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‘Can You Dig It?’: New podcast traces how a Puerto Rican-Jewish gang leader helped create hip-hop in the Bronx

(New York Jewish Week) — In the late 1960s, the Bronx was at war. Rival gangs were fighting over territory in neighborhoods that had been devastated by drugs, poverty and the construction of the Cross Bronx Expressway.
Benjamin “Yellow Benjy” Melendez was the son of Puerto Rican Jewish immigrants and the leader of a multicultural gang called the Ghetto Brothers that promoted peace. After his comrade Cornell “Black Benjie” Benjamin was beaten to death in 1971 while trying to break up a fight, Melendez brokered a truce among 50 gangs that led to safer streets, a flourishing of public art and, ultimately, the birth of hip-hop.
Julian Voloj, an occasional Jewish Telegraphic Agency contributor who is married to New York Jewish Week managing editor Lisa Keys, published a graphic novel about Melendez in 2015. Now he has co-written and co-produced a five-part podcast about the Ghetto Brothers that debuted on Audible last month in conjunction with the 50th anniversary of hip-hop.
“Can You Dig It?” includes interviews with former gang members and historians, dramatic reenactments of key moments in the Ghetto Brothers’ history and recordings of Melendez, who died in 2017. Chuck D of the legendary rap group Public Enemy narrates the series, and Coke La Rock — who rapped at what is considered to be the first hip-hop party, on Aug. 11, 1973 — spits a few bars and shares some memories.
Melendez’s ancestors were crypto-Jews from Spain who practiced Judaism in secret to avoid persecution during the Inquisition and afterward. Likewise, he kept his faith under wraps during his gang years. While he forbade members of the Ghetto Brothers from wearing swastikas to appear tough, he never explained why the symbol offended him. Later in life, he embraced his Jewish roots and prayed at the Bronx’s Intervale Jewish Center.
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Voloj, who lives in Queens, spoke with the New York Jewish Week this week about hip-hop history and how Melendez’s Jewishness has inspired his own projects on the genre.
This interview has been condensed and lightly edited.
JTA: When did you first hear about Benjamin Melendez?
JV: I started a photo series on Jewish diversity in 2005, and I always was looking for interesting characters to photograph. Someone recommended Yellow Benjy. He got his nickname because the mother of his first two kids was Chinese, and there were a lot of other Benjamins in the neighborhood. So I called him up and we met up in the Bronx in 2010 at the stairs where Cornell Benjamin was murdered.
That first meeting was really meant to be just one photograph, but he had this fascinating story and we hit it off. I guess it had to do with my own Latinx, Jewish identity — my parents are Colombian — so we really had a lot in common. When Yellow Benjy died, my kids thought that he was a real relative because they had seen him so many times. He was Uncle Benjy to them.
Benjamin Melendez in 2010. (Julian Voloj)
At its heart, “Can You Dig It?” is a story about gangs of disenfranchised youth fighting over turf. What’s the connection between gangs and hip-hop?
Every culture is part of a certain environment in which it was created. The realities of the 1970s Bronx, there were no youth activities, so the gangs in a way filled this void. Obviously “gang” is a term that’s not one size fits all.
After the Hoe Avenue peace meeting, the Ghetto Brothers invited other gangs into their territory for street parties. There is a direct connection to the early hip-hop parties. The philosophy of early hip-hop was about peace, love, unity and having fun. Only later on did you have gangsta rap with its glorification of violence.
Scholar Joe Schloss says on the podcast that people were always surprised to learn Melendez was Jewish and calls him “a perfect example of what it means to be Jewish in the world in a way that was very different from sort of stereotypical notions of what Jewish is.” Do you agree?
It was one of my main motivations to tell Yellow Benjy’s story in the graphic novel “Ghetto Brother.” He was a proud Puerto Rican Sephardic Jew, and it was a story that was missing from the overall canon on Jewish identity. It was also important that his children have Jewish names, and so his kids have names like Judah, Zipporah, Sarah, Rebecca, Joshua. And with them, his legacy lives on.
Several Jewish personalities are mentioned in the podcast. Can you share a little bit about them?
You have all different aspects of Jewish identity in the story. There’s Benjamin Melendez, who’s a Puerto Rican crypto-Jew. Then you have Robert Moses who comes from a German-Jewish family. The Cross Bronx Expressway is the legacy that he’s most associated with, which really accelerated urban decay and white flight.
Then you have Rita Fecher, whose father was a rabbi. She grew up Orthodox, then divorced her husband and lived as a single mom in the Chelsea Hotel in Manhattan. Fecher was an art teacher at a school in the South Bronx, and she was such a positive influence on all these kids who had never met any Jews. She really cared about them. She allowed them to find their own voice and helped them to think about art. She’s the kind of teacher you wish would exist more.
From left: Pete Chelala, Angelique Lenox, Julian Voloj and Bryan Master at the Cornell Benjamin street renaming ceremony in the Bronx, June 2, 2023. (Courtesy of Voloj)
And she co-produced with Henry Chalafant the 1993 documentary about gang life titled “Flyin’ Cut Sleeves.” How did that come about?
She brought a video camera to the Bronx in the late ’60s, early ’70s, and she gave the kids the camera to document their own lives, which was unheard of. Over a decade later, she tried to track down her former students and see where they ended up. That’s really the powerful thing: you see these angry kids who feel left behind and then you see that everything somehow worked out.
For me, the fascinating part of “Flyin’ Cut Sleeves” is you see Yellow Benjy at the Intervale Jewish Center, the last synagogue of the South Bronx. He goes to services and he’s with Moishe Sacks, who was the rabbi there.
Each episode of “Can You Dig It?” ends with a song by the Ghetto Brothers band, which was fronted by Melendez. Did he rap too?
He really didn’t like hip-hop. It wasn’t his music. He was more of a Beatles fan. He liked Santana.
Although he wasn’t a hip-hop artist, he has a direct connection to the hip-hop troika of [DJ Kool] Herc, Bambaataa, and Grandmaster Flash. Like Herc, he was once a member of the Cofon Cats [gang]. He was friends with Afrika Bambaataa, who may or may not have participated in the Hoe Avenue peace meeting. Grandmaster Flash, who is slightly younger, knew about the Ghetto Brothers growing up and mentions them in his autobiography.
Who is this podcast for?
Anybody who’s interested in nonfiction audio storytelling. Anybody who’s interested in the history of New York. The bookends of every episode are scripted reenactments, like they use in film documentaries. They really allow listeners to dive in and experience the Bronx in the 1970s.
For the hip-hop community, it allows people to discover a different origin story. You can argue over whether hip-hop is really 50 or not because there are so many origin stories. This is one of them.
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The post ‘Can You Dig It?’: New podcast traces how a Puerto Rican-Jewish gang leader helped create hip-hop in the Bronx appeared first on Jewish Telegraphic Agency.
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After False Dawns, Gazans Hope Trump Will Force End to Two-Year-Old War

Palestinians walk past a residential building destroyed in previous Israeli strikes, after Hamas agreed to release hostages and accept some other terms in a US plan to end the war, in Nuseirat, central Gaza Strip October 4, 2025. Photo: REUTERS/Mahmoud Issa
Exhausted Palestinians in Gaza clung to hopes on Saturday that US President Donald Trump would keep up pressure on Israel to end a two-year-old war that has killed tens of thousands and displaced the entire population of more than two million.
Hamas’ declaration that it was ready to hand over hostages and accept some terms of Trump’s plan to end the conflict while calling for more talks on several key issues was greeted with relief in the enclave, where most homes are now in ruins.
“It’s happy news, it saves those who are still alive,” said 32-year-old Saoud Qarneyta, reacting to Hamas’ response and Trump’s intervention. “This is enough. Houses have been damaged, everything has been damaged, what is left? Nothing.”
GAZAN RESIDENT HOPES ‘WE WILL BE DONE WITH WARS’
Ismail Zayda, 40, a father of three, displaced from a suburb in northern Gaza City where Israel launched a full-scale ground operation last month, said: “We want President Trump to keep pushing for an end to the war, if this chance is lost, it means that Gaza City will be destroyed by Israel and we might not survive.
“Enough, two years of bombardment, death and starvation. Enough,” he told Reuters on a social media chat.
“God willing this will be the last war. We will hopefully be done with the wars,” said 59-year-old Ali Ahmad, speaking in one of the tented camps where most Palestinians now live.
“We urge all sides not to backtrack. Every day of delay costs lives in Gaza, it is not just time wasted, lives get wasted too,” said Tamer Al-Burai, a Gaza City businessman displaced with members of his family in central Gaza Strip.
After two previous ceasefires — one near the start of the war and another earlier this year — lasted only a few weeks, he said; “I am very optimistic this time, maybe Trump’s seeking to be remembered as a man of peace, will bring us real peace this time.”
RESIDENT WORRIES THAT NETANYAHU WILL ‘SABOTAGE’ DEAL
Some voiced hopes of returning to their homes, but the Israeli military issued a fresh warning to Gazans on Saturday to stay out of Gaza City, describing it as a “dangerous combat zone.”
Gazans have faced previous false dawns during the past two years, when Trump and others declared at several points during on-off negotiations between Hamas, Israel and Arab and US mediators that a deal was close, only for war to rage on.
“Will it happen? Can we trust Trump? Maybe we trust Trump, but will Netanyahu abide this time? He has always sabotaged everything and continued the war. I hope he ends it now,” said Aya, 31, who was displaced with her family to Deir Al-Balah in the central Gaza Strip.
She added: “Maybe there is a chance the war ends at October 7, two years after it began.”
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Mass Rally in Rome on Fourth Day of Italy’s Pro-Palestinian Protests

A Pro-Palestinian demonstrator waves a Palestinian flag during a national protest for Gaza in Rome, Italy, October 4, 2025. Photo: REUTERS/Claudia Greco
Large crowds assembled in central Rome on Saturday for the fourth straight day of protests in Italy since Israel intercepted an international flotilla trying to deliver aid to Gaza, and detained its activists.
People holding banners and Palestinian flags, chanting “Free Palestine” and other slogans, filed past the Colosseum, taking part in a march that organizers hoped would attract at least 1 million people.
“I’m here with a lot of other friends because I think it is important for us all to mobilize individually,” Francesco Galtieri, a 65-year-old musician from Rome, said. “If we don’t all mobilize, then nothing will change.”
Since Israel started blocking the flotilla late on Wednesday, protests have sprung up across Europe and in other parts of the world, but in Italy they have been a daily occurrence, in multiple cities.
On Friday, unions called a general strike in support of the flotilla, with demonstrations across the country that attracted more than 2 million, according to organizers. The interior ministry estimated attendance at around 400,000.
Italy’s right-wing government has been critical of the protests, with Prime Minister Giorgia Meloni suggesting that people would skip work for Gaza just as an excuse for a longer weekend break.
On Saturday, Meloni blamed protesters for insulting graffiti that appeared on a statue of the late Pope John Paul II outside Rome’s main train station, where Pro-Palestinian groups have been holding a protest picket.
“They say they are taking to the streets for peace, but then they insult the memory of a man who was a true defender and builder of peace. A shameful act committed by people blinded by ideology,” she said in a statement.
Israel launched its Gaza offensive after Hamas terrorists staged a cross border attack on October 7, 2023, killing some 1,200 people and taking 251 people hostage.
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Hamas Says It Agrees to Release All Israeli Hostages Under Trump Gaza Plan

Smoke rises during an Israeli military operation in Gaza City, as seen from the central Gaza Strip, October 2, 2025. Photo: REUTERS/Dawoud Abu Alkas
Hamas said on Friday it had agreed to release all Israeli hostages, alive or dead, under the terms of US President Donald Trump’s Gaza proposal, and signaled readiness to immediately enter mediated negotiations to discuss the details.