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Comedian Freddie Roman, who brought the Borscht Belt to Broadway, dies at 85
(New York Jewish Week) — Freddie Roman wasn’t just a Catskills comic but a curator and preservationist of a comedy tradition born at the Jewish resorts in upstate New York’s Catskill Mountains.
For years he served as dean of the Friars Club, the New York city clubhouse of popular entertainment, where faded stars and up-and-comers gathered to puff on cigars, trade crude jokes and roast one another with, well, even cruder jokes.
In 1991, long after the Borscht Belt itself had faded as a popular tourist spot, he created “Catskills on Broadway,” a revue starring him and fellow tummlers Dick Capri, Marilyn Michaels and Mal Z. Lawrence. It ran for 453 performances.
“‘Catskills on Broadway,” the New York Times said in its upbeat review, “manages to reproduce the ambiance of the Catskills. The basic difference is that on Broadway there is not a nosh in sight. But there is a groaning board of jokes about eaters and stuffers.”
Roman died Saturday afternoon at Bethesda Hospital in Boynton Beach, Florida, his booking agent and friend Alison Chaplin told the A.P. Sunday. He was 85.
Born Fred Kirschenbaum on May 28, 1937 in Newark, New Jersey, and raised in Jamaica, Queens, Roman started emceeing at age 15 at the the Crystal Spring Hotel in the Catskills, which was owned by his uncle and grandfather. He soon was performing at hotels and resorts in the region for the largely Jewish crowd, and later played the “big rooms” in Las Vegas and Atlantic City. A highlight of his career was opening for Frank Sinatra.
Although never a crossover star like Alan King, Jackie Mason or Joan Rivers — three other Jewish comics with roots in the Catskills — he nonetheless stayed busy, most recently with a recurring role in the Amazon series “Red Oaks.”
But the comic’s comic was also credited with reviving the Friars Club, which had lost much of its luster when he first arrived in 1970. As its elected dean (“Every two years, they keep re-electing me,” Roman told a reporter in 2005. “No one seems to run against me. Maybe no one wants it.”), he experimented by admitting women and holding showcases for young comics. The changes worked, and younger comics like Susie Essman, Jeff Ross and Paul Reiser became regulars.
The younger comedians have “added a wonderful new vibrancy to the club,” Roman told the New York Jewish Week in 2000. “This is going to continue to be a wonderfully funny Friars Club.”
Reiser was one of the comedians remembering Roman on Twitter this week. “A great loss to the world of comedy,” he wrote. “He was such a huge supporter & mentor when I was starting out. A GREAT comic, the ultimate pro with the biggest heart. I will miss our phone calls and his big, beauty [sic] laugh.”
Ross, who earned the title of “Roastmaster General” at the Friars Club, remembered Roman with a quip about his booming voice: “They call him Freddie Roman because you can hear him in Italy.”
My very first Friars roast joke… “They call him Freddie Roman because you can hear him in Italy”.
— Jeff Ross (@realjeffreyross) November 26, 2022
After its Broadway run, “Catskills on Broadway” toured around the country, keeping the Borscht Belt flame burning. In his shtick, Roman commented about everything from his childhood in Queens to his “retirement” in Florida.
“I took a cholesterol test,” Roman quipped. “My number came back 911.”
For years his home base was a condo in Fort Lee, New Jersey, from which he would “commute” to the Friars Club on E. 55th St.
While Roman never got his own sitcom or became a household name, he appeared to have no regrets.
“I’ve met everyone and been a lot of places,” he told the New York Times. “Alan [his son, a TV producer] put me in one of his sitcoms once, playing myself. That’s the greatest honor. And his daughter, who is 4, laughs at my jokes. Who can beat that?”
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The Yiddishist Yeshiva is open for registration
ס׳האָט זיך לעצטנס געשאַפֿן אַ נײַער סאָרט לייענקרײַז דורך פֿייסבוק, וווּ מע לערנט תּורה אויף ייִדיש צוזאַמען.
אינעם לייענקרײַז, וואָס הייסט „די ייִדישיסטישע ישיבֿה“, לייענט מען חומש מיט רש״י — סײַ אויפֿן אָריגינעלן לשון־קודש סײַ אויף ייִדיש־טײַטש. „די גרופּע איז אָפֿן פֿאַר אַלע מינים מענטשן,“ האָט דערקלערט דער לינגוויסט און ייִדיש־אַקטיוויסט לייזער בורקאָ, וועלכער האָט אָרגאַניזירט די גרופּע. „פֿרויען און מענער, ייִדן און נישט־ייִדן, געי און ׳גלײַך׳. נײַע תּלמידים דאַרפֿן פֿאַרשטיין ייִדיש גוט, אָבער זיי דאַרפֿן נישט האָבן קיין תּורהדיקן הינטערגרונט.“
די גרופּע טרעפֿט זיך יעדן דינסטיק דורך פֿייסבוק. נאָך מער פּרטים אָדער כּדי זיך צו פֿאַרשרײַבן, שטעלט זיך אין קאָנטאַקט מיט בורקאָ, אויפֿן אַדרעס leyzertag@gmail.com אָדער דורך פֿייסבוק.
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A century-old Jerusalem photo album sparks search for forgotten images of the Western Wall
(JTA) — When David Freedman discovered a long-forgotten photo album in his parents’ Montreal basement last year, he found nearly 100 pages of century-old photographs from his grandfather’s year in British Mandate Palestine, capturing Jerusalem street scenes, market stalls and holy sites.
The photographs were not only century-old and in near-perfect condition, but included figures who would later become central to Jewish medical and political history, among them Israel’s future first president Chaim Weizmann, Jerusalem ophthalmologist Abraham Ticho, malaria researcher Israel Kligler, future British prime minister Winston Churchill and Herbert Samuel, Britain’s first high commissioner for Palestine.
David Freedman said he knew he had “struck gold” when he found the album, which had been untouched for decades. “I realized in disbelief I was looking at extraordinary images of Jerusalem,” he said.
Though Freedman said the album showed his grandfather’s “passion for skillful, impromptu photography,” it was images of a site that epitomizes endurance that are having the broadest impact.
Freedman’s pictures of the Western Wall has inspired a public appeal by the Tower of David Jerusalem Museum, which is asking people to look through old albums and attics for photographs, postcards and other visual material that could help expand the historical record of Judaism’s holiest site.
The request comes ahead of a major exhibition opening in 2027 marking 60 years since the 1967 Six-Day War brought the wall, known in Hebrew as the Kotel, under Jewish control for the first time in nearly two millennia.
Although the Western Wall is now one of the most photographed sites in the world, museum curators say the visual record of earlier decades remains surprisingly fragmented, with many of the most intimate images likely still tucked away in private collections and family albums.
“The Western Wall, the Kotel, in its simplest form, is a structure of ancient stones. Yet its true meaning has never resided in the stones alone — it has been shaped and elevated by the countless individuals who have stood before it over the centuries,” Eilat Lieber, the museum’s director and chief curator, said in a statement.
Next year’s exhibition, titled “Eyes on the Wall” and curated by Shimon Lev and Yael Brandt, will be the first large-scale exhibition dedicated entirely to the Western Wall, the museum said, and will trace its transformation over nearly 2,000 years. It will be one of the major exhibitions staged by the Tower of David Museum since it reopened in 2023 after a $50 million renovation of its ancient citadel complex.
The wall, the exposed section of an ancient retaining wall around the Temple Mount, the site of the biblical Jewish temples, has long been Judaism’s most sacred places of prayer and pilgrimage. From 1948 until the 1967 Six-Day War, when Israel captured the Old City and East Jerusalem from Jordan, Jews were barred from going there.
Among its most iconic images was David Rubinger’s photograph of three Israeli paratroopers standing at the wall shortly after its capture, looking upward in a mixture of awe and disbelief. The picture was taken 59 years ago this week.
Abraham Orkin Freedman, a Canadian physician and Zionist activist, took his photographs before the site was so contested. He arrived in Palestine in July 1920, just as Britain was replacing military rule with a civil administration, and stayed until 1922, serving during that period as managing director of Hadassah Hospital. His grandson David, also a doctor, said the album’s timing gives it much of its historical value, with photographs that capture people in the streets, as well as the terrain and buildings of Jerusalem during the nascent years of the British Mandate.
Among the images Freedman uncovered, the one that struck him most was a photograph of women praying side by side with men at the oldest part of the Western Wall, a scene far removed from the gender-separated prayer sections at the site today. The question of mixed-gender prayer at the Wall remains politically charged, with a recent High Court order to advance the egalitarian section followed by Knesset moves to strengthen Chief Rabbinate control over prayer at the site.
After recognizing the album’s significance, Freedman met with his family who decided collectively to give it to the Tower of David Jerusalem Museum for safekeeping, research and public access. Freedman said the family was proud the album had found “a new home, not many meters from where my grandfather once stood.”
Lev said he hoped the appeal would bring more discoveries like Freedman’s into public view, expanding the visual record of the Western Wall beyond official archives.
“There is something profoundly moving in the moment when an intimate private photograph transcends its original purpose and becomes an important historical testimony,” Lev said.
This article originally appeared on JTA.org.
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5th man charged in March arson of London’s Hatzola ambulances
(JTA) — Britain’s Crown Prosecution Service announced Tuesday that an 18-year-old man has been charged in connection with the March arson attack that destroyed four ambulances owned by Hatzola, a Jewish volunteer emergency service.
Subhan Ahmed, a British national, was charged on Monday with “assisting an offender” in connection with the arson.
The ambulances were set ablaze in the early morning of March 23 in Golders Green, a heavily Jewish neighborhood in London. The incident spurred increased patrols in Jewish communities.
The charge is the latest development in an investigation being led by the Metropolitan Police’s counter-terrorism unit.
Four others have already been charged in connection with the attack.
Three British nationals — 20-year-old Hamza Iqbal, 19-year-old Rehan Khan and 18-year-old Judex Atshatshi — along with a 17-year-old dual British and Pakistani national were all charged in April with “committing arson, destroying or damaging property, and being reckless as to whether life would be endangered.”
The four have remained in custody ahead of a trial planned for January. Ahmed, meanwhile, was released ahead of a June 16 court date.
The ambulance arsons came at the early edge of a wave of incidents that have put London Jews on edge and induced the city’s police force to step up their presence in Jewish communities. The incidents have included multiple incendiary devices placed near synagogues as well as the stabbing in April of two Jewish men in Golders Green. The Metropolitan Police reported last week that antisemitic hate crimes in the capital rose 72% in May.
Following the announcement of Ahmed’s charge, the Community Security Trust, a Jewish organization, thanked the police and the Crown Prosecution Service “for their ongoing work investigating this attack and other arson incidents targeting the Jewish community.”
It added in a statement, “These are very serious allegations, and it is right that those responsible are being held accountable.”
This article originally appeared on JTA.org.
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