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A new film unspools the storied life of Jewish outsider artist and Nuremberg trials guard Nathan Hilu
(New York Jewish Week) — In the documentary film “Nathan-ism,” Jewish artist Nathan Hilu is hardly ever without a Sharpie or crayon in his hand, drawing something from his memories.
Hilu was a Lower East Side native who, as a U.S. soldier at 19, was assigned to guard Nazi war criminals at the Nuremberg trials. The experience left an indelible mark upon him: In the ensuing decades, Hilu processed these memories by obsessively creating art from this time in his life, often repeating the same images, simple figures with words written around them in a messy if compelling scribble.
“I’m not really a big, great artist. I’m a memory man,” Hilu, who died in 2019 at 93, says in the film, which will have its New York premiere at the Doc NYC Festtival on Tuesday. “That’s where my pictures come from.”
In 2012, Tablet Magazine called Hilu the “most significant Jewish Outsider artist you’ve never heard of.” With the documentary, Israeli-American filmmaker and editor Elan Golod is hoping to change that. He’s spent the past eight years making “Nathan-ism,” which chronicles both Hilu’s daily life as a lonely, aging veteran and the history of the Nuremberg trials. The result is a movie that takes us inside the obsessive mind and cluttered apartment of a unique New York artist who is desperate for his story as a witness to one of the most significant trials in history to be heard.
“It’s not that he feels like drawing, he has to draw — it’s a way of communicating,” curator Laura Kruger, who has been credited with “discovering” Hilu, told the New York Jewish Week about Hilu in 2019. “I really believe he is an exceptional talent.”
Golod first learned about the artist eight years ago when he read an article about a small retrospective of Hilu’s art at Hebrew Union College’s museum that was curated by Kruger. “I was fascinated by the circumstances of his story, but also the dissonance between a very heavy subject matter done in colorful Crayola colors,” Golod told the New York Jewish Week. “That felt cinematic to me.”
Golod envisioned his project as a short film, and at first Hilu, not understanding Golod’s intentions, was hesitant to participate. But after a few phone calls and in-person meetings without the camera, Hilu warmed up to the filmmaker. Golod ended up filming Hilu throughout the last four years of his life; each time he visited — usually once every week or two — Hilu would show him a shopping bag full of art he had made since their last meeting.
Jewish outsider artist Nathan Hilu, as seen in the documentary about him by Elan Golod, “Nathan-ism.” (Courtesy Elan Golod)
He ended up with more than 300 hours of film of Hilu, who shares with Golod his memories of how well the Nazis were treated in jail, as well as the time Hitler’s chief architect Albert Speer told him that Hitler made a mistake and didn’t have to kill the Jews.
Hilu was generous with his time and he was equally generous with his work: Golod estimates that he has about 1,000 pieces of Hilu’s art in storage. “He wasn’t very precious about holding onto his art,” he said. “He just wanted it to be out in the world.” Golod said he also donated some of the art to Hebrew Union College on Hilu’s behalf, while some of Hilu’s self portraits hang in Golod’s office in New York.
Other talking heads in the film include Kruger; counselor for war crimes accountability for the U.S. Department of Justice Eli Rosenbaum; and art journalist Jeannie Rosenfeld, who all weigh in on the importance, volume and validity of his work.
The film also demonstrates the importance of oral history — specifically, historical events as remembered by those were there — while also grappling with the fallible nature of memory. As Hilu draws and narrates his often-repeated stories of his encounters with Nazi criminals, he is quick to emphasize that though some of his stories don’t sound true, he insists they all are. As Hilu says in the film, “I am no historian. All I can do is show you my part of history.”
In the film, Golod endeavors to verify Hilu’s stories, albeit with mixed results — largely because a 1973 fire destroyed Hilu’s military records. And yet, even if the details get hazy, Golod insists that Hilu never tried to intentionally dupe anyone, he was simply expressing his version of events as he remembered them. “I think he’s obviously telling his truth,” Golod said.
Hilu was a complicated subject. He had a lot of input for Golod about what should be included in the film — and many of Hilu’s “notes” made their way into the final product. “Nathan wasn’t the most amenable to being directed,” Golod said. “Whenever I would film him, it would pretty much be him doing show-and-tell with the latest works that he had done, and the only ways I could direct the conversation was to choose which pieces I wanted him to talk about, or ask specific questions about something in the piece he was showing. Deviating from that structure didn’t work for him and he’d be resistant to going off the path that he had set for us.”
But after spending so many years together, Hilu began to open up to Golod beyond his usual narrative. “It took several years of us being together for him to let his guard down,” Golod said, referring to a part of the film in which Hilu discusses his difficult relationship with his father, an immigrant from Syria whose expectations for his son didn’t align with Hilu’s artistic nature.
“I feel like if I tried to make this film in a shorter time frame, I probably wouldn’t have gotten that level of vulnerability from Nathan,” Golod said.
Though Hilu has been dead for four years, Golod said that, in a way, he only recently started grieving. “It’s hitting me more this past year, since the film has come out, versus when he actually passed, because I was still constantly editing the footage and it felt like he was still there,” he said.
After the New York premiere next week, “Nathan-ism” will continue to make its way through the festival circuit. Golod is most excited about a special screening planned for February inside Courtroom 600 at the Nuremberg Palace of Justice where the infamous trials took place. “For Nathan’s legacy, it’s incredible and amazing how the story is coming full circle,” Golod said.
“Nathan-ism” will be screening on Tuesday, Nov. 14 and Thursday, Nov. 16 as part of the Doc NYC Festival. Online screenings are also available from Nov. 15-26. Get tickets and info here.
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The post A new film unspools the storied life of Jewish outsider artist and Nuremberg trials guard Nathan Hilu appeared first on Jewish Telegraphic Agency.
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Drexel University Professor Stole Signs From Synagogue, Police Say
Illustrative: People pass a cluster of signs outside a pro-Hamas encampment at Northwestern University in Evanston, Ill. on April 28, 2024. Photo: Max Herman via Reuters Connect
A Drexel University professor allegedly participated in a mass theft of items from a synagogue in a suburb outside Philadelphia, a local NBC affiliate reported on Tuesday.
Mariana Chilton, 56, a professor of health management and policy at Drexel, has been accused of stealing pro-Israel signs from the Main Line Reform Temple in Lower Merion Township, traveling there from her neighborhood of residency, Wynnewood, Pennsylvania. Chilton allegedly drove the getaway car while two other accomplices, Sarah Prickett and Sam Penn — who is from New York — trespassed the synagogue and absconded with the loot.
“We are just taking them because we feel like it is a representative of genocide,” Chilton told law enforcement after being caught in the act, the report stated. She then, after offering to “just put them back,” refused to identify herself and comply with other lawful orders.
Video evidence provided by a local resident placed Chilton and her accomplices at the scene of the crime, and a Main Line Reform Temple official identified the signs recovered from her car as the temple’s property. That was enough for law enforcement to charge her with several offenses, including conspiracy and theft. She is also charged with driving without a license and not registering her vehicle.
Drexel University has not responded to The Algemeiner‘s request for comment for this story.
Experts have told The Algemeiner in the past academic year that while the conduct of anti-Zionist students should be reported on, the role of faculty in fostering and engaging in antisemitic acts should be closely scrutinized. Last semester, anti-Zionist faculty attached themselves to anti-Israel, pro-Hamas demonstrations, sometimes breaking the law by preventing officers from dispersing unauthorized demonstrations and detaining lawbreakers.
At Northeastern University in Boston, professors formed a human barrier around a student encampment to stop its dismantling by officers, and at Columbia University, anti-Zionist faculty at the school, as well its affiliate Barnard College, staged a walkout in support of the demonstrations and demanded the abeyance of disciplinary sanctions against anti-Zionist students — dozens of whom cheered Hamas and threatened more massacres of Jews similar to Oct. 7 — who violated school rules.
Chilton’s case is unlike any other reported in the past year, however. While dozens of professors have been accused of abusing their Jewish students and encouraging their classmates to bully and shame them, none are alleged to have resorted to stealing from a Jewish house of worship to make their point.
Mass participation of faculty in pro-Hamas demonstrations marks an inflection point in American history, Asaf Romirowsky, an expert on the Middle East and executive director of Scholars for Peace in the Middle East, told The Algemeiner in April.
Since the 1960s, he explained, far-left “scholar activists” have gradually seized control of the higher education system, tailoring admissions processes and the curricula to foster ideological radicalism and conformity, which students then carry with them into careers in government, law, corporate America, and education. This system, he concluded, must be challenged.
“The cost of trading scholarship for political propagandizing has been a zeal and pride among faculty who esteem and cheer terrorism, a historical development which is quite telling and indicative of the evolution of the Marxist ideology which has been seeping into the academy since the 1960s,” Romirowsky said. “The message is very clear to all of us who are looking on from the outside at this, and institutions have to begin drawing a red line. The protests are not about free speech. They are about supporting terrorism, about calling for a genocide of Jews.”
Follow Dion J. Pierre @DionJPierre.
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White House Cites Biden Clash With Netanyahu Over Iran as Proof of President’s Mental Fitness
US President Joe Biden hosts the 2023 Teacher of the Year event at the White House in Washington, US, April 24, 2023. Photo: REUTERS/Kevin Lamarque
Amid growing concerns over US President Joe Biden’s mental fitness, key White House officials are suggesting his foreign policy discussions with Israeli Prime Minister Benjamin Netanyahu, including a clash over how to respond to Iran’s unprecedented military attack on the Israeli homeland earlier this year, serve as evidence that he is still capable of leading from the Oval Office.
Biden and Netanyahu engaged in a heated back-and-forth in the immediate aftermath of Iran launching a massive missile and drone salvo at Israel in April, according to a new report by the New York Times. The US and other allies helped Israel shoot down nearly every drone and missile. The attack caused only one injury.
However, the Times revealed that while Netanyahu initially wanted to respond to Iran in a forceful way, Biden threatened to withhold US support in the event of a major Israeli retaliatory strike, arguing it would risk sparking a regional conflict in the Middle East.
“Aides present in the Situation Room the night that Iran hurled a barrage of missiles and drones at Israel portrayed a president in commanding form, lecturing Prime Minister Benjamin Netanyahu by phone to avoid a retaliatory escalation that would have inflamed the Middle East,” the Times reported. “‘Let me be crystal clear,’ Mr. Biden said. ‘If you launch a big attack on Iran, you’re on your own.’”
“Mr. Netanyahu pushed back hard, citing the need to respond in kind to deter future attacks,” the report continued. “‘You do this,’ Mr. Biden said forcefully, ‘and I’m out.’ Ultimately, the aides noted, Mr. Netanyahu scaled back his response.”
Israel’s military response was small and appeared aimed at minimizing the risk of escalation.
The Times report, headlined “Biden’s Lapses Are Said to Be Increasingly Common and Worrisome,” came on the heels of Biden delivering a widely-panned presidential debate performance last Thursday against former US President Donald Trump. Biden’s performance, which oftentimes appeared incoherent and muddled, set off alarm bells in Democratic circles, sending the president’s allies scrambling to extinguish concerns over his age and mental acuity.
While highlighting rising concerns, the news story also noted instances in which, according to aides, Biden appeared coherent and capable, citing the exchange with Netanyahu and his handling of the Iranian missile attack more broadly as one such example.
However, an anonymous Biden administration official told the Times that they are unsure whether Biden could hold his own against adversarial foreign leaders such as Vladimir Putin of Russia.
On Wednesday, the White House directly attributed quotes to Netanyahu in which the Israeli premier reportedly said he found Biden “very clear and very focused” during his visit to Israel following the Oct. 7 attacks by Hamas. According to a White House spokesperson, Netanyahu also reportedly cited the “more than a dozen phone conversations, extended conversations with President Biden” as evidence of the commander-in-chief’s vitality.
“Some White House officials adamantly rejected the suggestion of a president not up to handling tough foreign counterparts and told the story of the night Iran attacked Israel in April,” the New York Times reported. “Mr. Biden and his top national security officials were in the Situation Room for hours, bracing for the attack, which came around midnight. Biden was updated in real time as the forces he ordered into the region began shooting down Iranian missiles and drones. He peppered leaders with questions throughout the response.”
During its first direct attack on Israeli territory, Iran in April launched roughly 300 missiles and drones at the Jewish state.
Leading up to the attack, Iranian officials had promised revenge for an airstrike on Iran’s consulate in Damascus, Syria that they attributed to Israel. The strike killed seven members of Iran’s Islamic Revolutionary Guards Corps (IRGC), a widely designated terrorist organization, including two senior commanders. One of the commanders allegedly helped plan the Hamas terrorist group’s Oct. 7 massacre across southern Israel.
Israel has neither confirmed nor denied involvement in the incident.
“After it was over, and almost all of the missiles and drones had been shot down, Mr. Biden called Mr. Netanyahu to persuade him not to escalate. ‘Take the win,’” Mr. Biden told the prime minister, without reading from a script or extensive notes, according to two people in the room. In the end, Mr. Netanyahu opted for a much smaller and proportionate response that effectively ended the hostilities,” the article added.
Days later, Israel responded to the Iranian aggression by launching a modest missile attack on an airbase near Isfahan. The Jewish state sought to show that it could effectively target key strategic locations in Iran while not escalating the conflict any further. Netanyahu insisted on launching a retaliatory attack against Iran, arguing that ignoring the Iranian strikes would incentivize more attacks against the Jewish state.
IRGC Brigadier General Amir Ali Hajizadeh said that Iran is waiting for “the opportunity” to launch a new round of strikes against Israel, Iranian media reported on Tuesday, potentially boosting Netanyahu’s argument that a smaller response would invite further attacks.
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Journalist at US-Based Nonprofit Promoted Stabbing Israelis, Depicted Rescued Hostage as Pig Drinking Blood: Report
Palestinian terrorists ride an Israeli military vehicle that was seized by gunmen who infiltrated areas of southern Israel, in the northern Gaza Strip, Oct. 7, 2023. Photo: REUTERS/Ahmed Zakot
A journalist at a US-based nonprofit posted tutorials on how to commit stabbing attacks and depicted a rescued Israeli hostage as a pig drinking blood, according to newly surfaced social media posts.
Eitan Fischberger, a communications analyst and former Israel Defense Forces (IDF) staff sergeant who first broke the story on X/Twitter, alleged that Mahmoud Ajjour, a correspondent for The Palestine Chronicle, posted disturbing images and videos to his Instagram page.
Fischberger posted screenshots and screen recordings of the posts.
According to The Chronicle‘s website, Ajjour is a photojournalist and correspondent for the outlet, which is a US-based 501c3, or nonprofit organization.
One of the posted images depicted Noa Argamani — an Israeli who was kidnapped from the Nova music festival during Hamas’ Oct. 7 terrorist attacks in southern Israel, and then rescued in an IDF special operation last month — as a pig drinking blood from a Coca-Cola bottle.
Here, for example, Ajjour posted a picture of Israeli hostage Noa Argamani, portrayed as a pig drinking the blood of Palestinians.
Noa, as you recall, was freed by Israeli forces in the same rescue operation in which Ajjour’s terrorist colleague was killed pic.twitter.com/oiLCqekxbl
— Eitan Fischberger (@EFischberger) June 30, 2024
In Oct. 2015, Ajjour posted a picture of a masked Palestinian holding up a knife, with the caption, “I declare it a revolution.”
That time — from approximately Sept. 2015 to June 2016 — was referred to as the “knife intifada,” as there was an uptick in Palestinian terrorist attacks, particularly using knives, against Israelis in Jerusalem, along with other parts of Israel and the West Bank.
Ajjour also seems mighty fine endorsing stabbing attacks pic.twitter.com/xi2MnZVddl
— Eitan Fischberger (@EFischberger) June 30, 2024
During that same month, Ajjour also reportedly posted a two-part tutorial on how to carry out stabbings with the caption, “May Allah protect them,” likely referring to those who were engaging in such attacks.
So much, in fact, that he uploaded a two-part instruction video showing off some best practices for stabbing Israelis pic.twitter.com/Z12rVo4Enx
— Eitan Fischberger (@EFischberger) June 30, 2024
Then, in 2023, after the son of a Hamas preacher was killed when a device he was trying to launch at Israel exploded, Ajjour mourned his death on Instagram. “Your father’s legacy is proud of you,” he wrote alongside a picture that included what appeared to be a Hamas flag.
And here, Ajjour mourns the death of Bara’a al-Zard, son of Hamas preacher Wael al-Zard.
Silly Bara’a died in an explosion caused by a device he was trying to launch at Israeli forces near the Gaza security fencehttps://t.co/vZR6IW0shF pic.twitter.com/ipQw55BYd7
— Eitan Fischberger (@EFischberger) June 30, 2024
This is not the first time a journalist from The Palestine Chronicle was alleged to have either supported or partaken in terrorism.
Abdallah Aljamal, who was a correspondent for The Chronicle, allegedly held three Israeli hostages in his home, according to the Israeli government. He was killed during a raid that rescued four hostages, including Argamani. After the allegations came to light, The Chronicle changed Aljamal’s status on its website from a correspondent to a contributor.
The Palestine Chronicle did not respond to a request for comment for this story.
Fichberger wrote that he wants the US House Ways and Means Committee to investigate The Chronicle for what seems to have become a pattern.
“If The Chronicle is let off the hook for employing an actual terrorist hostage-taker, it would prove that the American counter-terror legal apparatus really is irreparably broken,” he wrote.
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