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A ‘Passover sweater’ made this Holocaust survivor a sensation. Now, a new play makes Helena Weinrauch’s story come alive.

(New York Jewish Week) — Holocaust survivor Helena Weinrauch survived imprisonment at three concentration camps and a forced death march. And yet the 99-year-old Manhattanite is, by all accounts, a force of nature. Time and again she has stared down unbelievable darkness. And yet she continues to exude a palpable joie de vivre.

In the immediate aftermath of World War II, while being nursed back to health in Sweden, which took in thousands of Jewish refugees, Weinrauch wrote a memoir, “A Will to Live.” Her aim was to remember things as they happened, and Weinrauch hoped that if she published the manuscript, her parents would come across it and find her.

The book was never published, and Weinrauch’s parents would never be found — her entire family was murdered by Nazis. But now, “A Will to Live” has been transformed into a one-woman play that premieres Thursday at the Chain Theatre on West 36th Street. Like the memoir, the play tells the story of Weinrauch’s years of survival: As a 20-year-old Weinrauch convalesces in a Swedish hospital, she recalls her experiences as a resilient teen who found herself alone in the world and determined to make it out alive.

“My story is not fiction,” Weinrauch wrote in a statement. “Unfortunately, this is my true story. I wrote it 61 years ago in German and Polish. Two years after I arrived in New York in 1949, I translated it into English. Two people read my story — one questioned the authenticity, the other wanted to know who wrote it. I was very hurt by their reaction and decided not to show it anymore. It remained dormant and unread because as the years passed, my outlook, mentality and perception changed. I would be tempted to correct mistakes, change style, phraseology etc. I was advised not to do it — all authenticity would be lost.”

Weinrauch’s story and personality have captivated many artists and writers over the years: She was among the survivors featured in “Reckonings,” a 2022 film about the complicated decision taken by Israel’s government to accept reparations from the German government in the early days of the state. She is also the subject of a 2015 documentary, “Fascination: Helena’s Story,” directed by Karen Goldfarb, a tale of how the then-octogenarian lived with the haunting shadows of her time in the concentration camps, and how she found joy in ballroom dancing.

Helena Weinrauch’s vivacity in the face of suffering has inspired many artists — including members of the knitting community, who were touched by Weinrauch’s tradition of wearing the same hand-knit blue sweater every Passover. (Karen Goldfarb)

Weinrauch took up ballroom dancing after her husband died in 2006 at 87. (The couple’s sole child, a daughter, had died of breast cancer the decade prior.) A 2019 New York Times profile describes the salvation she found in dancing: “When I dance, I forget what happened to me and it makes me feel for a few minutes or hours that I am happy,” Weinrauch told the paper. The article also quotes Steve Dane, who runs the Manhattan Ballroom Society, who describes Weinrauch as the society’s “Dancing Angel” who is “the last one off the dance floor.”

Weinrauch is also something of an icon in the knitting community. In 2019, Moment Magazine featured a story about the sweater she wears at every Passover seder — a brilliant blue top gifted to her by a friend who had been forced to knit sweaters for Nazis’ wives in order to survive in the Lodz Ghetto. The story about the sweater and her resilience garnered international attention.

It also inspired another project, Knitting Hope, “which aims to share the ways knitting or knitted objects helped women to resist, remember those they lost, and find renewal after the horrors of the Holocaust,” its founder, Tanya Singer, wrote in a New York Jewish Week piece about the project.

“Her story, and her telling of that story, is incredible — her recollections are so fresh,” Kirk Gostkowski, the artistic director of the Chain Theatre who adapted “A Will to Live” for the stage, told the New York Jewish Week. The memoir “was written so close to the war, there’s no room for interpretation.”

RELATED: Why this Holocaust survivor wears the same hand-knit sweater every Passover

Gostkowski said he had wanted to turn Weinrauch’s story into a play for years before the project came to fruition. The pandemic kept pushing the process back. Gostkowski believes it was for the best: The delays allowed him to work with Weinrauch more extensively on the adaptation. Being in her late 90s, she wasn’t able to attend rehearsals, making this initial collaboration all the more important.

“We spoke quite a bit at the beginning [of the adaptation process] about what was important for [Weinrauch] to keep in,” he said. “She wanted to make sure that this wasn’t sanitized, that the hard parts are there. I think we’ve really successfully done that. Really, anything we left out was omitted for length and to make it a play. These are all her words. My only job here is to be the steward of her story. She’s a brilliant writer.”

Weinrauch was born in Dusseldorf, Germany, in 1924, and was only 9 years old when the Nazi party came to power in 1933. As a girl, she loved to dance and to sing; in a 2016 interview with Lilith Magazine, Weinrauch said she could “pound out simple melodies on the piano” by the time she was 4 years old. Her mother was a pianist and Weinrauch dreamed of dancing and performing, but these dreams were cut short.

Weinrauch describes this period of her life as one of “sadness, suffering and loss.” She initially escaped the Nazis with the help of an employer who forged new identification documents for her. Soon, though, she was noticed by an old classmate who turned her in. Weinrauch was sent to a firing squad, but a Nazi soldier she’d danced with at a ball stopped her from being shot. “A bullet is too good for you,” he sneered, sending her to the camps for further torture. That decision would save her life.

Weinrauch would go on to be confined in three separate concentration camps, interrogated by the Gestapo and left for dead in the snow outside Bergen-Belsen, saved by a British soldier who happened to notice that her body was still warm.

The play, and its cast and crew, are deeply dedicated to portraying Weinrauch’s story with the utmost accuracy. “Huge sections of the play are taken right from the memoir, so I’m literally saying her words,” Masha King, who stars in the show as Weinrauch, told the New York Jewish Week. “There’s nothing fictionalized. Honestly, if she was young enough she could do this play herself.”

The play is structured, like the memoir, as a series of memories. “We transport the set through visual projection mapping and sound design, none of which could have been possible without Greg Russ and David Henderson, our sound and projection designers,” Gostrowski said. “Everybody’s very emotionally invested in the show.”

King and Gostkowski said everyone on the production team is on the same page about the vision for the play. “Rick [Hamilton, the director] and I spoke about doing this in a way that really honors the way it’s written,” Gostkowski said. “It feels like a friend telling you about the worst time of their life. There’s an intimacy with the way that Helena wrote, and the way Masha portrays that is outstanding.”

To King and Gostkowski, the play feels vital and important. The rise in global antisemitism has them both on edge — “It’s never really gone away, but it’s so prevalent right now,” Gostkowski said — but that’s not the only driving force.

“Anything that has to do with the Holocaust is always relevant,” said King, a Jewish immigrant from Ukraine who previously toured the country performing as Anne Frank in an educational adaptation of her diary. “It’s more than just a Jewish issue… We still face antisemitism, yes, but also anti-any-group-of-people. [Helena] is a child — she’s 16 when it happens. She doesn’t even talk about religion in her memoir, other than the fact that she was Jewish and that meant she could no longer live as a human being.”

“If you have an oppressive regime, it will oppress everyone,” King added, noting how gays, Romani people, people with disabilities and countless others were targets of Nazi hatred. “I welcome antisemites to come see the show. Please, come. If we could influence one person to think about the humanity of others, we’ve done a great job.”

Weinrauch herself concurs. “I hope that my story may bring hope and love into the lives of those who hear it,” she said.

“A Will to Live” will be performed at the Chain Theater (312 West 36th St.) through Sept. 16. For tickets and info, click here


The post A ‘Passover sweater’ made this Holocaust survivor a sensation. Now, a new play makes Helena Weinrauch’s story come alive. appeared first on Jewish Telegraphic Agency.

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Iran Says Eight Arrested for Suspected Links to Israel’s Mossad Spy Agency

The Mossad recruitment ad. Photo: Screenshot.

Iran’s Revolutionary Guards said on Saturday they had arrested eight people suspected of trying to transmit the coordinates of sensitive sites and details about senior military figures to Israel’s Mossad, Iranian state media reported.

They are accused of having provided the information to the Mossad spy agency during Israel’s air war on Iran in June, when it attacked Iranian nuclear facilities and killed top military commanders as well as civilians in the worst blow to the Islamic Republic since the 1980s war with Iraq.

Iran retaliated with barrages of missiles on Israeli military sites, infrastructure and cities. The United States entered the war on June 22 with strikes on Iranian nuclear facilities.

A Guards statement alleged that the suspects had received specialized training from Mossad via online platforms. It said they were apprehended in northeastern Iran before carrying out their plans, and that materials for making launchers, bombs, explosives and booby traps had been seized.

State media reported earlier this month that Iranian police had arrested as many as 21,000 “suspects” during the 12-day war with Israel, though they did not say what these people had been suspected of doing.

Security forces conducted a campaign of widespread arrests and also stepped up their street presence during the brief war that ended in a US-brokered ceasefire.

Iran has executed at least eight people in recent months, including nuclear scientist Rouzbeh Vadi, hanged on August 9 for passing information to Israel about another scientist killed in Israeli airstrikes.

Human rights groups say Iran uses espionage charges and fast-tracked executions as tools for broader political repression.

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Body of Idan Shtivi, Murdered on Oct. 7, Retrieved from Gaza in Special IDF Operation

Idan Shtivi. Photo: Courtesy of the family

i24 NewsThe body of Idan Shtivi, a 28-year-old murdered by Palestinian jihadists at the Nova music festival on October 7, 2023, was recovered in a joint operation by the IDF and Shin Bet in central Gaza, it was cleared for publication on Saturday.

Shtivi’s remains were returned to Israel alongside the body of Ilan Weiss, another hostage killed during the October 7 massacre.

“Idan Shtivi was abducted from the Tel Gama area and brutally murdered by Hamas terrorists after acting to rescue and evacuate others from the Nova music festival on October 7th, 2023. He was 28 years old at the time of his death,” read an IDF press release.

“Following an identification process conducted at the National Center for Forensic Medicine, along with the Israel Police and the Military Rabbinate, the Hostages and Missing Persons Headquarters notified his family.”

Prime Minister Benjamin Netanyahu said Shviti “was a gifted student of sustainability and governance, and a courageous individual” who acted heroically on October 7, helping others flee.

“He was killed in the process and his body was abducted to Gaza by Hamas. My wife and I send our heartfelt condolences to the Shtivi family. So far, 207 hostages have been returned, 148 of them alive. We will continue to act tirelessly and decisively to bring back all our hostages—living and deceased.”

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Woman Stabbed at Ottawa Grocery Store in Latest Antisemitic Attack

A social media post by the alleged attacker, Joseph Rooke of Cornwall, Ontario. Photo: Screenshot via i24

i24 NewsThe stabbing of a Jewish woman at an Ottawa grocery by a man with a long history of antisemitic posts on social media, the latest antisemitic hate crime in Canada, sparked outrage and prompted condemnation from officials including the prime minister.

Both the victim and the attacker are in their 70s. The woman is reportedly in serious condition.

The suspect was identified as Joseph Rooke, who has authored a series of lengthy rambling screeds on social media, ranting against Israel and Jews.

“Judaism is the world’s oldest cult,” he writes in one post, going on to say “over time jews have become insidious in governments, businesses, media conglomerates, and educational institutions in order to do what they do better than anyone else. Jews are the world’s masters of propaganda, gaslighting, demonization, demagoguery, and outright lying. Using their collective wealth they have become masters of reprisal.”

“I am under no obligation whatsoever, legal, moral, or otherwise, to like jews and I do not. If that means I meet the jewish definition of an anti-semite, so be it.”

Canada has seen a steep spike in antisemitic attacks over the past two years, including a recent incident in Montreal where a Hasidic Jew was beaten in front on his children.

After Prime Minister Mark Carney condemned the incident, many, including former Israel’s ambassador the US Michael Oren, pointed out that Carney’s rhetoric and policies contribute to the increasing insecurity of Canada’s Jewish community through uncritical embrace of outrageous and easily disprovable allegations that Israel and its supporters were guilty of the worst crimes against humanity.

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