Features
“The S.S. Officer’s Armchair” opens up an almost totally unknown aspect of Nazi history
“The S.S. Officer’s Armchair – Uncovering the Hidden Life of a Nazi”
By Daniel Lee Published 2020 Available on Amazon
Reviewed by BERNIE BELLAN
In 2011 a British historian by the name of Daniel Lee had just completed his PhD in history “that examined the experiences of Jews in Vichy France.”
Lee is Jewish – and, as he explains during the course of his fascinating new book, “The S.S. Officer’s Armchair”, his family, originally from Poland, lost several relatives during the Holocaust.
But, simply by accident, in 2011 he was introduced to a young woman at a dinner party he was hosting in Florence, which was where he was living at the time. That chance encounter led to Lee’s going down a rabbit hole that took him all over Europe – and to the Unites\d States as well, in search of answers to a mystery that was unveiled to him at that party.
What happened is the young woman, who had heard that Lee was a historian of the Second World War, asked him whether he might be interested in examining some documents that her mother, who was living in Amsterdam, had discovered had been hidden in the cushion of an armchair that she had owned for years – ever since she herself was a young student in Prague.
The documents evidently belonged to someone by the name of Robert Griesinger who, as evidenced by all the swastikas imprinted on the documents, must have been some sort of a functionary in the Nazi regime.
Naturally, Lee was fascinated by the story he heard. He proceeded to Amsterdam to interview the woman’s mother and to examine the documents for himself. That initial journey led to Lee’s dogged pursuit of one clue after another as to the background of Robert Griesinger – and the eventual discovery that Griesinger was a member of the SS (also the Gestapo), who was very likely involved in atrocities during the war.
But, what set Griesinger apart from other Nazis whose crimes have been the subjects of lengthy investigations, however, was that he was not at all a notable member of any of the organizations to which he belonged. He was actually a lawyer by training, but as Lee shows, he wasn’t a particularly good one; in fact, his entire life can
be said to be noteworthy not because of anything exceptional he did, rather because his achievements can be described fairly as having been so mediocre.
What compelled Lee to spend years tracing the life of such an unimportant figure? As he explains early on, “The famous fanatics and murderers could not have existed without the countless enablers who kept the government running, filed the paperwork, and lived side-by-side with potential victims of the regime in whom they instilled fear and the threat of violence.”
At the same time Lee’s comprehensive investigation of Griesinger’s life adds to the body of knowledge that other historians, especially Daniel Goldhagen, in his “Hitler’s Willing Executioners”, have developed in showing not just how thoroughly aware most Germans were of the atrocities that were being committed by the Nazis, they were, if not actively supporting the Nazis, complicit in not objecting to what was so clearly happening.
It was the active and willing participation of hundreds of thousands of low-level functionaries working for the Nazi state that allowed the machinery of the regime to function. As Lee also notes, “The narrative I trace will show how low-ranking officials might have existed in between two disconnected worlds; the first filled with the regime’s well-known high functionaries, and the second that comprised the ordinary German population.”
How Lee goes about his tireless pursuit of leads that begin to fill out the mystery of those documents in the armchair forms the basis of a first-rate mystery novel, let alone a non-fiction work that relies on detailed footnoting – as one would expect from a professional historian.
Many of the individuals to whom Lee turns for information are either initially reluctant to speak with him or simply turn him down outright, but in time he is able to interview sufficient members of Griesinger’s surviving family members to arrive at a thorough knowledge of Griesinger’s life, from birth almost to death. It would be impossible to know the exact circumstances of Griesinger’s death in 1945 in Prague, as Lee explains, since following the defeat of the Nazis at the hands of the Russians, aided by Czech rebels, the tables were quickly turned on whatever Germans were living in Prague at that time and they were subjected to much the same atrocities that Nazis had perpetrated on so many Czechs for years.
But, in true mystery style, Lee does uncover some quite fascinating information about Lee’s probable death from dysentery – again, from a most unlikely source.
In researching his book Lee decided to go back as far as he could in sourcing Griesinger’s familial roots. To his surprise, he learns that Griesinger’s father was actually born in New Orleans, which is to where Griesinger’s grandfather had emigrated in the 19th century.
The American connection proves highly important to understanding not only Griesinger’s racist attitudes, also the attitudes of many other Germans, it turns out. As Lee uncovers information about German immigration to the deep south of the U.S., he learns that many Germans were involved in the slave trade – and when many Germans returned to Germany (as was the case in the 1870s when the U.S. was in the grip of a severe economic depression), they brought back those racist ideas with them.
Griesinger came from an upper class background, moreover, in which anti-Semitic attitudes, in addition to racist attitudes toward Blacks, were also typically deeply engrained. Much has already been written about how could such a sophisticated culture as was Germany’s have produced such abhorrently racist ideas, but in “The SS Officer’s Armchair,” Lee is able to probe the thinking of specific individuals in Griesinger’s family to show how relatively easy it was for Hitler’s racism to be commonly accepted within the German upper and middle upper classes.
One character in particular, Robert Griesinger’s mother, “Wally”, proves to be an invaluable source for Lee, as he comes across a detailed diary that Wally had kept from the time she was a young girl throughout her life and during the Second World War. The resentment that Wally exhibits towards those who “betrayed” Germany during the First World War, which was one of Hitler’s paramount themes in engendering support for his racist platform, helps put a clear understanding how Hitler was able to go from being a marginal figure eventually to the unquestioned ruler of the German Reich.
Griesinger’s family lived in Stuttgart, which is located in south-west Germany. Robert Griesinger’s home is now owned by Jochen Griesinger, a nephew of Robert’s who, it turns out, is not on speaking terms with either of Griesinger’s daughters, Barbara and Jutta. Jochen, however, was quite willing to talk to David Lee – and to show him around the house.
In the course of his investigation Lee discovers that two of Robert Griesinger’s next-door neighbours in Stuttgart, Helene and Fritz Rothschild, were Jewish. The Rothschilds were able to escape to Paris and survived the war. Almost all the other Jews in Stuggart were not so lucky.
Robert Griesinger was an unexceptional student. Given the German well-known propensity for record-keeping, Lee is able to find reports on Griesinger’s educational career from his earliest days at school throughout his period at Tubingen University. Remarkably Griesinger was able to obtain a doctorate in law but, disappointingly for him, the most he was able to do with that degree was teach agricultural law at a rural agricultural college.
There is no particular indication from anything that Lee is able to uncover that Griesinger was an early follower of National Socialism. But, as was the case with so many other of his peers, Griesinger saw the opportunity to career advancement by joining the party.
Eventually Griesinger became a member of both the Gestapo (secret police) and the SS (strike force). Although Lee is not able to produce any documentation to show that Griesinger was involved first hand in either the torture or murder of anyone, he is able to deduce from various records that, even if he wasn’t directly involved in any specific activities of that sort, he was at the scene where those activities took place.
In particular, while working for the Gestapo (as a lawyer), Griesinger’s place of work in Stuttgart was the Hotel Silber, which was used by the Gestapo to detain and torture individuals. Lee surmises that Griesinger, whose office was situated directly over the basement of the hotel, would have had to have heard the screams of the torture victims.
Later, during the actual war, Griesinger served for a time on the Eastern Front, in Ukraine, where he was eventually wounded and sent back to Stuttgart for rehabilitation. But, during Griesinger’s period of service in Ukraine, his Wehrmacht unit was stationed outside Kiev, and he was in service at the time 30,000 Jews were murdered at Babi Yar over a two-day period, which was the worst massacre of Jews to that date (later to be surpassed by other massacres in Odessa and Poland).
Griesinger had long wanted to be posted to Prague during the war, as Prague was seen as a haven of tranquility for Germans living there. In 1943 he got his wish and he was able to move his wife Gisela, his two daughters, and a stepson from a previous marriage of his wife, to Prague, where they were mostly spared the deprivations that ordinary Germans were suffering throughout Germany as the result of heavy Allied bombing.
While in Prague, Lee is able to piece together Griesinger’s duties, which involved the arrest and deportation of thousands of individuals, both Jews and non-Jews. His principal duty was to arrange for the shipment of Czechs to be used as slave labourers in German factories and mines. Griesinger was also responsible for the confiscation of Czech factories from their rightful owners – always done with the imprimatur of official Nazi regulations.
As Lee works his way through an ongoing series of visits to repositories of archives and interviews with anyone who might have some knowledge of Griesinger’s life, he is able to put together an amazingly detailed description of what life would have been like for Griesinger.
Considering that he was still conducting interviews as recently as 2018 the fact that he has produced such a compelling read is testament to his skill as not just a historian, but a very talented writer who was able to work quickly, as well.
Toward the end of his book Lee revisits his motivation in wanting to go to such extraordinary lengths to describe the life of a “faceless bureaucrat”: “This book shows that it is possible to trace the life of one of those ordinary Nazis whose role in war and genocide seems to have vanished from the historical record. Returning texture and agency to one such perpetrator affords Griesinger the opportunity to stand in for the thousands of anonymous ordinary Nazis whose widespread culpability wreaked havoc on so many lives and whose biographies have, until now, never seen the light of day.”
In looking at some of the reviews posted by readers on Amazon, there is a consistent theme of gratitude expressed to Lee for opening up a door to a part of history that has hitherto remained largely unknown – not because historians were disinterested in the subject; rather, they were stymied by the lack of evidence to paint the sort of detailed picture of just an “ordinary” Nazi bureaucrat that Lee has so brilliantly succeeded in doing. If it weren’t for that chance meeting at a Florence dinner party, however, this book would never have been written.
Features
Japanese Straightening/Hair Rebonding at SETS on Corydon
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Features
History of the Winnipeg Beach Synagogue: 1950-2025
By BERNIE BELLAN The history of the Winnipeg Beach Synagogue is a fascinating one. We have had several articles over the years about the synagogue in The Jewish Post & News.
In June 2010 I wrote an article for The Jewish Post & News upon the 60th anniversary of the synagogue’s opening. Here are the opening paragraphs from that article:
“Sixty years ago a group of Winnipeg Beach vacationers decided that what their vacation area lacked was a synagogue. As it happened, a log cabin one-room schoolhouse in the Beausejour area happened to be available.
“In due course, the log cabin was relocated to the corner of Hazel and Grove in Winnipeg Beach, where it stayed for 48 years.”
In December 1994 my late brother, Matt, wrote a story about the spraying of antisemitic grafitti on the synagogue which, at that time, was still situated at its original location on the corner of Hazel and Grove in the town of Winnipeg Beach:
“Two 16-year-olds spraypainted slogans like ‘Die Jews,’ ‘I’ll kill you Jews,’ and other grafitti in big letters on the beach synagogue.
“Jim Mosher, a news reporter for the Interlake Spectator in Gimli, said last Halloween’s vandalism against the synagogue wasn’t the first. In the late 1980s, he claimed, it was spraypainted with swastikas.
“Jack Markson, a longtime member of the Winnipeg Beach Synagogue, last week also said he could remember finding anti-Semitic grafitti spraypainted on the synagogue ‘a few years ago,’ and at least twice in the 1970s, when the cottage season was over.”
My 2010 article continued: “In 1998 the Town of Winnipeg Beach informed the members of the synagogue that the building would have to be hooked up to the town’s sewer and water system. Rather than incur the cost of $3-4,000, which was thought to be ‘prohibitive,’ according to longtime beach synagogue attendee Laurie Mainster, synagogue goers looked elsewhere for a solution.
“As a result, the board of Camp Massad was approached and asked whether the synagogue might be relocated there, with the understanding that the synagogue would be made available to the camp at any time other than what were then Friday evening and Saturday morning services.
“Over the years the ‘beach synagogue’ had come to be a very popular meeting place for summertime residents of Winnipeg Beach and Gimli. In fact, for years minyans were held twice daily, in addition to regular Saturday morning services. Of course, in those years Winnipeg Beach was also home to a kosher butcher shop.
“While the little synagogue, which measured only 18 x 24 feet, has gone through several transformations, including the move to Camp Massad, and the opening up to egalitarian services in 2007 (The move to egalitarian services was as much a practical necessity as it was a nod to the equality of women – the only Kohen present at the time was a woman!), it has always remained cramped at the best of times.
“In recent years the synagogue has seen the addition of a window airconditioner (although to benefit from it, you really have to be sitting just a few feet away), as well as a fridge that allows synagogue attendees to enjoy a regular Saturday morning Kiddush meal following the service.
“According to Laurie Mainster, the Saturday morning service has continued to be popular, even though many of the attendees now drive in from Winnipeg, as they have sold the cottages they once maintained.
“On the other hand, one of the side benefits to being located on Camp Massad’s grounds has been an infusion of young blood from among the camp counsellors.
“Since there is no longer a rabbi available to conduct services (Rabbi Weizman did lead services for years while he had a cottage at the beach), those in attendance now take turns leading the services themselves.
“Anyone may attend services and, while there are no dues collected, donations are welcome. (Donations should be made to the Jewish Foundation of Manitoba, with donors asked to specify that their donations are to be directed to the beach synagogue.)
“Mainster also says that the beach synagogue is now undergoing an expansion, which will be its first in 60 years. An entirely new space measuring 16 x 18 feet is being added – one that will allow for a real Kiddush area. (Until now, a table has been set up in the back of the synagogue and synagogue goers would help themselves to the buffet that is set up each Saturday during the summer. While pleasant enough, it will certainly be more comfortable to have an actual area set aside for the Saturday afternoon after service lunch.)
“As for dress, longtime attendee Abe Borzykowski (in an article written by Sharon Chisvin for the Free Press in 2007) remarked that ‘I don’t think there are many synagogues where people can attend in shorts, T-shirts and sandals and not feel out of place.’ “
As mentioned in that 2010 article, the beach synagogue at that time was about to undergo an extensive remodelling. Here is an article from a January 2011 issue that describes that remodelling process. The article was written by Bernie Sucharov, who has been a longtime member of the beach synagogue:
“The Hebrew Congregation of Winnipeg Beach made a major change to the synagogue this past summer. With the help of many volunteers, Joel Margolese being the project manager, the synagogue was expanded and an addition was built to handle the overflow crowds, as well as to add more space for the kiddush following services.
“The volunteers spent many Sundays during the summer months building the addition. Bad weather caused many delays, but finally the addition was completed one week before the official summer opening.
“The volunteers were: Joel Margolese, Gordon Steindel, Sheldon Koslovsky, Viktor Lewin, Harvey Zabenskie, Nestor Wowryk, Kevin Wowryk, Victor Spigelman, Jerry Pritchard, and David Bloomfield.
“On Sunday, June 25, 2010 a special ceremony was held to affix a mezzuzah to the front entrance door. Gordon Steindel had the honour of affixing the mezzuzah, which was donated by Sid Bercovich and Clarice Silver.
“Refreshments and food for the day were prepared by Phyllis Spigelman, also known as our catering manager. Throughout the summer, Phyllis, Lenore Kagan and other friends prepared the food for our kiddush.
“A sound system was donated by Arch and Brenda Honigman in memory of their father, Sam Honigman z”l. “The system was installed by Joel Margolese and Stevan Sucharov. This will allow the overflow crowd to hear the service in the new addition.
“There were also generous donations of 50 chumashim and an air conditioner. The chumashim were donated by Gwen, Sheldon and Mark Koslovsky. The air conditioner in the new addition was donated by Joel and Linda Margolese.
“The official opening of the synagogue for the summer took place on July 3, 2010. We had an overflow crowd of 70+ people.”
Since that 2010 major addition to the synagogue, it has also added a wheelchair ramp (although I’ve been unable to ascertain exactly when the ramp was built). Also, the synagogue also has its own outdoor privy now. (Attendees used to have to use facilities in Camp Massad.)
And, as already noted in article previously posted to this site (and which you can read at Beach Synagogue about to celebrate 75th anniversary), in recognition of that occasion, on August 2nd members of the synagogue will be holding a 75th anniversary celebration.
As part of the celebration anyone who is a descendant or relative of any of the original members of the first executive committee is invited to attend the synagogue that morning.
If you are a relative please contact Abe Borzykowski at wpgbeachshule@shaw.ca or aborzykowski@shaw.ca to let Abe know you might be attending.
Features
Kinzey Posen: CBC Winnipeg’s former “go-to guy”
By GERRY POSNER If former Winnipegger Lawrence Wall was the CBC go-to guy in Ottawa, CBC Winnipeg had its own version of a go-to guy for many years with none other than the very well known Kinzey Posen. Of course, many readers will recognize that name from his career with Finjan, the Klezmer group so famous across Canada and beyond. It has been written about Posen and his wife Shayla Fink that they have been involved in music since they got out of diapers. And, as an aside, their love and ability in music has now been transmitted to the next generation as in their son, Ariel Posen (but that’s another story).
Kinzey Posen (not to be confused with Posner, or maybe we are to be confused, but who knows for sure?), was a graduate of Peretz School, having attended there from nursery right until Grade 7, graduating in1966. That was followed by Edmund Partridge and West Kildonan Collegiate. Musically, he was in large part self taught. However, he did have some teachers along the way. After moving to Vancouver – from 1974-78, he had the chance to study acoustic classical bass with a member of the Vancouver Symphony Orchestra. When Kinzey lived in Vancouver, he also worked as a jazz musician.
Upon returning to Winnipeg, Kinzey enrolled as a mature student at the University of Winnipeg, where he obtained a Bachelor of Urban Studies degree. Although the degree was in no way connected to the career that followed, his attending the University of Winnipeg was critical to his connecting with the CBC. Why? you ask. Kinzey had a position after graduation working for the Institute of Urban Studies. While there, he met someone who invited him to work for the Department of Continuing Education as one of their program directors. At the time the Department of Continuing Education was located at 491 Portage Avenue, which was also known as the TJ Rice Building. The CBC also leased some space in the same building. According to Kinzey, the CBC part of the building “included HR, different shows and other support offices. Continuing Education was located in the basement and main floor and that’s where I worked.”
KInzey had long had an interest in the CBC, which made the fact that the CBC had some offices in the same building where he was working serendipitous. That Kinzey might be interested in visiting the CBC was not an accident. As a young boy he had a nightly connection to CBC, as it was his ritual to listen to CBC Radio (as well as all sorts of other radio stations across the USA) on his transistor radio every night in bed. He became enamoured of one particular CBC host, Bill Guest, so that when going to sleep, he imagined that he was Guest doing interviews with imaginary guests. That dream of working for CBC became a reality when he had a chance to do a one week gig with Jack Farr’s network program.
Kinzey took a week off from his Continuing Education job and spent five days at the CBC. That week was a training session for Posen, as he had to create ideas, research, pre-interview, write the script, and set up the studio for Farr’s interview. He was almost in his dream job – although not quite – since it was only for one week. His opportunity, however, came in 1988, when he was offered a one-year term as a production assistant – the lowest guy on the ladder, for a show called “ Simply Folk,” with the late Mitch Podolak as the host. Although he was indeed at the bottom as far as those working on the show were concerned, he took a chance and gave his notice to the U of W. The rest is history. In his new job, Kinzey learned how to become a producer. Lucky for him, at the end of the year, when the person he replaced was supposed to come back, she never returned (just like the song, “MTA,” by the Kingston Trio). At that point, Kinzey was hired full time at the CBC.
Kinzey was a fixture at the CBC for 27 years. During those years, Kinzey had the chance to work with Ross Porter, a respected former CBC host and producer, also with Karen Sanders – on the “Afternoon Edition.” One aspect of Kinzey’s job on the Afternoon Edition was to come up with ideas, mix sound effects, arrange interviews and music, to create a two-hour radio experience. In addition, he covered jazz and folk festivals and, as a result, was exposed to some of the best musicians in the world. With Ross Porter in the 1990s, he worked on a network jazz show called “ After Hours,” which was on from 8-10 PM five nights a week. Kinzey was involved with writing the scripts, picking the music, and recording the shows, as well as editing them and then presenting them to the network for playback.
Of course, over his career, Kinzey had many memorable moments. He told me about one of them. The story revolved around the National Jazz Awards one year in particular. The awards were to be broadcasted after the National News which, in those days, began much earlier in the evening, and were over by 8:00 pm. The legendary Oscar Peterson was lined up to play a half hour set at the awards, starting at 7:30. But, as Kinzey told me, Oscar Peterson had a “hate on” for the CBC ecause one of his recorded performances was wrongly edited and he refused to appear on CBC under any circumstances. As the time neared 8:05 PM, which was when the CBC was to begin its broadcast of the jazz awards, it became apparent that Oscar was not going to finish on time. As the producer of the awards show, Kinzey was tasked with telling Oscar Peterson to wrap it up and get off the stage. There was Kinzey Posen, a huge fan of Oscar Peterson, now faced with the prospect of telling Oscar – while he was still playing – with 500 people in the audience, to stop and get off the stage. Not often was or is Kinzey Posen frozen, but that was one such moment. There was one loud “Baruch Hashem” from Kinzey when Oscar completed his set literally just in time.
Clearly, Kinzey was part of a very successful run with After Hours as it was on the air for 14 years. It was easily one of the most popular shows on CBC Radio 2, and a winner of several broadcasting awards. Kinzey also played a major role in producing a two part documentary about legendary guitarist Lenny Breau.
When After Hours ended, Posen became one of the contributing producers to Canada Live and specialized in producing live radio specials for the network, such as the Junos, for CBC Radio One and Two. Needless to say, his career planted Posen in the world of some top notch musicians, including his time spent working with Robert Plant (Led Zeppelin), Dave Brubeck, Randy Bachman, Chantal Kreviazuk and a list of prominent names in the Canadian, American and European music spheres. Locally, the CBC came to refer to Kinzey as the Jewish expert. I would add music expert to that title.
After his 27 year run at the CBC – and before he fully retired, Kinzey went on to work for the Rady JCC as a program director for a year and a half. Of course, to say that Kinzey Posen is retired is a major contradiction in terms. You really can’t keep him down and he has his hand in a variety of programs and projects – most of which he remains silent about, as is his style.
When I realized the full depth and talent of Kinzey Posen, I quickly concluded that he must certainly be related to me. Even if he isn’t, I now tell people he is.