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Winnipeg and Israel

La vie se rétracte ou se dilate à proportion de notre courage.

Anaïs Nin (1903 – 1977)

By Dr. DAVID HOULT Israel has come of age among the nations of the world. After almost two thousand years of yearning, it can now join the ranks of those that ply power and pain. It is an odd conceit for most of us, for we imbibed so thoroughly from childhood the notions of Jewish vulnerability, suffering and solidarity, the need for self-sufficiency and circling the wagons when attacked. The foundation of a Jewish state came as the Great Hope, a shining star, the salvation from the wreckage of the Holocaust: a Jewish liberal democracy with a military having sterling and stirring ideals standing alone in a rough Middle-East neighbourhood. It appeared to many to be a miracle, and Judaism intertwined with Zionism and state to create a pinnacle of pride and pilgrimage – a tool of God to promote Their divine scheme, and to initiate the return of the Jews to the land They promised to Abraham, Isaac and Jacob.

But now, many of us are troubled. We fear deep down that Israel has gone astray, but are scared to confront the possibility, scared to give The Enemy ammunition if we say anything. So in our pain, we punish those who give even a hint of voicing dissent and fall back on our conceit. We defiantly, and somewhat desperately, have declarations of loyalty and synagogue security committees to keep traitors and Enemies out of our holy places, continue to sing Hatikvah, pray for the IDF and are hyper-vigilant for any sign of anti-Semitism. Underneath though, the stress born of dichotomy grows as we watch the apocalypse that is Gaza, massive demonstrations in Tel Aviv, Jew attacking Jew in Ra’anana, and settlers in the West Bank strutting, scaring, slinging stones and even slaying.

Lord Arthur Balfour/ The Balfour Declaration

Politically, the seeds of our distress can be traced back over a hundred years to the Balfour Declaration. Based on the anti-Semitic assumption that Jews had great financial clout, it was one long, carefully crafted, vague and contradictory sentence (67 words) designed to enhance British influence in the Middle East. Zionists seized upon the ambiguous phrase “national home for the Jewish people” but carefully ignored the clause “… it being clearly understood that nothing shall be done which may prejudice the civil and religious rights of existing non-Jewish communities in Palestine …”. (Notably, nothing about political rights was included.) Soon, even President Roosevelt was declaring that “Palestine must be made a Jewish State”. Unsurprisingly, there was vocal opposition from most of the local inhabitants (over 90% Arab) and the situation quickly proved untenable. One British historian1 has declared that “measured by British interests alone, [the declaration was] one of the greatest mistakes in [its] imperial history.”

When the British threw up their hands and withdrew from Palestine, the United Nations proposed a partition of the land; the Arab League strongly objected and when the State of Israel was declared in 1948, as every Jewish child knows, the War of Independence began. But by the end of the war, Israel had triumphed; it held about 78% of Palestine and about 750,000 inhabitants had become refugees, a figure confirmed by many Israeli historians. Notwithstanding the details of how they had been exiled, they were not allowed to return. They were scapegoats sent into the wilderness for the sins of the Germans, and it is this refusal that laid the essential foundation of ethnic Jewish statehood – a Jewish majority. And that majority increased: by 1951, the population of Israel was expanded by the immigration of 700,000 Jews, some, ironically, expelled from Arab states in retaliation, thereby enhancing the ethnic imbalance.

I once asked a Palestinian attendee at the Nobel Prize ceremonies in Stockholm for how long her people would try to get their homes and land back and her bitter response was “For ever!” My response was “A bit like we Jews.” But stop for a moment of empathy. In the Talmud, Hillel says: “Don’t do to your neighbour what you wouldn’t have him do to you.” Those 750,000 people suffered the same fate as many Jews under the Romans, traumatised and wretched, filled with hate, anger and despair. But it was war and those sort of rules don’t apply, do they? Do they? For in the aftermath of the Holocaust, Jews were in no mood for the niceties of Torah compassion and empathy: a Jewish state was desperately needed. So what if we didn’t let them back in? Their leaders collaborated with the Nazis, didn’t they? And so the seeds of catastrophe were planted.

If we fast forward, thanks to further wars instigated and lost by the Arabs, Israel now controls almost the whole of what was once Palestine. However, notwithstanding the further exodus of refugees (numbers vary), Jews are no longer in the majority and the presence of so many Palestinians in the West Bank and Gaza represents a huge obstacle to the re-creation of “the promised land”. This is a problem that many in their heart of hearts would love to see go away – but how? By fair means or foul?

Thus we come to the latest attempt to punish Israel which, I believe, is succeeding beyond Hamas’s wildest dreams. Why do I say that? Because Israel’s reaction to Hamas’s attack can be shown to violate its own historical and religious ethics and guidelines for the conduct of war. It places itself, by its own standards, firmly in the wrong and as a result, the nation is tearing itself apart and taking the Diaspora with it. To take just one example, from the Rambam2:

The Rambam (Moses Maimonodes)

“When a siege is placed around a city to conquer it, it should not be surrounded on all four sides, only on three. A place should be left for the inhabitants to flee and for all those who desire, to escape with their lives.” Or how about the next verse: “We should not cut down fruit trees outside a city nor prevent an irrigation ditch from bringing water to them so that they dry up”? In other words, confinement and starvation are out as tactics of war for Jews.

There is, however, a far more basic, ancient and raw imperative, and that is lex talionis: “An eye for an eye …”. It is found in several places in Torah and also in the earlier Code of Hammurabi. (If you are ever in Paris, do see the stunning Hammurabi stele in the Louvre.) The Pharisees maintained that this law was not to be taken literally and referred to appropriate financial compensation. However, let us be gruesome and take it literally. On one side of the scales of justice we have the killing by Hamas of 1,195 people, the taking of 250 hostages, dozens of rapes and sexual assaults and immeasurable anguish, trauma and misery. What shall we place on the other side of the scale? Let us start with the report by the Associated Press that somewhere between three to four thousand Gazan children have suffered amputations, sometimes without anaesthetics. Meanwhile, the Gazan Health Ministry has released the names of 5,000 children under the age of six who have been killed. Are children The Enemy? We must also add to the balance the thousands of adults who have died and the hundreds of thousands suffering without shelter. We are commanded in the Torah “Justice, justice you shall pursue”. Even if the numbers are exaggerated, is the maiming and killing of children justice? What a wonderful way to create a new generation of terrorists thirsting for revenge!

There are those who claim that the Palestinians are part of the seven biblical nations that Joshua was commanded to wipe out. However, this claim was put to rest as long ago as 100 CE when Rabbi Yehoshua declared that the “seven nations” were no longer identifiable.

David Ben-Gurion

Inconveniently, David Ben-Gurion and Yitzhak Ben-Zvi, in a book published in 19183, even believed that the Palestinian peasant population (fellahin) was descended from the ancient biblical Hebrews, and there is some genetic evidence to support this position. Nevertheless, in 2007, Mordechai Eliyahu, the former Sephardi Chief Rabbi of Israel wrote in a letter to Prime Minister Olmert that4 “an entire city holds collective responsibility for the immoral behavior of individuals. In Gaza, the entire populace is responsible because they do nothing to stop the firing of Kassam rockets.”. His son, the chief rabbi of Safed, wrote: “If they don’t stop after we kill 100, then we must kill a thousand. And if they do not stop after 1,000 then we must kill 10,000. If they still don’t stop we must kill 100,000, even a million. Whatever it takes to make them stop.” Only now, however, have a few Gazans had the great courage to protest Hamas, an organisation that in the past has attacked, abducted, tortured and murdered those who stand up to them, including members of the Palestinian Authority5. Would you or I risk torture and death to confront such rulers? I doubt I would have the courage. Would you? Thus does evil ever flourish.

Let us be clear: Gaza is controlled by a vicious fundamentalist movement that in its charter calls for the destruction of Israel. But the more the Gazans are carpet bombed and killed, the more Hamas will gain supporters – young men who have seen mothers, fathers, sisters, brothers and cousins maimed and dismembered and want revenge. Quite apart from questions of morality, the annihilation is just plain dumb!

As the years of this century pass, how shall we possibly believe a new “promised land” could materialise? It would take a new Sodom and Gomorrah. The Arab states have learnt their collective lessons regarding military force and Israel is now Goliath to their slingless David. So, unless Israel feigns weakness (and notwithstanding Iran), it is highly unlikely that a new war will arise to give a pretext for expelling millions from the West Bank. Instead, harassment seems to be the method du jour as new settlements are built, land is appropriated and people are slowly forced into cities and refugee camps, or to other countries such as Canada – to Winnipeg, even. Of course Ben-Gurion’s “peasants” are going to strike back! Is harassment an honourable tactic? Is this loving one’s neighbour as oneself? Ah, but they aren’t neighbours you see, they are The Enemy, for they ambush innocent people and kill pregnant women6. Thus does evil ever flourish.

So here, in a distant country, we sit and watch, a community torn in two. Where do our loyalties lie? As you may have gathered from my quotations, I am a religious Jew who believes that our ethics must be derived from Torah and Talmud. I am a member of a synagogue, but a synagogue that refuses to admit anyone who is perceived to be The Enemy, and a member of a community that states “With Israel, For Israel. Always.” Where do my loyalties lie? Where should they lie? For me, there can no doubt – unequivocally with a Higher Authority, an Authority that demands at the pinnacle of Torah, slap dab in its middle, that I must love my neighbour as myself. That means gently arguing with the racist down the street, having kind words for the Indigenous family pushing back against subtle discrimination and trying to console the Palestinian who is mourning the death of his nephew in Gaza. But there is more.

The Talmud tells us7: “If (anyone) is in a position to protest the sinful conduct of the people of his town, and he fails to do so, he is apprehended for the sins of the people of his town. If he is in a position to protest the sinful conduct of the whole world, and he fails to do so, he is apprehended for the sins of the whole world.” Thus I protest the actions of my synagogue in keeping people out, I protest the actions of my community and I protest the actions of Israel because it is part of this world and it is sinning. It really is that simple – see wrong, protest, for God’s sake (literally), rather than keeping quiet and putting support for Israel first. Torah has an old-fashioned word for such misguided loyalties – idolatry. To quote Abraham Joshua Heschel: “God is not nice. God is not an uncle. God is an earthquake” that shakes us out of our complacency and challenges us first and foremost to reason – to think and analyse, not just feel, using Torah as our guide.

But there is yet more, and it is something we can do in Winnipeg. The same Talmud also states8: “Who is richest of all, …. Some say: One who can turn an enemy into his friend.” And how does one do that? Surely, there can only be one way to begin: by talking – by talking with The Enemy right here in town with empathy for their suffering. That means striving not to be ruled by fear, but taking one’s courage in both hands, being prepared to be made very uncomfortable, to confront other people’s truths. I do not have to agree, I do not have to like it, but I do have to listen. And one day, just possibly, there might be areas of agreement, even friendship, where the seeds of reconciliation are irrigated and can grow and bear fruit, for if God is prepared to reason with us (Isaiah 1, 18), surely we can reason with one another? Can’t we?

___________________________________________________________________________

David Hoult, a physicist who is one of the original developers of the MRI, is the recipient of numerous awards, including the community’s Shem Tov award for his work in helping secure kashrut in the city. He lives in Winnipeg with his wife and children.

1 Monroe, E. Britain’s Moment in the Middle East, 1914–1971. Johns Hopkins University Press (1981).

22 Mishneh Torah, Kings and Wars 6

33 Erets yisroel in fargangenheyt un gegenvart: geografye, geshikhte, rekhtlekhe ferheltnise, bafelkerung, landvirtshaft, handl un industri (The land of Israel past and present: geography, history, legal circumstances, population, agriculture, business, and industry), with three maps of the country and eighty pictures of Israel (New York, 1918),

Hebrew translation, 1980, pp. 196–200 (in Hebrew).

44 Wagner M., Jerusalem Post, May 30th, 2007.

55 https://www.amnesty.org/en/latest/news/2015/05/gaza-palestinians-tortured-summarily-killed-by-hamas-forces-during-2014-conflict/

66 https://www.bbc.com/news/articles/cvgq89yd7p7o

77 Shabbat 54b, 20

88 Avot d’Rabbi Natan 23

Features

In Dan Brown’s chaotic tale of a rampaging Golem, a case of missing Judaism

The Jewish cemetery in Prague, which gets about a paragraph of mention in a book about the Golem in Prague. And a mud creature.

By Mira Fox September 27, 2025

This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.

Sign up for Forwarding the News, our essential morning briefing with trusted, nonpartisan news and analysis, curated by Senior Writer Benyamin Cohen.


Strap on your best smooth-soled Italian loafers and get ready to spring over some cobblestones, because Robert Langdon — everyone’s favorite tweed-jacketed, baritone-voiced, handsome Harvard “symbologist” — is back, and he’s racing through the streets of Prague.

In Dan Brown’s newest thriller, however, there’s no Dante or Mary Magdalene; Brown is finally veering away from the Christian mythos that drove all of his previous adventures such as The DaVinci Code and Angels and Demons. This time, he’s taking on something older and far more mysterious: Judaism.

Each of Brown’s symbology books has a central guiding myth or story, i.e. the Holy Grail, Dante’s Inferno or the Founding Fathers’ involvement with Freemasonry. The Secret of Secrets follows the same formula, and its opening moments make its central myth obvious. Within the first few pages of the book, the Golem of Prague — which for some reason Brown insists on spelling as Golěm — has already murdered someone.

The story proceeds about as you’d expect, if you’ve read any of the previous Robert Langdon novels; though it has been eight years since we last read about the Harvard professor’s misadventures, he remains dashing and impressively fit for his age, as Brown reminds us regularly, though this time we hear less about his penchant for tweed. Langdon still has a photographic memory, which still comes in handy as he deciphers various codes, and the book is still loaded with long tangents about the history of various buildings and artifacts that Langdon is sprinting by. (Even while desperately attempting to escape from a gunman in a historic library, the symbologist has the presence of mind to consider the artist behind the frescoes on the ceiling.)

But the book is notably lacking in something surprising: the Jewish history of Prague, or of the Golem, or blood libel. There are no Hebrew translations or reinterpretations of Talmudic texts. We don’t learn some little known midrash that holds a secretive double meaning. These are the kinds of factoids that usually drive Brown’s mysteries, yet they’re absent.

The plot revolves, instead, around a damsel in distress, who readers may remember from the previous Langdon books: The beautiful “noetic scientist” Katherine Solomon, who is about to publish an academic treatise detailing her research on human consciousness and death. Apparently some very powerful people want to destroy her manuscript, so the action and mystery unfold across Prague as Langdon attempts to save Katherine, save her book, and — hey why not — save all of Prague and also maybe the United States. And, somewhere in there, a Golem is on the loose.

Brown’s previous novels have delved into various Christian mysteries with vigor and palpable fascination; whatever Brown’s many foibles as a writer, you could tell that he was excited by the myth of the Holy Grail, which took centerstage in The DaVinci Code, which he reinterpreted to be an allegory about a love affair between Jesus and Mary Magdalene. In Angels and Demons, Brown has great fun with the secretive inner workings of the Vatican, and Inferno is laden with delighted diversions into Christian history and ideas about the afterlife, courtesy of Dante Alighieri’s Divine Comedy.

In The Secret of Secrets, Brown outlines the basic myth of the Golem: Rabbi Judah Loew, a 16th century Talmudic scholar and leader of Prague’s Jewish community, created a magic guardian out of clay to protect the ghetto from antisemitic attacks. Loew engraved the word “emet,” or truth, in Hebrew on its forehead to bring it to life. Eventually the Golem turned on the rabbi, almost killing him, until Loew managed to rub away the aleph in “emet,” turning the word to “met,” or death, and stopping the creature; its body was placed in an attic in case it was needed again.

That’s about all we get, yet there’s so much more to explore. In another version of the story, Loew made sure to erase the aleph from the Golem’s forehead every Shabbat to allow it to rest; instead of going on a murderous rampage, the creature was eventually destroyed because it desecrated the holy day. According to some stories, a Nazi tried to ransack the attic where the Golem was stored, and died mysteriously. Others say its body was stowed in a genizah, where sacred Jewish texts are placed since they cannot be destroyed.

Then there is the actual Jewish history, the blood libel, accusations of witchcraft and antisemitic laws that kept Jews segregated in Prague’s ghetto. There is also Loew’s own life as a lauded Talmudic scholar — not a Kabbalist, as Brown describes him — and, of course, a rich tradition of Talmudic and midrashic exegesis. The setting is rife with the kind of symbols and mystery that Brown uses as fodder in all his other thrillers, inventing secret societies and mystical artifacts lost to history.

Instead, The Secret of Secrets has no Jewish characters and very little Jewish history. Though Brown sprinkles in a few of Prague’s Jewish landmarks — the Old-New Synagogue and the city’s historic Jewish cemetery — the book still manages, despite its Golem centerpiece, to spend most of its time in churches. When Langdon first encounters the Golem and sees its forehead inscription, Brown notes that the symbologist “did not read Hebrew well,” though the professor, who specializes in religion, regularly relies on his fluency in Greek, Latin, Arabic, Cyrillic and even a fake angelic language invented by two crackpot mediums that was never spoken by more than a handful of people. At one point, the Golem is described as arriving “like some kind of ascendant Christ.”

The real focus of the book is an imaginary bit of science having to do with human consciousness and life after death, a topic Brown has been exploring in the Langdon books for some time now. His interest in religion seems to stem from the idea that they are all, fundamentally, the same, and that all religions are reaching for proof that life persists after death.

But Judaism doesn’t. There are concepts — which Brown overemphasizes — like gilgul or gehenna that imply some post-death experience, but they’re not central to Jewish thought. Though one of the characters reads Loew’s most famous text, Brown clearly didn’t. (Like most works of Jewish commentary, it’s hardly the kind of work one buys in a bookstore and reads in a sitting.)

It’s not as though Brown’s previous books got everything, or even most things, right about Christianity. His wacky inventions are part of the fun — no one is reading a thriller about a fictional professor of an imaginary discipline for accuracy. The Golem is a myth, a rich story that has remained resonant over the centuries due to its flexibility and ability to be reinterpreted; Brown can make whatever he wants of it. The problem is that he has made so little.

Mira Fox is a reporter at the Forward. Get in touch at fox@forward.com or on Twitter @miraefox.

This story was originally published on the Forward.

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Features

Top Free Slot Demos You Can Play Right Now

Sometimes, you might not want to pay for spinning reels. Maybe you just don’t have cash at the moment, or you want to just play for fun without any responsibilities. And that’s totally normal. Free slot demos are there for you. If you’re looking for some great options to play right now, here are the top free slot demos that are worth checking out.

Free slot demos that bring the fun

Sweet Bonanza

Fans’ favorite Sweet Bonanza demo play offers a candy-themed slot. Instead of traditional paylines, it uses a 6×5 grid where wins happen when you land eight or more matching symbols anywhere on the screen. Every win triggers the tumble feature. It means that winning symbols disappear, and new ones drop in. Potentially, they chain multiple wins together.

The highlight, though, is the free spins round. If you land four or more lollipop scatters, you’ll get 10 free spins. They’d be complete with colorful multiplier bombs that can reach up to 100x. Since the game is known for high volatility, demo mode is a nice way to test whether you enjoy the thrill of chasing those big but less frequent wins. Plus, the candy graphics and upbeat soundtrack make the whole experience surprisingly addictive.

Big Bass Bonanza

If you prefer fishing rods to candy canes, Big Bass Bonanza is another top demo slot you should try. It’s simple and fun. It has a free spins feature where the fisherman collects money values that are attached to fish symbols. As you progress through levels, multipliers increase. And it gives you a shot at some impressive wins. The demo version is a great way to see how often the fisherman shows up and whether this type of slot is what you might like.

Cleocatra

Cleocatra slots are about ancient Egypt with adorable cats. As fun as it sounds, it somehow works. The base game features wild multipliers. However, the free spins round is what makes it truly interesting. Sticky wilds lock in place and can quickly build up some wild combinations. In demo mode, you’ll get to see how powerful those sticky wilds can be without risking any cash.

Boom!

Among the slots that are packed with features, Boom! is worth a spin in demo. This game offers expanding wilds, free spins, jackpots, and even multiple bonus games. It might not be the greatest choice if you’re new to slots. There are just so many different things that it might feel overwhelming. Well, it’s free. So, even if you want to try, there’s nothing to be afraid of. That’s exactly why demo play is so useful. You can try out each feature and figure out whether you like the layered gameplay.

Sweet Bonanza 1000

Yes, Sweet Bonanza deserves two mentions. The newer Sweet Bonanza 1000 takes the original formula and cranks up the intensity. There are bigger multipliers, higher max wins, and even more fun. It makes this version perfect for people who just want extra adrenaline. Why should you try it? You can actually see if the higher risk is what you can go after. It’s more volatile than the original. That’s why trying the demo play is a wise choice.

Why play free demos?

Of course, the feeling is completely different from playing for real money. However, there are people who enjoy slots not because of the potential winnings. Here are some other reasons to pay attention to them:

  1. You can get the full slot experience without spending anything at all;
  2. You can actually figure out the bonus trigger, scatter, and volatility;
  3. You can see how bonus buys, multipliers, and jackpots actually play out;
  4. You can choose if you like slow and steady play or big swings.

Final thoughts

With the option to play free slot demos, you can try popular titles like Sweet Bonanza without any risks. Surely, they can help you just kill the time. However, they can also let you figure out the mechanics and test features. There are lots of them, and you can test them all. After that, you can decide you’re up to bet real money.

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Features

New movie, “Bau, Artist at War,” now playing in Winnipeg, tells the amazing story of Joseph Bau, whose marriage to his wife Rebecca was made famous in “Schindler’s List”

They can starve us, beat us, cage us – but they could never kill our spirit. – Joseph Bau
A gripping new movie, titled Bau, Artist at War, is now on at the Cineplex Odeon McGillivray Theatre.

The movie tells the story of Joseph Bau, whose dramatization of his marriage in Plaszow concentration camp to his wife Rebecca was an unforgettable scene in the movie Schindler’s List.

The film is based in large part on Bau’s memoir, Dear God, Have You Ever Gone Hungry? (published in 1998). The film was written by Deborah Smerecnik, Ron Bass, and Sonia Kifferstein, and is directed by Sean McNamara.

Emile Hirsch as Joseph Bau

Featuring stellar performances by Emile Hirsch (who appeared in Once Upon a Time in Hollywood) as the protagonist, and Inbar Lavi (who appeared in the Israeli television series Fauda and the U.S. television series Imposters) as Rebecca, the movie is a combination love story and espionage tale that deserves attention in an era, as one commentator has said, “where survivors are fading away, and the Holocaust is slipping from memory.”
It’s also a story about resistance during the Holocaust.  

A scene set in Krakow, where Joseph Bau and his family lived before they were all taken to Plaszow Concentration Camp

In the movie, during his time in Plaszow Concentration Camp, Bau is a Jewish forger, an artist and a designer. He is employed by the brutal commandant Josef Liepold to draw a newly planned wing in the prison. He is simultaneously forging IDs for Jewish inmates helping them escape the prison. Hirsch as Bau, also draws comics for the prisoners, and his gift of art inspires his future wife with his colorful “lifegiving” creations, to which she responds in the gloomy setting of the death camp. McNamara cleverly intercuts these wonderful artworks within the film’s action.
Joseph Bau was a man who defied the darkness of the Holocaust with art, humor, and an unbreakable spirit. A gifted artist and master forger, Bau risked his life to save others, using his talent to create false documents that helped fellow prisoners escape certain death. But in the depths of despair, he discovered something even more powerful…love.
In the Plaszow concentration camp, amid relentless brutality, Joseph met Rebecca – a woman whose courage matched his own.

Emile Hirsch as Joseph Bau, testifying against the sadistic Nazi officer who tormented him

Years later, when Joseph is called to testify against the sadistic Nazi officer who tormented him, he is forced to relive the horrors of his past. But through it all, he draws strength from the love that saved him, the art that sustained him, and the unyielding will that kept him alive.
A gripping war drama, a daring espionage thriller, and one of the greatest love stories of our time, Bau, Artist at War is a testament to the power of resilience, the triumph of the human spirit, and the unbreakable bonds that even war could not destroy.

More stills from the movie:

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