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Flirting with danger: A play based on the true story of 3 Dutch women who lured Nazis to their deaths premieres in NYC

(New York Jewish Week) — During World War II, three young women formed a small legion of the Dutch underground resistance, fighting Nazis with the most powerful weapons at their disposal: their youth, their gender and their sexuality. 

They were sisters Freddie and Truus Oversteegen and Hannie Schaft, who, in  1940 were 14, 16 and 20, respectively. While they, along with other resistance fighters, used dynamite to destroy bridges and railroads, and helped hide Jewish children and smuggled Jews out of the country, the very young women also would go to bars and pick up Nazi soldiers. They would ask the men to go for a walk in the forest under the pretense of romance or sex — and then shoot and kill them. Their story was told in a 2019 book, “Seducing and Killing Nazis,” by the Dutch author and activist Sophie Poldermans.

Now, a new play based on their actions, “The Moss Maidens,” is one of eight plays selected from 300 submissions showing at the SheNYC Festival at the Connelly Theater (220 East 4th St.) this week. 

In my communities, both young women and Jewish people, I feel like there’s a lot of rage right now,” New York-based playwright S. Dylan Zwickel, 30, told the New York Jewish Week. “I think it will be both exciting and cathartic for people to get to see these girls raging and behaving badly and fighting systems that don’t work for them, and don’t work for people they care about, on stage.”

“The Moss Maidens” has already sold out three performances at the annual festival, which features plays written and created by people of “marginalized genders,” including ciswomen, trans and non-binary people. SheNYC chooses its submissions based on representation and how well its themes grapple with current events, Eh-den Perlove, one of the festival’s organizers said.

Due to the demand for “The Moss Maidens,” a fourth performance has been added, a first in the festival’s eight-year history. “Part of the reason ‘The Moss Maidens’ has resonated so much is that we’re having renewed discussions around white supremacy,” Perlove said. “It’s always been there, but it’s so relevant to how we’re kind of reacting in our day-to-day, to white supremacy, to Nazism, to neo-Nazism. It helps us ask ourselves, as a group who are maybe being persecuted or who see persecution, ‘What can you do to kind of stand up against that?’”

Ahead of the play’s opening on Wednesday, the New York Jewish Week caught up with Zwickel to discuss her inspiration for the show and why she felt the story was so relevant and necessary to tell.

This interview has been lightly edited for length and clarity. 

S. Dylan Zwickel is the Jewish playwright of “The Moss Maidens.” (Yekaterina Gyadu, design by Grace Yagel)

What was the inspiration for this play?

The play is based on a true story of the young Dutch women that did this, which was my initial impetus for writing the show. In addition to doing all of this active resistance work by actually murdering Nazis, one of them was hiding Jews in her home. I first read about it a few years ago in a random article — I don’t even remember where — and as soon as I read it, I was like, “I have to tell this story.” Then I read a great book about these girls: “Seducing and Killing Nazis,” which is written from several firsthand accounts of what happened. The author had access to a lot of people who knew them, and even some of the women themselves — two that lived to be 92 and died in 2016 and 2018, which is really remarkable.

I ultimately decided not to make my story exactly that of the true story and just made my play inspired by that story. That book provided great research so I could come up with my own characters and plot based on their experience; it was really exciting having the creative license of making them my own characters, and being able to sort of dive into aspects of it that may not have been included in the original story. But there’s always that layer there that people really did make this choice. People really did do these things. 

Why is it important to tell this story in 2023?

There is a certain catharsis getting to watch these young girls fight back against the people who feel that way [about Jews]. For me, amidst the rising tides of antisemitism that are happening right now, it feels very easy to react by wanting to remember how badly things have gone in the past. I do think that is extremely important, but it’s also important to think about how that instinct can be fought. The story that, as a Jewish person, you’re expected to tell about World War II, is details of the Holocaust and people suffering. It’s so important to remember all of that, but I also needed the catharsis of people fighting back. I would rather write about and live in this world of people killing Nazis rather than my people being killed. That’s what I wanted to focus on. 

The story is still so relevant. A couple of weeks ago, I was on my way to see “Camelot” at Lincoln Center and there was this guy shouting antisemitic conspiracies and he had posters with antisemitic cartoons. I went into rehearsal the next day, and there’s a line in the play where a Nazi is talking about the Final Solution. I got so nauseous that I had to leave the room — having just seen this guy on the street the day before, I became so aware that there are still people who feel this way and it’s so  much closer than we think. 

One of the books that I read for research, “The Diary Keepers” by Nina Siegal, uses testimony from the thousands of diary entries written in the Netherlands during World War II. Siegal combed through them, translated them and published a book using these diaries. She included perspectives of Jews, perspectives of resistance fighters, perspectives of citizens who were not involved at all and just kept our heads down — which was most people — and also perspectives of Nazis and Nazi collaborators. It was really interesting reading that, especially reading about the beginning of the war and just feeling how close we are to how it did start. It was alarming, but also enlightening.

Why is it important to give these young Dutch women a voice?

Pretty much all of my writing features young women. That is an area of focus for me. I think of everything that I write as “a superhero origin story.” It’s all about girls stepping into their power. That’s true across everything I write, but this is kind of the best and biggest example of it, which is one of the reasons I’ve so enjoyed working on it — it just feels like the most major, distilled and exciting version of that. 

It is just so remarkable that during that time there were these girls who, despite everything they were being told by society, had the awareness to make a different choice. There’s a lot of discussion in the play about the choice to be doing this and how easy it would have been to make a different choice. I hope that this play can help inspire young women to ask themselves, “Could I be one of these girls? Is this how I would respond in a situation like this?”

As you were writing and researching the play, was there anything unexpected that you learned about yourself or about the story?

Well, it was interesting because I initially wasn’t thinking of the play as that Jewish because the characters are not Jewish — one is half-Jewish. I didn’t want to make any of them Jewish “just because,” for two reasons. One, historically, they would have had to either be in hiding or have escaped already, so they wouldn’t have been able to be doing the activities they were doing. The other reason is I was really interested in the idea of these girls fighting to protect not themselves but other people. For the most part, the girls say they don’t even know any Jews, so they’re really not fighting for any friends of theirs, just for belief in the rights and humanity of all people.

The more we’ve worked on it, the more I’ve realized how Jewish the sense of morality and the cultural values in the play are. Even though these are not written as Jewish girls, they bear a lot of resemblance to Jewish girls and women that I know. I’ve written them as loud and brave and bold and opinionated — all of these things that I associate as being Jewish cultural values. So I think even though I didn’t write them as Jewish characters, I was surprised to discover how much of my own Jewish culture embedded itself in there anyway.

“The Moss Maidens” will be performed at the Connelly Theater (220 East 4th St.) four times this week. A digital version of the show will be available for purchase for $5 and will be available to stream from August 4-6. Find tickets and information about the SheNYC Festival here


The post Flirting with danger: A play based on the true story of 3 Dutch women who lured Nazis to their deaths premieres in NYC appeared first on Jewish Telegraphic Agency.

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McGill cancels talk with former Hamas insider turned Israel advocate, citing fears of violence

McGill University has canceled an on-campus event planned by Jewish students—and temporarily halted bookings for all extracurricular activities—following threats of violence along with a death threat, as outlined in a […]

The post McGill cancels talk with former Hamas insider turned Israel advocate, citing fears of violence appeared first on The Canadian Jewish News.

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US Lawmakers Introduce Bipartisan Bill to Strip Funding From Universities That Boycott Israel

US Rep. Josh Gottheimer (D-NJ) at a press conference in Bergenfield, New Jersey, US on June 5, 2023. Photo: Kyle Mazza/NurPhoto via Reuters Connect

US Reps. Virginia Foxx (R-NC) and Josh Gottheimer (D-NJ) on Tuesday introduced bipartisan legislation to cut off federal funding from universities that engage in boycotts of Israel.

The legislation, titled “The Protect Economic Freedom Act,” would render universities that participate in the boycott, divestment, and sanctions (BDS) movement against Israel ineligible for federal funding under Title IV of the Higher Education Act, prohibiting them from receiving federal student aid. The bill would also mandate that colleges and universities submit evidence that they are not participating in commercial boycotts against the Jewish state. 

“Enough is enough. Appeasing the antisemitic mobs on college campuses threatens the safety of Jewish students and faculty and it undermines the relationship between the US and one of our strongest allies. If an institution is going to capitulate to the BDS movement, there will be consequences — starting with the Protect Economic Freedom Act,” Foxx, chairwoman of the House Committee on Education and the Workforce, said in a statement. 

Gottheimer added that the legislation is necessary to thwart the surging tide of antisemitism on college campuses. Although the lawmaker noted that students are allowed to engage in free expression regarding the ongoing war in Gaza, he argued that blanket boycotts against Israel endanger the lives of Jewish students and community members. 

“The goal of the antisemitic BDS movement is to annihilate the democratic State of Israel, America’s critical ally in the global fight against terror. While students and faculty are free to speak their minds and disagree on policy issues, we cannot allow antisemitism to run rampant and risk the safety and security of Jewish students, staff, faculty, and guests on college campuses,” Gottheimer said in a statement. “The new bipartisan Protect Economic Freedom Act will give the Department of Education a critical new tool to combat the antisemitic BDS movement on college campuses. Now more than ever, we must take the necessary steps to protect our Jewish community.”

The legislation instructs the US Department of Education to keep a record of universities that refuse to confirm their non-participation in anti-Israel boycotts. The list of universities in non-compliance with the legislation would be made publicly available. 

In the year following the Palestinian terrorist group Hamas’s massacre acrosssouthern Israel, universities across the country have found themselves embroiled in controversies regarding campus antisemitism. In the immediate aftermath of the terrorist attacks in Israel, hordes of students and faculty orchestrated protests and demonstrations condemning the Jewish state. Student groups at elite universities such as Harvard and Columbia issued statements blaming Israel for the attacks and expressing support for Hamas. 

Several high-profile universities have also shown a significant level of tolerance for anti-Jewish sentiment festering on their campuses. Northwestern University, for example, capitulated to demands of anti-Israel activists to remove Sabra Hummus from campus dining halls because of its connections to Israel. At Stanford University, Jewish students have reported being forced to condemn Israel before being allowed to enter campus parties. Students at the University of Pennsylvania and Brown University launched unsuccessful attempts to convince the university to divest endowment funds from companies tied to Israel.

The post US Lawmakers Introduce Bipartisan Bill to Strip Funding From Universities That Boycott Israel first appeared on Algemeiner.com.

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Harvard Chaplains Omit Antisemitism From Statement on Antisemitic Incident

Demonstrators take part in an “Emergency Rally: Stand With Palestinians Under Siege in Gaza,” amid the ongoing conflict between Israel and Hamas, at Harvard University in Cambridge, Massachusetts, US, Oct. 14, 2023. Photo: REUTERS/Brian Snyder

Harvard University’s Office of the Chaplain and Religious and Spiritual Life is being criticized by a rising Jewish civil rights activist for omitting any mention of antisemitism from a statement addressing antisemitic behavior.

The sharp words followed the office’s response to a hateful demonstration on campus in which pro-Hamas students stood outside Harvard Hillel and called for it to banned from campus. Such a demand is not new, as it began earlier this semester at the direction of the National Students for Justice in Palestine (NSJP) organization, which coordinates the lion’s share of anti-Zionist activity on college campuses.

As seen in footage of the demonstration, the students chanted “Zionists aren’t welcome here!” and held signs which accused the organization — the largest campus organization for Jewish students in the world — of embracing “war criminals” and genocide.

Addressing the behavior, Harvard Chaplains issued a statement, which is now being pointed to as a symbol of higher education’s indifference to the unique hatred of antisemitism, as well as its permutation as anti-Zionism.

“We have noticed a trend of expression in which entire groups of students are told they ‘are not welcome here’ because of their religious, cultural, ethnic, or political commitments and identities, or are targeted through acts of vandalism,” the office said, seemingly circumventing the matter at hand. “We find this trend disturbing and anathema to the dialogue and connection across lines of difference that must be a central value and practice of a pluralistic institution of higher learning.”

It continued, “Student groups who are singled out in this way experience such language and acts of vandalism as a painful attack that undermines the acceptance and flourishing of religious diversity here at Harvard. Let us all endeavor to care for one another in these divisive times.”

Recent Harvard graduate Shabbos Kestenbaum, who addressed the Republican National Convention in August to discuss the ways which progressive bias in higher education fosters anti-Zionism and anti-Western ideologies, described the statement as a moral failure in a post on X/Twitter on Tuesday.

“Disappointing,” he said. “After Harvard Jews were told by masked students ‘Zionists aren’t welcome here’ outside of the Hillel, the Chaplain Office finally released a statement that did not include the words Jew, Zionism, Israel, or antisemitism. A total abdication of religious responsibility.”

Kestenbaum noted in a later statement that Harvard’s chief diversity and inclusion officer, Sherri Ann Charleston, has so far declined to speak on the issue at all. He charged that when Charleston “isn’t plagiarizing, she and DEI normalize antisemitism,” referring to evidence, first reported by the Washington Free Beacon, that Charleston is a serial plagiarist who climbed the hierarchy of the higher education establishment by pilfering other people’s  scholarship.

Harvard University president Alan Garber — installed after former president Claudine Gay resigned following revelations that she is also a serial plagiarist — has, experts have said, been inconsistent in managing the campus’ unrest.

During summer, The Harvard Crimson reported that Harvard downgraded “disciplinary sanctions” it levied against several pro-Hamas protesters it suspended for illegally occupying Harvard Yard for nearly five weeks, a reversal of policy which defied the university’s previous statements regarding the matter. Unrepentant, the students, members of the group Harvard Out of Occupied Palestine (HOOP), celebrated the revocation of the punishments on social media and promised to disrupt the campus again.

Earlier this semester, however, Garber appeared to denounce a pro-Hamas student group which marked the anniversary of Hamas’s Oct. 7 attacks on Israel by praising the brutal invasion as an act of revolutionary justice that should be repeated until the Jewish state is destroyed, despite having earlier announced a new “institutional neutrality” policy which ostensibly prohibits the university from weighing in on contentious political issues. While Garber ultimately has said more than Gay when the same group praised the Oct. 7 massacre last academic year, his administration’s handling of campus antisemitism has been ambiguous, according to observers — and described even by students who benefited from its being so as “caving in.”

The university’s perceived failure to address antisemitism has had legal consequences.

Earlier this month, a lawsuit accusing it of ignoring antisemitism was cleared to proceed to discovery, a phase of the case which may unearth damaging revelations about how college officials discussed and crafted policy responses to anti-Jewish hatred before and after Hamas’s massacre across southern Israel last Oct. 7.

The case, filed by the Louis D. Brandeis Center for Human Rights Under Law, centers on several incidents involving Harvard Kennedy School professor Marshall Ganz during the 2022-2023 academic year.

Ganz allegedly refused to accept a group project submitted by Israeli students for his course, titled “Organizing: People, Power, Change,” because they described Israel as a “liberal Jewish democracy.” He castigated the students over their premise, the Brandeis Center says, accusing them of “white supremacy” and denying them the chance to defend themselves. Later, Ganz allegedly forced the Israeli students to attend “a class exercise on Palestinian solidarity” and the taking of a class photograph in which their classmates and teaching fellows “wore ‘keffiyehs’ as a symbol of Palestinian support.”

During an investigation of the incidents, which Harvard delegated to a third party firm, Ganz admitted that he believed “that the students’ description of Israel as a Jewish democracy … was similar to ‘talking about a white supremacist state.’” The firm went on to determine that Ganz “denigrated” the Israeli students and fostered “a hostile learning environment,” conclusions which Harvard accepted but never acted on.

Follow Dion J. Pierre @DionJPierre.

The post Harvard Chaplains Omit Antisemitism From Statement on Antisemitic Incident first appeared on Algemeiner.com.

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