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The River – an excerpt from a new novel by former Winnipegger Zev Coehn

Cohen Zev 2019Introduction: The following story is an excerpt from a longer story in Zev Cohen’s new novel titled “Are You Still Alive?”
As Zev wrote to us recently, “this is Chapter One of my novel, “Are You Still Alive?” It is partially based on events recounted to me by my late father Moshe. The story, beyond being one of the countless tales of Jewish survival against all odds during the Holocaust, is also an allegory for the indomitable human spirit intertwined with Rabbi Akiva’s maxim ‘V’havta l’raecha kamocha’. I hope to have the complete novel published soon.
Zev’s writing has appeared several times in the past in this paper. His collection of short stories, titled “Twilight in Saigon,” was published in 2021.
Born in Israel, Zev lived in Winnipeg until he was 17, when he returned to Israel with his parents. He now spends half the year in Israel and half the year in Calgary, where his two sons live.

Chumak leads the way towards the river in the dark. I had walked the route from his hut to the riverbank in daylight a few times and am confident I know the path down to the water and back. This time, though, I intend to cross to the other side under cover of darkness. Chumak, who came up with the idea, eagerly insists on guiding me so, he says, I don’t get lost. He claims he can find his way blindfolded. I think he believes that if this works, he might soon be rid of us, although he hasn’t said anything openly about it. To be fair, my suspicion just might be a projection of my own pressing desire to escape on to Chumak, whom I trust implicitly.
This summer has been uncommonly wet, and tonight the clouds are scudding low, hiding the moon and stars and making it difficult for others to spot us. At first, the only sounds are those of our movement through the brush and the occasional whoosh of passing nightbirds. The path is not overly challenging, and my labored breathing and rapidly beating heart stem more from fear than physical effort. Though I’m soaked to the skin by the constant drizzle, it is a minor irritation in the face of what I expect lies ahead. The sudden rattle of machine-gun fire causes us to instinctively fall flat on the ground, but luckily it isn’t close by, and we move forward a moment later. Distant flickers of lightning and muffled thunder are the backdrops as I blunder through the undergrowth and futilely attempt to avoid trees. Banging my knee against a tree trunk while trying to keep up with Chumak, I stifle a cry of pain, and then suddenly, I slip and slide down the muddy embankment, unable to get any traction. He grabs me before I plunge headfirst into the river.

“Quiet, you’ll get us caught,” he whispers as he holds my arm in his vicelike grip. “There are German and Romanian patrols on both sides of the river. Be more careful, or you will end up dead before you begin.”
The slope ends at the lapping water’s edge, but the river is barely visible in the blackness. A dog begins to bark incessantly on the other side. Has it picked up our scent even before I start to swim? I have no choice but to take my chances. Along the opposite bank downriver, dim points of light seem to be moving—smugglers perhaps or night fishermen. It’s hard to estimate how far away they are. I hope the current doesn’t drag me to them, but there is no going back. At least, for now, no searchlights are combing this particular area. Chumak seems to have picked the right spot.
Lightning flashes again, stronger this time, and in that instant, I realize how far it is to the other side across the rippling current. My swimming experience is limited to a small, calm pond near home, where my brother taught me some strokes. The wide, flowing river looks ominous, but I’ve made it this far, and I can’t give up now. And Chumak urges me on. I’m already knee-deep in the water, shivering, but not because the water is especially frigid.
“You can do it,” he encourages me. “The current isn’t so strong at this time of year. You must do it. It’s your only hope. Go!”

I stop for a moment and turn to him. “If anything happens…if I don’t make it back, help Ella and Sophie, please. They have no one else.” I don’t want to sound as if I’m pleading, but I am.
“Go, nothing will happen. You’re going to save them and yourself,” he says. “It’s the only way. I will wait here till you reach the other side and when you get there, clap some stones together three times to let me know you are safely there. The sound carries far at night. I’ll hear it, and I’ll tell Pani Ella that you made it.” Amid everything, I notice that this is the first time he calls Ella by her name.
I move slowly into the deeper water. At first, it’s easy; the water is up to my chest, but my feet still touch the soft muddy bottom. Then, without warning, it drops away, and I’m flailing and swallowing water. Finally, I calm down, gain control, and begin to swim. The current takes hold and starts pushing me downriver. Sputtering, I force myself to fight the rising panic and use my arms and kick with my legs in a crawl that will hopefully propel me towards the unseen shoreline. It’s working, and I’m not drowning, but I’m weakening rapidly. The combination of sickness I haven’t completely recovered from since the camp and general malnutrition has sapped me of strength. My clothes are waterlogged and drag me down. This can’t continue much longer. How idiotic would it be, I think, if I drowned now before beginning my mission? Rolling over on my back, I take the pig’s bladder that Chumak wrapped the note in from my pocket, and holding it tight, I squirm out of my pants to lighten the load. I let the current carry me and turn on my back to stroke and move gradually in the riverbank direction. It is less exhausting this way.
I’ve lost any notion of time as I float on my back and see nothing but the overcast sky. Has it been minutes? An hour? I fear trying to stand. If it’s still deep, I might sink and not be able to come back up. At least the rain has stopped. Some clouds have dispersed, and I can see stars in the black sky. Then I hear it. A baying sound getting closer. Maybe a dog? Then barking. Yes, a dog. Thankfully I must be near the shore. My feet hit bottom. I totter through the shallow water and, in the faint moonlight, survey a pebbly beach fronting the tree line. There is no sign of the huts nor of the large two-story house Chumak had pointed out some days earlier opposite my point of departure.

The house, he told me, belonged to a certain Nicolescu, a wealthy Romanian and well-known smuggler before the war. Chumak suggested that my woman, as he called Ella, write a letter to Nicolescu in Romanian asking for his help crossing the river. I imagined that he would get the letter to the Romanian or at least knew someone who could do it, so it took me by surprise when he said, “You will bring the letter to him, and he will make the arrangements.”
It seemed like a far-fetched idea. Beyond the problem of my crossing the river, in itself seemingly suicidal, why, I asked, would any Romanian, not to mention a wealthy smuggler, have anything to do with helping Jews? This is probably a punishable offense in Romania and meant certain death in German-occupied Poland. Only gypsies were desperate enough to offer their services. Even if Nicolescu was willing to help me, I had no money to pay him.
Moreover, those who did pay were often betrayed and delivered to the authorities on one or the other side. There was no guarantee of success, and many lost their lives in the attempt. A few days earlier, I saw a clump of corpses roped to each other floating down the river. I didn’t consider my death an issue anymore, but I was afraid of exposing Ella and the child to the risks involved. I told Chumak to forget it. I couldn’t do it.
“What choice do you have?” Chumak pressed. “Don’t be a fool. You, the woman, and the child definitely won’t survive on this side of the river, and you will stand a better chance over there, as far away as you can get from the Germans.”
His understanding of the situation is correct. The local peasants were handing Jews over for some butter or sugar and an opportunity to steal their belongings. They say a drowning man will grasp at a razor blade to save himself, so I agree.
“Even if I manage to make it across, how will I convince him? I have no money.”

Chumak was skeptical about my claim of penury. This wasn’t out of spite that he had thought through but rather an inherited bias. He was of the age-old school that believed Jews always had hidden treasure somewhere. He was convinced that if I couldn’t offer cash immediately, Nicolescu would accept a promise of future payment from a “high-class” Jew like me. To me, this appeared to be just wishful thinking since Chumak admitted never having actually done business with this Romanian smuggler, who was out of his league.
Chumak remained adamant, and his confident tone was hard to resist. “Tell your woman to write that she comes from an important, prosperous family in Romania that will pay him generously for his efforts. Give him a written guarantee.”
Before I could change my mind, he produced a slightly greasy lined sheet of paper from a child’s copybook and a blunt pencil stub. I took it to our hideout in the nearby forest, where I cajoled Ella, who also thought the plan was absurd and not doable, into writing the requisite supplication and promise of reward.
Standing on the flat terrain on this side of the river, I realize that the current took me downstream, and I need to walk back to the Nicolescu house. I’m not sure how far it is, but at least I can see where I’m going in the moonlight. I find some stones and strike them together three times, as I promised Chumak, hoping that he hears me, and goes back to report to Ella. Not expecting a response, I walk close to the tree line, off the riverbank pathway used by locals and military patrols. When a searchlight sweeps the river from the Polish side, I scamper into the trees, waiting, breathing hard, and picking up a dead branch for self-defense. Going forward, I detour through the woods to avoid a small group of men sitting by the embers of a fire smoking and passing around a bottle. Hunters or fishermen, I believe.

The house lies ahead through the gate of a stone-walled enclosure. No light escapes from the windows. Nearby in the compound, there are two thatched-roof peasant huts, weak light emanating from one of the windows, and a barn where a horse nickers. I stop to consider which building would be best to approach, and then, as I take a step closer, the dogs come at me, snarling. I fend them off with the branch, hitting one of them in the head. It runs off whimpering while the others keep their distance, growling, and barking. I’m done for. They are going to wake everyone. I retreat into the adjacent cornfield, crouching there cold, miserable, and afraid, as a woman appears holding a lantern outside one of the huts. She calls off the dogs and shoos them into the barn. As she locks the barn door, she stares into the darkness in my direction before going to draw water from a well in the yard and returning to the hut.
I can’t stay here much longer as indecision eats away at my remaining determination. It’s time to make a move, either forward to Nicolescu, whatever the risk and chances of success, or back across the river in abject failure. I run to the hut showing light and knock hesitantly. The dogs continue barking hysterically in the barn. Nothing happens, and I try again more decisively.
“Who’s there,” asks a muffled woman’s voice in Ukrainian.
“It’s me,” I reply. What else could I say?
She opens the door a crack. People must be accustomed to seeing strange sights around here because she doesn’t slam the door in the face of the wet, disheveled, half-naked specter that stands before her.
“What do you want? Who are you looking for?” the woman asks as if I was routinely passing by.
“I have an important letter for Mr. Nicolescu. He needs to see it,” I say, also in Ukrainian.

She invites me into the hut. Alone in the single, earthen floor room, she wears widow’s black. Wrinkeled but unbent, her age is indeterminate. Most of the space in the room is taken up by a traditional wooden loom, while a large blackened icon of the Savior hangs above a stove. I rarely devoted attention to Christian symbols, having never, so far, entered a church and always hurrying by the ubiquitous roadside shrines in our vicinity with eyes averted. The narrative of Christianity and Christians as moral and physical threats was, since time immemorial part of our Jewish psyche, but I have no direct personal experience of it. Even the murder of my father by Jew-hating thugs, which undoubtedly weighed heavily on my perception of the people who surrounded us, didn’t feel like a religious issue. Now though, as I stand here shivering, Jesus on the cross seems to be observing me ominously. But, immediately, my attention is drawn away to a piece of bread on a side table, and without invitation, I grab it and chew hungrily. The woman sees that I am exhausted and soaked and tells me to sit and rest. She brings me a blanket and pours a cup of water, watching silently as I continue chewing the bread thoroughly.
When I finish, she says, “You are from over there. You’re a Jew.” It’s not posed as a question, and she clearly knows why I have come. I’m not the first desperate Jew who has shown up on her doorstep. To my relief, she doesn’t take long to make her decision. “I will take you to Mr. Nicolescu’s mother. She lives in the other hut. Maybe she will help you.”
“Thank you.” I’m wary of digging too deeply into the subject for fear of treading on sensitive toes, but I’m also anxious to find out what has happened on this side of the river and know what to expect if Ella and Sophie are to cross with me later. “Are there any Jews left around here?” I ask warily. “What about the Jews in the city?”
“They got rid of all our Jews,” she replies in a matter-of-fact tone. “They say the devil came for them. You need to watch out.”
“Come,” she beckons. “We should go to Nicolescu’s mother before anyone else sees you here. People won’t hesitate to give you up.” I follow her to the neighboring hut, where a tall, old woman approaches us. “Who is that with you, Bohuslava?” she calls out in Romanian. “Beware of robbers. I’ll get a stick and run him off.”
Bohuslava walks over to her. “Shh, be quiet,” she says in Ukrainian. “Stop fussing. He means no harm and just wants to show you something. “Come here quickly,” she gestures to me.

Grey-haired, slightly stooped, with one eye clouded by a cataract, she must be in her seventies but looks far from frail. She takes my hand with a firm grip. “Let’s go inside,” she says.
She lights a kerosene lamp. This is a much bigger and well-appointed abode with an ornate porcelain stove dominating the room and a dining table covered in a hand-embroidered red and white tablecloth. Adjacent to the stove stands a single bed occupied by a young woman sleeping, oblivious to us.
“Bohuslava, you may go,” the Romanian says. “Just keep your mouth shut, or it won’t be long before everybody is aware that you take in Jewish strays. We don’t need that kind of trouble.”
“What will I say?” answers the other woman on her way out. “That you have a new lover and a Jewish one at that,” she cackles.
“Sit,” the tall woman says, pointing to a chair beside the table. Like most Romanians living on the border, she is fluent in Ukrainian, while my Romanian is rudimentary at best. “Show me what you brought,” she asks. I remove it from the pig’s bladder and hand the grotty piece of paper to her. She dons reading glasses and concentrates on the message.
“Good Romanian,” is her first reaction. “Who wrote it? It couldn’t be you.”
“My wife,” I say tersely.
“Is she from around here?”
“She is from the city,” I reply. “Actually, we’re together but not officially married. She has a small child, her daughter, with her. They were forced across the river with others a few months ago, and we are trying to get back to the city to join relatives who might still be there. The situation on the other side of the river is deadly.”
“Yes, I know. It’s not really safe here, either. If you’re caught, they will send you back there without a second thought. Don’t expect much pity here because nobody wants to get in trouble for hiding Jews from the authorities.”

Not wanting to get into a discussion on motivations. I prefer to get to the point. “I was told that your son, Domnul Nicolescu, has experience getting people across the river. If your son could help us, we will take our chances. It’s preferable to certain death over there.”
“I can’t speak for him,” she says. “He is a good man, but I doubt, though, that he would be willing to take such a great risk. He was never involved in the smuggling of people across the border. It’s a bad business. For him, it has always been cigarettes and other contraband.”
I am surprised, honestly, that she speaks so openly of her son’s activities to a stranger… especially to one with a price on his head. Though she doesn’t hold out hope, her demeanor and attitude give me a sliver of confidence. “You should get some rest,” she suggests, “and I will take you to him in the morning.”
“What is your name?” I ask.
“Margareta. And yours?”
“I am Emil. Thank you, Doamna Margareta, for your kindness. I hope your son takes after you.”
She wakes the girl rudely and pushes her into the other room. “Here, take this bed. The servant girl can sleep in my room. I will leave some dry clothes for you and wake you when we need to go.”
“Thank you again. Good night.” I kiss her hand.
“Good night, Domnule Emil. Sleep well.”

I feel exhausted and drained, and my shriveled muscles ache from the unaccustomed effort of swimming across the water, but sleep remains elusive. It’s not the discomfort of the thin, lumpy mattress and the scratchy wool blanket that still hold the sour odor of their previous user, nor is it the constant, sometimes frantic, barking of dogs outside that keep rest at bay. By now, I’m also habituated to grasping moments of sleep in more dire circumstances, whether in the camp barracks or on the cold forest floor. Tonight I’m kept wide awake by the train of thoughts and questions running in a relentless loop through my mind. Are Ella and Sophie safe on the other side, alone with the Chumaks? Will Nicolescu agree to help without payment in advance? Will we be betrayed by the smuggler as so many have been before us? What lies in store for us on this side without any means for survival at our disposal? Should we hide in the countryside here or take the risk of heading for the city? I try to block out the most subversive, monstrous, cowardly, and tempting considerations, but they are there. The palpable fear of swimming back across the river toward the near certainty of death, tries to convince me that I’m now safer and that on my own, I stand a better chance of hiding and surviving. Yes, I would be abandoning Ella and Sophie, but by going back, I would only join them in being captured and killed. They would be safer staying with the Chumaks, who certainly would take pity and continue to conceal and support a defenseless woman and child. Or maybe I could remain here and just send the smuggler for them. I want to scream. I will go back.
The sun is up when Margareta nudges me awake and offers me a mug of hot tea while waiting as I put on the clothes she brought. They belong to a larger man, but they will have to do. I walk with her to the door of the house. A few people, already out and about, are on their way to work in the fields, some leading cattle and a flock of sheep. The men doff their hats and greet her, paying no attention to me.

Margareta instructs me to wait outside and enters without knocking. I hear raised voices inside. “Have you lost your mind? Why did you bring him here? Do you want to get us arrested? Send him away!” A few moments later, Margareta reappears with another woman, a pale ash blonde of about forty, holding a cigarette in her long elegant fingers with a worried look on her face — definitely not of the farming class. The woman scans the yard nervously.
“My mother-in-law told me what you want. I am sorry, but Mr. Nicolescu doesn’t do this business. We cannot do anything for you.” Her voice trembles and she is obviously terrified. “Anyway, he is not here. He is in the city, and I don’t know when he will be back. You must go. It’s dangerous here, and you will get us into trouble. Please go now.” She starts to retreat into the house.
I can’t hold her against her will, and if Nicolescu is indeed away, there is nothing more to be gained here. “Thank you, Doamna Nicolescu,” I say in Romanian and press my luck. “I will go, but could you kindly give me some bread?”
She goes inside and is soon back with half of a large loaf. I once again kiss her well-manicured hand and turn to leave.
“Mr. Emil,” says Margareta, “You should not wander around here in daylight. It’s dangerous to stay out in the open. Why don’t you hide in the barn till dark? It will be safer that way.”
“Again, you are so kind, Madame, but I must return to my family. It has been too long already. They are alone and will worry that something bad has happened to me. I will be as careful as I can.”
“Very well, if you must, but follow me.” She leads me into the forest on a narrow footpath that is a roundabout way down to the water’s edge. “Eat the bread, you need the strength, and it will be ruined in the water,” she says. I need no more encouragement as I almost choke, devouring it. She turns to leave. “Be careful, Emil, and good luck to you. I will talk to Nicolescu when he returns. Maybe he will agree to help. He has more conscience than that frightened ornament he calls his wife. How can he find you?”
“There is a peasant named Chumak. He knows where we are,” I tell her.
“Yes, Chumak. I know him. He also used to smuggle cigarettes before the war.”
“Thank you, Madame. I will remember your generosity.” She is gone.

I sit brooding among the trees looking at the river as the sun glints off the streaming water and listening to cheerful birds chirping. I can’t help but ponder the difference between the elderly women, Bohuslava and Margareta, and the wife of Nicolescu. I’m not surprised by the younger woman’s reaction. It is one version, slightly less brusque, of the general refusal to help Jews. But, all other considerations aside, who can blame people for fearing the fatal punishments meted out by the Germans and their Ukrainian lackeys to so-called Jew-lovers? Would I behave any differently in their shoes? I am more impressed, not to say astonished, by those candles in the darkness, people who have everything to lose, yet whose basic humanity causes them to stretch out their hands to support their fellow men and women. That rough peasant Chumak, whose whole universe is his tiny homestead next to an unknown village on the banks of the river, heads my list of the righteous. Now I add Bohuslava and Margareta to it. The existence of such people, beyond their contribution to our physical safety, keeps alive my essential positivity toward humankind and allows me to still retain some belief in our survival.
What next, I ask myself? I achieved nothing and have no other plan in reserve. Swimming back in broad daylight now seems suicidal. Maybe drowning is a good option? But that means abandoning Ella and the child, and I have already decided this is not an option. Bring back yesterday’s rain, I pray. I pray, though my belief in the idea of an Almighty, never cast-iron, has been dramatically undermined by the past year’s events. Then the wind picks up, and the miracle unfolds. Dark clouds scud across the sky, and the first drops wet my face, replacing the tears. In moments the downpour becomes torrential. I tie the new clothes around my neck and dive into the river, feeling more energetic on my way back. The current is slow enough for me to gradually dog-paddle most of the way across and finish with a few crawl strokes.
I’m carried only about a half-kilometer downstream, and elation replaces caution as I drag myself onto the riverbank and start walking. Climbing up the steep slope, Chumak’s hut is soon ahead, but when I approach and enter it, nobody is there. I look for Ella and Sophie, but the barn is empty too, and figuring that Chumak is probably out working in the field, I continue upwards into the forest towards our erstwhile hiding place. Ella and Sophie are supposed to wait there for me in case of trouble. I call out not to surprise them but there is no reply. I run to the hideout. They are gone.

 

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Features

The Leica Camera Family and the Shoah

By DAVID TOPPER I was born in 1943 in Pittsburgh, steel-town USA. While I was still in diapers, across the Atlantic Ocean, the Shoah was well under way. The mass murder continued, only coming to an end due to Germany’s defeat in the Second World War. My father was in that war, spending over two years in the Army Signal Corps on the other side of the world – on a small island in the South Pacific. He didn’t kill any Japanese soldiers; the US Marines had already “liberated” the island before he arrived. Being in the Signal Corps, he must have heard the radio contact with the airplanes on the nearby island of Tinian, on those two days in August of 1945 when they took off carrying the nuclear bombs that ended the war with Japan. By the time he came home in March 1946, I was a toddler. He resumed his job at one of the steel companies, where he held a clerical position.

My father was what was called in those days a camera buff. He liked to take pictures and develop the film himself. He built a darkroom in the basement, and it was there that I learned the craft. Initially he just had a simple box camera: point and click. But he always talked about getting a real camera someday: where he could set the aperture, speed, and focus himself. His salary at the steel company was not enough to get an expensive camera, such as a Leica. Although he did talk about these German cameras; they were top of the line 35mm roll film cameras, with the 1/1.5 aspect ratio negatives. I remember looking at them in the photography magazines he bought. Owning a Leica was a fantasy. This was when I was still very young.

I vividly recall the day he bought a real camera. I was around the age of nine, or maybe older. He saw an ad in the for-sale section of the newspaper: someone was selling a Rolleiflex camera, the twin-lens reflex camera using 120 roll film with 2¼ x 2¼ inch square negatives. The Rolleiflex had hit the market in 1929 and quickly set the standard for medium-format photography, in competition with the popular 4 x 5 inch press camera.

I went with my father somewhere on the other side of Pittsburgh. The man had been on a business trip to Germany, where he bought the camera. But he was selling it because he was frustrated with the need to focus, set the speed and such. He just wanted a box camera: point and click. So, my father bought it.

Since the specific camera my father bought was not only made in Germany but had been sold there, all the writing on it was in German. My father loved the camera. He said it produced exceptional images. He believed the lens was so good because it was made only for Germans themselves. At the time I believed this; as I believed everything he said at that age in my life. Now I think otherwise.

It was around this time that my father joined the camera club at the steel company where he worked. There were monthly meetings, as I recall. He was an active member; even the president at one time. Occasionally he took me to a meeting. And that’s where I met Carl, whose last name I can’t recall. So, why mention him? Because Carl owned a Leica. He was the only member of the club to have a Leica. Carl probably had a much higher paying job than my father and the other guys at the steel company. (And, by the way, they were all guys; except for the models. But that’s another story for another day, not relevant here.) Anyway, Carl had a Leica; and he even let me hold it, as long as I kept the strap around my neck. Whether I actually snapped a picture with it – I don’t recall. Probably not. But it was a highlight of my time at the club. Now, before you jump ahead: no, I didn’t buy a Leica, ever.

But I did get a Rolleiflex – or Rollei, for short. Here’s how. My father’s love affair with the camera didn’t last. The catalyst for the change was when cameras started coming out with built-in light-meters. No longer did you have to fiddle around with the light-meter hanging around your neck, pointing it to the subject, and then setting the camera’s shutter and aperture. It was all built-in; you adjusted the setting directly on the camera. And so, my father bought another newer Rolleiflex; this one with a built-in light-meter.

He then sold me his German Rollei. Yes, you read correctly: he sold it to me. My father grew up during the Depression in the 1930s, and this was the source of such behaviour. I was older at this time – somewhere in my teenage years – and I had a paper route, so I could afford it. I don’t recall the price; and I’m sure I got a good deal – he was my father, after all – but still.

I, in turn, loved the camera – even though I had to use a hand-held light-meter. It was my only camera for many, many decades of my life.

One more thing, before I get to the role of the Leica in the Shoah. As I write this, I’m living in Canada. I moved here in August 1970 to begin what turned out to be a 42-year tenure as a university professor. Moving from the USA to Canada was an adjustment in many ways. For example, the role of the monarchy here was a novelty for me. I mention this because I was pleased to learn that the Queen, who was head of state at the time, owned a Leica.

The name comes from the owner of the factory in the city of Wetzlar, in south-west Germany, near Frankfurt. Here is where the first prototype camera was invented in 1914; a camera that used 35mm film. Before that, photographers had to use bulky wooden boxes with large glass plates. The factory was the Ernst Leitz Optische Werke; in other words, the optical plant of Ernst Leitz. The First World War delayed production of the invention, but by 1925 the first Leica camera debuted at the Leipzig Spring Fair. For the name they combined the words Leitz and Camera and got Lei-ca – or Leica. (Note that they used the Latinized, camera, not the German, kamera.) Thus, was introduced the portable 35mm camera that led to everyday street photography and photojournalism, such the famous images of Henri Cartier-Bresson, and others. Subsequent models over the next decades introduced the rangefinder, better lenses, extended shutter speeds, and so forth. The Leica M3 of 1954 is called by AI: “one of the greatest mechanical cameras ever built.” Fortunately, for the average photographer, there subsequently were other 35mm cameras introduced at considerably lower prices by Kodak and Argus in the USA, with more coming later from Japan.

All of this paralleled the development of the Twin-Lens Rolleiflex, which my father and I owned. The Rollei is another example of German precision engineering. Franke & Heidecke in Braunschweig, Germany is where the first Rolleiflex hit the market in 1929. The model went through many changes over the decades, so that up to the 1960s, also according to AI: “the Rolleiflex was the undisputed king of photojournalism, street photography, and portraiture.” I’ll leave that topic where it is.

Now I want to get to the point of all this background discussion of photography. Namely: the account of the family-owned Leica business in Germany under the Nazis. It started in 1933 when Adolf Hitler became chancellor, and the government passed the Nuremberg laws, which institutionalized racial discrimination and stripped German Jews of their citizenship.Subsequently, Jewish professionals—doctors, lawyers, professors, and business owners—were gradually barred from their livelihoods and public life.

At the time, Ernst Leitz II (1871-1956) was head of the firm. The Leitz family were Protestant Christians. Their attitude toward their workers was progressive for the time: with pensions, sick leave, and health insurance. The firm also employed many Jews in various positions, from workers to the professional staff. Seeing the writing on the wall in 1933, many Jewish employees and their families wanted to leave Germany. The company also had offices elsewhere: London, Paris, New York, and Hong Kong. In a short while, the ocean liner Bremen was docking in New York harbour, and Leitz employees and their families were being escorted to the Leitz Manhattan Office. Every few weeks, under the guise of being assigned overseas, another group of Leitz “employees” arrived in the harbour. Each German employee had a Leica camera hanging around his neck. Until a position was found for him, he was paid a stipend. Eventually they all found jobs, mainly in the photography industry.

The same thing happened in the other offices outside of Germany, especially after Kristallnacht in November 1938, as synagogues and Jewish shops were torched across Germany. Thus, many Jewish employees and their families (and even Jewish friends of families) were assigned jobs in sales offices in London, Paris, and Hong Kong, where they too escaped the Shoah.

This continued until September 1939, when Germany closed its borders, after the invasion of Poland and the start of the Second World War. By then hundreds of Jews had left on what was later called “the Leica Freedom Train.” It was all a ruse to save Jews from the Shoah. We don’t know the exact number; but it ranges from 100-300 lives saved.

Ernst Leitz II was able to pull this off because he was not only a respected member of the business community, but his factory was also producing military optics, rangefinders, and telescopic sights essential to the German military. As long as the military was getting what they needed from Leitz’s factory, there was no reason to question the way he was moving his employees around the world.

In general, this was true. But not always. One executive was jailed for helping Jews leave the country. He was eventually freed, after Ernst paid a large bribe.

But worse was to come. Since many of the workers at the Leitz factory were drafted as soldiers in the war, the place lacked workers to keep it running. Between 1940 and 1945, the Nazi government sent approximately 700 to 800 women from the Ukraine and Western Russia as slave labourers. This is where Ernst’s daughter, Elsie Kühn-Leitz (1903-1985), comes in. Elsie had a Doctorate in Law from Frankfort University, as well as degrees in business administration. She was married to Knut Kühn, with whom she had three children. Working for the Leitz company, she treated the women well, providing them with sufficient food, clothing, and living quarters – for which she was reprimanded by the Nazi authorities. Nonetheless, she refused to treat them as slaves.

Then in May 1943 she was asked to help a Jewish woman, Hedwig Palm, escape to Switzerland. Hedwig Palm (née Dessauer, born 1888) was the wife of Hermann Palm, an optician and photo equipment dealer who owned an optical shop in Wetzlar, and who had business connections with the Leitz family. Hedwig apparently was the only Jew in the family. Elsie had an aunt in Munich, not far from the border with Switzerland. So, in the dead of night Elsie safely took Hedwig to her aunt’s home. With a map and some money that Elsie gave her, Hedwig next set off toward the Swiss border. Unfortunately, she got lost and hailed a milk truck. Assuming she was a Jew, the driver drove her to the border police. From documentation that I found in the Yad Vashem, Hedwig was arrested and sent to the Ravensbrück women’s concentration camp, where she died in 1944. Incidentally, the Palm store is still there in Wetzlar. You may find its website under Juwelier Palm, specializing in jewelry, watches, and goldsmithing.

When the Gestapo found out that Elsie had helped Hedwig try to cross the border, she was called in for questioning for several hours. Her humane treatment of the Ukrainian women also came up: what the Gestapo called: “excessive humanitarianism.” Ultimately, she was sent to the Frankfort police prison on September 10, 1943. As she hugged her children good-by, she thought that she would never see them again. The conditions in the jail were sub-human. Minimal food, filthy quarters, bug infested – plus she was sporadically manhandled roughly by the staff. What food her father was able to get to her – she shared with her fellow prisoners. At one point the Gestapo were threatening her with deportation to the Ravensbrück concentration camp. It lasted three months until November 28, 1943, when her father paid a very large ransom to the Gestapo to have Elsie released. Even so, the Gestapo kept an eye on her, often calling her in for interrogation. This continued until the end of March 1945, when American tanks rolled into Wetzlar.

After the War, Elsie and Knut divorced and she got actively involved in humanitarian and diplomatic work, mainly in Africa. She particularly supported the work of Albert Schweitzer’s hospital in Lambaréné, Gabon, even paying a visit in June 1959.

In general, the Leitz family wanted no publicity for all this work in saving Jews. It was only after that generation died out, that the full story came out. And this happened mainly because of the following event.

Like many stories from the Shoah, there are often several layers to them. That’s true for this one too; for I note the following fact. In 1988, surviving labourers and Shoah survivor-groups initiated class-action lawsuits in U.S. and European courts against dozens of major German industrial firms. The Leica Company was one of them, having used women from the Ukraine and Western Russia during the war. In 1999, a Compensation Fund was set up by the government; Leica, along with other German companies, paid into a collective multi-billion-mark fund, as compensation for slave labourers (or their surviving heirs) across Eastern Europe, Israel, the USA, and elsewhere. This may explain Leitz family’s reticence for publicity about their efforts during the war.

Note that Elsie, who died 1985, didn’t have to deal with this. But her children surely did.

Finally, I mentioned before the famous street photographer and artist, Henri Cartier-Bresson, who wrote the well-known book The Decisive Moment (1952), and who incidentally, used Leica cameras. He knew Elsie, and wrote this tribute about her. “I knew Elsie Leitz well and she always welcomed me warmly…when I visited Wetzlar. I was very impressed by her passionate concern for international humanitarian causes, and by the great risks she took during the war to save many people who were in danger. I remember her with deep admiration.” This affirmation forms the Introduction to the book: Elsie’s War: A Story of Courage in Nazi Germany, by (Rabbi) Frank Dabba Smith (Frances Lincoln Ltd, 2003).

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Myths and Reality: Are There Winning Strategies at Online Casinos?

Ask around, and everyone seems to have a theory. Plenty of Turkish players hunting for a fast, stable way into their favorite games lean on Pinco giriş to sign in, poke around the lobby, and see which offers are live that week. Then comes the real question, the one nobody quite lets go of.

Can a person actually beat the house long term? Short answer, said plainly: not reliably. To back that up, Pinco Сasino breaks down how these games are wired and why clever-sounding systems keep falling apart the moment real money is involved.

Where the Myths Come From

Here is the thing about casino myths. They almost never start with data. Someone wins big on a random Tuesday, tells the story twice, and a lucky fluke quietly turns into a “method.” Ads nudge it along. Forums repeat it. Newcomers testing Pinco giris often show up already half-convinced of a few of these.

The usual suspects:

  • A machine is “due” after a long cold streak.
  • Doubling bets after a loss will win it all back.
  • Some hours of the night pay out better than others.
  • The last spin somehow hints at the next one.

Not one of them survives a close look. Every round stands alone. A clock does not care, and a losing streak has no memory. Players who accept that early tend to keep both their patience and their cash.

What the Math Actually Says

There is a number behind every game: the house edge. It is just the slice the operator expects to keep over time. One session? It predicts nothing. Ten thousand rounds? It shows up like clockwork. Folks who reach Pinco Сasino giriş usually relax and enjoy things more once that figure stops feeling like a trick.

House Edge in Plain Terms

The table gives a rough picture of how game types stack up. Exact numbers move around depending on the rules and the studio behind them.

Game TypeTypical House EdgeSkill Involved
Slots3% – 10%Very low
Roulette2.7% – 5.3%Low
Blackjack0.5% – 2%Moderate
Video Poker0.5% – 3%Moderate

So skill-based games attract strategic players, while slots remain a pure coin flip. Still, that edge never hits zero. The house keeps its sliver over the long haul, no exceptions. Reading the numbers first helps players expect the truth rather than a fairy tale.

Smart Habits That Reduce Risk

Real strategy has nothing to do with cracking the odds. It comes down to control, a budget, and picking games with a clear head. Some regulars keep the Pinco APK close so they can monitor spending and session time right from their phones.

A handful of habits actually move the needle:

  • Decide on a budget before the first bet, then quit when it is gone.
  • Lean toward lower-edge games when the plan is a long session.
  • Think of bonuses as extra minutes, never as promised profit.
  • Step away often, because tired choices get expensive.

A Pinco promosyon kodu might stretch a bankroll a bit, sure. It still does not touch the underlying math. What these habits really protect is the fun, so the whole thing stays a hobby and not a chase.

The Honest Bottom Line

No secret formula exists. Anyone peddling one is selling a story, nothing more. What Pinco pushes instead is calm, responsible play built on firm limits and goals a person can live with. That habit outlasts any hot streak.

For Turkish users, a solid Pinco oyun sitesi should feel simple: clear rules, quick access, fair terms. Good nights come. Bad ones come too. The players who last are the ones who know the odds cold, guard their budget, and refuse to mistake a bit of luck for a plan.

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The Blackjack Bet Behind the Everyday Phrase Double Down

Imagine sending a terrible pun to someone you fancy. They laugh, so you send another. Soon, the two of you have a running joke, and a friend says you have doubled down on the cheesy approach.

The words sound at home in that exchange. They also fit a chief executive’s plans or a politician’s speech. In each case, someone puts more weight behind a choice they have already made. Whether that sounds charming, sensible or stubborn depends on the choice, and on who is describing it.

How the Phrase Left the Card Table

Double down comes from blackjack, where it names a betting option recorded in print by the late 1940s.

Today, it appears in business talk, political speeches and dating conversations, far beyond any online casino. The gambling connection deserves a reminder: gambling involves financial risk, and anyone who participates should set spending and time limits and seek support if it causes harm.

By 1991, Joseph Epstein was using the expression figuratively in his essay collection A Line Out for a Walk. It offered a way to describe taking a further risk outside gambling.

The meaning continued to broaden. Merriam-Webster includes becoming more determined in a position or undertaking. Dictionary.com describes increasing effort or holding to an opinion, especially under pressure.

Those definitions cover actions as well as arguments. Someone might spend more time developing a promising project, or defend a disputed view more firmly. The words leave room for both.

A Business Reason to Keep Going

Jeff Bezos supplied an example in his 2016 shareholder letter, released in April 2017. Writing about patient experimentation and attention to customers, the Amazon founder advised readers to “double down when you see customer delight”.

In the published letter, that advice sits alongside accepting failures, planting seeds and protecting young ideas. The sequence gives the expression a purpose: allow ideas to develop, notice what customers appreciate, then give those ideas more support.

Here, doubling down sounds considered. A positive response supplies the reason for doing more.

The phrase also does useful work without attaching a figure to the decision. It conveys increased effort while leaving the details to the situation. Picture a team finding that customers value a particular service and deciding to develop it further. The expression gives that decision a sense of confidence.

Put the same decision in a political argument, though, and someone may question the direction.

When Determination Becomes a Criticism

In his January 24, 2012 State of the Union address, Barack Obama described other countries as doubling down on education. The official transcript places the phrase in a discussion of teachers, skills and preparation for future employment.

Education was something to back more strongly. Obama’s wording gave added effort an approving tone.

Later that year, Bill Clinton used the expression against an opposing economic approach. His prepared remarks for the Democratic National Convention included “double down on trickle-down”, a line whose repeated sounds helped carry the criticism.

The contrast is revealing. Obama presented greater commitment as desirable; Clinton made it part of his objection. Both used the expression to describe pressing further along an existing path.

That difference helps explain why the phrase works in news and commentary. It can describe what someone is doing while also suggesting how the speaker feels about it. The judgement comes through the surrounding words, something readers can recognise in personal conversations too.

What It Sounds Like in Dating

Bumble brings the expression into familiar dating territory in its guidance for people recovering after ghosting. It encourages readers to double down on self-care, directing their energy towards their own wellbeing.

Psychologist Cheryl Harasymchuk uses it differently in an article published by Carleton University. Discussing positive relationship experiences, she gives the example of a couple following an enjoyable date night with more opportunities to spend time together.

These are gentler uses than Clinton’s political jab. One concerns looking after yourself; the other concerns making room for something you enjoy as a couple. Both give stronger effort an everyday, recognisable purpose.

They also show why the words following double down matter. Self-care, education and a disputed policy lead the reader towards different judgements about persistence.

Back in that imaginary message exchange, another awful pun might be welcome because both people are enjoying the joke. The shared response makes continuing it feel playful and personal.

That brings the expression back to ordinary conversation. Double down tells us that someone is committing more strongly. The rest of the story tells us what to make of it.

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