Uncategorized
Ethiopian Jewish holiday of Sigd gets a boost in the US with picture books and new resources
(JTA) — Synagogues and Hebrew schools in the United States looking to help their communities celebrate Sigd, an Ethiopian Jewish holiday, have gotten a helping hand this year, thanks to Sigal Kanotopsky.
Kanotopsky is the first Ethiopian Jew to hold a regional leadership position at the Jewish Agency for Israel, a nonprofit agency associated with the Israeli government that promotes immigration to Israel. Now overseeing the agency’s operations in the northeastern United States, she was 7 when her family arrived in Israel in 1983, part of a wave of Ethiopian immigrants who had made their wave largely by foot, through Sudan and countless hardships.
The wave of Ethiopian immigration brought — Sigd, which takes place 50 days after Yom Kippur and celebrates yearning for Israel — to the Jewish state. (This year, the one day festival begins Tuesday night.) Advocacy from within the community led to Israel adopting Sigd as a national holiday in 2008. But it remained largely under the radar in other countries — and even to many in Israel — until the last few years, amid a growing appreciation for Jewish diversity.
“In a year that saw renewed and widespread understanding of the importance of the Movement for Black Lives, celebrating Sigd provides American Jews with a unique opportunity to activate our sense of the racial diversity of the Jewish community,” Ruth Abusch-Magder and Beza Abebe wrote in 2020 on Kveller. “By celebrating Sigd here in the U.S., we send a powerful message that we are all part of the global Jewish peoplehood.”
Last year, PJ Library sent “Pumpkin Pie for Sigd,” a picture book about an American in Israel finding comfort during Thanksgiving by joining her friend’s Sigd celebration, to thousands of American Jewish families. And now, under Kanotopsky’s leadership, the Jewish Agency has released what it is calling “Sigd in a Box,” a collection of digital resources that communities can use to teach about Ethiopian Jewish music, food and customs.
“By accessing Sigd-in-a-Box, Jewish communities across the globe can grow closer — first learning about one another’s unique customs and cultures, and then even serving as de facto ambassadors for Sigd,” Kanotopsky, who has been based outside Philadelphia since last year, said in a statement. She is visiting a handful of communities in person to share Sigd traditions.
The growing recognition of Sigd among non-Ethiopian Jews has generated complicated reactions for some. “It is a strange feeling to see all the many invitations and publications about Sigd celebrations on social media,” wrote Shula Mola, an Ethiopian-Israeli scholar spending the year in the United States, in a Jewish Telegraphic Agency op-ed last year. She recounted how she had been ambivalent about Sigd’s embrace in Israel, remembering the pressure she felt to be an ambassador of a culture that many Israelis long seemed unwilling to learn about and knowing that many Ethiopian Jews there continue to feel marginalized.
This year, Israel’s population of Ethiopian immigrants has grown. In the latest development in a painful and protracted immigration saga, hundreds of Falash Mura — descendants of Ethiopian Jews who converted to Christianity about 200 years ago and who are relatives of the Beta Israel Jews who were airlifted to Israel in 1991 — were permitted to move to Israel over the summer. But an estimated 10,000 remain in Ethiopia, and the Jewish Agency has been working with the Israeli government to bring more of them to Israel.
“Sigd is a wonderful opportunity for our global Jewish community to become closer as we celebrate this moving day of communal reflection,” said the agency’s chairman, Doron Almog, in a statement about the new Sigd resources. “It’s a time for us to learn more about the rich Ethiopian Jewish culture and also honor the difficult journey many made — and many who are still waiting to make – to Jerusalem.”
—
The post Ethiopian Jewish holiday of Sigd gets a boost in the US with picture books and new resources appeared first on Jewish Telegraphic Agency.
Uncategorized
VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
Uncategorized
Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
Uncategorized
‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
