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2 Off-Broadway shows offer fresh perspectives on Anne Frank’s story
(New York Jewish Week) – A young woman imagines herself standing inside the office of a fast-talking, bowtie-wearing, pipe-smoking editor of a major publishing house in New York City.
She’s just submitted her diary — a memoir of her life in hiding from Nazis and subsequent detention in a concentration camp — for his review, and stands in front of him as he scrutinizes her experiences, deeming them plausible or not, appropriate or absurd.
The woman is Anne Frank, and the imagined scene is the premise of “Anne Being Frank,” one of two shows based on Frank’s diary that are running Off-Broadway in New York City this fall. The other is “Anne Frank, a Musical.”
The one-woman show, which opened on Sept. 4 at Manhattan’s Emerging Artists Theatre, presents a new version of the Anne Frank story in which she pens her diary while she is dying in the Bergen-Belsen concentration camp, rather than writing it while in hiding in Amsterdam. The show depicts her suffering from starvation and sexual assault in the camps, and eventually contracting a lethal case of typhus, all of which changes the tone of her writing.
“Instead of leaving people with this idea that all these people are really good at heart, she’s grown up and seen the atrocities and the things that have happened to her,” Amanda Lerner, the director of “Anne Being Frank,” told the New York Jewish Week, referencing a famous passage of the diary in which Frank writes, “I still believe, in spite of everything, that people are truly good at heart.”
Lerner added that she wanted to represent the experience of Holocaust victims in the camps and depict the “truth of all of the other people who have lived these stories — without apologizing for it,” she said.
Frank’s story is among the most well-known Holocaust narratives, and the creators of both shows said that they saw it as an avenue for conveying the gravity of the Holocaust to audiences, especially non-Jewish ones. The two productions come during a time when works about Frank’s life have taken a central place in national debates about education and censorship. Recently, multiple school districts have banned a graphic novel based on Frank’s diary, and in September, a teacher was allegedly fired in Texas for reading it aloud to students.
Earlier this year, the National Geographic limited series “A Small Light” told the Anne Frank story from the perspective of Miep Gies, the woman who helped hide the Frank family.
“For me, the Anne Frank story is, and really should be, universal,” said David Serero, who directed and produced “Anne Frank, a Musical,” and stars as Frank’s father, Otto. “Of course, it’s a Jewish story, but I think it’s important to share that story so it will never happen again. It’s important for others to know the damage that such a thing can do.”
The diary has been adapted dozens of times in the more than seven decades since its publication, beginning with the 1955 Broadway show, “The Diary of Anne Frank,” which won the Pulitzer Prize for Drama and Tony Award for Best Play.
“In the 1950s when her diary came out, Anne Frank became probably the most well known victim of the Holocaust,” said Dr. Alex Sagan, a historian affiliated with Harvard’s Center for European Studies who has written extensively about adaptations of Frank’s diary. “It’s a very famous and resonant story. Everybody knows it, and it’s understandable that lots of people are inspired to retell it. The question is, what should our judgment be about what they produce?”
He said adaptations should be judged based on whether they “impart inaccurate information,” and added that observers should “ask to what extent does it teach us or make us feel something about the story of Frank, or about her diary, that is really meaningful.”
Sagan added that while adaptations and retellings should stay accurate to the diary, there is still plenty of opportunity for artistic license.
“They’re going to reflect the moment in which they’re created, the medium in which they’re created and the creators,” he said. “So it doesn’t mean that they have no individuality, and it means that when they’re created, they see where they might seem very relevant if they’re well done.”
The publishing house scene in “Anne Being Frank” speaks to the question of whether and how future generations will receive Holocaust stories. In the play, Anne (played by actress Alexis Fishman) imagines the conversation with the editor as she lays dying in her bunk in Bergen-Belsen.
She considers how an editor — and the world — might perceive her and her story after they learn the truth about humanity. The editor, while praising her as a writing prodigy, finds the details, especially the events in the camps, implausible.
“The reason that I have spent such a great chunk of my career in writing speculative history is that I truly believe that truth is stranger than fiction — that no writer can match the sheer unpredictability and madness of the real world,” said Ron Elisha, the play’s writer. “There’s nothing that happens in my play that could not have happened. These things happened. They need to be explained.”
“Anne Frank, a Musical” premiered at the Center for Jewish History in 2019. (Courtesy David Serero)
The second show out this fall, “Anne Frank, a Musical,” is less speculative about what happens after Frank was discovered in the annex in Amsterdam. Instead, it reinterprets the events depicted in Anne’s diary through song.
The musical, which was originally written in French by Jean-Pierre Hadida in 2007, was adapted for an American audience in English by Serero. It premiered in 2019 at the Center for Jewish History and opens this year on October 11 at the Actor’s Temple Theater.
“Of course, people in America and in New York were a little bit reluctant when they heard, ‘a musical about Anne Frank,’ but a musical doesn’t have to be about something joyful. It’s emotive,” Serero said. “I can assure you, I have a lot of respect in the approach of all the characters in order to make them believable onstage.”
The musical opens in the present day, with a group of teenagers visiting the Anne Frank House in Amsterdam. When they start to ask questions about her life, they are quickly transported back in time to the same place in 1942.
“To bring it through the medium of music is very important because we sing what we cannot say — there are things that only music can express,” Serero said. “When you add music, the diary of Anne Frank becomes the life of Anne Frank.”
And though the productions approach the story differently, they each reflect contemporary perspectives on the world. “Anne Being Frank” aims to show the graphic, violent suffering and death of Jews in the Holocaust, and to invite viewers to think about what happened next — rather than solely the hope reflected in the most famous passage of Frank’s diary. The show, in some ways, asks its viewers to interrogate other places or moments where the full story isn’t being told.
For Serero, the “secret of the musical’s success,” is that it connects Frank’s story to atrocities today.
“You could say that this story is over,” he said. “But still today, people are killed because of who they are.”
“Anne Being Frank” is playing at the Emerging Artists Theatre (15 W. 28th St.) through Oct. 29; tickets start at $59. “Anne Frank, a Musical” is playing from Oct. 11 through Nov. 5 at the Actors Temple Theatre (339 W. 47th St.). Tickets start at $36.50.
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The post 2 Off-Broadway shows offer fresh perspectives on Anne Frank’s story appeared first on Jewish Telegraphic Agency.
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Security Warning to Israelis Vacationing Abroad Ahead of holidays
A passenger arrives to a terminal at Ben Gurion international airport before Israel bans international flights, January 25, 2021. REUTERS/Ronen Zvulun
i24 News – Ahead of the Jewish High Holidays, Israel’s National Security Council (NSC) published the latest threat assessment to Israelis abroad from terrorist groups to the public on Sunday, in order to increase the Israeli public’s awareness of the existing terrorist threats around the world and encourage individuals to take preventive action accordingly.
The NSC specified that the warning is an up-to-date reflection of the main trends in the activities of terrorist groups around the world and their impact on the level of threat posed to Israelis abroad during these times, but the travel warnings and restrictions themselves are not new.
“As the Gaza war continues and in parallel with the increasing threat of terrorism, the National Security Headquarters stated it has recognized a trend of worsening and increasing violent antisemitic incidents and escalating steps by anti-Israel groups, to the point of physically harming Israelis and Jews abroad. This is in light of, among other things, the anti-Israel narrative and the negative media campaign by pro-Palestinian elements — a trend that may encourage and motivate extremist elements to carry out terrorist activities against Israelis or Jews abroad,” the statement read.
“Therefore, the National Security Bureau is reinforcing its recommendation to the Israeli public to act with responsibility during this time when traveling abroad, to check the status of the National Security Bureau’s travel warnings (before purchasing tickets to the destination,) and to act in accordance with the travel warning recommendations and the level of risk in the country they are visiting,” it listed, adding that, as illustrated in the past year, these warnings are well-founded and reflect a tangible and valid threat potential.
The statement also emphasized the risk of sharing content on social media networks indicating current or past service in the Israeli security forces, as these posts increase the risk of being marked by various parties as a target. “Therefore, the National Security Council recommends that you do not upload to social networks, in any way, content that indicates service in the security forces, operational activity, or similar content, as well as real-time locations.”
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Israel Intensifies Gaza City Bombing as Rubio Arrives
Displaced Palestinians, fleeing northern Gaza due to an Israeli military operation, move southward after Israeli forces ordered residents of Gaza City to evacuate to the south, in the central Gaza Strip September 14, 2025. Photo: REUTERS/Mahmoud Issa
Israeli forces destroyed at least 30 residential buildings in Gaza City and forced thousands of people from their homes, Palestinian officials said, as US Secretary of State Marco Rubio arrived on Sunday to discuss the future of the conflict.
Israel has said it plans to seize the city, where about a million Palestinians have been sheltering, as part of its declared aim of eliminating the terrorist group Hamas, and has intensified attacks on what it has called Hamas’ last bastion.
The group’s political leadership, which has engaged in on-and-off negotiations on a possible ceasefire and hostage release deal, was targeted by Israel in an airstrike in Doha on Tuesday in an attack that drew widespread condemnation.
Qatar will host an emergency Arab-Islamic summit on Monday to discuss the next moves. Rubio said Washington wanted to talk about how to free the 48 hostages – of whom 20 are believed to be still alive – still held by Hamas in Gaza and rebuild the coastal strip.
“What’s happened, has happened,” he said. “We’re gonna meet with them (the Israeli leadership). We’re gonna talk about what the future holds,” Rubio said before heading to Israel where he will stay until Tuesday.
ABRAHAM ACCORDS AT RISK
He was expected to visit the Western Wall Jewish prayer site in Jerusalem on Sunday with Prime Minister Benjamin Netanyahu and hold talks with him during the visit.
US officials described Tuesday’s strike on the territory of a close US ally as a unilateral escalation that did not serve American or Israeli interests. Rubio and US President Donald Trump both met Qatar’s Prime Minister Mohammed bin Abdulrahman Al-Thani on Friday.
Netanyahu signed an agreement on Thursday to push ahead with a settlement expansion plan that would cut across West Bank land that the Palestinians seek for a state – a move the United Arab Emirates warned would undermine the US-brokered Abraham accords that normalized UAE relations with Israel.
Israel, which blocked all food from entering Gaza for 11 weeks earlier this year, has been allowing more aid into the enclave since late July to prevent further food shortages, though the United Nations says far more is needed.
It says it wants civilians to leave Gaza City before it sends more ground forces in. Tens of thousands of people are estimated to have left but hundreds of thousands remain in the area. Hamas has called on people not to leave.
Israeli army forces have been operating inside at least four eastern suburbs for weeks, turning most of at least three of them into wastelands. It is closing in on the center and the western areas of the territory, where most of the displaced people are taking shelter.
Many are reluctant to leave, saying there is not enough space or safety in the south, where Israel has told them to go to what it has designated as a humanitarian zone.
Some say they cannot afford to leave while others say they were hoping the Arab leaders meeting on Monday in Qatar would pressure Israel to scrap its planned offensive.
“The bombardment intensified everywhere and we took down the tents, more than twenty families, we do not know where to go,” said Musbah Al-Kafarna, displaced in Gaza City.
Israel said it had completed five waves of air strikes on Gaza City over the past week, targeting more than 500 sites, including Hamas reconnaissance and sniper sites, buildings containing tunnel openings and weapons depots.
Local officials, who do not distinguish between militant and civilian casualties, say at least 40 people were killed by Israeli fire across the enclave, a least 28 in Gaza City alone.
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Turkey Warns of Escalation as Israel Expands Strikes Beyond Gaza
Turkey’s President Tayyip Erdogan speaks during a press conference with Greek Prime Minister Kyriakos Mitsotakis (not seen) at the Presidential Palace in Ankara, Turkey, May 13, 2024. Photo: REUTERS/Umit Bektas
i24 News – An Israeli strike targeting Hamas officials in Qatar has sparked unease among several Middle Eastern countries that host leaders of the group, with Turkey among the most alarmed.
Officials in Ankara are increasingly worried about how far Israel might go in pursuing those it holds responsible for the October 7 attacks.
Israel’s prime minister effectively acknowledged that the Qatar operation failed to eliminate the Hamas leadership, while stressing the broader point the strike was meant to make: “They enjoy no immunity,” the government said.
On X, Prime Minister Netanyahu went further, writing that “the elimination of Hamas leaders would put an end to the war.”
A senior Turkish official, speaking on condition of anonymity, summed up Ankara’s reaction: “The attack in Qatar showed that the Israeli government is ready to do anything.”
Legally and diplomatically, Turkey occupies a delicate position. As a NATO member, any military operation or targeted killing on its soil could inflame tensions within the alliance and challenge mutual security commitments.
Analysts caution, however, that Israel could opt for covert measures, operations carried out without public acknowledgement, a prospect that has increased anxiety in governments across the region.
Israeli officials remain defiant. In an interview with Ynet, Minister Ze’ev Elkin said: “As long as we have not stopped them, we will pursue them everywhere in the world and settle our accounts with them.” The episode underscores growing fears that efforts to hunt Hamas figures beyond Gaza could widen regional friction and complicate diplomatic relationships.