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A new Jewish play imagines a New York were everyone gets along
(New York Jewish Week) — Lou Bettinger, a stubborn but discerning businessman, has run a dingy luggage shop on the Lower East Side for 60 years when the new play “Bettinger’s Luggage” begins.
“I know everything about luggage,” Lou (Richard MacDonald) says, as he give an interview promoting his family’s store on a fictitious news program. “Luggage is my middle name.”
Set on Delancey Street in 1974, “Bettinger’s Luggage” follows Jewish patriarch Lou Bettinger and his hapless son, George (Connor Chase Stewart), who eschews taking over the family business in favor of pursuing his dreams of stand-up comedy. The father and son spar about the future while their neighbors flirt and fall in love, reminisce about their lives before they came to the U.S., and come together to heal when tragedy strikes.
With its liberal use of Yiddishisms, combined with fast-paced, pithy dialogue stuffed full of 1970s pop culture references, “Bettinger’s Luggage,” now running at Midtown’s AMT Theater taps into a powerful nostalgia of a bygone New York.
But unlike the real-life 1970s, which saw a New York City besieged by “white flight,” economic woes and violence, “Bettinger’s Luggage” envisions a New York without racial or ethnic strife. “I needed to write something that showed that people really can get along,” playwright Albert Tapper said of his semi-fictional Lower East Side, which places the Jewish-owned luggage store next to a Greek restaurant and a hardware store owned by an Irish immigrant.
A veteran producer, composer and playwright, Tapper’s version of the Lower East Side has characters unite in a shared New York identity without compromising what makes them unique. Lisa (Katherine Schaber) shares pastries from her family’s Italian bakery with the Bettingers while Lou attempts to teach her Yiddish. Meanwhile Lou, fearing that his son, George, won’t succeed in comedy confides in Lisa that he doesn’t want his son to be “a balagula, a schlemiel” — Yiddish for a person of low standing and a fool.
“Oh, a stunad,” she replies, using the Italian word for an idiot or stupid person, eliciting laughter from the audience.
“The idea of my writing this was to be able to have a neighborhood filled with people of all different nationalities and ethnicities and [show] how well they get along,” Tapper, who is in his 80s, said. Even when Lou calls his luggage shop worker Angel (Sean Church-Gonzalez) a “dumb shaygetz,” or non-Jewish man, he does so in jest — and fights off a racist patron who threatens the store.
Tapper’s inspiration for the play, directed by Steven Ditmyer, is based on his late real-life friend George Bettinger, a comedian and the son of a luggage store owner. The genial image of a bygone Lower East Side business community got the wheels turning in Tapper’s head, and he ran away with his own vision of a family-owned luggage store.
Many of the neighborhood denizens in the play, however, were inspired by Tapper’s own family and his upbringing in Worcester, Massachusetts. Tapper would “merge George’s father with my father” throughout the writing process, he said, creating a world that is both familiar to Jewish New Yorkers and unique to Tapper’s milieu.
The comedic nature of the play strikes a comforting chord for Jewish New Yorkers and differs from other Jewish theatrical fare of the past year. Unlike recent Broadway hits “Parade” and “Leopoldstadt” — which are both focused on historical stories of violence and antisemitism — “Bettinger’s Luggage” uses a father and son’s day-to-day life to begin a conversation about discrimination and cross-cultural communication.
“I’ve written seven or eight shows — none of them have dealt with antisemitism,” Tapper told the New York Jewish Week.
At the same time, however, Tapper admits that antisemitism — where it comes from, how to combat it, or why it has increased so much in the United States — keeps him up at night. “It’s just my life’s quest, and I know that sounds dramatic,” Tapper said. “But my life’s quest is to find out why people hate the Jews.”
That driving question has led Tapper, who splits his time between Midtown Manhattan and Boca Raton, Florida, back to his alma mater of Boston University, where he co-wrote the musical “National Pastime” with Tony Sportiello when he was 20. After finding success as a playwright and producer of film and television, including the documentary “Broadway: The Golden Age,” he’s endowed scholarships for lower-income students. His goal is to increase the diversity of the student population at B.U., which the Elie Wiesel Center for Jewish Studies estimates is about 25 percent Jewish.
Tapper is also working with Clark University’s Strassler Center for Holocaust and Genocide Studies, where he has endowed a graduate scholarship, and with Brandeis University. “I told [university president Ronald D. Leibowitz], who’s a personal friend of mine, that I would like to contribute money to the school if they would put a course on antisemitism in their curriculum,” he said. He hopes that the scholarly research will be able to pinpoint why “people have hated the Jews for 3,000 years.”
Tapper is giving back to the theater community as well. When he and Sportiello, his frequent artistic collaborator since the 2008 musical “Sessions,” struggled to find an appropriate space to workshop “Bettinger’s Luggage,” they reasoned that raising the funds to buy a new theater space would both ensure their success and allow them to pay it forward for other artists. Sportiello now serves as the artistic director of Midtown’s AMT Theater, and Tapper as the venue’s main producer. “There’s not that many of them,” Tapper said of Off- and Off-Off-Broadway theaters. “And the demand for theaters is enormous. So I said, ‘Well, let’s build our own theater.’”
Plenty of emerging artists create their own theater ensembles, but affording and securing a physical performance space is a different ball game. Tapper recognizes this and is proud that the theater is now rented out to other artists through the end of 2024. Now, said Tapper, “We can do our shows, and we can rent it out to others who are doing other works. We have the combination and it serves us well.”
Like the Bettingers and the other characters who populate their Lower East Side storefront, Tapper knows that people thrive best in community — whether a community of artists, of Jews, or both. When that sense of community is breached, we may feel that we face our struggles alone.
Another reason that Tapper felt compelled to write “Bettinger’s Luggage” in this moment is because of the loss of the real George Bettinger, who died by suicide five years ago. “I spent a great deal of time with him when he lived in New York, and he would tell me his life story with sadness and humor,” Tapper said. “I felt it was everybody’s story, so I put pen to paper.”
“Bettinger’s Luggage” is at AMT Theater, 354 West 45th St., through Oct. 25. Details and tickets here.
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The post A new Jewish play imagines a New York were everyone gets along appeared first on Jewish Telegraphic Agency.
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New Orleans Attack Puts Spotlight on Islamic State Comeback Bid
A member of the Emergency Response Division holds an Islamic State militants flag in the Old City of Mosul, Iraq July 10, 2017. Photo: REUTERS/Thaier Al-Sudani/File Photo.
A US Army veteran who flew a black Islamic State flag on a truck that he rammed into New Year’s revelers in New Orleans shows how the extremist group still retains the ability to inspire violence despite suffering years of losses to a US-led military coalition.
At the height of its power from 2014-2017, the Islamic State “caliphate” imposed death and torture on communities in vast swathes of Iraq and Syria and enjoyed franchises across the Middle East.
Its then-leader Abu Bakr al-Baghdadi, killed in 2019 by US special forces in northwestern Syria, rose from obscurity to lead the ultra-hardline group and declare himself “caliph” of all Muslims.
The caliphate collapsed in 2017 in Iraq, where it once had a base just a 30-minute drive from Baghdad, and in Syria in 2019, after a sustained military campaign by a US-led coalition.
Islamic State responded by scattering in autonomous cells, its leadership is clandestine and its overall size is hard to quantify. The U.N. estimates it at 10,000 in its heartlands.
The US-led coalition, including some 4,000 US troops in Syria and Iraq, has continued hammering the militants with airstrikes and raids that the US military says have seen hundreds of fighters and leaders killed and captured.
Yet Islamic State has managed some major operations while striving to rebuild and it continues to inspire lone wolf attacks such as the one in New Orleans which killed 14 people.
Those assaults include one by gunmen on a Russian music hall in March 2024 that killed at least 143 people, and two explosions targeting an official ceremony in the Iranian city of Kerman in January 2024 that killed nearly 100.
Despite the counterterrorism pressure, ISIS has regrouped, “repaired its media operations, and restarted external plotting,” Acting US Director for the National Counterterrorism Center Brett Holmgren warned in October.
Geopolitical factors have aided Islamic State. Israel’s war against Hamas in Gaza has caused widespread anger that jihadists use for recruitment. The risks to Syrian Kurds who are holding thousands of Islamic State prisoners could also create an opening for the group.
Islamic State has not claimed responsibility for the New Orleans attack or praised it on its social media sites, although its supporters have, US law enforcement agencies said.
A senior US defense official, speaking on condition of anonymity, said there had been growing concern about Islamic State increasing its recruiting efforts and resurging in Syria.
Those worries were heightened after the fall in December of Syrian President Bashar al-Assad and the potential for the militant group to fill the vacuum.
‘MOMENTS OF PROMISE’
US Secretary of State Antony Blinken has warned that Islamic State will try to use this period of uncertainty to re-establish capabilities in Syria, but said the United States is determined not to let that happen.
“History shows how quickly moments of promise can descend into conflict and violence,” he said.
A U.N. team that monitors Islamic State activities reported to the U.N. Security Council in July a “risk of resurgence” of the group in the Middle East and increased concerns about the ability of its Afghanistan-based affiliate, ISIS-Khorasan (ISIS-K), to mount attacks outside the country.
European governments viewed ISIS-K as “the greatest external terrorist threat to Europe,” it said.
“In addition to the executed attacks, the number of plots disrupted or being tracked through the Islamic Republic of Iran, the Levant, Asia, Europe, and potentially as far as North America is striking,” the team said.
Jim Jeffrey, former US ambassador to Iraq and Turkey, and Special Envoy to the Global Coalition To Defeat Islamic State, said the group has long sought to motivate lone wolf attacks like the one in New Orleans.
Its threat, however, remains efforts by ISIS-K to launch major mass casualty attacks like those seen in Moscow and Iran, and in Europe in 2015 and 2016, he said.
ISIS also has continued to focus on Africa.
This week, it said 12 Islamic State militants using booby-trapped vehicles attacked a military base on Tuesday in Somalia’s northeastern region of Puntland, killing around 22 soldiers and wounding dozens more.
It called the assault “the blow of the year. A complex attack that is first of its kind.”
Security analysts say Islamic State in Somalia has grown in strength because of an influx of foreign fighters and more revenue from extorting local businesses, becoming the group’s “nerve centre” in Africa.
‘PATH TO RADICALIZATION’
Shamsud-Din Jabbar, a 42-year-old Texas native and US Army veteran who once served in Afghanistan, acted alone in the New Orleans attack, the FBI said on Thursday.
Jabbar appeared to have made recordings in which he condemned music, drugs and alcohol, restrictions that echo Islamic State’s playbook.
Investigators were looking into Jabbar’s “path to radicalization,” uncertain how he transformed from military veteran, real-estate agent and one-time employee of the major tax and consulting firm Deloitte into someone who was “100 percent inspired by ISIS,” an acronym for Islamic State.
US intelligence and homeland security officials in recent months have warned local law enforcement about the potential for foreign extremist groups, such as ISIS, to target large public gatherings, specifically with vehicle-ramming attacks, according to intelligence bulletins reviewed by Reuters.
US Central Command said in a public statement in June that Islamic State was attempting to “reconstitute following several years of decreased capability.”
CENTCOM said it based its assessment on Islamic State claims of mounting 153 attacks in Iraq and Syria in the first half of 2024, a rate which would put the group “on pace to more than double the number of attacks” claimed the year before.
H.A. Hellyer, an expert in Middle East studies and senior associate fellow at the Royal United Services Institute for Defense and Security Studies, said it was unlikely Islamic State would gain considerable territory again.
He said ISIS and other non-state actors continue to pose a danger, but more due to their ability to unleash “random acts of violence” than by being a territorial entity.
“Not in Syria or Iraq, but there are other places in Africa that a limited amount of territorial control might be possible for a time,” Hellyer said, “but I don’t see that as likely, not as the precursor to a serious comeback.”
The post New Orleans Attack Puts Spotlight on Islamic State Comeback Bid first appeared on Algemeiner.com.
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US Plans $8 Billion Arms Sale to Israel, US Official Says
US President Joe Biden speaks on the phone with Israeli Prime Minister Benjamin Netanyahu in this White House handout image taken in the Oval Office in Washington, US, April 4, 2024. Photo: The White House/Handout via REUTERS
The administration of President Joe Biden has notified Congress of a proposed $8 billion arms sale to Israel, a US official said on Friday, with Washington maintaining support for its ally.
The deal would need approval from the House of Representatives and Senate committees and includes munitions for fighter jets and attack helicopters as well as artillery shells, Axios reported earlier. The package also includes small-diameter bombs and warheads, according to Axios.
The State Department did not respond to a request for comment.
Protesters have for months demanded an arms embargo against Israel, but US policy has largely remained unchanged. In August, the United States approved the sale of $20 billion in fighter jets and other military equipment to Israel.
The Biden administration says it is helping its ally defend against Iran-backed terrorist groups like Hamas in Gaza, Hezbollah in Lebanon and the Houthis in Yemen.
The post US Plans $8 Billion Arms Sale to Israel, US Official Says first appeared on Algemeiner.com.
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Hamas Releases Proof-of-Life Video of Israeli Hostage Liri Albag
Illustrative. An undated picture of (from left) Liri Albag, Agam Berger, Daniella Gilboa, and Karina Ariev held hostage by Hamas in Gaza since Oct. 7, 2023, that was made public by their families on July 16, 2024. Photo: Hostages and Missing Families Forum
i24 News – The Palestinian terrorists of Hamas on Saturday released a video showing signs of life from Israeli hostage Liri Albag.
Albag’s family requested media not to share the video or images from it, asking journalists to respect their privacy at this moment.
Albag, 20, is a surveillance soldier stationed at the Nahal Oz base, was abducted on October 7 by Palestinian jihadists.
The post Hamas Releases Proof-of-Life Video of Israeli Hostage Liri Albag first appeared on Algemeiner.com.