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Can a Tree of Life memorial ‘end antisemitism in our lifetime’? Its new CEO hopes so.
(JTA) – The foundation overseeing the planned memorial for the Tree of Life synagogue shooting in Pittsburgh has selected its first director, and her aims are nothing less than the total end of antisemitism.
Carole Zawatsky, a longtime veteran in Jewish nonprofit leadership, was announced as the first new Tree of Life CEO Tuesday. Her appointment came as the nonprofit overseeing the planned memorial revealed its grand plans for what its leadership hopes the space will become in the aftermath of the 2018 shooting that left 11 people dead.
“Wouldn’t it be wonderful if, in our lifetime, we could eradicate antisemitism?” Zawatsky told the Jewish Telegraphic Agency. “I think if we don’t work toward ending antisemitism in our lifetime, and we turn away from the rise of antisemitism, we stand no chance of achieving that goal.”
There are dozens of Holocaust museums and other American institutions that already work toward eradicating antisemitism; Zawatsky herself worked at the U.S. Holocaust Memorial Museum in Washington, D.C., when it first opened, creating public education programs that toured the country. But, she says, “for the most part, we were talking about things that were in the past and, most significantly, that didn’t happen on American soil.”
To that end, Zawatsky said, the reinvisioned Tree of Life can play a central role: as a place-based museum and memorial of the shooting, that situates the horrific events of that day in a larger continuum of American antisemitism, gun violence, extremism and hate speech. The emotional pull of the location itself, she hopes, will go a long way toward educating visitors: “There is no other institution in American Jewish life built on the site where history actually happened. In and of itself, that’s incredibly powerful.”
Zawatsky’s other roles with Jewish institutions have included nine years as CEO of the Edlavitch Jewish Community Center in Washington, D.C., as well as stints with the JCC of San Francisco; the Maltz Museum of Jewish Heritage in Cleveland; the Jewish Museum in New York; and, for much of the past year, the Weitzman National Museum of American Jewish History in Philadelphia.
She is new to Pittsburgh, but notes that antisemitic attacks have a way of bringing geographically disparate Jewish communities together: “When I was the CEO of the Edlavitch DC JCC and JCCs were getting bomb threats, I never thought, ‘That’s not me, that was Delaware, that was New Jersey.’ That’s all of us. I think as a Jew in America, this is our history because it’s everyone’s history.”
Ending antisemitism is a central aim of the pitch behind Remember Rebuild Renew, the fundraising campaign for the synagogue redesign and antisemitism museum. Tree of Life has secured more than $6 million from the state of Pennsylvania for the project, and recently hired a team of lobbyists to seek out federal funding opportunities as well. Zawatsky declined to share further budget details but said many private funders had expressed interest; she said she would soon be hiring staff.
The synagogue hired world-renowned architect Daniel Libeskind to design the new complex, which will function as a combined memorial, museum and house of worship. In previous statements the organization had pushed to begin construction in 2023, with the facility opening the following year, but Zawatsky said solid dates for the project are “premature.”
The new organization will also continue to serve as an active congregation for Tree of Life synagogue members, including survivors of the attack, meaning that the congregation’s spiritual and lay leaders are also part of the conversation as it reinvents itself as a memorial. This excites Zawatsky, who believes the combined space “does truly what the notion of a space of learning, a beit midrash, does.” The building has not reopened since the shooting.
Asked whether she was concerned the new project would attract unwanted attention from “dark tourists” or extremists, Zawatsky said the Tree of Life team is “working with security experts.”
Even beyond its lofty educational goals, there are other challenges ahead for Tree of Life. The shooter is scheduled to go on trial in April, a period that Zawatsky acknowledges will be “very painful, very difficult, and the role of the Tree of Life and all of us involved in it is to help to, in any way we can, ease the pain of that experience.”
Whether ending antisemitism is an achievable goal, the potency of Tree of Life as a symbol of its dangers will continue, and its new leadership hopes to make the landmark an educational opportunity.
“One of the most powerful ways to deliver a message to tell a story is through an object,” Zawatsky said. “There is no more powerful object in the United States of America than the Tree of Life.”
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The post Can a Tree of Life memorial ‘end antisemitism in our lifetime’? Its new CEO hopes so. appeared first on Jewish Telegraphic Agency.
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”