Features
Young community leader calls for others to step up in countering antisemitism, Israel haters
By MYRON LOVE With incidents of Anti-Semitism growing worldwide, Candice Tenenbein is exhorting fellow Jewish Winnipeggers – and non-Jewish supporters – to step up their efforts to combat this unhinged scourge of Jew and Israel hatred.
“Antisemitism is the most virulent and oldest form of hate, and today often appears as anti-Zionism,” she says.
“Speak out. Share accurate information on social media. Have discussions with friends. Write letters to the editors. Phone or email your elected officials and ask to know where they stand. It just takes a few minutes but, if enough of us take action, we could have a significant impact.”
The other side of the coin, she notes, is to promote all the good that Israel does for people around the world from sending emergency response teams to help after natural disasters to providing world-leading technology to help people in developing countries to improve agricultural output, better care for their environments, have access to clean drinking water and improve healthcare.
“As a local Jewish community,” she adds, “we also need to explain how diverse our members are – we come from many countries (from Latin America, to Europe, to Israel, to Turkey, Iraq, Morocco and beyond) and we have members who are LGBTQ+ and BIPOC. Many of our community members are doing good in our own backyard. Newcomers, and Jews born and raised in Winnipeg, have contributed to the fabric of our society for a long time. We need to showcase these efforts for all Winnipegers to see that we are not the evil tropes that we are portrayed to be on social media.”
In her call for action, Tenenbein is leading by example. The 2017 recipient of the Harry Silverberg Young Leader of Distinction Award has played a prominent role within our Jewish community pretty much since she moved back here in 2003 after a short time living in Toronto.
Tenenbein credits her mother, the late Cheryl Arnold, for infusing her with a strong sense of Jewishness, community and Zionism. “Despite being a working single parent with three children, my mother was a member of Hadassah and National Council of Jewish Women, helped out at Ramah (where Tenenbein and her siblings went to elementary school) and was active at the Herzlia Synagogue.
Tenenbein herself was a member of BBYO in high school (Grant Park) and Hillel at university. “I used to study at the Hillel office and attended all of the Jewish programs that I could,” she recalls. While in university Tenenbein served as a student member of the University Senate. She then volunteered and worked for a Member of Parliament in both Winnipeg and on Parliament Hill in Ottawa.
After graduating from law school (at the University of Manitoba), she moved to Toronto to article at Davies, Ward, Phillips & Vineberg LLP. “I wanted to prove to myself that I could hold my own with University of Toronto graduates,” she says. “Despite it having the nickname ‘Slavies’, I loved the law firm I was working at. But I also wanted to get involved in the Toronto Jewish community and found that the community was not very welcoming. And I missed my family. So I made the decision to move home.
“Winnipeg is a wonderful place and people are a lot friendlier.”
Upon her return, Tenenbein wanted to focus her volunteer efforts in a manner that combined her interests of advocacy, politics and Judaism. She reached out to David Kroft in 2004. Upon his suggestion, she immediately became involved with the Jewish Federation of Winnipeg as a member of the JFW’s Public Affairs and Advocacy Committee (PAAC) and hasn’t looked back.
Professionally, she notes that she practiced law here at Tapper Cuddy LLP for less than two years. “Again, I loved my firm but I really did not like the business side of practicing law. I had also met my husband, Marshall, and he was in medical school. Between his studies and my schedule as a lawyer, we found it hard to make the time to build a relationship.”
When the opportunity to work at the University of Manitoba arose, she happily accepted the position as its government relations associate. After her first child, Jacob, was born, she chose to leave the workforce to become a full-time mom. But Tenenbein continued with her volunteer efforts. In fact, in addition to PAAC, she served a term as a member of the Federation’s Board of Directors in December 2011 shortly after her second son, Ethan, was born. In December 2018, she became co-chair of PAAC and a Federation executive committee member.
“When I was first asked to chair the committee (PAAC), I had a number of family commitments that prevented me from taking on the position,” she says. A year later when asked again, she agreed to come on, but initially in a co-chair fashion. “Laurelle Harris agreed to remain as co-chair with me. She was amazing.”
After a year, Harris stepped down, leaving Tenenbein in charge.
So what is PAAC’s mandate? “We reach out to media and elected officials at all levels of Canadian government regarding domestic and foreign-policy issues affecting Israel and the local Jewish community,” Tenenbein responds. “We are active Israeli advocates and fight antisemitism. We work to encourage people to become lay advocates in speaking for Israel and against antisemitism.
“We also provide community relations and outreach, working to build bridges with other ethnic minority and religious communities,” she adds, citing, for example, the Christian Zionist Bridges for Peace and the Indigenous communities.
In addition to her work with the PAAC, Tenenbein also served for three years as chair of PJ Library Winnipeg and recently ended a seven-year term as a member of the Women’s Endowment Committee at the Jewish Foundation of Manitoba. She is currently a member of the Board of the Jewish National Fund of Canada, Manitoba and Saskatchewan division and is the Chair of the Winnipeg Chavurah Chapter of the Canadian Jewish Political Affairs Committee.
And she and Marshall are determined to inculcate in their sons the same strong sense of connection to the Jewish people that they feel. Jacob and Ethan are going into Grades 7 and 5 respectively at Gray Academy in September. This summer the boys are attending Rady Camp at the Rady JCC and Jacob is currently at BB Camp in Kenora.
“It is important to us that our sons are proud to be Jewish and feel connected to our community. We love that Gray Academy provides our children with a religious education while also teaching them to become strong advocates through its Israel education and debating programs. Unfortunately in today’s world, these skills will be important and necessary assets when our boys reach university where antisemitic culture is prevalent.” Tenenbein says.
As to visiting Israel, although she was one of the participants on the first Birthright trip to Israel in 2000, she regretfully has not yet been able to return.
“Going on Birthright was life-changing,” she says. “I would not have gotten on my return flight had it not been for my family here.”
She says that she is hoping one day to organize and go on a community-run Federation or JNF family mission. “We could go on our own,” she comments, “but we believe that a JNF or Federation tour would be more meaningful.
“Once it’s built, I would really like to see the Beit KKL-JNF Canada House (which is being partially funded by monies raised at the most recent JNF Gala honouring Dr. Ted Lyons).
“Canada House,” she explains, “will serve as an after-school education, empowerment, and enrichment centre for high school students from Sderot and its surroundings. The students will be provided with the necessary tools and skills for scholastic and personal success in an engaging learning hub and an inviting, yet fortified, “second home” atmosphere. It is a phenomenal project that might work in Winnipeg for at-risk youth, too.”
Features
In Dan Brown’s chaotic tale of a rampaging Golem, a case of missing Judaism
By Mira Fox September 27, 2025
This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.
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Strap on your best smooth-soled Italian loafers and get ready to spring over some cobblestones, because Robert Langdon — everyone’s favorite tweed-jacketed, baritone-voiced, handsome Harvard “symbologist” — is back, and he’s racing through the streets of Prague.
In Dan Brown’s newest thriller, however, there’s no Dante or Mary Magdalene; Brown is finally veering away from the Christian mythos that drove all of his previous adventures such as The DaVinci Code and Angels and Demons. This time, he’s taking on something older and far more mysterious: Judaism.
Each of Brown’s symbology books has a central guiding myth or story, i.e. the Holy Grail, Dante’s Inferno or the Founding Fathers’ involvement with Freemasonry. The Secret of Secrets follows the same formula, and its opening moments make its central myth obvious. Within the first few pages of the book, the Golem of Prague — which for some reason Brown insists on spelling as Golěm — has already murdered someone.
The story proceeds about as you’d expect, if you’ve read any of the previous Robert Langdon novels; though it has been eight years since we last read about the Harvard professor’s misadventures, he remains dashing and impressively fit for his age, as Brown reminds us regularly, though this time we hear less about his penchant for tweed. Langdon still has a photographic memory, which still comes in handy as he deciphers various codes, and the book is still loaded with long tangents about the history of various buildings and artifacts that Langdon is sprinting by. (Even while desperately attempting to escape from a gunman in a historic library, the symbologist has the presence of mind to consider the artist behind the frescoes on the ceiling.)
But the book is notably lacking in something surprising: the Jewish history of Prague, or of the Golem, or blood libel. There are no Hebrew translations or reinterpretations of Talmudic texts. We don’t learn some little known midrash that holds a secretive double meaning. These are the kinds of factoids that usually drive Brown’s mysteries, yet they’re absent.
The plot revolves, instead, around a damsel in distress, who readers may remember from the previous Langdon books: The beautiful “noetic scientist” Katherine Solomon, who is about to publish an academic treatise detailing her research on human consciousness and death. Apparently some very powerful people want to destroy her manuscript, so the action and mystery unfold across Prague as Langdon attempts to save Katherine, save her book, and — hey why not — save all of Prague and also maybe the United States. And, somewhere in there, a Golem is on the loose.
Brown’s previous novels have delved into various Christian mysteries with vigor and palpable fascination; whatever Brown’s many foibles as a writer, you could tell that he was excited by the myth of the Holy Grail, which took centerstage in The DaVinci Code, which he reinterpreted to be an allegory about a love affair between Jesus and Mary Magdalene. In Angels and Demons, Brown has great fun with the secretive inner workings of the Vatican, and Inferno is laden with delighted diversions into Christian history and ideas about the afterlife, courtesy of Dante Alighieri’s Divine Comedy.
In The Secret of Secrets, Brown outlines the basic myth of the Golem: Rabbi Judah Loew, a 16th century Talmudic scholar and leader of Prague’s Jewish community, created a magic guardian out of clay to protect the ghetto from antisemitic attacks. Loew engraved the word “emet,” or truth, in Hebrew on its forehead to bring it to life. Eventually the Golem turned on the rabbi, almost killing him, until Loew managed to rub away the aleph in “emet,” turning the word to “met,” or death, and stopping the creature; its body was placed in an attic in case it was needed again.
That’s about all we get, yet there’s so much more to explore. In another version of the story, Loew made sure to erase the aleph from the Golem’s forehead every Shabbat to allow it to rest; instead of going on a murderous rampage, the creature was eventually destroyed because it desecrated the holy day. According to some stories, a Nazi tried to ransack the attic where the Golem was stored, and died mysteriously. Others say its body was stowed in a genizah, where sacred Jewish texts are placed since they cannot be destroyed.
Then there is the actual Jewish history, the blood libel, accusations of witchcraft and antisemitic laws that kept Jews segregated in Prague’s ghetto. There is also Loew’s own life as a lauded Talmudic scholar — not a Kabbalist, as Brown describes him — and, of course, a rich tradition of Talmudic and midrashic exegesis. The setting is rife with the kind of symbols and mystery that Brown uses as fodder in all his other thrillers, inventing secret societies and mystical artifacts lost to history.
Instead, The Secret of Secrets has no Jewish characters and very little Jewish history. Though Brown sprinkles in a few of Prague’s Jewish landmarks — the Old-New Synagogue and the city’s historic Jewish cemetery — the book still manages, despite its Golem centerpiece, to spend most of its time in churches. When Langdon first encounters the Golem and sees its forehead inscription, Brown notes that the symbologist “did not read Hebrew well,” though the professor, who specializes in religion, regularly relies on his fluency in Greek, Latin, Arabic, Cyrillic and even a fake angelic language invented by two crackpot mediums that was never spoken by more than a handful of people. At one point, the Golem is described as arriving “like some kind of ascendant Christ.”
The real focus of the book is an imaginary bit of science having to do with human consciousness and life after death, a topic Brown has been exploring in the Langdon books for some time now. His interest in religion seems to stem from the idea that they are all, fundamentally, the same, and that all religions are reaching for proof that life persists after death.
But Judaism doesn’t. There are concepts — which Brown overemphasizes — like gilgul or gehenna that imply some post-death experience, but they’re not central to Jewish thought. Though one of the characters reads Loew’s most famous text, Brown clearly didn’t. (Like most works of Jewish commentary, it’s hardly the kind of work one buys in a bookstore and reads in a sitting.)
It’s not as though Brown’s previous books got everything, or even most things, right about Christianity. His wacky inventions are part of the fun — no one is reading a thriller about a fictional professor of an imaginary discipline for accuracy. The Golem is a myth, a rich story that has remained resonant over the centuries due to its flexibility and ability to be reinterpreted; Brown can make whatever he wants of it. The problem is that he has made so little.
Mira Fox is a reporter at the Forward. Get in touch at fox@forward.com or on Twitter @miraefox.
This story was originally published on the Forward.
Features
Top Free Slot Demos You Can Play Right Now
Sometimes, you might not want to pay for spinning reels. Maybe you just don’t have cash at the moment, or you want to just play for fun without any responsibilities. And that’s totally normal. Free slot demos are there for you. If you’re looking for some great options to play right now, here are the top free slot demos that are worth checking out.
Free slot demos that bring the fun
Sweet Bonanza
Fans’ favorite Sweet Bonanza demo play offers a candy-themed slot. Instead of traditional paylines, it uses a 6×5 grid where wins happen when you land eight or more matching symbols anywhere on the screen. Every win triggers the tumble feature. It means that winning symbols disappear, and new ones drop in. Potentially, they chain multiple wins together.
The highlight, though, is the free spins round. If you land four or more lollipop scatters, you’ll get 10 free spins. They’d be complete with colorful multiplier bombs that can reach up to 100x. Since the game is known for high volatility, demo mode is a nice way to test whether you enjoy the thrill of chasing those big but less frequent wins. Plus, the candy graphics and upbeat soundtrack make the whole experience surprisingly addictive.
Big Bass Bonanza
If you prefer fishing rods to candy canes, Big Bass Bonanza is another top demo slot you should try. It’s simple and fun. It has a free spins feature where the fisherman collects money values that are attached to fish symbols. As you progress through levels, multipliers increase. And it gives you a shot at some impressive wins. The demo version is a great way to see how often the fisherman shows up and whether this type of slot is what you might like.
Cleocatra
Cleocatra slots are about ancient Egypt with adorable cats. As fun as it sounds, it somehow works. The base game features wild multipliers. However, the free spins round is what makes it truly interesting. Sticky wilds lock in place and can quickly build up some wild combinations. In demo mode, you’ll get to see how powerful those sticky wilds can be without risking any cash.
Boom!
Among the slots that are packed with features, Boom! is worth a spin in demo. This game offers expanding wilds, free spins, jackpots, and even multiple bonus games. It might not be the greatest choice if you’re new to slots. There are just so many different things that it might feel overwhelming. Well, it’s free. So, even if you want to try, there’s nothing to be afraid of. That’s exactly why demo play is so useful. You can try out each feature and figure out whether you like the layered gameplay.
Sweet Bonanza 1000
Yes, Sweet Bonanza deserves two mentions. The newer Sweet Bonanza 1000 takes the original formula and cranks up the intensity. There are bigger multipliers, higher max wins, and even more fun. It makes this version perfect for people who just want extra adrenaline. Why should you try it? You can actually see if the higher risk is what you can go after. It’s more volatile than the original. That’s why trying the demo play is a wise choice.
Why play free demos?
Of course, the feeling is completely different from playing for real money. However, there are people who enjoy slots not because of the potential winnings. Here are some other reasons to pay attention to them:
- You can get the full slot experience without spending anything at all;
- You can actually figure out the bonus trigger, scatter, and volatility;
- You can see how bonus buys, multipliers, and jackpots actually play out;
- You can choose if you like slow and steady play or big swings.
Final thoughts
With the option to play free slot demos, you can try popular titles like Sweet Bonanza without any risks. Surely, they can help you just kill the time. However, they can also let you figure out the mechanics and test features. There are lots of them, and you can test them all. After that, you can decide you’re up to bet real money.
Features
New movie, “Bau, Artist at War,” now playing in Winnipeg, tells the amazing story of Joseph Bau, whose marriage to his wife Rebecca was made famous in “Schindler’s List”
“They can starve us, beat us, cage us – but they could never kill our spirit.“ – Joseph Bau
A gripping new movie, titled Bau, Artist at War, is now on at the Cineplex Odeon McGillivray Theatre.
The movie tells the story of Joseph Bau, whose dramatization of his marriage in Plaszow concentration camp to his wife Rebecca was an unforgettable scene in the movie Schindler’s List.
The film is based in large part on Bau’s memoir, Dear God, Have You Ever Gone Hungry? (published in 1998). The film was written by Deborah Smerecnik, Ron Bass, and Sonia Kifferstein, and is directed by Sean McNamara.
Featuring stellar performances by Emile Hirsch (who appeared in Once Upon a Time in Hollywood) as the protagonist, and Inbar Lavi (who appeared in the Israeli television series Fauda and the U.S. television series Imposters) as Rebecca, the movie is a combination love story and espionage tale that deserves attention in an era, as one commentator has said, “where survivors are fading away, and the Holocaust is slipping from memory.” It’s also a story about resistance during the Holocaust.
In the movie, during his time in Plaszow Concentration Camp, Bau is a Jewish forger, an artist and a designer. He is employed by the brutal commandant Josef Liepold to draw a newly planned wing in the prison. He is simultaneously forging IDs for Jewish inmates helping them escape the prison. Hirsch as Bau, also draws comics for the prisoners, and his gift of art inspires his future wife with his colorful “lifegiving” creations, to which she responds in the gloomy setting of the death camp. McNamara cleverly intercuts these wonderful artworks within the film’s action.
Joseph Bau was a man who defied the darkness of the Holocaust with art, humor, and an unbreakable spirit. A gifted artist and master forger, Bau risked his life to save others, using his talent to create false documents that helped fellow prisoners escape certain death. But in the depths of despair, he discovered something even more powerful…love.
In the Plaszow concentration camp, amid relentless brutality, Joseph met Rebecca – a woman whose courage matched his own.
Years later, when Joseph is called to testify against the sadistic Nazi officer who tormented him, he is forced to relive the horrors of his past. But through it all, he draws strength from the love that saved him, the art that sustained him, and the unyielding will that kept him alive.
A gripping war drama, a daring espionage thriller, and one of the greatest love stories of our time, Bau, Artist at War is a testament to the power of resilience, the triumph of the human spirit, and the unbreakable bonds that even war could not destroy.
More stills from the movie:
