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2 Off-Broadway shows offer fresh perspectives on Anne Frank’s story

(New York Jewish Week) – A young woman imagines herself standing inside the office of a fast-talking, bowtie-wearing, pipe-smoking editor of a major publishing house in New York City. 

She’s just submitted her diary — a memoir of her life in hiding from Nazis and subsequent detention in a concentration camp — for his review, and stands in front of him as he scrutinizes her experiences, deeming them plausible or not, appropriate or absurd.

The woman is Anne Frank, and the imagined scene is the premise of “Anne Being Frank,” one of two shows based on Frank’s diary that are running Off-Broadway in New York City this fall. The other is “Anne Frank, a Musical.” 

The one-woman show, which opened on Sept. 4 at Manhattan’s Emerging Artists Theatre, presents a new version of the Anne Frank story in which she pens her diary while she is dying in the Bergen-Belsen concentration camp, rather than writing it while in hiding in Amsterdam. The show depicts her suffering from starvation and sexual assault in the camps, and eventually contracting a lethal case of typhus, all of which changes the tone of her writing.

“Instead of leaving people with this idea that all these people are really good at heart, she’s grown up and seen the atrocities and the things that have happened to her,” Amanda Lerner, the director of “Anne Being Frank,” told the New York Jewish Week, referencing a famous passage of the diary in which Frank writes, “I still believe, in spite of everything, that people are truly good at heart.”

Lerner added that she wanted to represent the experience of Holocaust victims in the camps and depict the “truth of all of the other people who have lived these stories — without apologizing for it,” she said.

Frank’s story is among the most well-known Holocaust narratives, and the creators of both shows said that they saw it as an avenue for conveying the gravity of the Holocaust to audiences, especially non-Jewish ones. The two productions come during a time when works about Frank’s life have taken a central place in national debates about education and censorship. Recently, multiple school districts have banned a graphic novel based on Frank’s diary, and in September, a teacher was allegedly fired in Texas for reading it aloud to students

Earlier this year, the National Geographic limited series “A Small Light” told the Anne Frank story from the perspective of Miep Gies, the woman who helped hide the Frank family.

“For me, the Anne Frank story is, and really should be, universal,” said David Serero, who directed and produced “Anne Frank, a Musical,” and stars as Frank’s father, Otto. “Of course, it’s a Jewish story, but I think it’s important to share that story so it will never happen again. It’s important for others to know the damage that such a thing can do.” 

The diary has been adapted dozens of times in the more than seven decades since its publication, beginning with the 1955 Broadway show, “The Diary of Anne Frank,” which won the Pulitzer Prize for Drama and Tony Award for Best Play.  

“In the 1950s when her diary came out, Anne Frank became probably the most well known victim of the Holocaust,” said Dr. Alex Sagan, a historian affiliated with Harvard’s Center for European Studies who has written extensively about adaptations of Frank’s diary. “It’s a very famous and resonant story. Everybody knows it, and it’s understandable that lots of people are inspired to retell it. The question is, what should our judgment be about what they produce?” 

He said adaptations should be judged based on whether they “impart inaccurate information,” and added that observers should “ask to what extent does it teach us or make us feel something about the story of Frank, or about her diary, that is really meaningful.” 

Sagan added that while adaptations and retellings should stay accurate to the diary, there is still plenty of opportunity for artistic license. 

“They’re going to reflect the moment in which they’re created, the medium in which they’re created and the creators,” he said. “So it doesn’t mean that they have no individuality, and it means that when they’re created, they see where they might seem very relevant if they’re well done.”

The publishing house scene in “Anne Being Frank” speaks to the question of whether and how future generations will receive Holocaust stories. In the play, Anne (played by actress Alexis Fishman) imagines the conversation with the editor as she lays dying in her bunk in Bergen-Belsen. 

She considers how an editor — and the world — might perceive her and her story after they learn the truth about humanity. The editor, while praising her as a writing prodigy, finds the details, especially the events in the camps, implausible.

“The reason that I have spent such a great chunk of my career in writing speculative history is that I truly believe that truth is stranger than fiction — that no writer can match the sheer unpredictability and madness of the real world,” said Ron Elisha, the play’s writer. “There’s nothing that happens in my play that could not have happened. These things happened. They need to be explained.” 

“Anne Frank, a Musical” premiered at the Center for Jewish History in 2019. (Courtesy David Serero)

The second show out this fall, “Anne Frank, a Musical,” is less speculative about what happens after Frank was discovered in the annex in Amsterdam. Instead, it reinterprets the events depicted in Anne’s diary through song. 

The musical, which was originally written in French by Jean-Pierre Hadida in 2007, was adapted for an American audience in English by Serero. It premiered in 2019 at the Center for Jewish History and opens this year on October 11 at the Actor’s Temple Theater.

“Of course, people in America and in New York were a little bit reluctant when they heard, ‘a musical about Anne Frank,’ but a musical doesn’t have to be about something joyful. It’s emotive,” Serero said. “I can assure you, I have a lot of respect in the approach of all the characters in order to make them believable onstage.”

The musical opens in the present day, with a group of teenagers visiting the Anne Frank House in Amsterdam. When they start to ask questions about her life, they are quickly transported back in time to the same place in 1942.

“To bring it through the medium of music is very important because we sing what we cannot say — there are things that only music can express,” Serero said. “When you add music, the diary of Anne Frank becomes the life of Anne Frank.” 

And though the productions approach the story differently, they each reflect contemporary perspectives on the world. “Anne Being Frank” aims to show the graphic, violent suffering and death of Jews in the Holocaust, and to invite viewers to think about what happened next — rather than solely the hope reflected in the most famous passage of Frank’s diary. The show, in some ways, asks its viewers to interrogate other places or moments where the full story isn’t being told.

For Serero, the “secret of the musical’s success,” is that it connects Frank’s story to atrocities today.

“You could say that this story is over,” he said. “But still today, people are killed because of who they are.” 

Anne Being Frank” is playing at the Emerging Artists Theatre (15 W. 28th St.) through Oct. 29; tickets start at $59. “Anne Frank, a Musical” is playing from Oct. 11 through Nov. 5 at the Actors Temple Theatre (339 W. 47th St.). Tickets start at $36.50.


The post 2 Off-Broadway shows offer fresh perspectives on Anne Frank’s story appeared first on Jewish Telegraphic Agency.

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UN Security Council Meets on Iran as Russia, China Push for a Ceasefire

Members of the Security Council cast a vote during a United Nations Security Council meeting on the 3rd anniversary of Russia’s invasion of Ukraine at UN headquarters in New York, US, Feb. 24, 2025. Photo: REUTERS/David Dee Delgado

The U.N. Security Council met on Sunday to discuss US strikes on Iran’s nuclear sites as Russia, China and Pakistan proposed the 15-member body adopt a resolution calling for an immediate and unconditional ceasefire in the Middle East.

It was not immediately clear when it could be put to a vote. The three countries circulated the draft text, said diplomats, and asked members to share their comments by Monday evening. A resolution needs at least nine votes in favor and no vetoes by the United States, France, Britain, Russia or China to pass.

The US is likely to oppose the draft resolution, seen by Reuters, which also condemns attacks on Iran’s nuclear sites and facilities. The text does not name the United States or Israel.

“The bombing of Iranian nuclear facilities by the United States marks a perilous turn in a region that is already reeling,” U.N. Secretary-General Antonio Guterres told the Security Council on Sunday. “We now risk descending into a rathole of retaliation after retaliation.”

“We must act – immediately and decisively – to halt the fighting and return to serious, sustained negotiations on the Iran nuclear program,” Guterres said.

The world awaited Iran’s response on Sunday after President Donald Trump said the US had “obliterated” Tehran’s key nuclear sites, joining Israel in the biggest Western military action against the Islamic Republic since its 1979 revolution.

U.N. nuclear watchdog chief Rafael Grossi told the Security Council that while craters were visible at Iran’s enrichment site buried into a mountain at Fordow, “no one – including the IAEA – is in a position to assess the underground damage.”

Grossi said entrances to tunnels used for the storage of enriched material appear to have been hit at Iran’s sprawling Isfahan nuclear complex, while the fuel enrichment plant at Natanz has been struck again.

“Iran has informed the IAEA there has been no increase in off-site radiation levels at all three sites,” said Grossi, who heads the International Atomic Energy Agency.

Iran requested the U.N. Security Council meeting, calling on the 15-member body “to address this blatant and unlawful act of aggression, to condemn it in the strongest possible terms.”

Israel‘s U.N. Ambassador Danny Danon said in a statement on Sunday that the U.S. and Israel “do not deserve any condemnation, but rather an expression of appreciation and gratitude for making the world a safer place.”

Danon told reporters before the council meeting that it was still early when it came to assessing the impact of the U.S. strikes. When asked if Israel was pursuing regime change in Iran, Danon said: “That’s for the Iranian people to decide, not for us.”

The post UN Security Council Meets on Iran as Russia, China Push for a Ceasefire first appeared on Algemeiner.com.

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Israel Rejects Critical EU Report Ahead of Ministers’ Meeting

FILE PHOTO: Smoke rises from Gaza after an explosion, as seen from the Israeli side of the border, June 11, 2025. Photo: REUTERS/Amir Cohen/File Photo

Israel has rejected a European Union report saying it may be breaching human rights obligations in Gaza and the West Bank as a “moral and methodological failure,” according to a document seen by Reuters on Sunday.

The note, sent to EU officials ahead of a foreign ministers’ meeting on Monday, said the report by the bloc’s diplomatic service failed to consider Israel’s challenges and was based on inaccurate information.

“The Foreign Ministry of the State of Israel rejects the document … and finds it to be a complete moral and methodological failure,” the note said, adding that it should be dismissed entirely.

The post Israel Rejects Critical EU Report Ahead of Ministers’ Meeting first appeared on Algemeiner.com.

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Pope Leo Urges International Diplomacy to Prevent ‘Irreparable Abyss’

FILE PHOTO: Pope Leo XIV holds a Jubilee audience on the occasion of the Jubilee of Sport, at St. Peter’s Basilica, at the Vatican June 14, 2025. Photo: REUTERS/Yara Nardi/File Photo

Pope Leo on Sunday said the international community must strive to avoid war that risks opening an “irreparable abyss,” and that diplomacy should take the place of conflict.

US forces struck Iran’s three main nuclear sites overnight, joining an Israeli assault in a major new escalation of conflict in the Middle East as Tehran vowed to defend itself.

“Every member of the international community has a moral responsibility: to stop the tragedy of war before it becomes an irreparable abyss,” Pope Leo said during his weekly prayer with pilgrims.

“No armed victory can compensate for the pain of mothers, the fear of children, the stolen future. Let diplomacy silence the weapons, let nations chart their future with peace efforts, not with violence and bloody conflicts,” he added.

“In this dramatic scenario, which includes Israel and Palestine, the daily suffering of the population, especially in Gaza and other territories, risks being forgotten, where the need for adequate humanitarian support is becoming increasingly urgent,” Pope Leo said.

The post Pope Leo Urges International Diplomacy to Prevent ‘Irreparable Abyss’ first appeared on Algemeiner.com.

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