Features
“Resistance: They Fought Back” – new documentary film chronicles the many instances where Jews fought back against the Nazis
By MARTIN ZEILIG “Jewish resistance during the Holocaust took many forms, armed and unarmed,” notes Holocaust scholar and archeologist Professor Richard Freund in this timely and beautifully crafted feature documentary film by directors Paula Apsell and Kirk Wolfinger.
“We’ve all heard of the Warsaw Ghetto Uprising, but most people have no idea how widespread and prevalent Jewish resistance to Nazi barbarism was. Instead, it’s widely believed Jews went to their deaths like sheep to the slaughter.”
Filmed in Poland, Lithuania, Latvia, Israel, and the U.S., Resistance – They Fought Back provides, as one of the specialists interviewed emphasizes, “a much-needed corrective to this myth of Jewish passivity.
Indeed, the film is a fervent repudiation of the thinking that Jewish resistance was either non-existent or occurred on rare occasions only.
As Dr. Margers Vestermanis, historian and resistance fighter in the Riga Ghetto, articulates, “The idea of resistance practically started with the formation of the ghetto. As we used to say in the ghetto back then, there were two options. You would be undressed…and wait for the bullet. Or you would resist, and you would be shot anyway. You would die anyway, but that would be a different death– a meaningful death, defending the honor of your people.”
There were uprisings in ghettos large and small, rebellions in death camps, and thousands of Jews fought Nazis in the forests, as is discussed in the film.
“Everywhere in Eastern Europe, Jews waged campaigns of non-violent resistance against the Nazis,” observes one of the commentators.
“All over German-occupied territories, ghetto and camp residents disobeyed German edicts to care for the sick and needy, setting up soup kitchens and educating children, maintaining a spiritual life of Jewish observance as well as a cultural life of music, art and theater, hiding and escaping, and documenting German war crimes – all this in the face of starvation, beatings, humiliation, disease, poverty, and the threat of transports and death at any time.”
Among those interviewed in the film are Professor Yehuda Bauer of Hebrew University and Yad Vashem; Professor Avinoam Patt, the inaugural director of NYU’s Center for Study of Antisemitism; and, Maurice Greenberg, Professor of Holocaust Studies in NYU’s Skirball Department of Hebrew and Judaic Studies; Professor Michael Berenbaum, an American scholar, professor, rabbi, writer, and filmmaker, who specializes in the study of the Holocaust; Steven Meed, who’s mother, Vladka Meed was a Warsaw Ghetto courier; Yoel Yaari, the son of Bela Hazan, who worked in Gestapo headquarters in Grodno. He is writing a book about her based on Bela’s own notebooks, which reveals her “courageous actions in both ghettos and camps.”
We also meet concert violinist Dana Mazurkevich, who was smuggled out of the Kovno ghetto in a truckload of potatoes; internationally known artist Samuel Bak who had his first exhibition in the Vilna Ghetto at age 9; and, David Gur, whose forgeries saved thousands of Budapest’s Jews.
This is a film that deserves the widest possible viewership.
Ms. Apsell, who was also co-writer and executive producer agreed to a Zoom interview with this reporter on April 15, 2024. (Comments from the “Director’s Statement” are also included in Ms. Apsell’s responses.)
MZ: What is the genesis of this film?
PA: It got its start on a sunny June day in 2019 at my kitchen table in Boston during a visit from Holocaust scholar and archeologist Richard Freund. In 2016, Kirk Wolfinger, his team from Lone Wolf Media, and I had made a documentary for the PBS NOVA series following Dr. Freund and his team as they discovered an underground escape tunnel in a forest in Lithuania where the Germans and their Lithuanian collaborators murdered 70,000 Jews.
As we learned when our film aired the next year, very few people had ever heard of this tunnel dug with spoons by shackled Jewish prisoners, twelve of whom escaped to fight with the partisans. But it is far from the only example of Jewish resistance during the Holocaust. When I asked why such examples of Jewish heroism were not more widely known, Dr. Freund quipped, “Because you haven’t made the film yet.”
Perhaps intended as a joke, I took the response as a challenge. I had just retired after 35 years as NOVA’s Executive Producer, and I was looking for a project to engage my mind and my heart. And what could be more worthwhile, more challenging to research and recount, than this largely unknown story of Jewish resistance during the Holocaust?
As I would learn, many stories of Jewish resistance have all but vanished. In some cases, no historical records exist, and no one survived to tell the tale. The Germans documented many aspects of their war against the Jews, but they were allergic to any mention of Jewish resistance, leading many to think it never happened and to believe that “Jews went to their deaths like sheep to the slaughter.”
MZ: What else would you like to say about the film?
PA: The film my production partners at Lone Wolf Media and I wound up making is a passionate refutation of that way of thinking (that Jewish resistance was either non-existence or rare). Told by survivors, their children, and expert witnesses from the U.S. Israel, and Europe, it is a revelation based on extensive research of how the Jews of Europe fought back.
It uncovers evidence of non-violent methods which served as crucial tools of resistance and evolved into Jewish armed revolts in ghettos, forests and death camps, even as the odds of success were vanishingly small. Today, almost eighty years after the Holocaust, this story remains largely unknown to the general public. Without it, our understanding of this genocide, which wiped out two-thirds of European Jews, remains incomplete, giving rise to renewed anti-Semitism, hatred, and denial of the Holocaust itself.
It took four years to produce the feature documentary Resistance – They Fought Back during which challenges abounded, some predictable when we began, others totally unknown.
Our society’s understanding of the Holocaust, even after all these decades, is limited, misunderstood and frighteningly transient. Surveys indicate that two-thirds of millennials in the United States cannot identify the infamous concentration camp Auschwitz. In the U.K., surveys suggest that 1 in 20 people don’t believe the Holocaust happened, and one-third of people from seven surveyed European countries know little or nothing about it.
That Jews were complicit in their own deaths has become a common meme of both anti-Semitic and white supremacy movements, which are steeply on the rise. Therefore, this story is one that demands to be told now with the authenticity that archeological finds, rigorous historical analysis, and eyewitness testimony describing tunnels that were dug, sewers used as escape routes, examples of sabotage against the all-powerful German army can provide.
Thus, even as survivors leave us and personal testimony fades, we are gaining a new perspective to our understanding of the Holocaust. It is this story of millions of victims whose brave acts of resistance against a barbaric and all-powerful enemy have too long remained unheralded, that we are determined to tell.
Features
“Lessons from the Holocaust for Today”
By HENRY SREBRNIK On April 12, I spoke at our annual Yom Hashoah memorial ceremony in Charlottetown. The last time I did so was in April 1976, in Montreal. It was, for Canadian Jews, a completely different time. Montreal was still the first city of Canadian Jewry, with Toronto a distant second. Israel seemed a secure country, having won a hard-fought victory three years earlier in the Yom Kippur War.
There were clouds gathering, true – after all the UN General Assembly had passed the “Zionism is a form of racism” the previous December, and a powerful Communist bloc led by the Soviet Union was still a formidable enemy.
Today, Jewish life has become far more precarious. Two things are essential for an anti-democratic political movement to succeed: ideological justification by academics and intellectuals, and control of the streets by violent mobs. Since Oct. 7, 2023, when Hamas invaded Israel, we have seen both.
At McGill University in Montreal, a March 21 referendum by the Law Students’ Association (LSA) supported amending the group’s constitution to boycott Israeli academic bodies, though it was deemed illegitimate by the university’s president. Similar actions are taking place across Canada. Indeed, at Vanier College, a Montreal CEGEP, it abruptly cancelled its Holocaust commemoration on March 25 because it didn’t think it could keep guests and the college community safe.
Unfortunately, we know a terrible precedent for this union of the intellectuals and the mob. Nazi ideology, too, was not formulated by street thugs. Historian Max Weinreich published his book Hitler’s Professors in 1946, noting that German scholarship provided the ideas and techniques that led to and justified unparalleled slaughter. All too many Nazi war criminals were holders of PhDs.
As historian Niall Ferguson reminds us, in an article published in the New York Free Press of Dec. 11, 2023, “Anyone who has a naive belief in the power of higher education to instill morality has not studied the history of German universities in the Third Reich.” The “final solution of the Jewish question” began, he has written, with words — “to be precise, it began as lectures and monographs and scholarly articles.”
The American writer Vivian Gornick, reviewing a book, “Turning a Blind Eye, A memoir of daily accommodation to fascism,” by the German historian Joachim Fest, about Hitler’s Germany in the 1930s (before the Holocaust), quotes this passage:
“Everyone sees that life for the Jews is gradually shutting down. Take their neighbor and good friend, Dr. Meyer: one day he can no longer subscribe to newspapers and magazines; another, he has to hand in his bicycle and typewriter; another, he can no longer keep a pet or buy flowers. Then all the Jews simply start disappearing from the neighborhood.” The Nazi march to power literally begins with shutting Jews out of public life while using academia as the heavy hand of indoctrination.
Is this slowly happening to Jews in Canada today, as they are pushed out of or refused admittance to cultural events, colleges, universities, and graduate schools, academic university positions, publishing, music, theatre, and so on? In “Canada’s Polite Pogrom,” By Jesse Brown, Atlantic, March 24, 2026, he writes: “Is a national tolerance for zealotry purging Jews from public life?” Jewish life in Canada may have “forever changed,” he argues. “I can no longer take for granted that people like me are represented in Canada’s hospitals, schools, newsrooms, and legislatures.”
We may see the quiet withdrawal of Jews from Canadian society “without any glass or bones being broken,” simply because the evidence that they are no longer welcome has become overwhelming. Another writer calls it the social and academic “shtetelization” of Western Jewry.
We even face obstruction from the Canadian government. In just the last two years, eight explicitly Jewish non-profit charities, including the Jewish National Fund, have been stripped of their ability to collect tax-deductible donations by the Canada Revenue Agency — often amid pressure campaigns from anti-Israel activists. The delisting was also celebrated by the Professional Institute of the Public Service of Canada (PIPSC), the union representing CRA workers.
We now witness continuous large “pro-Palestinian” rallies through our cities, invasions of shopping malls and thoroughfares, including intimidating behaviour against Jewish passersby. Today, police stand and watch mobs chant for Israel’s destruction, call for the genocide of its people, harass visibly Jewish citizens, and drive antisemitic intimidation deep into urban life. They now believe their job is to enforce the law only if it does not risk upsetting violent constituencies. This makes Jews expendable, because defending them risks confrontation.
And these events are not just “political protests.” At an al-Quds rally in Toronto March 14, protesters held signs that showed rats crawling out of a Star of David, depicting a Jewish man as a goblin-like creature emerging from a cave, and showing a Jewish man as a hook-nosed caricature.
Three Jewish synagogues in Toronto were hit with gunfire in one week in March. After every such incident, we hear that “antisemitism has no place in Canada.” But if that were true, synagogues would not require concrete barriers. Jewish schools would not need armed security. Community institutions would not conduct threat assessments before hosting events. Yet big city mayors like Toronto’s Olivia Chow don’t seem, to put it diplomatically, be losing much sleep over what’s going on in their cities.
The attacks on Jews, including physical assaults and social media campaigns, are part of a purposive campaign designed to make Jews think twice about gathering with other Jews, entering a synagogue, going to kosher restaurants, putting a mezuzah on the doorpost of their apartments or dorm rooms, or wearing a Jewish star around their necks. In fact people have been attacked on the street for speaking Hebrew.
If each Jewish holiday will now be seen by antisemites as an opportunity for terror, then the prognosis for diaspora Jewry is bleak. Unless things change, Jewish life in the diaspora will become more sealed off from the larger society.
We may be returning to a time that we thought was long behind us. And we are less prepared for it than our forebearers were, because they were used to living in a semi-segregated world, and expected less from the larger society. As large swaths of the Jewish community are beginning to retreat inward, the greater long-term fear is the collapse of Jewish life here altogether.
Henry Srebrnik is a professor of political science at the University of Prince Edward Island.
Features
Streaming the Diaspora: Jewish Stories in the Digital Age
The digital era has transformed how cultural narratives are created, shared, and preserved. For Jewish communities around the world, streaming platforms have become powerful tools for storytelling — enabling voices from different countries, traditions, and generations to connect in ways that were once impossible. What used to rely on local gatherings, printed texts, or regional broadcasts is now accessible globally, instantly, and interactively.
Streaming has allowed Jewish stories to transcend geography. Whether it’s historical documentaries, modern dramas, or personal testimonies, audiences can now explore a wide spectrum of perspectives — from Ashkenazi and Sephardic traditions to contemporary Israeli culture and diaspora experiences in North America, Europe, and beyond. This shift reflects not only technological progress but also a deeper need for identity, continuity, and shared memory.
A New Era of Cultural Storytelling
Streaming platforms have opened doors for creators who might previously have struggled to find mainstream distribution. Independent filmmakers, historians, and content creators now have the ability to reach global audiences without relying on traditional gatekeepers.
This has led to:
- more diverse representation of Jewish identities
- storytelling that blends history with modern perspectives
- greater visibility for lesser-known traditions and communities
As media scholar Henry Jenkins noted,
“Digital culture allows stories to travel, evolve, and find new audiences beyond their original context.”
Jewish storytelling, rooted in centuries of oral and written tradition, naturally adapts to this model — evolving while maintaining its core themes of resilience, identity, and community.
The Role of Streaming in Preserving Memory
One of the most significant contributions of streaming platforms is the preservation of historical memory. Documentaries about the Holocaust, migration stories, and cultural archives are now widely accessible, allowing younger generations to engage with history in a more immediate and emotional way.
Streaming enables:
- access to survivor testimonies and historical footage
- educational content for global audiences
- preservation of languages like Yiddish and Ladino
This accessibility helps ensure that stories are not lost, but instead reinterpreted and shared across generations.
Bridging Generations Through Digital Media
Another important aspect of streaming is its ability to connect different age groups. Older generations may bring lived experiences, while younger viewers engage through modern formats such as series, podcasts, and short-form video content.
This creates a dynamic exchange:
- elders share traditions and personal histories
- creators reinterpret these stories for modern audiences
- viewers engage, discuss, and reshape narratives in digital spaces
The result is a living, evolving cultural dialogue rather than a static archive.
Entertainment, Identity, and Digital Habits
In today’s digital ecosystem, cultural content exists alongside many forms of online entertainment. Users often move fluidly between watching series, engaging with interactive platforms, and exploring different types of digital experiences.
For instance, while streaming culturally rich content, users may also explore entertainment platforms featuring zoome slots, where interactivity, design, and engagement play a central role. Although the purposes differ, both environments reflect how digital platforms are designed to capture attention, create immersion, and keep users engaged through evolving content.
This coexistence highlights a broader reality: modern digital life blends education, culture, and entertainment into a single, continuous experience.
Challenges of Representation in the Digital Space
While streaming has expanded opportunities, it also raises important questions about representation and authenticity. Not all stories are told equally, and some narratives may be simplified or commercialized for broader appeal.
Key challenges include:
- balancing authenticity with accessibility
- avoiding stereotypes or oversimplification
- ensuring diverse voices are included
Creators and platforms must navigate these issues carefully to maintain cultural integrity while reaching wider audiences.
The Globalization of Jewish Narratives
Streaming platforms have also contributed to the globalization of Jewish stories. A viewer in Canada can watch an Israeli drama, a French documentary, or an American series — all within the same platform. This interconnectedness allows for a richer understanding of how Jewish identity varies across regions while still sharing common roots.
This global reach encourages:
- cross-cultural dialogue
- broader empathy and understanding
- new interpretations of identity in a modern context
Streaming vs Traditional Media
| Aspect | Streaming Platforms | Traditional Media |
| Accessibility | Global, on-demand | Limited by region and schedule |
| Diversity of content | High | Often restricted |
| Viewer interaction | Possible (comments, sharing) | Minimal |
| Content longevity | Long-term availability | Time-limited broadcasts |
| Entry for creators | Lower barrier | High barrier |
This comparison shows why streaming has become such a powerful medium for cultural storytelling.
Final Thoughts
The digital age has reshaped how Jewish stories are told, preserved, and experienced. Streaming platforms have turned local narratives into global conversations, allowing voices from across the diaspora to connect in meaningful ways.
By combining accessibility, diversity, and interactivity, streaming has created a new space where tradition meets innovation. As audiences continue to explore these stories alongside other forms of digital engagement, the importance of thoughtful, authentic storytelling becomes even more significant.
In this evolving landscape, Jewish narratives are not just being preserved — they are being reimagined, shared, and lived in real time across the digital world.
Features
U.S. Senate candidate from Michigan calls Israeli government ‘evil’ like Hamas
Abdul El-Sayed, doubled down on his criticism of the Netanyahu government and defended campaigning with controversial streamer Hasan Piker
By Jacob Kornbluh (Posted April 19, 2026) “This story was originally published in the Forward Click here to get the Forward’s free email newsletters delivered to your inbox.”
FoAbdul El-Sayed, a U.S. Senate candidate from Michigan, said in an interview aired Sunday that the Israeli government is as “evil” as Hamas, sharpening his criticism of Israel in the closely-watched Democratic primary.
“Killing tens of thousands of people makes you pretty damn evil,” El-Sayed told CNN congressional reporter Manu Raja on the network’s Inside Politics program. “It’s not how evil is this one versus that one — Hamas: Evil, Israeli government: Evil. We can say both.”
El-Sayed, 41, is a physician and the son of Egyptian immigrants. He is seeking to channel the energy of the 2024 Uncommitted movement, which protested the Biden administration’s support for Israel in the war against Hamas in Gaza. He is also hoping to build on the surprise success of the New York City mayoral campaign of Zohran Mamdani in taking on the Democratic establishment.
He is locked in a dead heat with state Sen. Mallory McMorrow and Rep. Haley Stevens. The primary is set for Aug. 4.
Earlier this month, El-Sayed faced backlash for appearing alongside streamer Hasan Piker, who has been accused of antisemitic rhetoric — including saying that Hamas “is a thousand times better” than Israel. McMorrow, who is married to a Jewish man, and Stevens, who is closely aligned with AIPAC, have both criticized El-Sayed.
In the CNN interview, El-Sayed defended his decision to campaign with Piker, framing it as an effort to reach voters who feel alienated from traditional politics. “My understanding of America is, it’s a place where we have freedom of speech,” he said.
The Michigan Senate race is shaping up as one of the starkest tests of the Democratic coalition and how the party navigates policy towards Israel in Congress amid the wars in Gaza and Iran. The state is home to the largest concentration of Arab Americans in the United States.
Last week, 40 Senate Democrats voted to block $295 million for the transfer of bulldozers, used by the Israeli military to demolish homes in the West Bank and Gaza; 36 of them also supported a measure to block the sale of 1,000-pound bombs to the Jewish state. It shattered a previous high of 27 Democrats who backed a similar pair of resolutions of disapproval to block some weapons transfers last year.
Sen. Elissa Slotkin of Michigan, who is Jewish, was among those who voted for the measures. In remarks as they announced their votes, Democrats highlighted their opposition to the Israeli government’s policies in the occupied West Bank, the humanitarian situation in Gaza and the war with Iran.