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Anna Sokolow Way honors fierce Jewish dancer and choreographer

Editor’s note: This article is part of a new series, Sign Post, which explores street signs and other locations around the city that are named in honor of Jewish New Yorkers.
(New York Jewish Week) — For more than 50 years, Jewish dancer and choreographer Anna Sokolow would sit at the window of her apartment at 1 Christopher Street, drawing inspiration from the colorful parade of people walking by.
A pioneer of modern dance, Sokolow was known for exploring the pressing issues of her lifetime, including the Great Depression, the Holocaust, the anti-Vietnam War movement and the American counterculture of the 1960s. Her aim, according to Jewish Virtual Library, was to challenge her audiences to think deeply about the world around them,
On March 31, 2004 — four years after her death at age 90 — the Christopher Street block where she lived, between Greenwich Avenue and Sixth Avenue, received the name “Anna Sokolow Way.” Linda Diamond, a dancer, neighborhood fixture and a friend of Sokolow, led the effort to name the street. As part of the dedication ceremony, Diamond and her dance company performed several of Sokolow’s works at the Lucille Lortel Theater down the street, the New York Times reported that day.
Sokolow, whose most famous works include “Lyric Suite” (1953) and “Rooms” (1955), gained renown for creating work that commented on society. And yet, “She was very clear about not being political, but that she made dances about what she saw,” Samantha Geracht, the artistic director of the Sokolow Theatre/Dance Ensemble, told the New York Jewish Week. “So she would consider it humanity.”
Sitting at Greenwich Village’s Rosecrans Florist and Cafe, located just below Sokolow’s apartment, Geracht — who joined Sokolow’s dance company, then known as Players Project and later renamed Sokolow Theatre/Dance Ensemble — reflected on her mentor’s life and legacy. “Like Jewish tradition, modern dance — and particularly the way Sokolow coached modern dance — is an oral tradition,” said Geracht, emphasizing that Sokolow’s works must be passed down person-to-person.
Anna Sokolow was born in 1910 in Hartford, Connecticut to Russian Jewish immigrants, but soon after, her family moved to the Lower East Side, where she grew up. She first stepped into dancing shoes at Emmanuel Sisterhood of Personal Service, a Jewish social welfare organization run by women, and later, the Henry Street Settlement House, where she trained under modern dance legend Martha Graham, among others.
In the 1930s, Sokolow became affiliated with the “radical dance” movement, which helped establish choreography as a way to shed light on society’s problems. Her first big choreographed dance, “Anti-War Trilogy,” was performed at the 1933 First Anti-War Congress, and, according to Jewish Virtual Library, in the mid-1930s, Sokolow became the youngest American choreographer to lead her own professional dance group. The first showcase of her work took place at the Young Men’s Hebrew Association in 1936.
Eventually, Sokolow went on to choreograph Broadway shows, including 1955’s “Red Roses for Me,” for which she was nominated for a Tony award. She also staged work for the New York City Opera.
Sokolow also incorporated her Jewish identity into her work: In 1945, as the horrors of the Holocaust came to light, Sokolow choreographed her artistic response, “Kaddish,” in which she wrapped herself in tefillin and depicted scenes of mourning. “Dreams,” which premiered in 1961, was another dance exploration of the Holocaust.
In the 1950s, Sokolow was invited to travel to Israel to work with the Yemenite dance company Inbal Dance Theater, and continued her visits until the 1980s.
“Sokolow belongs to American Jewish culture, and people don’t know, and they should,” Geracht said.
To that end, Geracht and the Sokolow Theatre/Dance Ensemble have worked to incorporate Sokolow’s dances into synagogue programming and have even written a curriculum for religious school students to learn about Sokolow and her legacy. They also teach at various colleges, often partnering with Hillel and dance organizations.
As a choreographer, Sokolow knew exactly what she wanted from her dancers, and got just that. But at the same time, she was generous to her company. “She would personalize [her choreography] to the point of each person feeling complete ownership of what they were doing,” Geracht said. “I think that was a gift to the dancer and a gift to the audiences.”
Geracht reflected how Sokolow could often be heard saying: “It’s not that I don’t love you, it’s that I love dance more.”
Upon her death in 2000, the Jewish Telegraphic Agency wrote that Sokolow was known for embracing “pessimistic themes” in her work. “I’m not neurotic,” a JTA News Bulletin quoted Sokolow as saying. “But I don’t have that happy philosophy, because what the hell is there to be happy about?”
Her stubbornness when it came to dance translated to other parts of her life as well. Geracht says she can’t recall a time — even when the choreographer was well into her 80s — when Sokolow would take the elevator. Sokolow was notorious for refusing to take a cab or the subway. Walking was another way for Sokolow to people watch, and everyone talked to her.
“Every storekeeper knew her. The homeless people knew her. They all knew who she was,” Geracht said. “And so she was a fixture of the neighborhood by nature of her personality and by nature of being a people-watcher.”
“She was a force to be reckoned with,” she added.
To find out about upcoming performances and learn more about Anna Sokolow’s dance legacy, visit SokolowTheatreDance.org
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The post Anna Sokolow Way honors fierce Jewish dancer and choreographer appeared first on Jewish Telegraphic Agency.
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After False Dawns, Gazans Hope Trump Will Force End to Two-Year-Old War

Palestinians walk past a residential building destroyed in previous Israeli strikes, after Hamas agreed to release hostages and accept some other terms in a US plan to end the war, in Nuseirat, central Gaza Strip October 4, 2025. Photo: REUTERS/Mahmoud Issa
Exhausted Palestinians in Gaza clung to hopes on Saturday that US President Donald Trump would keep up pressure on Israel to end a two-year-old war that has killed tens of thousands and displaced the entire population of more than two million.
Hamas’ declaration that it was ready to hand over hostages and accept some terms of Trump’s plan to end the conflict while calling for more talks on several key issues was greeted with relief in the enclave, where most homes are now in ruins.
“It’s happy news, it saves those who are still alive,” said 32-year-old Saoud Qarneyta, reacting to Hamas’ response and Trump’s intervention. “This is enough. Houses have been damaged, everything has been damaged, what is left? Nothing.”
GAZAN RESIDENT HOPES ‘WE WILL BE DONE WITH WARS’
Ismail Zayda, 40, a father of three, displaced from a suburb in northern Gaza City where Israel launched a full-scale ground operation last month, said: “We want President Trump to keep pushing for an end to the war, if this chance is lost, it means that Gaza City will be destroyed by Israel and we might not survive.
“Enough, two years of bombardment, death and starvation. Enough,” he told Reuters on a social media chat.
“God willing this will be the last war. We will hopefully be done with the wars,” said 59-year-old Ali Ahmad, speaking in one of the tented camps where most Palestinians now live.
“We urge all sides not to backtrack. Every day of delay costs lives in Gaza, it is not just time wasted, lives get wasted too,” said Tamer Al-Burai, a Gaza City businessman displaced with members of his family in central Gaza Strip.
After two previous ceasefires — one near the start of the war and another earlier this year — lasted only a few weeks, he said; “I am very optimistic this time, maybe Trump’s seeking to be remembered as a man of peace, will bring us real peace this time.”
RESIDENT WORRIES THAT NETANYAHU WILL ‘SABOTAGE’ DEAL
Some voiced hopes of returning to their homes, but the Israeli military issued a fresh warning to Gazans on Saturday to stay out of Gaza City, describing it as a “dangerous combat zone.”
Gazans have faced previous false dawns during the past two years, when Trump and others declared at several points during on-off negotiations between Hamas, Israel and Arab and US mediators that a deal was close, only for war to rage on.
“Will it happen? Can we trust Trump? Maybe we trust Trump, but will Netanyahu abide this time? He has always sabotaged everything and continued the war. I hope he ends it now,” said Aya, 31, who was displaced with her family to Deir Al-Balah in the central Gaza Strip.
She added: “Maybe there is a chance the war ends at October 7, two years after it began.”
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Mass Rally in Rome on Fourth Day of Italy’s Pro-Palestinian Protests

A Pro-Palestinian demonstrator waves a Palestinian flag during a national protest for Gaza in Rome, Italy, October 4, 2025. Photo: REUTERS/Claudia Greco
Large crowds assembled in central Rome on Saturday for the fourth straight day of protests in Italy since Israel intercepted an international flotilla trying to deliver aid to Gaza, and detained its activists.
People holding banners and Palestinian flags, chanting “Free Palestine” and other slogans, filed past the Colosseum, taking part in a march that organizers hoped would attract at least 1 million people.
“I’m here with a lot of other friends because I think it is important for us all to mobilize individually,” Francesco Galtieri, a 65-year-old musician from Rome, said. “If we don’t all mobilize, then nothing will change.”
Since Israel started blocking the flotilla late on Wednesday, protests have sprung up across Europe and in other parts of the world, but in Italy they have been a daily occurrence, in multiple cities.
On Friday, unions called a general strike in support of the flotilla, with demonstrations across the country that attracted more than 2 million, according to organizers. The interior ministry estimated attendance at around 400,000.
Italy’s right-wing government has been critical of the protests, with Prime Minister Giorgia Meloni suggesting that people would skip work for Gaza just as an excuse for a longer weekend break.
On Saturday, Meloni blamed protesters for insulting graffiti that appeared on a statue of the late Pope John Paul II outside Rome’s main train station, where Pro-Palestinian groups have been holding a protest picket.
“They say they are taking to the streets for peace, but then they insult the memory of a man who was a true defender and builder of peace. A shameful act committed by people blinded by ideology,” she said in a statement.
Israel launched its Gaza offensive after Hamas terrorists staged a cross border attack on October 7, 2023, killing some 1,200 people and taking 251 people hostage.
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Hamas Says It Agrees to Release All Israeli Hostages Under Trump Gaza Plan

Smoke rises during an Israeli military operation in Gaza City, as seen from the central Gaza Strip, October 2, 2025. Photo: REUTERS/Dawoud Abu Alkas
Hamas said on Friday it had agreed to release all Israeli hostages, alive or dead, under the terms of US President Donald Trump’s Gaza proposal, and signaled readiness to immediately enter mediated negotiations to discuss the details.