beloved pastime in the Philippines, has made a spectacular transition to the digital realm, and GameZone is leading the charge. This comprehensive guide will explore why Tongits on GameZone is the go-to destination for card game enthusiasts in 2025, offering an unparalleled blend of tradition, innovation, and nonstop action.
The Timeless Appeal of Tongits
Before we dive into the GameZone experience, let’s revisit what makes Tongits so special. This rummy-style card game, typically played by three players, has been a staple of Filipino social gatherings for generations. Its appeal lies in its perfect balance of luck, skill, and strategy, making it accessible to beginners while offering depth for seasoned players.
In Tongits, players aim to be the first to discard all their cards by forming valid sets and runs, or to have the lowest points when the game ends. This simple premise belies a game of intense concentration, clever tactics, and social interaction. It’s this combination that has allowed Tongits to stand the test of time and now thrive in the digital age.
GameZone: Revolutionizing Tongits for the Digital Era
GameZone has taken the essence of Tongits and enhanced it for today’s online gaming landscape. Here’s why it’s become the premier platform for Tongits enthusiasts:
1. Diverse Game Modes
GameZone understands that players have different preferences and time constraints. That’s why they offer multiple Tongits variants:
- Tongits Classic: The traditional game that purists love, featuring all the rules and strategies that have made Tongits a favorite for decades.
- Tongits Plus: An enhanced version with slight rule modifications to add extra excitement.
- Tongits Joker: Introduces joker cards to the mix, adding an element of unpredictability and new strategic possibilities.
- Tongits Quick: A fast-paced version with fewer cards, perfect for quick games on the go.
This variety ensures that whether you’re a traditionalist or looking for a new challenge, GameZone has a Tongits experience for you.
2. 24/7 Accessibility and Global Player Base
One of the biggest advantages of playing Tongits on GameZone is the ability to find a game at any time of day or night. With a global player base, you’re never more than a few clicks away from jumping into a match. The platform’s robust servers ensure smooth gameplay, whether you’re on a desktop computer or mobile device.
3. Fair Play and Security Measures
In the world of online gaming, trust is paramount. GameZone has gone to great lengths to ensure a fair and secure gaming environment:
- Licensed by PAGCOR (Philippine Amusement and Gaming Corporation)
- Advanced encryption to protect user data and transactions
- Sophisticated algorithms to prevent cheating and ensure random card distribution
These measures mean you can focus on enjoying the game, knowing that every match is fair and your personal information is safe.
4. Competitive Tournaments and Rewards
For those with a competitive streak, GameZone offers a thrilling tournament scene:
- Regular tournaments with cash prizes and trophies
- The annual GTCC (GameZone Tongits Championship Cup), a prestigious event drawing top players from around the world
- Daily and weekly challenges with in-game rewards
- Leaderboards to track your progress and compare skills with other players
These competitive elements add an extra layer of excitement to the Tongits experience, giving players goals to strive for beyond individual matches.
5. Vibrant Community Features
GameZone isn’t just a platform for playing cards; it’s a social hub for Tongits enthusiasts. The platform includes:
- In-game chat features for friendly banter during matches
- Forums for discussing strategies, sharing tips, and organizing games
- Regular community events and challenges
- A friend system to connect with fellow players
These social features recreate the camaraderie of playing Tongits in person, fostering a sense of community among players from diverse backgrounds.
Mastering Tongits on GameZone: Strategy Tips
Whether you’re new to Tongits or looking to refine your skills, these tips will help you excel on GameZone:
1. Perfect Your Timing for Knocking
Knowing when to “knock” (end the game early) is crucial. It’s a delicate balance between minimizing your points and not giving opponents the chance to go out. Pay attention to the flow of the game and the cards being discarded to make informed decisions.
2. Master Card Counting
Keep track of discarded cards to deduce what your opponents might be holding. This information is invaluable for making strategic decisions about which cards to keep or discard.
3. Build Flexible Sets
Aim for sets and runs that can be easily modified. For example, if you have 5-6-7, look for 4 or 8 to extend your options. This flexibility increases your chances of going out quickly.
4. Manage Your High Cards
High-value cards (K, Q, J) can be a liability if an opponent knocks. If these cards don’t fit into your strategy, consider discarding them early to minimize potential point loss.
5. Adapt to Different Game Modes
Each GameZone variant requires slightly different strategies. In Tongits Joker, for instance, save your jokers for critical moments rather than using them early. In Tongits Quick, be more aggressive in forming sets due to the reduced card count.
6. Practice Regularly
Like any skill, proficiency in Tongits comes with practice. Take advantage of GameZone’s 24/7 availability to play regularly and experiment with different strategies.
Conclusion: Join the Tongits Revolution
Tongits on GameZone represents the perfect fusion of traditional card gaming and modern technology. With its diverse game modes, fair play guarantees, exciting tournaments, and vibrant community, it offers an unparalleled gaming experience for Tongits lovers of all levels.
Whether you’re looking to relive childhood memories, challenge yourself against top players, or simply enjoy a fun card game with friends, GameZone’s Tongits platform has something for everyone. The nonstop action, combined with the strategic depth of Tongits, creates an addictive and rewarding experience that keeps players coming back for more.
So why wait? Join the millions of players already enjoying Tongits on GameZone. Download the app or visit the website today, and immerse yourself in the world of nonstop Tongits action. Who knows? You might just become the next Tongits champion!
Remember, in the world of online Tongits, every hand is an opportunity, every match a new adventure. See you at the virtual card table!
Features
Ottawa police detective Akiva Geller and the case of the famed purloined Yousef Karsh photograph
By MYRON LOVE It had all the elements of a novel, heist movie or televison episode – a brazen art thief and forger, an iconic work of art, secret storage lockers, DNA and an international trail of crumbs to follow ..and Ottawa police service detective (also a former Winnipegger) Akiva Geller was right in the middle of the action.
The case revolved around the theft from the Fairmont Chateau Laurier Hotel of an iconic photograph of Winston Churchill, taken in 1941, \by the world famous photographer Yousef Karsh. Karsh and his wife, Estrellita, lived at the classy hotel for 18 years. Toward the end of his life, the photographer donated that print – “The Roaring Lion” – along with several others to the hotel. The print, valued at $20,000, was hung in the hotel’s reading room. It was reported stolen – and replaced with a forgery – in the summer of 2022.
Geller joined the Ottawa police force in 2012 following a 14-year career in the Canadian military.
He recalls that he initially considered becoming a pharmacist. He was inspired to change his plans by the yeoman work of the Canadian soldiers who helped stem the tide during the great flood here in 1997.
“That kind of community service resonated with me,’ he says. “I appreciated the hands-on aspect of it all.”
He enlisted the next year.
While serving in the military largely in a series of administrative and teaching capacities, Geller began taking classes at Algonquin College in security management that led to his taking a criminology program – and degree – at Carleton University.
He left the military in 2012 to join the Ottawa police force. He began his policing career as a patrol officer. He was promoted to the investigative branch in 2020.
Now, unlike what we may see on television, being a police detective is not a case of investigating the murder of the week. Geller notes that much of his time is spent looking into suspicious deaths – including overdoses. A high profile case such as the Karsh photo heist comes along once in a lifetime for most police detectives.
This articular story begins, according to Geller, somewhere between late December 2021, and mid-January 2023, when an individual who has since been identified as Jeffrey Wood,walked into the hotel, removed the framed portrait print from the wall, and replaced it with a copy on which Wood had forged Karsh’s signature. At the time, the hotel was largely shut down due to the Covid lockdowns; thus few people were around.
The switch wasn’t discovered, Geller reports, until the following August, when hotel engineer Bruno Lair noticed that the framed print was a little off kilter. When he went to straighten it, he saw that the portrait was hung by a wire – with holes in the wall where screws had held the portrait in place.
“Wood was identified as the seller after we obtained the response to a ‘Mutual Legal Assistance Request’ sent o the United Kingdom,” Geller recalls. “In the response, Sotheby’s London gave us his information, including scanned copies of his passport and IDs.”
The Hotel GM and staff contacted the Yousuf Karsh estate and spoke to the director, Jerry Fielder, who, it was assumed, could verify whether the fraudulent portrait signature was forged, Geller continues. He was sent a picture of the signature and fake portrait, confirmed it was forged and that the portrait was a fake. The hotel reported the theft of the authentic Roaring Lion to Ottawa Police, at which time
Geller began his investigation. Geller goes on to say: “In searching for the authentic portrait I sourced two photos of the authentic portrait on the wall before it was stolen, one from Trip Advisor and the other from Twitter. Both had the portrait signature clearly visible so I could compare them to other signatures I found.
“I came across the Sotheby’s London Auction from May 2022 in which a portrait with a very similar size and signature was sold,” Geller says. “I compared the signature to the ones I sourced from online and determined they were the same. I asked Library and Archives Canada to assist in examining the fake print and also in comparing the signatures. While signature analysis is not in their expertise, they were able to advise that it was highly probable that they were the same. With this I was able to complete a Mutual Legal Assistance Request to the United Kingdom for assistance in obtaining the details of the Sotheby’s Auction. London Metropolitan Police assisted in obtaining the information on the auction and sent it back to me here in Canada. This took almost a year to obtain because of the levels of approvals, editing and paperwork involved.”
Sotheby’s London’s documents identified the seller of the Roaring Lion portrait as well as details about him, communications they had with him and photographs of the portrait before it was obtained by Sotheby’s. Wood was identified as the seller.
“I wrote numerous production orders to all of Wood’s known bank accounts, phone numbers, and credit cards,” Geller recalls. “Once I received the return from his phone company I had to go line by line through his phone bills. There I found a phone call to a storage unit here in Ottawa.”
I wrote a search warrant for the storage locker and a production order for the information on the locker and owner. I executed the search warrant and, in the locker, we found a second fake Churchill print,” he reports. “We also found a toothbrush which we believed would have Wood’s DNA on it. We sent the toothbrush directly to the Centre for Forensic Sciences in Ontario. They compared the DNA from the toothbrush to DNA obtained from inside the fake portrait which was put up in the real one’s place.”
The next piece of the puzzle was to reclaim the portrait to return it to the Chateau Laurier. The drawback here that the buyer of the portrait was an Italian lawyer – one Nicola Castinelli. In Italy, Geller notes, if you buy stolen items in good faith – in other words, if you didn’t know the item was stolen – you have a legal claim to the property, which would mean that you would have to be taken to court to have you relinquish it.
Geller reports that the Italian carabinieri in Rome sent officers to visit the buyer in Genoa and persuaded him to return the portrait in return for what he paid.
Wood was arrested last April. At his hearing on March 14, he pleaded guilty.
Geller reports that, although the maximum sentence is 14 years in prison, the prosecution is requesting of the court a two year sentence while his lawyer is asking for a suspended sentence.
As for the portrait, it was reframed and remounted at the chateau Laurier in the former reading room, which has been converted into a lounge. He adds that the hotel now has a lot more security in place.
“It was a nice reinstallation ceremony,” Geller says.
Mrs. Karsh (who is in her 90s) even wrote a letter to the hotel expressing her appreciation about the portrait being “back home”, he adds.
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