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Flirting with danger: A play based on the true story of 3 Dutch women who lured Nazis to their deaths premieres in NYC
(New York Jewish Week) — During World War II, three young women formed a small legion of the Dutch underground resistance, fighting Nazis with the most powerful weapons at their disposal: their youth, their gender and their sexuality.
They were sisters Freddie and Truus Oversteegen and Hannie Schaft, who, in 1940 were 14, 16 and 20, respectively. While they, along with other resistance fighters, used dynamite to destroy bridges and railroads, and helped hide Jewish children and smuggled Jews out of the country, the very young women also would go to bars and pick up Nazi soldiers. They would ask the men to go for a walk in the forest under the pretense of romance or sex — and then shoot and kill them. Their story was told in a 2019 book, “Seducing and Killing Nazis,” by the Dutch author and activist Sophie Poldermans.
Now, a new play based on their actions, “The Moss Maidens,” is one of eight plays selected from 300 submissions showing at the SheNYC Festival at the Connelly Theater (220 East 4th St.) this week.
“In my communities, both young women and Jewish people, I feel like there’s a lot of rage right now,” New York-based playwright S. Dylan Zwickel, 30, told the New York Jewish Week. “I think it will be both exciting and cathartic for people to get to see these girls raging and behaving badly and fighting systems that don’t work for them, and don’t work for people they care about, on stage.”
“The Moss Maidens” has already sold out three performances at the annual festival, which features plays written and created by people of “marginalized genders,” including ciswomen, trans and non-binary people. SheNYC chooses its submissions based on representation and how well its themes grapple with current events, Eh-den Perlove, one of the festival’s organizers said.
Due to the demand for “The Moss Maidens,” a fourth performance has been added, a first in the festival’s eight-year history. “Part of the reason ‘The Moss Maidens’ has resonated so much is that we’re having renewed discussions around white supremacy,” Perlove said. “It’s always been there, but it’s so relevant to how we’re kind of reacting in our day-to-day, to white supremacy, to Nazism, to neo-Nazism. It helps us ask ourselves, as a group who are maybe being persecuted or who see persecution, ‘What can you do to kind of stand up against that?’”
Ahead of the play’s opening on Wednesday, the New York Jewish Week caught up with Zwickel to discuss her inspiration for the show and why she felt the story was so relevant and necessary to tell.
This interview has been lightly edited for length and clarity.
S. Dylan Zwickel is the Jewish playwright of “The Moss Maidens.” (Yekaterina Gyadu, design by Grace Yagel)
What was the inspiration for this play?
The play is based on a true story of the young Dutch women that did this, which was my initial impetus for writing the show. In addition to doing all of this active resistance work by actually murdering Nazis, one of them was hiding Jews in her home. I first read about it a few years ago in a random article — I don’t even remember where — and as soon as I read it, I was like, “I have to tell this story.” Then I read a great book about these girls: “Seducing and Killing Nazis,” which is written from several firsthand accounts of what happened. The author had access to a lot of people who knew them, and even some of the women themselves — two that lived to be 92 and died in 2016 and 2018, which is really remarkable.
I ultimately decided not to make my story exactly that of the true story and just made my play inspired by that story. That book provided great research so I could come up with my own characters and plot based on their experience; it was really exciting having the creative license of making them my own characters, and being able to sort of dive into aspects of it that may not have been included in the original story. But there’s always that layer there that people really did make this choice. People really did do these things.
Why is it important to tell this story in 2023?
There is a certain catharsis getting to watch these young girls fight back against the people who feel that way [about Jews]. For me, amidst the rising tides of antisemitism that are happening right now, it feels very easy to react by wanting to remember how badly things have gone in the past. I do think that is extremely important, but it’s also important to think about how that instinct can be fought. The story that, as a Jewish person, you’re expected to tell about World War II, is details of the Holocaust and people suffering. It’s so important to remember all of that, but I also needed the catharsis of people fighting back. I would rather write about and live in this world of people killing Nazis rather than my people being killed. That’s what I wanted to focus on.
The story is still so relevant. A couple of weeks ago, I was on my way to see “Camelot” at Lincoln Center and there was this guy shouting antisemitic conspiracies and he had posters with antisemitic cartoons. I went into rehearsal the next day, and there’s a line in the play where a Nazi is talking about the Final Solution. I got so nauseous that I had to leave the room — having just seen this guy on the street the day before, I became so aware that there are still people who feel this way and it’s so much closer than we think.
One of the books that I read for research, “The Diary Keepers” by Nina Siegal, uses testimony from the thousands of diary entries written in the Netherlands during World War II. Siegal combed through them, translated them and published a book using these diaries. She included perspectives of Jews, perspectives of resistance fighters, perspectives of citizens who were not involved at all and just kept our heads down — which was most people — and also perspectives of Nazis and Nazi collaborators. It was really interesting reading that, especially reading about the beginning of the war and just feeling how close we are to how it did start. It was alarming, but also enlightening.
Why is it important to give these young Dutch women a voice?
Pretty much all of my writing features young women. That is an area of focus for me. I think of everything that I write as “a superhero origin story.” It’s all about girls stepping into their power. That’s true across everything I write, but this is kind of the best and biggest example of it, which is one of the reasons I’ve so enjoyed working on it — it just feels like the most major, distilled and exciting version of that.
It is just so remarkable that during that time there were these girls who, despite everything they were being told by society, had the awareness to make a different choice. There’s a lot of discussion in the play about the choice to be doing this and how easy it would have been to make a different choice. I hope that this play can help inspire young women to ask themselves, “Could I be one of these girls? Is this how I would respond in a situation like this?”
As you were writing and researching the play, was there anything unexpected that you learned about yourself or about the story?
Well, it was interesting because I initially wasn’t thinking of the play as that Jewish because the characters are not Jewish — one is half-Jewish. I didn’t want to make any of them Jewish “just because,” for two reasons. One, historically, they would have had to either be in hiding or have escaped already, so they wouldn’t have been able to be doing the activities they were doing. The other reason is I was really interested in the idea of these girls fighting to protect not themselves but other people. For the most part, the girls say they don’t even know any Jews, so they’re really not fighting for any friends of theirs, just for belief in the rights and humanity of all people.
The more we’ve worked on it, the more I’ve realized how Jewish the sense of morality and the cultural values in the play are. Even though these are not written as Jewish girls, they bear a lot of resemblance to Jewish girls and women that I know. I’ve written them as loud and brave and bold and opinionated — all of these things that I associate as being Jewish cultural values. So I think even though I didn’t write them as Jewish characters, I was surprised to discover how much of my own Jewish culture embedded itself in there anyway.
“The Moss Maidens” will be performed at the Connelly Theater (220 East 4th St.) four times this week. A digital version of the show will be available for purchase for $5 and will be available to stream from August 4-6. Find tickets and information about the SheNYC Festival here.
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The post Flirting with danger: A play based on the true story of 3 Dutch women who lured Nazis to their deaths premieres in NYC appeared first on Jewish Telegraphic Agency.
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‘Child Killers’: Jewish Activists Doused With Red Paint in Germany While Hanging Up Hostage Posters
i24 News – Masked attackers doused with red paint and shoved German Jewish activists hanging up posters of the Israeli hostages held in Gaza in Frankfurt on Friday. The assailants shouted “child killers” and “free Palestine.”
Sacha Stawski, a German-Jewish activist who heads the media watchdog NGO Honestly Concerned, who’s spent decades combating antisemitism, spoke to local media about the incident.
“We attached posters with photos of the 50 hostages still in Hamas’s captivity to a fence in the Frankfurt Grüneburgpark,” Stawski told the Bild outlet. “We were branded ‘child killers,’ and I constantly heard ‘Free Palestine,’ and ‘genocide’ calls.”
The paint also poured over my glasses, making it difficult for me to identify the perpetrator,” he added.
Germany’s ambassador to Israel condemned the incident.
The small pro-hostage rally took place near an anarchist encampment housing several anti-Israel organizations. Stawski said this was announced to the camp organizers.
Meanwhile a German government spokesman said on Friday that Berlin currently has no plans to recognize a Palestinian state because that would undermine any efforts to reach a negotiated solution with Israel.
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Hegseth Fires Head of Intel Agency Whose Assessment of Damage from Iran Strikes Angered Trump
US Defense Secretary Pete Hegseth attends a Senate Appropriations Committee hearing on US President Donald Trump’s budget request for the Department of Defense, on Capitol Hill in Washington, DC, US, June 11, 2025. Photo: REUTERS/Elizabeth Frantz
i24 News – US Defense Secretary Pete Hegseth fired a general whose agency’s initial intelligence assessment of damage to Iranian nuclear sites from US strikes sparked the ire of President Donald Trump.
Lt. Gen. Jeffrey Kruse will no longer serve as head of the US Defense Intelligence Agency, US media reported, citing sources speaking on condition of anonymity.
The sacking is the latest upheaval in military leadership and in the country’s intelligence agencies, and comes a few months after details of the preliminary assessment leaked to the media.
The assessment found that Iran’s nuclear program has been set back only a few months by the bombings, contradicting assertions from Trump and from Prime Minister Benjamin Netanyahu.
The Republican president, who had pronounced the Iranian program “completely and fully obliterated,” rejected the report.
n June, Israel launched a devastating bombing campaign against Iran’s nuclear program, missile production and military leadership, saying the operation was necessary to prevent the mullah regime from realizing its oft-stated plan to annihilate the Jewish state.
During the ensuing 12-day war, the US joined in, striking key Iranian nuclear sites.
Following the June strikes on three Iranian nuclear sites, Hegseth lambasted the press for focusing on the preliminary assessment but did not offer any direct evidence of the destruction of the facilities.
“You want to call it destroyed, you want to call it defeated, you want to call it obliterated — choose your word. This was a historically successful attack,” Hegseth said at a news conference at the time.
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Amid Rising Antisemitism, American Jews Make Aliyah to Israel Seeking Safety, Community, Impact
Olim gather at JFK Airport in New York, preparing to board Nefesh B’Nefesh’s 65th charter flight to Israel. Photo: The Algemeiner
NEW YORK/TEL AVIV — Confronted with rising antisemitism and unease in the United States, a growing number of American Jews are choosing to make aliyah, embracing the risks of war in the Middle East for the chance to build new lives and foster meaningful communities.
On Wednesday, 225 new olim arrived in Tel Aviv on the first charter aliyah flight since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
Aliyah refers to the process of Jews immigrating to Israel, and olim refers to those who make this journey.
Nefesh B’Nefesh (NBN) — a nonprofit that promotes and facilitates aliyah from the US and Canada — brought its 65th charter flight from New York, which The Algemeiner joined.
Founded in 2002, NBN helps olim become fully integrated members of Israeli society, simplifying the aliyah process and providing essential resources and guidance.
In partnership with Israel’s Ministry of Aliyah and Integration, the Jewish Agency for Israel, Keren Kayemeth, and the Jewish National Fund, NBN has helped nearly 100,000 olim build thriving new lives in Israel.
Shawn Fink is one of the 225 people who embarked on the life-changing journey earlier this week, leaving Cleveland, Ohio, with his wife, Liz, and their son.
For Fink and his family, making aliyah was driven not only by their love for Israel and desire to build a new community, but also by the escalating threats and uncertainties facing Jewish communities abroad since the outbreak of the war in Gaza.
“Mostly, we were frustrated with the direction the United States is taking, and the rise in antisemitism was a major concern for us,” Fink told The Algemeiner.
Like many countries around the world, the US has seen an alarming rise in antisemitic incidents and anti-Israel sentiment since the Oct. 7 atrocities.
According to the latest data issued by the FBI, hate crimes perpetrated against Jews increased by 5.8 percent in 2024 to 1,938, the largest total recorded in over 30 years of the federal agency’s counting them.
A striking 69 percent of all religion-based hate crimes that were reported to the FBI in 2024 targeted Jews, who constitute just 2 percent of the US population, with 2,041 out of 2,942 total such incidents being antisemitic in nature. Muslims were targeted the next highest amount as the victims of 256 offenses, or about 9 percent of the total.
Fink explained that the increasing costs of living a Jewish life in the US — from education to kosher food — weighed heavily on his family’s decision to make the move to Israel.
While they first considered making aliyah five years ago, Fink and his family had to put the plans on hold for personal reasons — returning to the idea only in the past few months when the timing finally worked in their favor.
“We started planning it seriously in November and began the entire process with Nefesh B’Nefesh,” Fink told The Algemeiner. “It’s been a nonstop whirlwind ever since.”
For them, the current war did not stop their plans, but it did influence the cities they explored for their new home.
“The war really reinforced for us the importance of supporting Israel and our community,” Fink said. “By making aliyah, we felt we could do even more to help.”
Even though it is difficult to leave behind family and close friends, they look forward to reconnecting with friends in Israel, making new connections, and building a vibrant new community.
“Making aliyah in less than six months has been a whirlwind. I’d encourage anyone considering it to give themselves at least twice as much time, double the budget, and be prepared for plenty of unexpected starts and stops along the way,” Fink told The Algemeiner.
Nefesh B’Nefesh provides assistance to families throughout their entire aliyah journey, offering guidance before relocating and continued support once in Israel.
The Israeli government also complements these efforts with resources and financial incentives to help newcomers settle and ease their transition into their new lives.
“Once the ticket is finally in your hand and you’re waiting to board the plane, you realize that all the challenges and obstacles along the way were worth it,” Fink said.
Veronica Zaragovia was also one of the 225 olim who joined the flight earlier this week.
Similarly to Fink and his family, Zaragovia decided to make aliyah, driven not just by her love for Israel, but also by the increasing challenges of being Jewish abroad and the hope of making a meaningful impact by serving her community.
From Florida, she embarked on the journey alone, excited for all the new opportunities and possibilities that awaited her in her new home.
“I want to take pride in being Jewish and in Israel — that’s why I’m making aliyah,” she told The Algemeiner, reflecting on the move she has been planning for the past two years.
“It’s a huge concern for me that in some places in the US, I can’t — or maybe shouldn’t — wear my Star of David necklace,” she said. “I don’t feel that Jews can be fully safe anywhere in the country. The rise in antisemitism has been truly shocking and deeply concerning.”
Zaragovia, who worked as a journalist in the US, said her love for storytelling and uncovering the truth played a key role in her decision to make this move.
“After Oct. 7, I felt that the way my colleagues and other journalists were covering Israel was wrong and unfair,” she said.
“As someone whose career is built on facts and truth, I didn’t see that reflected in their reporting. That’s why I decided to make a difference by being there myself,” she continued.
Rather than deterring her decision to make a change, Zaragovia explained that the current war only reinforced it.
“It became clear that I needed to go, be there with my people, and make a difference through my work,” she said. “I couldn’t have done this without Nefesh B’Nefesh. They’ve been incredible, guiding me every step of the way from start to finish.”