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A new Jewish play imagines a New York were everyone gets along
(New York Jewish Week) — Lou Bettinger, a stubborn but discerning businessman, has run a dingy luggage shop on the Lower East Side for 60 years when the new play “Bettinger’s Luggage” begins.
“I know everything about luggage,” Lou (Richard MacDonald) says, as he give an interview promoting his family’s store on a fictitious news program. “Luggage is my middle name.”
Set on Delancey Street in 1974, “Bettinger’s Luggage” follows Jewish patriarch Lou Bettinger and his hapless son, George (Connor Chase Stewart), who eschews taking over the family business in favor of pursuing his dreams of stand-up comedy. The father and son spar about the future while their neighbors flirt and fall in love, reminisce about their lives before they came to the U.S., and come together to heal when tragedy strikes.
With its liberal use of Yiddishisms, combined with fast-paced, pithy dialogue stuffed full of 1970s pop culture references, “Bettinger’s Luggage,” now running at Midtown’s AMT Theater taps into a powerful nostalgia of a bygone New York.
But unlike the real-life 1970s, which saw a New York City besieged by “white flight,” economic woes and violence, “Bettinger’s Luggage” envisions a New York without racial or ethnic strife. “I needed to write something that showed that people really can get along,” playwright Albert Tapper said of his semi-fictional Lower East Side, which places the Jewish-owned luggage store next to a Greek restaurant and a hardware store owned by an Irish immigrant.
A veteran producer, composer and playwright, Tapper’s version of the Lower East Side has characters unite in a shared New York identity without compromising what makes them unique. Lisa (Katherine Schaber) shares pastries from her family’s Italian bakery with the Bettingers while Lou attempts to teach her Yiddish. Meanwhile Lou, fearing that his son, George, won’t succeed in comedy confides in Lisa that he doesn’t want his son to be “a balagula, a schlemiel” — Yiddish for a person of low standing and a fool.
“Oh, a stunad,” she replies, using the Italian word for an idiot or stupid person, eliciting laughter from the audience.
“The idea of my writing this was to be able to have a neighborhood filled with people of all different nationalities and ethnicities and [show] how well they get along,” Tapper, who is in his 80s, said. Even when Lou calls his luggage shop worker Angel (Sean Church-Gonzalez) a “dumb shaygetz,” or non-Jewish man, he does so in jest — and fights off a racist patron who threatens the store.
Tapper’s inspiration for the play, directed by Steven Ditmyer, is based on his late real-life friend George Bettinger, a comedian and the son of a luggage store owner. The genial image of a bygone Lower East Side business community got the wheels turning in Tapper’s head, and he ran away with his own vision of a family-owned luggage store.
Many of the neighborhood denizens in the play, however, were inspired by Tapper’s own family and his upbringing in Worcester, Massachusetts. Tapper would “merge George’s father with my father” throughout the writing process, he said, creating a world that is both familiar to Jewish New Yorkers and unique to Tapper’s milieu.
The comedic nature of the play strikes a comforting chord for Jewish New Yorkers and differs from other Jewish theatrical fare of the past year. Unlike recent Broadway hits “Parade” and “Leopoldstadt” — which are both focused on historical stories of violence and antisemitism — “Bettinger’s Luggage” uses a father and son’s day-to-day life to begin a conversation about discrimination and cross-cultural communication.
“I’ve written seven or eight shows — none of them have dealt with antisemitism,” Tapper told the New York Jewish Week.
At the same time, however, Tapper admits that antisemitism — where it comes from, how to combat it, or why it has increased so much in the United States — keeps him up at night. “It’s just my life’s quest, and I know that sounds dramatic,” Tapper said. “But my life’s quest is to find out why people hate the Jews.”
That driving question has led Tapper, who splits his time between Midtown Manhattan and Boca Raton, Florida, back to his alma mater of Boston University, where he co-wrote the musical “National Pastime” with Tony Sportiello when he was 20. After finding success as a playwright and producer of film and television, including the documentary “Broadway: The Golden Age,” he’s endowed scholarships for lower-income students. His goal is to increase the diversity of the student population at B.U., which the Elie Wiesel Center for Jewish Studies estimates is about 25 percent Jewish.
Tapper is also working with Clark University’s Strassler Center for Holocaust and Genocide Studies, where he has endowed a graduate scholarship, and with Brandeis University. “I told [university president Ronald D. Leibowitz], who’s a personal friend of mine, that I would like to contribute money to the school if they would put a course on antisemitism in their curriculum,” he said. He hopes that the scholarly research will be able to pinpoint why “people have hated the Jews for 3,000 years.”
Tapper is giving back to the theater community as well. When he and Sportiello, his frequent artistic collaborator since the 2008 musical “Sessions,” struggled to find an appropriate space to workshop “Bettinger’s Luggage,” they reasoned that raising the funds to buy a new theater space would both ensure their success and allow them to pay it forward for other artists. Sportiello now serves as the artistic director of Midtown’s AMT Theater, and Tapper as the venue’s main producer. “There’s not that many of them,” Tapper said of Off- and Off-Off-Broadway theaters. “And the demand for theaters is enormous. So I said, ‘Well, let’s build our own theater.’”
Plenty of emerging artists create their own theater ensembles, but affording and securing a physical performance space is a different ball game. Tapper recognizes this and is proud that the theater is now rented out to other artists through the end of 2024. Now, said Tapper, “We can do our shows, and we can rent it out to others who are doing other works. We have the combination and it serves us well.”
Like the Bettingers and the other characters who populate their Lower East Side storefront, Tapper knows that people thrive best in community — whether a community of artists, of Jews, or both. When that sense of community is breached, we may feel that we face our struggles alone.
Another reason that Tapper felt compelled to write “Bettinger’s Luggage” in this moment is because of the loss of the real George Bettinger, who died by suicide five years ago. “I spent a great deal of time with him when he lived in New York, and he would tell me his life story with sadness and humor,” Tapper said. “I felt it was everybody’s story, so I put pen to paper.”
“Bettinger’s Luggage” is at AMT Theater, 354 West 45th St., through Oct. 25. Details and tickets here.
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The post A new Jewish play imagines a New York were everyone gets along appeared first on Jewish Telegraphic Agency.
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Al Jazeera Hit With Defamation Lawsuit by Syrian Jewish Ex-Refugee
The Al Jazeera Media Network logo is seen on its headquarters building in Doha, Qatar, June 8, 2017. Photo: REUTERS/Naseem Zeitoon
A defamation lawsuit was filed against the Qatar-based Al Jazeera media network on Wednesday by Abraham Hamra, a Syrian pro-Israel advocate and lawyer.
According to the lawsuit, which was filed in the US District Court for the Eastern District of New York, Hamra “is a Jewish refugee from Syria, born in Damascus. He fled Syria with his parents and siblings in 1994 at the age of eight, following the partial lifting of restrictions on Jewish emigration by the Syrian regime under President Hafez al-Assad in 1992.”
The Algemeiner obtained a copy of the complaint, which explains that, on Aug. 25, Al Jazeera posted a video claiming that Hamra was paid by the Israeli government to visit an aid site of the Gaza Humanitarian Foundation (GHF), an Israel- and US-backed program that delivers aid directly to Palestinians, operating independently from UN-backed mechanisms.
“This accusation is false in its entirety. Plaintiff has never received any payment, compensation, or financial incentive from the Israeli government or any affiliated entity for visiting aid sites in Gaza,” the lawsuit claims.
“The visit by Plaintiff related to Israel and Gaza was undertaken independently, in his personal capacity, on his own dime, as an advocate for his community and to bear witness against misinformation,” the suit continues.
The UN and critics of Israel have expressed concerns that the GHF’s approach forces civilians to risk their safety by traveling long distances across active conflict zones to reach one of its four food distribution points, at times creating chaotic scenes where Israeli forces have used gunfire to control the crowd.
However, supporters of the GHF argue that it bypasses the Palestinian terrorist group Hamas, which often steals humanitarian supplies for its own purposes and sells the rest at inflated prices. The GHF has called on the UN to publicly condemn the killing of aid workers in Gaza and to collaborate in order to provide relief to the enclave’s population, accusing the UN of perpetuating a “vast disinformation campaign” aimed at tarnishing the foundation’s image.
The lawsuit notes that the social media post from Al Jazeera, which included the image of Hamra, “cites no sources for the ‘reportedly paid’ claim, and publicly available information about Plaintiff, including his professional bio, social media posts, and known activities, demonstrates he is an independent US attorney with no financial ties to foreign governments.”
Al Jazeera also “failed to conduct even basic fact-checking, such as contacting Plaintiff for comment or verifying the allegation, despite their status as a major media network with resources to do so,” according to the lawsuit.
Al Jazeera did not respond to a request for comment from The Algemeiner.
The lawsuit argues why the allegedly false claim rises to the level of libel, saying it “constitutes libel per se under New York law because it accuses Plaintiff of committing a serious crime, namely, violating FARA [the Foreign Agents Registration Act] by acting as an unregistered foreign agent for Israel, and tends to injure him in his profession as a lawyer.”
“FARA requires individuals acting as agents of foreign principals to register with the US Department of Justice, and failure to do so is a federal offense punishable by fines and imprisonment,” the suit says. “By falsely alleging Plaintiff was paid by a foreign government to promote its interests, the statement implies criminal conduct and undermines his professional integrity.”
Consequently, Hamra is seeking payment for damages of at least $1,00,000 and requesting a trial by jury.
Read the lawsuit here: Hamra v Al Jazeera ECF No. 1 Complaint
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US Lawmakers Launch Investigation Into Wikipedia Over Claims of Systemic Anti-Israel Bias
US Rep. Nancy Mace (R-SC). Photo: Reuters
The US House Committee on Oversight and Government Reform has opened an investigation into the nonprofit that operates the Wikipedia website, demanding answers over concerns that hostile foreign actors are exploiting the popular online encyclopedia to spread anti-Israel propaganda and antisemitic narratives.
Republican Reps James Comer (KY), who chairs the committee, and Nancy Mace (SC), who chairs the panel’s subcommittee on cybersecurity, information technology, and government innovation, on Wednesday sent a letter to Maryana Iskander, chief executive of the Wikimedia Foundation, asking the nonprofit to turn over records showing how the platform polices disinformation campaigns that target articles related to Israel and the Middle East.
The lawmakers cited studies showing that pro-Russia networks and other state-backed operations have sought to manipulate Wikipedia entries on conflicts involving Israel, often by inserting anti-Israel or antisemitic framing designed to sway Western audiences. The Anti-Defamation League (ADL), for example, published a report earlier this year arguing that “malicious” Wikipedia editors have inserted anti-Israel bias onto the site, oftentimes violating the organization’s neutrality policies in the process.
Meanwhile, a report from the Atlantic Council’s Digital Forensic Research Lab found evidence of Russian-linked attempts to shape narratives used to train AI chatbots by twisting information about Israel.
“The Committee on Oversight and Government Reform is investigating the efforts of foreign operations and individuals at academic institutions subsidized by US taxpayer dollars to influence US public opinion,” Comer and Mace wrote. They emphasized the importance of stopping organized attempts to “inject bias into important and sensitive topics.”
Specifically, the committee is demanding records on possible coordination by nation-states or academic institutions to influence Wikipedia pages, internal arbitration files documenting how the site has handled editor misconduct, identifying data for accounts flagged for suspicious activity, and any analysis showing patterns of manipulation tied to antisemitism or the Israeli-Palestinian conflict. The letter also requests details of Wikipedia’s editorial policies to ensure neutrality and prevent the spread of bias.
Although the committee acknowledged that most online platforms face disinformation threats, the letter stressed that Wikipedia’s outsized influence as one of the most visited websites in the world and a key training source for artificial intelligence systems makes it especially important to prevent anti-Israel narratives from taking root unchecked.
The Wikimedia Foundation has previously stated that it takes action against volunteer editors who violate neutrality rules, but lawmakers say further transparency is needed to guarantee accountability.
However, a detailed investigation by Pirate Wires in October 2024 revealed that a powerful group of roughly 40 Wikipedia editors coordinated to “delegitimize Israel, present radical Islamist groups in a favorable light, and reshape the narrative around Israel with alarming influence,” particularly after the Hamas-led Oct. 7, 2023, massacre across southern Israel. Notably, one editor removed mention of Hamas’s 1988 charter, which calls for the killing of Jews and the destruction of Israel, from the Hamas article just six weeks after the attack. The group also reportedly sought to suppress documented human-rights abuses by Iran, and a related effort by a Discord-based collective known as “Tech For Palestine” coordinated mass editing of articles related to the Israeli-Palestinian conflict.
According to a report by the Jewish Journal, Wikipedia’s arbitration committee (ArbCom) permanently banned two editors outright for engaging in off-platform coordination tied to the “Tech for Palestine” Discord campaign, citing violations of policies. Additionally, the committee imposed indefinite topic bans on eight editors in the Israeli-Palestinian area for disruptive behavior such as non-neutral editing, personal insults, and misrepresentation of sources. In December 2024, ArbCom permanently banned two anti-Israel editors and placed restrictions on three others for violation of site policies in the Israeli-Palestinian topic area.
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Tunisian Brothers to Face Trial for Cutting Down Olive Tree Honoring Murdered Jew Ilan Halimi in France
A crowd gathers at the Jardin Ilan Halimi in Paris on Feb. 14, 2021, to commemorate the 15th anniversary of Halimi’s kidnapping and murder. Photo: Reuters/Xose Bouzas/Hans Lucas
Two Tunisian twin brothers have been arrested in France after allegedly cutting down an olive tree that had been planted to honor Ilan Halimi, a young French Jewish man tortured to death nearly a decade ago.
According to the Bobigny prosecutor’s office, two 19-year-old undocumented men with prior convictions for theft and violence were arrested for vandalizing Halimi’s memorial in the northern Paris suburb of Épinay-sur-Seine.
Both brothers appeared in criminal court on Wednesday and were remanded in custody pending their trial, scheduled for Oct. 22.
They will face trial on charges of “aggravated destruction of property” and “desecration of a monument dedicated to the memory of the dead on the basis of race, ethnicity, nationality, or religion,” offenses that, according to prosecutors, carry a sentence of up to two years in prison.
Both suspects were taken into custody around noon on Monday while returning to the crime scene, French media reported.
Investigators tracked them down after discovering two slices of watermelon left by the perpetrators at the base of the olive tree, which contained their DNA.
Halimi was abducted, held captive, and tortured in January 2006 by a gang of about 20 people in a low-income housing estate in the Paris suburb of Bagneux.
Three weeks later, Halimi was found in Essonne, south of Paris, naked, gagged, and handcuffed, with clear signs of torture and burns. The 23-year-old died on the way to the hospital.
In 2011, an olive tree was planted in Halimi’s memory. Earlier this month, the memorial was found felled — probably with a chainsaw — in the northern Paris suburb of Epinay-sur-Seine.
Halimi’s memory has faced attacks before, with two other trees planted in his honor vandalized in 2019 in Essonne, where he was found dying near a railway track.
Hervé Chevreau, the mayor of Épinay, announced that a new memorial tree will be planted in the second half of September.
After the attack, French President Emmanuel Macron condemned the incident, vowing that the perpetrators would be brought to justice.
“Felling the tree in honor of Ilan Halimi is a second attempt on his life,” the French leader said in a post on X.
Halimi’s sister, Anne-Laure Abitbol, also condemned the incident, warning that public denunciations are no longer enough and calling for concrete action.
“In France, we are no longer safe, neither alive nor dead,” Abitbol told RTL in an interview.
“I feel less safe in France,” she said. “By recognizing a Palestinian state, Macron is encouraging antisemitism and failing to take action against antisemitic attacks in the country.”
Last month, Macron announced that France will recognize a Palestinian state at the United Nations General Assembly in September as part of its “commitment to a just and lasting peace in the Middle East.”
Israeli officials have criticized the move, which was followed by several other Western countries, calling it a “reward for terrorism.”
France’s Jewish community has faced a troubling surge in antisemitic incidents and anti-Israel sentiment since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
Jewish leaders have consistently called on authorities to take swift action against the rising wave of targeted attacks and anti-Jewish hate crimes they continue to face.
According to the French Interior Ministry, 646 antisemitic incidents were recorded from January to June this year — a drop from the previous year’s first-half record high but a 112.5 percent increase compared with the same period in 2023, when 304 incidents were reported.