Features
The Max Blankstein legacy
By GERRY POSNER Thanks to former Winnipegger Murray Blank-stein, I was fortunate enough recently to obtain, read and savour a book just released on the life and works of Canada’s first Jewish architect, one Max Blankstein. He, of course, was more than just Canada’s first licensed Jewish architect as his children, three of whom prominently followed in his footsteps as architects, and others, including their descendants, have made notable achievements in various other endeavours, including those related to architecture.
The book was the result of the efforts of the Winnipeg Architecture Foundation and members of the Blankstein family. The fact that the book honours the memory of a man who died at a young age of 58 and who was only professionally active in the field for about 26 years, speaks volumes about the prodigous amount of work produced by Max Blankstein during this period. The book categorizes his work into different types of uses, selecting representative examples of his building and commercial blocks, theatres, single family residences, apartment blocks, institutions, warehouses and service buildings.
Max was versatile. The book lists his work, principally in Winnipeg, but also elsewhere in Manitoba and Saskatchewan where the research effort was able to document what Max had designed. The length of the list is staggering. Winnipeg was then, and remains to this day, the beneficiary of his skill and dedication. Max’s life is reconstructed, beginning from his days in Odessa in what was then Russia and now Ukraine. The book even includes photos of two of the buildings he designed in Odessa that were still in existence at the time this research was being undertaken. Accessing records in Odessa going back to the first decade of the twentieth century took considerable effort.
In Canada, the story traces Max’s arrival in July of 1904 and his receiving certification as an architect in Manitoba some six years later. However records show that by 1907, Max as an architect or designer was filing applications for building permits with the City of Winnipeg. On September 19, 1910, the Province delivered his certificate of compliance in accordance with the provisions of The Architects Act (1910), which statute had just been passed into law that year.
One of the best parts of the book is the clear and effective descriptions of the buildings Max designed and I make that statement as someone whose knowledge and understanding of architecture is very limited. Thanks must be paid to Murray Peterson and Susan Algie from the Winnipeg Architecture Foundation, who did the research and writing for the book. Just the number of photos and drawings which they were able to reproduce makes this book worthwhile. Another feature of the book is the history that is interwoven into the story, so that the reader gets an appreciation of where Max was, the obstacles he faced along his path to and in Winnipeg, the political turmoil affecting the world, and the impact of that on an immigrant’s experience. That allows the reader to get a perspective of the time and place.
Still another aspect of the book is that it gives the reader an idea of how Winnipeg was the place to be at that time – or at least part of it, prior to the construction of the Panama Canal, which cut 8,000 nautical miles off the shipping distance to and from Canada’s west coast. The book also deals with the effects the First World War had on finance, investment and development in Western Canada. Max benefited from the time when Winnipeg was taking off and was the fastest growing city in North America. Much of his work occurred in the period between 1904-1920 and there are visible remnants of his work even today.
A significant component of Max Blankstein’s architectural imprint was in the theatrical world. Max had a keen sense of theatre design and so he was often called upon to design venues for theatres across the three prairie provinces of Western Canada, including in Winnipeg, Saskatoon, Yorkton, Neepawa, The Pas, and Regina. And for anyone who grew up in Winnipeg and was fortunate to haver attended the Uptown Theatre at 394 Academy Road – well, that structure was a Max Blankstein special. I know this. As a child, I was there almost every Saturday afternoon and even then, I realized how unusual was this theatre. It seated 1200 on the main floor and another 427 in the balcony. The interior was styled as a Morrish village. Who cannot recall the dark blue ceiling with twinkling stars, a moon and the towers from the exterior of the building set inside on each side of the proscenium?… a sight to behold.
The book gives a far better insight into the detail of the structure than I could ever do. And lest I forget, Max was involved in the construction of some of the most well known Jewish institutions and buildings of his day. He was the designer of the Winnipeg Hebrew Free School (the first Talmud Torah at 121 Charles Street) – and later a branch at 220 Andrews Street, the Mount Carmel Clinic on Selkirk Avenue, the Adas Yeshurun Synagogue (demolished). As well, he provided design input for the Shaarey Shamayim Synagogue (at 129 Dagmar Street) in Winnipeg prior to its merger with the Shaarey Zedek Synagogue. That building is still standing, but it has not been a synagogue since 1949 when its replacement was opened on Wellington Crescent. Do yourself a favour and take a look at that building on Dagmar today.
Check out as well some of the houses Max designed. They are charming. Just as fascinating for me, aside from the story on the works of Max Blankstein, is the family tree and the people in the Blankstein family who followed their father and grandfather into the profession of architecture or in corollary fields. Their names are readily identifiable and I suggest to you that you will come to realize what a force this man was just by virtue of his progeny. Perhaps the most telling aspect about Max and his family is revealed in a piece of paper found in the wallet of his eldest son Wolfe, after Wolfe’s death in 1990. It was in Wolfe’s handwriting and is as follows: “Architecture is a social art. One looks at paintings or sculptures but people live and work in buildings. It is the most expressive art of all and therefore the slowest to change. Architecture is also the most visible of all arts. Buildings shape the environment, paintings and sculptures only adorn it.”
Thus, if you want to learn little bit about the buildings around you even now and appreciate a bit of history along the way, this is the book for you. Moreover, you might want to take in the display mounted by the Winnipeg Architectural Foundation (WAF) on the subject of the Max Book now on at the Winnipeg Millennium Library with plans, photos, artifacts and explanatory notes.
The book was officially launched in Winnipeg at McNally Robinson on November 29 with appearances by co-authors Murray Peterson and Susan Algie.
Features
BOOK REVIEW: “Fighting the Hate: A Handbook for Jews Under Siege”
Reviewed by MURRAY BENDER “Thinking on your feet”—quickly defending a position in a coherent, persuasive manner—is a situation that many people find challenging and stressful. “If only I had said this.” or “Why didn’t I say that?” Hindsight is always 20-20.
Following the Hamas atrocities of October 7, 2023, it has become increasingly necessary for diaspora Jews to “think on their feet” as they unwittingly face a barrage of tough, sometimes hateful, questions about Jews and their Israeli homeland.
Why is Israel committing genocide in Gaza? Why doesn’t Israel return the land it has stolen from Palestinians? Why are Israeli settlers attacking Palestinian farmers? How is Israel different from apartheid South Africa? Why can’t I criticize Israel without being called antisemitic? Is it true that Jews control the world? The list of potential questions is nearly endless.
Engage or hide? This is the difficult choice that confronts Jews as they look to deal with anti-Jewish and anti-Israeli behaviour. Fortunately, author and journalist Melanie Phillips comes to the rescue with her practical and insightful book, Fighting the Hate: A Handbook for Jews Under Siege.
According to Phillips, the dilemma has no single answer. “People need to decide how to behave in accordance not just with the specific circumstances but also with their own attributes and limitations.”
Some regard engagement with their opponents as a sacred duty. “They believe it is a betrayal of the Jewish people not to uphold Israel’s case.” Ohers may be uncomfortable with such a direct approach, but “those who decide to keep their heads down and avoid any altercation may well find that this leaves them with a permanent sense of regret and even failure,” she says.
As a result, it’s probably a good idea to adopt some sort of balance. And that’s where Phillips’ 150-page handbook comes in.
She starts by providing context around the “crisis of legitimacy and acceptance” from which Jews are reeling post-October 7. On the basis of extensive conversations with Jews from across the U.S., Britain and Australia, the author found that many “were near stupefied by the terrifying hatred and irrationality that was unfolding around them.” Again and again, they asked: “What should we do? What can we do?”
In response, Phillips offers a pragmatic approach to help prepare for the inevitable conversations, including a number of key principles:
- Get smart rather than emotional
- Stop playing defence
- Find common ground
- Be positive and confident
- Keep physically safe
Based on these overarching criteria, she provides an extensive list of quick and clever retorts to a range of different situations, emphasizing that “it’s our duty to our children and grandchildren to fight for truth and justice.”
So, the next time it is necessary to “think on their feet,” diaspora Jews will be able to respond quickly and confidently to those difficult questions about themselves and Israel. And they can thank Melanie Phillips for coming to the rescue.
Fighting the Hate: A Handbook for Jews Under Siege by Melanie Phillips is available online from Amazon and Indigo.
Features
ESports Meets Casinos: Overview of Bet Sport Gaming
ESports has become part of the interactive entertainment of online casinos. In fact, many fans already have the opportunity to use Dragonia Casino Bet Sport options while watching the matches of their favorite teams. The hybrid entertainment model opens up many possibilities and increases audience engagement. When video games intersect with betting, it creates a unique collaboration where participants have the opportunity to get a completely new experience right in their own home. At the same time, you can continue to enjoy the usual viewing of familiar tournaments and competitions.
How ESports and Casinos Interconnect
ESports has become a multi-billion-dollar industry that attracts spectators. Traditional casinos are focused on luck. But now they are introducing additional methods of encouraging their customers. Among such options, eSports events deserve special attention. Such bet sport offers combine the usual excitement with an element of competition. The structure of the casino entertainment provides participants with the opportunity to test their skills and reveal their own hidden talents. There are several forms of integration of eSports mechanics into the structure of a classic online casino:
- Competitive betting. Online casinos provide the opportunity to bet on eSports tournaments, which is similar to the usual sports betting. In addition, the possibilities are significantly expanded compared to simple viewing platforms.
- Skill-based casino games. Games inspired by eSports encourage players to actively participate in what is happening on the screen. The games reward the player’s results with certain prizes.
- Interactive arenas. Some casinos broadcast eSports events in real time. This allows players to follow the games directly online, which creates a feeling of real participation in familiar entertainment.
- Cross-platform interaction. Online casinos are introducing eSports-style leaderboards and achievements to attract more participants.
Such innovations appeal to new participants. Cultural changes are part of the development of the infrastructure of the classic casino, and eSports fans find a new environment for entertainment and communication.
Growth of ESports Betting
Global eSports revenue in 2025 exceeded $1.5 billion. Each bet sport option has made a significant contribution to the development. Surveys show that over 60% of players will express interest in betting on eSports, which reflects the demand and the need to develop an updated infrastructure for participation.
ESports events attract 15-20% more new participants compared to conventional casinos. The eSports betting market will exceed $20 billion by 2027, according to analysts’ forecasts, which encourages new participants to more actively watch tournaments and participate in various types of activity.
Why Fans Choose ESports
Bet sport gambling is gaining popularity. This is due to several reasons. For example, large casinos in Las Vegas and Macau now host full-fledged eSports tournaments alongside traditional entertainment. Venues are also experimenting with separate fan zones where sports betting and classic gambling are available.
Some of the most popular eSports disciplines are League of Legends and Counter-Strike: Global Offensive. Some online casinos even introduce eSports mechanics into slots so that players can try something new.
In short, the intersection of eSports and casinos is a natural development of the industry. Competitive play and an optimized betting system create a comfortable environment for true fans who want to diversify their leisure time.
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Card Game Traditions: Complete Review from Casino Online Lolajack Experts
Card games have been around for centuries. They are constantly evolving and improving. For example, there are now many different formats of online games available. On sites like casino online Lolajack https://Lolajack.com/ca/, you can choose a title according to your preferences and skills. The traditions of card games date back to ancient times. To better show yourself, it is worth familiarizing yourself with these features. This way, you will gain experience, have a good time, and get acquainted with something completely new.
Roots of Card Games
Card games directly reflect cultural identity. They have a unique mathematical structure and thoughtful moves that make even professionals think. Depending on the tradition, the rules differ, but the basic principles always remain similar. Each game has a unique origin:
- Poker. It originated in the USA back in the 19th century. During its existence, many variations of gameplay have appeared. It combines risk, strategy, and psychology; therefore, it requires high skill from each player.
- Baccarat. This game has ancient origins. It appeared in the 15th century in Italy, after which it spread throughout Europe. Now it is the basis of any operator like casino online Lolajack.
- Rimmy and bridge. Card games require the cooperation of participants, so coordinated communication is important here.
- Blackjack. This is the perfect combination of skill and chance. The player needs to learn to make decisions quickly and monitor the circumstances.
Card games have their own origins and characteristics. Currently, they are an integral part of any online casino, offering a wide range of opportunities for participants.
Why Card Games Are So Popular
Experts from casino online Lolajack emphasize the importance of card games in many cultures. For example, poker remains the leader for a reason. There are more than 100 million active players worldwide who compete and work on their skills. Blackjack also does not lag behind the trends. The level of participation exceeds 40% of regular online casino users.
Every year, the level of online card games grows by 10%. This is possible due to digitalization and increased player awareness. In addition, seasonal events also increase the involvement of participants during peak periods.
Traditions of Card Games
Unique events attract the attention of fans. For example, the World Series of Poker attracts not only participants but also millions of viewers around the world. Sites such as casino online Lolajack also give participants the opportunity to try their hand and compete with professionals.
Baccarat is associated with high stakes. This is especially noticeable among the Asian audience, who like to put probability theory into practice. Blackjack also has an appeal among math lovers. The probabilities of the model and observations directly affect the decisions of players. Online casinos strive to ensure that participants have the opportunity to communicate and find an activity option according to their own preferences.
As a result, card games remain the true leaders of the gambling market. They not only entertain, but also develop attention, perseverance, and social skills. A large selection of various variations of classic games allows you to choose the version that suits your preferences. Developers do not lag behind trends and do everything possible to surprise fans.