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How a 3-hour play about antisemitism in France became Broadway’s must-see show

(New York Jewish Week) — I’ll be honest: At the outset, a three-hour play about antisemitism did not sound like my idea of a good time. After all, as the editor of a Jewish publication, I spend much of my workdays writing about and thinking about the world’s hatred of Jews.

But my trepidation evaporated within minutes of the first scene of “Prayer for the French Republic,” Josh Harmon’s Broadway play about generations of a French Jewish family grappling with their Jewish identity, their French identity and the ways in which these identities invariably clash and overlap with one another. 

From the opening scenes — in which we are introduced to the Benhamou family, including a somewhat brittle but loving matriarch, Marcelle Salomon Benhamou (Betsy Aidem); a brilliant but sarcastic daughter Elodie (Francis Benhamou); father Charles (Nael Nacer) and a religiously curious son Daniel (Aria Shahghasemi) — “Prayer for the French Republic” felt like I was looking in a mirror. Or, perhaps a more accurate description would be watching a home movie — a term that has fallen out of favor but uniquely describes that experience of observing a family’s everyday interactions as seen through the lens of someone who is apart of, rather than separate from, the family depicted on screen. 

The play opens in Paris in 2016, with the family in turmoil after Daniel, who wears a kippah, gets attacked on the street just before sundown on Shabbat. It’s a time of heightened antisemitism in France, most notably with the 2015 attack by an Islamist on a kosher supermarket, which killed four and terrified Paris’ Jewish community to the core. Amid fears for their safety, over the course of three hour-long acts (punctuated by two 10-minute intermissions), the Benhamous debate joining the record number of French Jews who are moving to Israel.

The nearly present-day family’s story is punctuated by flashbacks to 1944-1946, spotlighting Marcelle’s great-grandparents, Irma and Adolphe Salomon, who miraculously survived World War II by secreting themselves in their Paris apartment — unlike their other family members who had fled to the U.S. or Cuba, or endured or succumbed to the horrors of the Nazi concentration camps.

“Prayer for the French Republic” was first mounted off-Broadway in 2022, garnering awards and rave reviews. And when it moved to Broadway earlier this month, many of its key players, including director David Cromer and stars Aidem and Francis Benahmou, came along for the ride.

I had the chance to speak with Aidem, who most recently played Grandma Emilia in another recent Broadway play about antisemitism, Tom Stoppard’s Tony Award-winning “Leopoldstadt.” The 66-year-old Upper West Sider shared with me her thoughts on the play’s relevance in 2024, her personal experiences with Judaism and why live theater is an “alchemical” experience.

This interview has been condensed and lightly edited. 

Molly (Molly Ranson) and Elodie (Francis Benhamou) debate Israel in a scene from “Prayer for the French Republic.” (Jeremy Daniel)

Watching “Prayer for the French Republic,” I felt like I actually knew the Benhamou family, and that I knew your character personally. Did you feel this way when you first “met” Marcelle? What was your reaction when you read the script the first time?

I got the script at the very beginning of 2020. I was set to go to Fort Leavenworth, Kansas to direct a bunch of actors for the Arts in the Armed Forces at the army base and the army prison there. I read the script before I left. They wanted to do a startup workshop — I was like, I’ve got to get out of Kansas. I literally flew back a day early to do the workshop. That’s because when I read the play, and I read the part of Marcelle, I was blown away by how I understood who she was, and I couldn’t believe the breadth of what the writer Josh Harmon was able to give to one character in a story as beautiful as this. 

The world is a very different place now than it was when the play premiered off-Broadway in January 2022. After the massacre in Israel on Oct. 7 and the turmoil over the war in Gaza, how do you think the play hits differently with audiences today? 

I think the play, because it is a closeup, people see themselves in this circumstance. It becomes incredibly relatable, it’s personal. It’s not a sweeping epic. I think being able to recognize people going through something that you feel you’re going through privately — when you watch it in public it expands your sense of belonging to a greater community.

How does that happen? Because I agree — watching the play was somehow uplifting, despite the difficult subject matter. The audience was laughing and engaged. Is that the magic of theater? What is it about this play that makes it feel comforting in a really fraught time?

I think there’s something that alchemically happens in live performance. [Plus, director] David Cromer is incredibly insistent on true behavior — not doing what he calls “theatrical behavior” but really letting things get uncomfortable, showing their smudges, showing where people lose their footing. When audiences see that, they instantly enter into the center of the character’s anguish, because they’re not perfect. They’re imperfect. I think it helps them relax and go, “Oh, I do that too. I know what that feels like.” I think that’s a tribute to Josh’s writing and tribute to David’s directing, and the actors he’s assembled, who are willing to be foolish and willing to be lost. And I think that’s what makes the experience universal. 

You’ve had a couple of heavy years, coming off “Leopoldstadt,” where you play Emilia, another Jewish matriarch, this time in a family epic set before and during the Holocaust. What similarities do you see between these two characters?

Emilia supposedly walked from Kyiv to Lviv on foot, which is something like over 500 miles, during one of the pogroms — she’s a survivor. She was very tough. I mean, the line that I said at the end of the 1899 [scene] was, “They used to hate us for killing Christ, now they hate us for being Jews. God, give my grandchildren the desert.” So Theodor Herzl was, at that moment, coming up with this plan [for a Jewish state in Palestine] that a lot of the Viennese thought, “Oh, who wants to give up high society and the culture that we live in, which is the best of Europe, and go live in some terrible desert?” That has a very similar theme to a family in Paris [in “Prayer for the French Republic”] thinking they live in the best, most cultured city in the world, and thinking the only safe place to go is Israel. That similarity is interesting to me.

The Benhamou family of Paris conducts a Passover seder in a scene from Broadway’s “Prayer for the French Republic.” (Jeremy Daniel)

How would you describe your own Jewish identity? 

I was raised in Phoenix, Arizona, which didn’t have a large Jewish community. But I noticed in like fifth or sixth grade that all the boys were going to this thing called Hebrew school. So I asked my mom if I could also go to Hebrew school. I was a year younger than my brother and she’s like, “I’m not doing two carpools a week. You can go to your brother’s class.” So I was the only girl in my Hebrew school class, and I was the first girl at my temple to be bat mitzvahed. This was the ’60s. The only reason I kept at it was because I figured out, early on, I had a good ear and photographic memory. So they [the teachers] thought I was extremely proficient, but it was just that I figured out I had a gift.

Was this the start of your acting career? 

It was a skill I didn’t know I had; it just came out at that time. Also my father, who had been raised more religiously than I, I could feel his pride that I would take an interest in this. And then I raised my son — he went to Hebrew school, he was also bar mitzvahed, even though I was a single mom and his father was Catholic. I just was like, “Yeah, we’re gonna carry this on.”

“Prayer for the French Republic” is such a deeply Jewish play. How would you describe its audience? Do you think it resonates with non-Jews?

Oh, absolutely. I have a lot of friends that aren’t Jewish, who said, “I really, really loved the play. I learned a lot.” I think Elodie’s monologue is very helpful, in a certain way, for people to say, “Gee, I didn’t think about the size of Indonesia and Pakistan and Nigeria and India being so vastly larger [than Israel]. But why is our news cycle so fixated on that?” I think people learn a lot; I think they say, “It doesn’t matter that this family is Jewish — the interaction between the siblings and the parents and the children is universal.” The actual crisis of the play has to do with something else, but their internal family dynamic is universal.

“Prayer for the French Republic,” a production of the Manhattan Theatre Club, is at the Samuel J. Friedman Theater (261 West 47th St.) through March 3. Click here for tickets and information.  


The post How a 3-hour play about antisemitism in France became Broadway’s must-see show appeared first on Jewish Telegraphic Agency.

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A pro-Israel rally at the University of Toronto was headlined by Columbia University professor Shai Davidai

Around 200 people gathered for a pro-Israel demonstration at University of Toronto’s downtown campus at King’s College Circle—which was the site of one of Canada’s largest pro-Palestinian encampments during May […]

The post A pro-Israel rally at the University of Toronto was headlined by Columbia University professor Shai Davidai appeared first on The Canadian Jewish News.

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‘Not Welcome’: New Pro-Hamas Campaign Aims to Abolish Hillel Campus Chapters

A statue of George Washington tied with a Palestinian flag and a keffiyeh inside a pro-Hamas encampment is pictured at George Washington University in Washington, DC, US, May 2, 2024. Photo: REUTERS/Craig Hudson

The campus group National Students for Justice in Palestine (NSJP) is waging a campaign to gut Jewish life in academia, calling for the abolition of Hillel International campus chapters, the largest collegiate organization for Jewish students in the world.

“Over the past several decades, Hillel has monopolized for Jewish campus life into a pipeline for pro-Israel indoctrination, genocide-apologia, and material support to the Zionist project and its crimes,” a social media account operating the campaign, titled #DropHillel, said in a manifesto published last week. “Across the country, Hillel chapters have invited Israeli soldiers to their campuses; promoted propaganda trips such as birthright; and organized charity drives for the Israeli military.”

It continued, “Such actions reveal Hillel’s ideological and material investment in Zionism, despite the organization’s facade as being simply a ‘Jewish cultural space.’”

DropHillel claims to be “Jewish-led,” although only a small minority of Jews oppose Zionism, and the group has been linked to and promoted by Students for Justice in Palestine (SJP) chapters.

Hillel International has provided Jewish students a home away from home during the academic year. However, NSJP says it wants to “weaken” it and “dismantle oppression.”

The idea has already been picked up by pro-Hamas student groups at one college, the University of North Carolina at Chapel Hill, according to The Daily Tar Heel, the school’s official student newspaper. On Oct. 9, it reported, a member of Students for Justice in Palestine (SJP) unveiled the idea for “no more Hillel” during a rally which, among other things, demanded removing Israel from UNC’s study abroad program and adopting the boycott, divestment, and sanctions (BDS) movement. Addressing the comments to the paper days later, SJP, which has been linked to Islamist terrorist organizations, proclaimed that shuttering Hillel is a coveted goal of the anti-Zionist movement.

“Zionism is a racist supremacist ideology advocating for the creation and sustenance of an ethnostate through the expulsion and annihilation of native people,” the group told the paper. “Therefore, any group that advocates for a supremacist ideology — be it the KKK, the Proud Boys, Hillel, or Heels for Israel — should not be welcome on campus.”

The #DropHillel campaign came amid an unprecedented surge in anti-Israel incidents on college campuses, which, according to a report published last month by the Anti-Defamation League (ADL), have reached crisis levels.

Revealing a “staggering” 477 percent increase in anti-Zionist activity involving assault, vandalism, and other phenomena, the report — titled “Anti-Israel Activism on US Campuses, 2023-2024” — painted a bleak picture of America’s higher education system poisoned by political extremism and hate.

“As the year progressed, Jewish students and Jewish groups on campus came under unrelenting scrutiny for any association, actual or perceived, with Israel or Zionism,” the report said. “This often led to the harassment of Jewish members of campus communities and vandalism of Jewish institutions. In some cases, it led to assault. These developments were underpinned by a steady stream of rhetoric from anti-Israel activists expressing explicit support for US-designated terrorists organizations, such as Hamas, the Popular Front for the Liberation of Palestine (PFLP) and others.”

The report added that 10 campuses accounted for 16 percent of all incidents tracked by ADL researchers, with Columbia University and the University of Michigan combining for 90 anti-Israel incidents — 52 and 38, respectively. Harvard University, the University of California – Los Angeles, Rutgers University New Brunswick, Stanford University, Cornell University, and others filled out the rest of the top 10. Violence, it continued, was most common at universities in the state of California, where anti-Zionist activists punched a Jewish student for filming him at a protest.

Follow Dion J. Pierre @DionJPierre.

The post ‘Not Welcome’: New Pro-Hamas Campaign Aims to Abolish Hillel Campus Chapters first appeared on Algemeiner.com.

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‘Muslim for Trump’ Launches Initiatives in Key Battleground States, Says Candidate Will Bring ‘Peace’ to Gaza

Former US President Donald Trump is seen at a campaign event in South Carolina. Photo: Reuters/Sam Wolfe

The “Muslims for Trump” organization has officially launched initiatives to help elect Republican presidential nominee Donald Trump to the White House, arguing that he would be more likely to end the war in Gaza than Democratic presidential nominee Kamala Harris. 

In a statement released on Monday, the group said it will focus on recruiting Muslim voters in key battleground states such as Michigan, Wisconsin, Pennsylvania, Georgia, and North Carolina. The organization both praised Trump for his supposed “peace-focused” approach to ending the war in Gaza and condemned Harris for helping facilitate a so-called “genocide.”

“After meeting with President Trump, it was clear to me he is the right leader for Muslims to get behind,” Rabiul Chowdhury, co-founder of Muslims for Trump and former co-chair of the “Abandon Harris Movement,” said in a statement.

Chowdhury added that during his discussions with Trump, the former president vowed to “ending the escalation of wars and bringing peace to war-torn regions.” In contrast to Trump’s promise to stop the “bloodshed” in Gaza, he claimed, Harris has “recklessly pushed us toward World War III.”

Chowdhury, a self-described “peace advocate,” urged the Muslim community not to fall victim to supposed “misinformation” campaigns by the media and Democrats that paint the former president as hostile to immigrants. He claimed that the former president’s focus is on “ending war, not dividing families through false immigration claims.”

Samra Luqman, chair of the Michigan chapter of Muslims for Trump, underscored the need to punish the Biden administration for what he described as supporting a “genocide” in Gaza. 

“The goal of this election is to hold the Biden administration accountable for a genocide. No amount of fear mongering or scare tactics will persuade my community into forgiving the mutilation, live-burning, and genocide of over 200,000 people,” he said.

According to data produced by the Hamas-controlled Gaza Health Ministry, roughly 40,000 people have died in Gaza since the war began last October. Israel has said that its forces have killed about 20,000 Hamas terrorists during its military campaign.

Israel says it has gone to unprecedented lengths to try and avoid civilian casualties, noting its efforts to evacuate areas before it targets them and to warn residents of impending military operations with leaflets, text messages, and other forms of communication.

On the organization Muslims for Trump’s official website, it claims that the Abraham Accords, a series of historic, Trump administration-brokered normalization agreements between Israel and several countries in the Arab world, helped stabilize the Middle East. It also says that had Trump not lost the 2020 presidential race, the so-called “genocide” could have been prevented.

Under Trump’s leadership, the Abraham Accords were brokered, fostering peaceful relations between Israel and several Arab countries. Supporters might argue that Trump’s diplomacy prioritized peace and stability in the Middle East, reducing the likelihood of large-scale conflicts like genocide,” the group wrote. 

Over the course of his campaign, Trump has repeatedly touted his support for the Jewish state during his singular term in office. Trump has boasted about his administration’s work in fostering the Abraham Accords, promising to resume efforts to strengthen them if he were to win November’s US presidential election. 

Harsh US sanctions levied on Iran under Trump crippled the Iranian economy and led its foreign exchange reserves to plummet. Trump and his Republican supporters in the US Congress have criticized the Biden administration for renewing billions of dollars in US sanctions waivers, which had the effect of unlocking frozen funds and allowing the country to access previously inaccessible hard currency.

Trump also recognized Israel’s sovereignty over the Golan Heights, a strategic region on Israel’s northern border previously controlled by Syria, and also moved the US embassy in Israel to Jerusalem, recognizing the city as the Jewish state’s capital.

Despite Harris’s repeated efforts to woo Muslim voters, polling data indicates that the demographic has made a dramatic swing away from the Democratic Party. Polling data from the Arab American Institute reveals that Trump slightly edges Harris among Muslim voters by a margin of 42 to 41 percent. A report from the Council on American Islamic Relations (CAIR) shows that Green Party candidate Jill Stein leads Harris and Trump with Muslim voters in the key swing states of Michigan, Wisconsin, and Arizona.

The post ‘Muslim for Trump’ Launches Initiatives in Key Battleground States, Says Candidate Will Bring ‘Peace’ to Gaza first appeared on Algemeiner.com.

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