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At BroadwayCon in Midtown, Jewish actors dish on identity and representation in the industry

(New York Jewish Week) – A woman dressed as Fanny Brice from “Funny Girl” and another dressed as Fruma Sarah from “Fiddler on the Roof” were among the 100-plus people who filed into a Midtown conference room on Friday morning to discuss Jewish identity on Broadway.
The Jewish fans — whose real names were Jackie and Michelle, and declined to share their last names — were dressed as their favorite Jewish musical characters, and were attending one of the first panel discussions of BroadwayCon 2023. The conference, at the New York Marriott Marquis hotel in Times Square, is an annual gathering in the vein of ComicCon that brings thousands of fans and industry professionals for a weekend of celebration, singing, discussion and meet-and-greets.
The panel, called “Jewish Identity and Broadway,” came together in less than a week, its organizer Ari Axelrod — a Jewish actor, singer and educator — told the New York Jewish Week. He said he organized it in response to the July 11 casting announcement for the national tour of “Funny Girl,” in which a non-Jewish actress had been chosen to play Fanny Brice, a role made famous by Barbra Streisand. Brice, a pioneering Jewish comedian in the early 20th century, struggled with her Jewish identity in her rise to fame.
In the aftermath of the casting announcement, the debate over whether or not non-Jews can play Jewish characters — a term actress and comedian Sarah Silverman dubbed “Jewface” — resurfaced online.
Amid the hubbub, “Somebody had said to me, ‘You should host something,’” Axelrod told the New York Jewish Week. “It was in direct response to the casting.”
While there have been Jewish-focused panels at BroadwayCon since the annual conference began in 2015, the past year has been a landmark one for Jewish stories on Broadway — particularly those that deal with antisemitism, including “Parade” and “Leopoldstadt,” which both won Tony Awards. “Parade,” about the real-life antisemitic lynching of Jewish factory superintendent Leo Frank in 1915, saw a neo-Nazi protest outside of the theater while it was in previews. Michelle dressed at Fruma Sarah, the ghost that Tevye says haunts dreams in “Fiddler on the Roof.” (Julia Gergely)
Michelle (dressed as Fruma Sarah) attends the conference every year, and said she was interested in the event because she is Jewish and became interested in Jewish representation on Broadway during a BroadwayCon panel she attended in 2020.
“There was a rabbi who was an actor. He said that there was a time he wasn’t cast to play a rabbi because he didn’t look Jewish enough,” she recalled. “I thought, ‘He’s a rabbi, how can you get more Jewish than that? It just really made me realize how much of an issue representation is for us.”
Speaking on the hour-long panel was Axelrod, who was named to the New York Jewish Week’s “36 Under 36” (now known as “36 to Watch”) in 2021; Talia Suskauer, who starred as Elphaba in the Broadway run and national tour of “Wicked”; Shoshanna Bean, who was nominated for a Tony Award last year for her performance in “Mr. Saturday Night”; Brandon Uranowitz, who last month won the Tony Award for Best Featured Actor in a Play for “Leopoldstadt”; Zachary Prince, who has been in several Broadway shows and recently performed in “A Transparent Musical,” based on the Jewish-themed TV show, in Los Angeles; and Alexandra Silber, who played Tzeitel in the most recent Broadway revival of “Fiddler on the Roof.” Moderating the panel was Becca Suskauer, a New York-based Jewish actress.
The wide-ranging discussion touched on Jewish representation, identity, pride and joy during a period of rising antisemitism. Panelists also noted that the goal of the conversation was to talk about how Broadway actors and insiders can actively uplift Jewish stories as well as those from other oppressed groups.
Suskauer emphasized that people should “listen before you speak and listen before you immediately go to pass judgment on something,” while Bean encouraged attendees to “be introspective” towards their own internalized prejudices if they are nervous to speak out on issues affecting marginalized groups.
Axelrod — echoing Michelle’s comment — spoke of the double standard that he feels exists within the industry — the idea that Jews are sometimes deemed “not Jewish looking enough” to play Jewish roles, but “too Jewish” to be cast in other roles. He also said there was a perceived double standard in that it’s considered acceptable for non-Jewish performers to be cast in Jewish roles, something that is frowned upon regarding other ethnic groups.
“There is this fear amongst the Jewish community that we can be Jewish, just not too Jewish,” Axelrod said. “We have a responsibility to dismantle that entire internalized assimilation within ourselves, because it’s important to show the world who we are. But to show them the world we can take multitudes, we first have to believe in ourselves.”
The “Funny Girl” casting only came up with 20 minutes left in the discussion. And while the actors made a point of noting that the actress chosen for the role, a Latina woman named Katerina McCrimmon, was very talented, they said it was nonetheless disappointing and worrisome to have a non-Jewish person playing Fanny Brice, who was a real person who often played on Jewish stereotypes to garner laughs from mainstream audiences.
An attendee of the panel dressed as Fanny Brice, the Jewish main character in “Funny Girl,” which will end its Broadway run this fall. (Julia Gergely)
“I was so excited for the role of Fanny Brice to be played by someone who is able to live so solidly and steadfastly and their Jewishness and who can bring that on the national tour to places that don’t have a lot of Jews,” Suskauer said. “I got immediately so scared when I heard that someone not Jewish was going to be playing at this Jewish stereotype. She can do this research, she can try to do it as respectfully as possible, but at the end of the day, she’s going to be playing at a stereotype while wearing bagels on her body.” (Suskauer was referring to “Private Schwartz from Rockaway,” a number in which Fanny imagines herself as a Jewish soldier and dances with bagels strung around her body.)
But the panel ended on a positive note. “‘To live is an actionable decision that we get to make every day, and when we say ‘l’chaim,’ we are literally saying ‘to life,’” Axelrod said. “I think it is imperative to every single person in this room that when you clink your Manischewitz, or your Kedem grape juice, and you say ‘l’chaim,’ mean it. Take those words as a call to action and do it, literally. Go do something that reminds you that you’re a Jewish person who was living your life.”
Rho and Maddy, teenage twins from New Jersey who declined to share their last names, said they attended the panel for the potential to meet Uranowitz, one of their favorite actors. They were surprised at how much the panel resonated with them. “It was really great to hear everyone’s opinions,” Rho said. “I’m so glad I came.”
“Especially as someone who is half-Jewish, there’s a lot of assimilation and sometimes being told and believing ‘you’re not really Jewish,’ or that doesn’t count,” Maddy said. “[This panel] definitely showed me I want to and can be an activist for my community.”
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The post At BroadwayCon in Midtown, Jewish actors dish on identity and representation in the industry appeared first on Jewish Telegraphic Agency.
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Hamas Warns Against Cooperation with US Relief Efforts In Bid to Restore Grip on Gaza

Hamas terrorists carry grenade launchers at the funeral of Marwan Issa, a senior Hamas deputy military commander who was killed in an Israeli airstrike during the conflict between Israel and Hamas, in the central Gaza Strip, Feb. 7, 2025. Photo: REUTERS/Ramadan Abed
The Hamas-run Interior Ministry in Gaza has warned residents not to cooperate with the US- and Israeli-backed Gaza Humanitarian Foundation, as the terror group seeks to reassert its grip on the enclave amid mounting international pressure to accept a US-brokered ceasefire.
“It is strictly forbidden to deal with, work for, or provide any form of assistance or cover to the American organization (GHF) or its local or foreign agents,” the Interior Ministry said in a statement Thursday.
“Legal action will be taken against anyone proven to be involved in cooperation with this organization, including the imposition of the maximum penalties stipulated in the applicable national laws,” the statement warns.
The GHF released a statement in response to Hamas’ warnings, saying the organization has delivered millions of meals “safely and without interference.”
“This statement from the Hamas-controlled Interior Ministry confirms what we’ve known all along: Hamas is losing control,” the GHF said.
The GHF began distributing food packages in Gaza in late May, implementing a new aid delivery model aimed at preventing the diversion of supplies by Hamas, as Israel continues its defensive military campaign against the Palestinian terrorist group.
The initiative has drawn criticism from the UN and international organizations, some of which have claimed that Jerusalem is causing starvation in the war-torn enclave.
Israel has vehemently denied such accusations, noting that, until its recently imposed blockade, it had provided significant humanitarian aid in the enclave throughout the war.
Israeli officials have also said much of the aid that flows into Gaza is stolen by Hamas, which uses it for terrorist operations and sells the rest at high prices to Gazan civilians.
According to their reports, the organization has delivered over 56 million meals to Palestinians in just one month.
Hamas’s latest threat comes amid growing international pressure to accept a US-backed ceasefire plan proposed by President Donald Trump, which sets a 60-day timeline to finalize the details leading to a full resolution of the conflict.
In a post on Truth Social, Trump announced that Israel has agreed to the “necessary conditions” to finalize a 60-day ceasefire in Gaza, though Israel has not confirmed this claim.
Israeli Prime Minister Benjamin Netanyahu is expected to meet with Trump next week in Washington, DC — his third visit in less than six months — as they work to finalize the terms of the ceasefire agreement.
Even though Trump hasn’t provided details on the proposed truce, he said Washington would “work with all parties to end the war” during the 60-day period.
“I hope, for the good of the Middle East, that Hamas takes this Deal, because it will not get better — IT WILL ONLY GET WORSE,” he wrote in a social media post.
Since the start of the war, ceasefire talks between Jerusalem and Hamas have repeatedly failed to yield enduring results.
Israeli officials have previously said they will only agree to end the war if Hamas surrenders, disarms, and goes into exile — a demand the terror group has firmly rejected.
“I am telling you — there will be no Hamas,” Netanyahu said during a speech Wednesday.
For its part, Hamas has said it is willing to release the remaining 50 hostages — fewer than half of whom are believed to be alive — in exchange for a full Israeli withdrawal from Gaza and an end to the war.
While the terrorist group said it is “ready and serious” to reach a deal that would end the war, it has yet to accept this latest proposal.
In a statement, the group said it aims to reach an agreement that “guarantees an end to the aggression, the withdrawal [of Israeli forces], and urgent relief for our people in the Gaza Strip.”
According to media reports, the proposed 60-day ceasefire would include a partial Israeli withdrawal from Gaza, a surge in humanitarian aid, and the release of the remaining hostages held by Hamas, with US and mediator assurances on advancing talks to end the war — though it remains unclear how many hostages would be freed.
For Israel, the key to any deal is the release of most, if not all, hostages still held in Gaza, as well as the disarmament of Hamas, while the terror group is seeking assurances to end the war as it tries to reassert control over the war-torn enclave.
The post Hamas Warns Against Cooperation with US Relief Efforts In Bid to Restore Grip on Gaza first appeared on Algemeiner.com.
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UK Lawmakers Move to Designate Palestine Action as Terrorist Group Following RAF Vandalism Protest

Police block a street as pro-Palestinian demonstrators gather to protest British Home Secretary Yvette Cooper’s plans to proscribe the “Palestine Action” group in the coming weeks, in London, Britain, June 23, 2025. Photo: REUTERS/Jaimi Joy
British lawmakers voted Wednesday to designate Palestine Action as a terrorist organization, following the group’s recent vandalizing of two military aircraft at a Royal Air Force base in protest of the government’s support for Israel.
Last month, members of the UK-based anti-Israel group Palestine Action broke into RAF Brize Norton in Oxfordshire, a county west of London, and vandalized two Voyager aircraft used for military transport and refueling — the latest in a series of destructive acts carried out by the organization.
Palestine Action has regularly targeted British sites connected to Israeli defense firm Elbit Systems as well as other companies in Britain linked to Israel since the start of the conflict in Gaza in 2023.
Under British law, Home Secretary Yvette Cooper has the authority to ban an organization if it is believed to commit, promote, or otherwise be involved in acts of terrorism.
Passed overwhelmingly by a vote of 385 to 26 in the lower chamber — the House of Commons — the measure is now set to be reviewed by the upper chamber, the House of Lords, on Thursday.
If approved, the ban would take effect within days, making it a crime to belong to or support Palestine Action and placing the group on the same legal footing as Al Qaeda, Hamas, and the Islamic State under UK law.
Palestine Action, which claims that Britain is an “active participant” in the Gaza conflict due to its military support for Israel, condemned the ban as “an unhinged reaction” and announced plans to challenge it in court — similar to the legal challenges currently being mounted by Hamas.
Under the Terrorism Act 2000, belonging to a proscribed group is a criminal offense punishable by up to 14 years in prison or a fine, while wearing clothing or displaying items supporting such a group can lead to up to six months in prison and/or a fine of up to £5,000.
Palestine Action claimed responsibility for the recent attack, in which two of its activists sprayed red paint into the turbine engines of two Airbus Voyager aircraft and used crowbars to inflict additional damage.
According to the group, the red paint — also sprayed across the runway — was meant to symbolize “Palestinian bloodshed.” A Palestine Liberation Organization flag was also left at the scene.
On Thursday, local authorities arrested four members of the group, aged between 22 and 35, who were charged with conspiracy to enter a prohibited place knowingly for a purpose prejudicial to the safety or interests of the UK, as well as conspiracy to commit criminal damage.
Palestine Action said this latest attack was carried out as a protest against the planes’ role in supporting what the group called Israel’s “genocide” in Gaza.
At the time of the attack, Cooper condemned the group’s actions, stating that their behavior had grown increasingly aggressive and resulted in millions of pounds in damages.
“The disgraceful attack on Brize Norton … is the latest in a long history of unacceptable criminal damage committed by Palestine Action,” Cooper said in a written statement.
“The UK’s defense enterprise is vital to the nation’s national security and this government will not tolerate those that put that security at risk,” she continued.
The post UK Lawmakers Move to Designate Palestine Action as Terrorist Group Following RAF Vandalism Protest first appeared on Algemeiner.com.