Features
Young community leader calls for others to step up in countering antisemitism, Israel haters
By MYRON LOVE With incidents of Anti-Semitism growing worldwide, Candice Tenenbein is exhorting fellow Jewish Winnipeggers – and non-Jewish supporters – to step up their efforts to combat this unhinged scourge of Jew and Israel hatred.
“Antisemitism is the most virulent and oldest form of hate, and today often appears as anti-Zionism,” she says.
“Speak out. Share accurate information on social media. Have discussions with friends. Write letters to the editors. Phone or email your elected officials and ask to know where they stand. It just takes a few minutes but, if enough of us take action, we could have a significant impact.”
The other side of the coin, she notes, is to promote all the good that Israel does for people around the world from sending emergency response teams to help after natural disasters to providing world-leading technology to help people in developing countries to improve agricultural output, better care for their environments, have access to clean drinking water and improve healthcare.
“As a local Jewish community,” she adds, “we also need to explain how diverse our members are – we come from many countries (from Latin America, to Europe, to Israel, to Turkey, Iraq, Morocco and beyond) and we have members who are LGBTQ+ and BIPOC. Many of our community members are doing good in our own backyard. Newcomers, and Jews born and raised in Winnipeg, have contributed to the fabric of our society for a long time. We need to showcase these efforts for all Winnipegers to see that we are not the evil tropes that we are portrayed to be on social media.”
In her call for action, Tenenbein is leading by example. The 2017 recipient of the Harry Silverberg Young Leader of Distinction Award has played a prominent role within our Jewish community pretty much since she moved back here in 2003 after a short time living in Toronto.
Tenenbein credits her mother, the late Cheryl Arnold, for infusing her with a strong sense of Jewishness, community and Zionism. “Despite being a working single parent with three children, my mother was a member of Hadassah and National Council of Jewish Women, helped out at Ramah (where Tenenbein and her siblings went to elementary school) and was active at the Herzlia Synagogue.
Tenenbein herself was a member of BBYO in high school (Grant Park) and Hillel at university. “I used to study at the Hillel office and attended all of the Jewish programs that I could,” she recalls. While in university Tenenbein served as a student member of the University Senate. She then volunteered and worked for a Member of Parliament in both Winnipeg and on Parliament Hill in Ottawa.
After graduating from law school (at the University of Manitoba), she moved to Toronto to article at Davies, Ward, Phillips & Vineberg LLP. “I wanted to prove to myself that I could hold my own with University of Toronto graduates,” she says. “Despite it having the nickname ‘Slavies’, I loved the law firm I was working at. But I also wanted to get involved in the Toronto Jewish community and found that the community was not very welcoming. And I missed my family. So I made the decision to move home.
“Winnipeg is a wonderful place and people are a lot friendlier.”
Upon her return, Tenenbein wanted to focus her volunteer efforts in a manner that combined her interests of advocacy, politics and Judaism. She reached out to David Kroft in 2004. Upon his suggestion, she immediately became involved with the Jewish Federation of Winnipeg as a member of the JFW’s Public Affairs and Advocacy Committee (PAAC) and hasn’t looked back.
Professionally, she notes that she practiced law here at Tapper Cuddy LLP for less than two years. “Again, I loved my firm but I really did not like the business side of practicing law. I had also met my husband, Marshall, and he was in medical school. Between his studies and my schedule as a lawyer, we found it hard to make the time to build a relationship.”
When the opportunity to work at the University of Manitoba arose, she happily accepted the position as its government relations associate. After her first child, Jacob, was born, she chose to leave the workforce to become a full-time mom. But Tenenbein continued with her volunteer efforts. In fact, in addition to PAAC, she served a term as a member of the Federation’s Board of Directors in December 2011 shortly after her second son, Ethan, was born. In December 2018, she became co-chair of PAAC and a Federation executive committee member.
“When I was first asked to chair the committee (PAAC), I had a number of family commitments that prevented me from taking on the position,” she says. A year later when asked again, she agreed to come on, but initially in a co-chair fashion. “Laurelle Harris agreed to remain as co-chair with me. She was amazing.”
After a year, Harris stepped down, leaving Tenenbein in charge.
So what is PAAC’s mandate? “We reach out to media and elected officials at all levels of Canadian government regarding domestic and foreign-policy issues affecting Israel and the local Jewish community,” Tenenbein responds. “We are active Israeli advocates and fight antisemitism. We work to encourage people to become lay advocates in speaking for Israel and against antisemitism.
“We also provide community relations and outreach, working to build bridges with other ethnic minority and religious communities,” she adds, citing, for example, the Christian Zionist Bridges for Peace and the Indigenous communities.
In addition to her work with the PAAC, Tenenbein also served for three years as chair of PJ Library Winnipeg and recently ended a seven-year term as a member of the Women’s Endowment Committee at the Jewish Foundation of Manitoba. She is currently a member of the Board of the Jewish National Fund of Canada, Manitoba and Saskatchewan division and is the Chair of the Winnipeg Chavurah Chapter of the Canadian Jewish Political Affairs Committee.
And she and Marshall are determined to inculcate in their sons the same strong sense of connection to the Jewish people that they feel. Jacob and Ethan are going into Grades 7 and 5 respectively at Gray Academy in September. This summer the boys are attending Rady Camp at the Rady JCC and Jacob is currently at BB Camp in Kenora.
“It is important to us that our sons are proud to be Jewish and feel connected to our community. We love that Gray Academy provides our children with a religious education while also teaching them to become strong advocates through its Israel education and debating programs. Unfortunately in today’s world, these skills will be important and necessary assets when our boys reach university where antisemitic culture is prevalent.” Tenenbein says.
As to visiting Israel, although she was one of the participants on the first Birthright trip to Israel in 2000, she regretfully has not yet been able to return.
“Going on Birthright was life-changing,” she says. “I would not have gotten on my return flight had it not been for my family here.”
She says that she is hoping one day to organize and go on a community-run Federation or JNF family mission. “We could go on our own,” she comments, “but we believe that a JNF or Federation tour would be more meaningful.
“Once it’s built, I would really like to see the Beit KKL-JNF Canada House (which is being partially funded by monies raised at the most recent JNF Gala honouring Dr. Ted Lyons).
“Canada House,” she explains, “will serve as an after-school education, empowerment, and enrichment centre for high school students from Sderot and its surroundings. The students will be provided with the necessary tools and skills for scholastic and personal success in an engaging learning hub and an inviting, yet fortified, “second home” atmosphere. It is a phenomenal project that might work in Winnipeg for at-risk youth, too.”
Features
So, what’s the deal with the honey scene in ‘Marty Supreme?’
By Olivia Haynie December 29, 2025 This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.
There are a lot of jarring scenes in Marty Supreme, Josh Safdie’s movie about a young Jew in the 1950s willing to do anything to secure his spot in table tennis history. There’s the one where Marty (Timothée Chalamet) gets spanked with a ping-pong paddle; there’s the one where a gas station explodes. And the one where Marty, naked in a bathtub, falls through the floor of a cheap motel. But the one that everybody online seems to be talking about is a flashback of an Auschwitz story told by Marty’s friend and fellow ping-ponger Béla Kletzki (Géza Röhrig, best known for his role as a Sonderkommando in Son of Saul).
Kletzki tells the unsympathetic ink tycoon Milton Rockwell (Kevin O’Leary) about how the Nazis, impressed by his table tennis skills, spared his life and recruited him to disarm bombs. One day, while grappling with a bomb in the woods, Kletzki stumbled across a honeycomb. He smeared the honey across his body and returned to the camp, where he let his fellow prisoners lick it off his body. The scene is a sensory nightmare, primarily shot in close-ups of wet tongues licking sticky honey off Kletzki’s hairy body. For some, it was also … funny?
Many have reported that the scene has been triggering a lot of laughter in their theaters. My audience in Wilmington, North Carolina, certainly had a good chuckle — with the exception of my mother, who instantly started sobbing. I sat in stunned silence, unsure at first what to make of the sharp turn the film had suddenly taken. One post on X that got nearly 6,000 likes admonished Safdie for his “insane Holocaust joke.” Many users replied that the scene was in no way meant to be funny, with one even calling it “the most sincere scene in the whole movie.”
For me, the scene shows the sheer desperation of those in the concentration camps, as well as the self-sacrifice that was essential to survival. And yet many have interpreted it as merely shock humor.
Laughter could be understood as an inevitable reaction to discomfort and shock at a scene that feels so out of place in what has, up to that point, been a pretty comedic film. The story is sandwiched between Marty’s humorous attempts to embarrass Rockwell and seduce his wife. Viewers may have mistaken the scene as a joke since the film’s opening credits sequence of sperm swimming through fallopian tubes gives the impression you will be watching a comedy interspersed with some tense ping-pong playing.
The reaction could also be part of what some in the movie theater industry are calling the “laugh epidemic.” In The New York Times, Marie Solis explored the inappropriate laughter in movie theaters that seems to be increasingly common. The rise of meme culture and the dissolution of clear genres (Marty Supreme could be categorized as somewhere between drama and comedy), she writes, have primed audiences to laugh at moments that may not have been meant to be funny.
The audience’s inability to process the honey scene as sincere may also be a sign of a society that has become more disconnected from the traumas of the past. It would not be the first time that people, unable to comprehend the horrors of the Holocaust, have instead derided the tales of abuse as pure fiction. But Kletzki’s story is based on the real experiences of Alojzy Ehrlich, a ping-pong player imprisoned at Auschwitz. The scene is not supposed to be humorous trauma porn — Safdie has called it a “beautiful story” about the “camaraderie” found within the camps. It also serves as an important reminder of all that Marty is fighting for.
The events of the film take place only seven years after the Holocaust, and the macabre honey imagery encapsulates the dehumanization the Jews experienced. Marty is motivated not just by a desire to prove himself as an athlete and rise above what his uncle and mother expect of him, but above what the world expects of him as a Jew. His drive to reclaim Jewish pride is further underscored when he brings back a piece of an Egyptian pyramid to his mother, telling her, “We built this.”
Without understanding this background, the honey scene will come off as out of place and ridiculous. And the lengths Marty is willing to go to to make something of himself cannot be fully appreciated. The film’s description on the review-app Letterboxd says Marty Supreme is about one man who “goes to hell and back in pursuit of greatness.” But behind Marty is the story of a whole people who have gone through hell; they too are trying to find their way back.
Olivia Haynie is an editorial fellow at the Forward.
This story was originally published on the Forward.
Features
Paghahambing ng One-on-One Matches at Multiplayer Challenges sa Pusoy in English
Ang Pusoy, na kilala din bilang Chinese Poker, ay patuloy na sumisikat sa buong mundo, kumukuha ng interes ng mga manlalaro mula sa iba’t ibang bansa. Ang mga online platforms ay nagpapadali sa pag-access nito. Ang online version nito ay lubos na nagpasigla ng interes sa mga baguhan at casual players, na nagdulot ng diskusyon kung alin ang mas madali: ang paglalaro ng Pusoy one-on-one o sa multiplayer settings.
Habang nailipat sa digital platforms ang Pusoy, napakahalaga na maunawaan ang mga format nito upang mapahusay ang karanasan sa laro. Malaking epekto ang bilang ng mga kalaban pagdating sa istilo ng laro, antas ng kahirapan, at ang ganap na gameplay dynamics. Ang mga platforms tulad ng GameZone ay nagbibigay ng angkop na espasyo para sa mga manlalaro na masubukan ang parehong one-on-one at multiplayer Pusoy, na akma para sa iba’t ibang klase ng players depende sa kanilang kasanayan at kagustuhan.
Mga Bentahe ng One-on-One Pusoy
Simpleng Gameplay
Sa one-on-one Pusoy in English, dalawa lang ang naglalaban—isang manlalaro at isang kalaban. Dahil dito, mas madali ang bawat laban. Ang pokus ng mga manlalaro ay nakatuon lamang sa kanilang sariling 13 cards at sa mga galaw ng kalaban, kaya’t nababawasan ang pagiging komplikado.
Para sa mga baguhan, ideal ang one-on-one matches upang:
- Sanayin ang tamang pagsasaayos ng cards.
- Matutunan ang tamang ranggo ng bawat kamay.
- Magsanay na maiwasan ang mag-foul sa laro.
Ang simpleng gameplay ay nagbibigay ng matibay na pundasyon para sa mas kumplikadong karanasan sa multiplayer matches.
Mga Estratehiya mula sa Pagmamasid
Sa one-on-one matches, mas madaling maunawaan ang istilo ng kalaban dahil limitado lamang ang galaw na kailangan sundan. Maaari mong obserbahan ang mga sumusunod na patterns:
- Konserbatibong pagkakaayos o agresibong strategy.
- Madalas na pagkakamali o overconfidence.
- Labis na pagtuon sa isang grupo ng cards.
Dahil dito, nagkakaroon ng pagkakataon ang mga manlalaro na isaayos ang kanilang estratehiya upang mas epektibong maka-responde sa galaw ng kalaban, partikular kung maglalaro sa competitive platforms tulad ng GameZone.
Mas Mababang Pressure
Dahil one-on-one lamang ang laban, mababawasan ang mental at emotional stress. Walang ibang kalaban na makaka-distract, na nagbibigay ng pagkakataon para sa mga baguhan na matuto nang walang matinding parusa sa kanilang mga pagkakamali. Nagiging stepping stone ito patungo sa mas dynamic na multiplayer matches.
Ang Hamon ng Multiplayer Pusoy
Mas Komplikado at Mas Malalim na Gameplay
Sa Multiplayer Pusoy, madaragdagan ang bilang ng kalaban, kaya mas nagiging komplikado ang laro. Kailangan kalkulahin ng bawat manlalaro ang galaw ng maraming tao at ang pagkakaayos nila ng cards.
Ang ilang hamon ng multiplayer ay:
- Pagbabalanse ng lakas ng cards sa tatlong grupo.
- Pag-iwas sa labis na peligro habang nagiging kompetitibo.
- Pagtatagumpayan ang lahat ng kalaban nang sabay-sabay.
Ang ganitong klase ng gameplay ay nangangailangan ng maingat na pagpaplano, prediksyon, at strategic na pasensiya.
Mas Malakas na Mental Pressure
Mas mataas ang psychological demand sa multiplayer, dahil mabilis ang galawan at mas mahirap manatiling kalmado sa gitna ng mas maraming kalaban. Kabilang dito ang:
- Bilisan ang pagdedesisyon kahit under pressure.
- Paano mananatiling focused sa gitna ng mga distractions.
- Pagkakaroon ng emosyonal na kontrol matapos ang sunod-sunod na talo.
Mas exciting ito para sa mga manlalarong gusto ng matinding hamon at pagmamalasakit sa estratehiya.
GameZone: Ang Bagong Tahanan ng Modern Pusoy
Ang GameZone online ay isang kahanga-hangang platform para sa mga naglalaro ng Pusoy in English. Nagbibigay ito ng opsyon para sa parehong one-on-one at multiplayer matches, akma para sa kahit anong antas ng kasanayan.
Mga feature ng GameZone:
- Madaling English interface para sa user-friendly na gameplay.
- Real-player matches imbes na kalaban ay bots.
- Mga tool para sa responsible play, tulad ng time reminder at spending limits.
Pagtatagal ng Pamanang Pusoy
Ang Pusoy card game in English ay nagpalawak ng abot nito sa mas maraming players mula sa iba’t ibang bahagi ng mundo habang pinapanatili ang tradisyunal nitong charm. Sa pamamagitan ng mga modernong platform tulad ng GameZone, mananatiling buhay at progresibo ang Pusoy, nakakabighani pa rin sa lahat ng antas ng manlalaro—mula sa casual enjoyment hanggang sa competitive challenges.
Mula sa maingat na pag-aayos ng mga cards hanggang sa pag-master ng estratehiya, ang Pusoy ay isang laro na nananatiling relevant habang ipinapakita ang masalimuot nitong gameplay dynamics na puno ng kultura at inobasyon.
Features
Rob Reiner asked the big questions. His death leaves us searching for answers.
Can men and women just be friends? Can you be in the revenge business too long? Why don’t you just make 10 louder and have that be the top number on your amp?
All are questions Rob Reiner sought to answer. In the wake of his and his wife’s unexpected deaths, which are being investigated as homicides, it’s hard not to reel with questions of our own: How could someone so beloved come to such a senseless end? How can we account for such a staggering loss to the culture when it came so prematurely? How can we juggle that grief and our horror over the violent murder of Jews at an Australian beach, gathered to celebrate the first night of Hanukkah, and still light candles of our own?
The act of asking may be a way forward, just as Rob Reiner first emerged from sitcom stardom by making inquiries.
In This is Spinal Tap, his first feature, he played the role of Marty DiBergi, the in-universe director of the documentary about the misbegotten 1982 U.S. concert tour of the eponymous metal band. He was, in a sense, culminating the work of his father, Carl Reiner, who launched a classic comedy record as the interviewer of Mel Brooks’ 2,000 Year Old Man. DiBergi as played by Reiner was a reverential interlocutor — one might say a fanboy — but he did take time to query Nigel Tufnell as to why his amp went to 11. And, quoting a bad review, he asked “What day did the Lord create Spinal Tap, and couldn’t he have rested on that day too?”
But Reiner had larger questions to mull over. And in this capacity — not just his iconic scene at Katz’s Deli in When Harry Met Sally or the goblin Yiddishkeit of Miracle Max in The Princess Bride — he was a fundamentally Jewish director.
Stand By Me is a poignant meditation on death through the eyes of childhood — it asks what we remember and how those early experiences shape us. The Princess Bride is a storybook consideration of love — it wonders at the price of seeking or avenging it at all costs. A Few Good Men is a trenchant, cynical-for-Aaron Sorkin, inquest of abuse in the military — how can it happen in an atmosphere of discipline.
In his public life, Reiner was an activist. He asked how he could end cigarette smoking. He asked why gay couples couldn’t marry like straight ones. He asked what Russia may have had on President Trump. This fall, with the FCC’s crackdown on Jimmy Kimmel, he asked if he would soon be censored. He led with the Jewish question of how the world might be repaired.
Guttingly, in perhaps his most personal project, 2015’s Being Charlie, co-written by his son Nick he wondered how a parent can help a child struggling with addiction. (Nick was questioned by the LAPD concerning his parents’ deaths and was placed under arrest.)
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None of the questions had pat answers. Taken together, there’s scarcely a part of life that Reiner’s filmography overlooked, including the best way to end it, in 2007’s The Bucket List.
Judging by the longevity of his parents, both of whom lived into their 90s, it’s entirely possible Reiner had much more to ask of the world. That we won’t get to see another film by him, or spot him on the news weighing in on the latest democratic aberration, is hard to swallow.
Yet there is some small comfort in the note Reiner went out on. In October, he unveiled Spinal Tap II: The Beginning of the End, a valedictory moment in a long and celebrated career.
Reiner once again returned to the role of DiBergi. I saw a special prescreening with a live Q&A after the film. It was the day Charlie Kirk was assassinated. I half-expected Reiner to break character and address political violence — his previous film, God & Country, was a documentary on Christian Nationalism.
But Reiner never showed up — only Marty DiBergi, sitting with Nigel Tuffnell (Christopher Guest), David St. Hubbins (Michael McKean) and Derek Smalls (Harry Shearer) at Grauman’s Chinese Theater in Los Angeles. The interview was broadcast to theaters across the country, with viewer-submitted questions like “What, in fact, did the glove from Smell the Glove smell like?” (Minty.) And “Who was the inspiration for ‘Big Bottom?’” (Della Reese.)
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- Actor-Director Rob Reiner dies at 78
- Carl Reiner On Judaism, Atheism And The ‘Monster’ In The White House
- Mandy Patinkin On His Favorite ‘Princess Bride’ Quote
DiBergi had one question for the audience: “How did you feel about the film?”
The applause was rapturous, but DiBergi still couldn’t get over Nigel Tuffnell’s Marshall amp, which now stretched beyond 11 and into infinity.
“How can that be?” he asked. “How can you go to infinity? How loud is that?”
There’s no limit, Tuffnell assured him. “Why should there be a limit?”
Reiner, an artist of boundless curiosity and humanity, was limitless. His remit was to reason why. He’ll be impossible to replace, but in asking difficult questions, we can honor him.
The post Rob Reiner asked the big questions. His death leaves us searching for answers. appeared first on The Forward.