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A monthlong celebration of Israeli arts and culture comes to the 14th Street Y

(New York Jewish Week) — For the three weeks between the first day of Rosh Hashanah and the end of Simchat Torah, it’s hard to get anything done in Israel. With so many holidays in rapid succession, businesses open sporadically, bureaucratic necessities remain pending and many cultural events are put on hold.

In New York, though, a community of Israeli artists is overflowing with activity: Throughout the month of October, the Israeli Artists Project (IAP) is hosting the Stav Festival: A Celebration of Israeli Arts and Culture at the 14th Street Y. Featuring dozens of artists working in an array of media, festival events include performances by standup comics and musicians alongside productions of award-winning Israeli plays. Artists will provide workshops on everything from folk dancing or belly dancing to painting.

Named for the Hebrew word for autumn, the Stav Festival was originally slated for May 2020, when it would have been the Aviv (or Spring) Festival, but the COVID-19 pandemic meant that it had to be postponed. In his opening remarks at last week’s kickoff event, IAP president Yoni Vendriger said that the more than three-year delay may have been for the best. “We’ve had plenty of time to curate a month of events that bring together artists from so many walks of life,” he said.

Among the many and varied events is the New York debut of “The Holylanders,” an original play by Moria Zrachia. Originally commissioned and presented by Israel’s Cameri Theatre in Hebrew as “Shalom Lach Eretz,” this new, English-language version was adapted and directed by her brother and longtime collaborator, Matan Zrachia.

Moria’s work presents four stories of Israelis who have left their homeland, seeking their fortunes in various locales. In Matan’s version, the storylines remain intact but the locations are all in the United States. The couple who opened a hummus restaurant in Berlin are now in New York; the techie start-up crew trying to sell their company to a sheik in Dubai are now in Silicon Valley.

“I kept a lot of the original text because the humor itself is universal,” Matan Zrachia told the New York Jewish Week. “It doesn’t matter if a person has immigrated from Israel, or Mexico, or Guatemala, or Berlin — the feeling of strangeness is common to everyone. It’s about experiencing a cultural divide, relinquishing certain habits or customs because they’re no longer acceptable in a new place — all of that is the comedic engine of the original, and I left that as it was.”

While it’s true that any immigrant experience is one of foreignness, “The Holylanders” is not just any immigration story — it’s a very Israeli play. The protagonists are passionate, hotheaded, loyal to a fault — all character traits that were important to Matan to portray. “The jokes are, first and foremost, based on myself and my friends,” he said, explaining that he especially wanted to “accentuate the emotional way in which Israelis speak.”

Each of the play’s four scenes is a standalone story; together, the individual “episodes” seem to tell a tale of a generation having an identity crisis. None of the characters feel at home in their chosen American city, though all are handling these feelings of displacement in different ways. In the final “episode,” a group of four young women are in Atlanta, where they’re conning unsuspecting Americans into buying more Dead Sea skincare products than they need, when one of them, Michi, becomes overwhelmed with a longing for Israel.

It’s Yom Kippur and the secular group of friends had been planning to go to the swimming pool. Michi insists on going to synagogue, despite having no connection to religious practice, just to feel a connection to home. Across a cultural divide, they find a connection to the American Jewish community once they join the praying community in the sanctuary.

“What we see with that interaction is how, even though there are cultural differences, when a Jewish person sees another Jewish person, there’s a click. That connection that Jewish people have is unlike any other I’ve seen,” said Michael Kishon, a lead actor in “The Holylanders.”

Kishon,  who was raised in Manhattan by Israeli parents, said that, above all, the play is about connection. “In that first scene, which takes place in New York, you see how the couple is full of warmth, offering food and wanting to be themselves even though they also want to fit in.”

With their play, the Zrachia siblings aim to raise questions about identity, belonging and cross-cultural understanding. “Looking around, I see more questions than answers, both in the community in the U.S. and in the community I left behind in Israel,” said Matan, who has lived in Brooklyn for more than five years. “We’re trying to figure out how and why to go forward. Why is the second or third generation born in a country that was dreamed of for 2,000 years getting up and leaving? I think it’s important to represent the questions we’re asking through cultural events, and I think that can best be done through humor.”

There are no tense, quiet moments in “The Holylanders” — all interactions are aggrandized to the point of satire. The exaggerated comedic language also extends the American characters in the play: The dreamy Angeleno in episode three is fashioned after every stereotypical rom-com hero. The kindergarten teacher from New York is overly polite and cloying as she tries to wrangle Israeli parents into a conversation about their son. The rabbi from the synagogue in Atlanta might as well be a Christian pastor, standing in white robes and orating on seeking one’s way back to oneself. The effect is not one of viewing a reflection of Israeli and American interactions, so much as one of peering at the relationship in a fun-house mirror.

At a time in which Israel itself stands at a crossroads over its government’s effort to weaken the judiciary, among other controversial policies — trying to decide how and why to go forward — the play is a fascinating glimpse into the identity crises of those who choose to put down roots elsewhere.

“There were a lot of identity questions, especially in the Yom Kippur scene,” Bar Tenenbaum, an Israeli audience member who has lived in New York for three years, told the New York Jewish Week. “Who am I? Who am I missing? Am I Jewish? Am I an American all of a sudden? It felt like watching my group of friends — with all the secular Israeli culture. Usually when you go and watch a show about Judaism and Israelis it’s a different population, more religious, than the one that’s being presented here.”

Other notable events at the Stav Festival include a second New York run of “Best Friends,” a captivating take on the complexities of female friendship written by acclaimed Israeli playwright Anat Gov. The play, which won the 1999 Israeli National Theater Award for Best Comedy, had its NYC debut in March of 2023 to a series of sold-out performances, leading the cast to reprise their roles as part of the festival. Musical events run the gamut from the experimental, indie-jazz vocals of Chanan Ben-Simon and Noa Fort to traditional Yemenite music brought to stage along with intimate storytelling by Shlomit Levi. The calendar reflects an effort to curate a diverse experience that showcases the spectrum of Israeli creativity.

As Yael HaShavit, Israel’s Consul for Cultural Affairs in North America, indicated at the festival’s launch, there is no such thing as a monolithic Israeli culture — it’s complex and textured. “Our culture is the best form of diplomacy we have,” she said.


The post A monthlong celebration of Israeli arts and culture comes to the 14th Street Y appeared first on Jewish Telegraphic Agency.

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After False Dawns, Gazans Hope Trump Will Force End to Two-Year-Old War

Palestinians walk past a residential building destroyed in previous Israeli strikes, after Hamas agreed to release hostages and accept some other terms in a US plan to end the war, in Nuseirat, central Gaza Strip October 4, 2025. Photo: REUTERS/Mahmoud Issa

Exhausted Palestinians in Gaza clung to hopes on Saturday that US President Donald Trump would keep up pressure on Israel to end a two-year-old war that has killed tens of thousands and displaced the entire population of more than two million.

Hamas’ declaration that it was ready to hand over hostages and accept some terms of Trump’s plan to end the conflict while calling for more talks on several key issues was greeted with relief in the enclave, where most homes are now in ruins.

“It’s happy news, it saves those who are still alive,” said 32-year-old Saoud Qarneyta, reacting to Hamas’ response and Trump’s intervention. “This is enough. Houses have been damaged, everything has been damaged, what is left? Nothing.”

GAZAN RESIDENT HOPES ‘WE WILL BE DONE WITH WARS’

Ismail Zayda, 40, a father of three, displaced from a suburb in northern Gaza City where Israel launched a full-scale ground operation last month, said: “We want President Trump to keep pushing for an end to the war, if this chance is lost, it means that Gaza City will be destroyed by Israel and we might not survive.

“Enough, two years of bombardment, death and starvation. Enough,” he told Reuters on a social media chat.

“God willing this will be the last war. We will hopefully be done with the wars,” said 59-year-old Ali Ahmad, speaking in one of the tented camps where most Palestinians now live.

“We urge all sides not to backtrack. Every day of delay costs lives in Gaza, it is not just time wasted, lives get wasted too,” said Tamer Al-Burai, a Gaza City businessman displaced with members of his family in central Gaza Strip.

After two previous ceasefires — one near the start of the war and another earlier this year — lasted only a few weeks, he said; “I am very optimistic this time, maybe Trump’s seeking to be remembered as a man of peace, will bring us real peace this time.”

RESIDENT WORRIES THAT NETANYAHU WILL ‘SABOTAGE’ DEAL

Some voiced hopes of returning to their homes, but the Israeli military issued a fresh warning to Gazans on Saturday to stay out of Gaza City, describing it as a “dangerous combat zone.”

Gazans have faced previous false dawns during the past two years, when Trump and others declared at several points during on-off negotiations between Hamas, Israel and Arab and US mediators that a deal was close, only for war to rage on.

“Will it happen? Can we trust Trump? Maybe we trust Trump, but will Netanyahu abide this time? He has always sabotaged everything and continued the war. I hope he ends it now,” said Aya, 31, who was displaced with her family to Deir Al-Balah in the central Gaza Strip.

She added: “Maybe there is a chance the war ends at October 7, two years after it began.”

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Mass Rally in Rome on Fourth Day of Italy’s Pro-Palestinian Protests

A Pro-Palestinian demonstrator waves a Palestinian flag during a national protest for Gaza in Rome, Italy, October 4, 2025. Photo: REUTERS/Claudia Greco

Large crowds assembled in central Rome on Saturday for the fourth straight day of protests in Italy since Israel intercepted an international flotilla trying to deliver aid to Gaza, and detained its activists.

People holding banners and Palestinian flags, chanting “Free Palestine” and other slogans, filed past the Colosseum, taking part in a march that organizers hoped would attract at least 1 million people.

“I’m here with a lot of other friends because I think it is important for us all to mobilize individually,” Francesco Galtieri, a 65-year-old musician from Rome, said. “If we don’t all mobilize, then nothing will change.”

Since Israel started blocking the flotilla late on Wednesday, protests have sprung up across Europe and in other parts of the world, but in Italy they have been a daily occurrence, in multiple cities.

On Friday, unions called a general strike in support of the flotilla, with demonstrations across the country that attracted more than 2 million, according to organizers. The interior ministry estimated attendance at around 400,000.

Italy’s right-wing government has been critical of the protests, with Prime Minister Giorgia Meloni suggesting that people would skip work for Gaza just as an excuse for a longer weekend break.

On Saturday, Meloni blamed protesters for insulting graffiti that appeared on a statue of the late Pope John Paul II outside Rome’s main train station, where Pro-Palestinian groups have been holding a protest picket.

“They say they are taking to the streets for peace, but then they insult the memory of a man who was a true defender and builder of peace. A shameful act committed by people blinded by ideology,” she said in a statement.

Israel launched its Gaza offensive after Hamas terrorists staged a cross border attack on October 7, 2023, killing some 1,200 people and taking 251 people hostage.

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Hamas Says It Agrees to Release All Israeli Hostages Under Trump Gaza Plan

Smoke rises during an Israeli military operation in Gaza City, as seen from the central Gaza Strip, October 2, 2025. Photo: REUTERS/Dawoud Abu Alkas

Hamas said on Friday it had agreed to release all Israeli hostages, alive or dead, under the terms of US President Donald Trump’s Gaza proposal, and signaled readiness to immediately enter mediated negotiations to discuss the details.

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