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How a 3-hour play about antisemitism in France became Broadway’s must-see show
(New York Jewish Week) — I’ll be honest: At the outset, a three-hour play about antisemitism did not sound like my idea of a good time. After all, as the editor of a Jewish publication, I spend much of my workdays writing about and thinking about the world’s hatred of Jews.
But my trepidation evaporated within minutes of the first scene of “Prayer for the French Republic,” Josh Harmon’s Broadway play about generations of a French Jewish family grappling with their Jewish identity, their French identity and the ways in which these identities invariably clash and overlap with one another.
From the opening scenes — in which we are introduced to the Benhamou family, including a somewhat brittle but loving matriarch, Marcelle Salomon Benhamou (Betsy Aidem); a brilliant but sarcastic daughter Elodie (Francis Benhamou); father Charles (Nael Nacer) and a religiously curious son Daniel (Aria Shahghasemi) — “Prayer for the French Republic” felt like I was looking in a mirror. Or, perhaps a more accurate description would be watching a home movie — a term that has fallen out of favor but uniquely describes that experience of observing a family’s everyday interactions as seen through the lens of someone who is apart of, rather than separate from, the family depicted on screen.
The play opens in Paris in 2016, with the family in turmoil after Daniel, who wears a kippah, gets attacked on the street just before sundown on Shabbat. It’s a time of heightened antisemitism in France, most notably with the 2015 attack by an Islamist on a kosher supermarket, which killed four and terrified Paris’ Jewish community to the core. Amid fears for their safety, over the course of three hour-long acts (punctuated by two 10-minute intermissions), the Benhamous debate joining the record number of French Jews who are moving to Israel.
The nearly present-day family’s story is punctuated by flashbacks to 1944-1946, spotlighting Marcelle’s great-grandparents, Irma and Adolphe Salomon, who miraculously survived World War II by secreting themselves in their Paris apartment — unlike their other family members who had fled to the U.S. or Cuba, or endured or succumbed to the horrors of the Nazi concentration camps.
“Prayer for the French Republic” was first mounted off-Broadway in 2022, garnering awards and rave reviews. And when it moved to Broadway earlier this month, many of its key players, including director David Cromer and stars Aidem and Francis Benahmou, came along for the ride.
I had the chance to speak with Aidem, who most recently played Grandma Emilia in another recent Broadway play about antisemitism, Tom Stoppard’s Tony Award-winning “Leopoldstadt.” The 66-year-old Upper West Sider shared with me her thoughts on the play’s relevance in 2024, her personal experiences with Judaism and why live theater is an “alchemical” experience.
This interview has been condensed and lightly edited.
Molly (Molly Ranson) and Elodie (Francis Benhamou) debate Israel in a scene from “Prayer for the French Republic.” (Jeremy Daniel)
Watching “Prayer for the French Republic,” I felt like I actually knew the Benhamou family, and that I knew your character personally. Did you feel this way when you first “met” Marcelle? What was your reaction when you read the script the first time?
I got the script at the very beginning of 2020. I was set to go to Fort Leavenworth, Kansas to direct a bunch of actors for the Arts in the Armed Forces at the army base and the army prison there. I read the script before I left. They wanted to do a startup workshop — I was like, I’ve got to get out of Kansas. I literally flew back a day early to do the workshop. That’s because when I read the play, and I read the part of Marcelle, I was blown away by how I understood who she was, and I couldn’t believe the breadth of what the writer Josh Harmon was able to give to one character in a story as beautiful as this.
The world is a very different place now than it was when the play premiered off-Broadway in January 2022. After the massacre in Israel on Oct. 7 and the turmoil over the war in Gaza, how do you think the play hits differently with audiences today?
I think the play, because it is a closeup, people see themselves in this circumstance. It becomes incredibly relatable, it’s personal. It’s not a sweeping epic. I think being able to recognize people going through something that you feel you’re going through privately — when you watch it in public it expands your sense of belonging to a greater community.
How does that happen? Because I agree — watching the play was somehow uplifting, despite the difficult subject matter. The audience was laughing and engaged. Is that the magic of theater? What is it about this play that makes it feel comforting in a really fraught time?
I think there’s something that alchemically happens in live performance. [Plus, director] David Cromer is incredibly insistent on true behavior — not doing what he calls “theatrical behavior” but really letting things get uncomfortable, showing their smudges, showing where people lose their footing. When audiences see that, they instantly enter into the center of the character’s anguish, because they’re not perfect. They’re imperfect. I think it helps them relax and go, “Oh, I do that too. I know what that feels like.” I think that’s a tribute to Josh’s writing and tribute to David’s directing, and the actors he’s assembled, who are willing to be foolish and willing to be lost. And I think that’s what makes the experience universal.
You’ve had a couple of heavy years, coming off “Leopoldstadt,” where you play Emilia, another Jewish matriarch, this time in a family epic set before and during the Holocaust. What similarities do you see between these two characters?
Emilia supposedly walked from Kyiv to Lviv on foot, which is something like over 500 miles, during one of the pogroms — she’s a survivor. She was very tough. I mean, the line that I said at the end of the 1899 [scene] was, “They used to hate us for killing Christ, now they hate us for being Jews. God, give my grandchildren the desert.” So Theodor Herzl was, at that moment, coming up with this plan [for a Jewish state in Palestine] that a lot of the Viennese thought, “Oh, who wants to give up high society and the culture that we live in, which is the best of Europe, and go live in some terrible desert?” That has a very similar theme to a family in Paris [in “Prayer for the French Republic”] thinking they live in the best, most cultured city in the world, and thinking the only safe place to go is Israel. That similarity is interesting to me.
The Benhamou family of Paris conducts a Passover seder in a scene from Broadway’s “Prayer for the French Republic.” (Jeremy Daniel)
How would you describe your own Jewish identity?
I was raised in Phoenix, Arizona, which didn’t have a large Jewish community. But I noticed in like fifth or sixth grade that all the boys were going to this thing called Hebrew school. So I asked my mom if I could also go to Hebrew school. I was a year younger than my brother and she’s like, “I’m not doing two carpools a week. You can go to your brother’s class.” So I was the only girl in my Hebrew school class, and I was the first girl at my temple to be bat mitzvahed. This was the ’60s. The only reason I kept at it was because I figured out, early on, I had a good ear and photographic memory. So they [the teachers] thought I was extremely proficient, but it was just that I figured out I had a gift.
Was this the start of your acting career?
It was a skill I didn’t know I had; it just came out at that time. Also my father, who had been raised more religiously than I, I could feel his pride that I would take an interest in this. And then I raised my son — he went to Hebrew school, he was also bar mitzvahed, even though I was a single mom and his father was Catholic. I just was like, “Yeah, we’re gonna carry this on.”
“Prayer for the French Republic” is such a deeply Jewish play. How would you describe its audience? Do you think it resonates with non-Jews?
Oh, absolutely. I have a lot of friends that aren’t Jewish, who said, “I really, really loved the play. I learned a lot.” I think Elodie’s monologue is very helpful, in a certain way, for people to say, “Gee, I didn’t think about the size of Indonesia and Pakistan and Nigeria and India being so vastly larger [than Israel]. But why is our news cycle so fixated on that?” I think people learn a lot; I think they say, “It doesn’t matter that this family is Jewish — the interaction between the siblings and the parents and the children is universal.” The actual crisis of the play has to do with something else, but their internal family dynamic is universal.
“Prayer for the French Republic,” a production of the Manhattan Theatre Club, is at the Samuel J. Friedman Theater (261 West 47th St.) through March 3. Click here for tickets and information.
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The post How a 3-hour play about antisemitism in France became Broadway’s must-see show appeared first on Jewish Telegraphic Agency.
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US Senators Urge Secretary of Homeland Security to Secure Northern Border From Gaza Refugees
US Sen. Ted Cruz (R-TX) speaking at a press conference about the United States restricting weapons for Israel, at the US Capitol, Washington, DC. Photo: Michael Brochstein/Sipa USA via Reuters Connect
Six US senators sent a letter to US Secretary of Homeland Security Alejandro Mayorkas this week requesting that he increase security measures along the northern border in response to Canada accepting an influx of refugees from Gaza, the Palestinian enclave ruled by the terrorist group Hamas.
The six Republican lawmakers — Sens. Marco Rubio (FL), Ted Cruz (TX), Joni Ernst (IA), Tom Cotton (AK), Mike Braun (IN), and Josh Hawley (MO) — said they were “deeply concerned” that refugees from Gaza could sneak into the United States. The senators warned that allowing unvetted Palestinian refugees to cross the border poses a serious national security threat.
“On May 27, 2024, the Government of Canada announced its intent to increase the number of Gazans who will be allowed into their country under temporary special measures,” the senators wrote. “We are deeply concerned and request heightened scrutiny by the US Department of Homeland Security should any of them attempt to enter the United States at ports of entry as well as between ports of entry.”
After arriving in Canada, the Palestinian refugees will be given a “Refugee Travel Document,” which serves as a valid form of identification, the letter claimed, adding that US Citizenship and Immigration Services recognizes these documents as a valid substitute for a passport. The senators warned that “individuals with ties to terrorist groups” could potentially enter into the United States.
The letter argued that the US should maintain “common-sense terrorist screening and vetting” for any individual attempting to enter its borders from a foreign country. The lawmakers lamented that the Biden administration’s “”ax border enforcement” has rendered the country vulnerable to potential terrorist attacks. From April 1, 2023 to March 31, 2024, the US Customs and Border Protection’s Office of Field Operations intercepted over 233 suspected terrorists at the northern border, according to the letter.
“[T]he possibility of terrorists crossing the US-Canada border is deeply concerning given the deep penetration of Gazan society by Hamas,” the senators wrote. “It would be irresponsible for the US to not take necessary heightened precautions when foreigners attempt to enter the United States.”
On Oct. 7, Hamas launched the ongoing war in Gaza with its Oct. 7 invasion of and massacre of 1,200 people across southern Israel. The Palestinian terrorist group also kidnapped over 250 hostages.
In response, Israel launched defensive military operations in Gaza with the aim of freeing the hostages and permanently dislodging Hamas from the neighboring enclave.
The vast majority of Palestinians in Gaza, as well as the West Bank, still support Hamas’ Oct. 7 massacre across southern Israel that started the ongoing war, and they would prefer a “day after” scenario in which Hamas remains in control of Gaza rather than the Palestinian Authority, which governs in the West Bank, or other Arab countries, according to recent Palestinian polling. The same polling found that, when asked about support for Palestinian political parties and movements, a plurality chose Hamas.
US lawmakers are split along party lines as to whether the United States should accept refugees from Gaza. Republicans are largely opposed to importing refugees from Gaza, arguing that individuals from the war-torn enclave present “a national security risk” to the United States.” In May, Ernst and Sen. Mitch McConnell (R-KY) sent US President Joe Biden a letter, urging him not to accept any refugees from Gaza.
In June, however, a group of 70 Democratic lawmakers sent Mayorkas a letter, requesting he create “pathways” for more refugees of the Israel-Hamas war to resettle in America.
The post US Senators Urge Secretary of Homeland Security to Secure Northern Border From Gaza Refugees first appeared on Algemeiner.com.
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Video of Masked Man Vowing ‘Rivers of Blood’ at Paris Olympics Over Israel Support Appears to Be Fake, of Russia Origin
Screenshot of a widely circulated video published on social media showing a masked man vowing that “rivers of blood will flow” at the 2024 Paris Olympics due to France’s support for Israel. According to reports, the video appears to be fake and of Russian origin.
A widely circulated video published on social media this week showing a masked man vowing that “rivers of blood will flow” at the 2024 Paris Olympics due to France’s support for Israel appears to be fake and of Russian origin, according to reports.
The video — published on Tuesday on social media networks including X/Twitter and Telegram — featured a keffiyeh-clad man with his face covered, delivering an Arabic-language address threatening France with violence due to the country’s alleged support for Israel amid its ongoing war with Hamas in Gaza.
Addressing “the people of France” and “French President [Emmanuel] Macron,” the masked individual said, “You supported the Zionist regime in its criminal war against the people of Palestine. You provided Zionists with weapons; you helped murder our brothers and sisters, our children.”
“You invited the Zionists to the Olympic games. You will pay for what you have done!” continued the man, who wore a shirt adorned with a Palestinian flag. “Rivers of blood will flow through the streets of Paris. This day is approaching, God willing. Allah is the greatest.”
The video, published on X/Twitter by the account @endzionism24 and retweeted by Palestinian activist Ihab Hassan, ended with the speaker holding a prop severed head complete with fake blood up for the camera.
He is not a Palestinian:
A video clip has surfaced showing an individual wearing a keffiyeh and a Palestinian flag badge, threatening France with a “river of blood” at the Olympic Games.
It is glaringly obvious to any Arabic speaker that this person is not Arab; his dialect… pic.twitter.com/rwWGkkbiAi
— Ihab Hassan (@IhabHassane) July 23, 2024
Hassan and other social media users immediately noted that the man speaking was clearly not a native Arabic speaker, citing his reasonably fluent but awkward and occasionally incorrect pronunciation.
Many social media users aware of the mispronunciations seemed to blame Israel for the video, implying the clip was a false flag meant to fearmonger and demonize Palestinians and Muslims. They did not address the fact that Israel has access to hundreds of thousands of native Palestinian Arabic speakers who would sound far more convincing than the man in the video.
On Wednesday, French Interior Minister Gerald Darmanin said that “French secret services and their partners have not been able to authenticate the veracity of this video.”
According to researchers at Microsoft, however, the video appears to be part of a Russian-linked disinformation campaign meant to disrupt the Olympics, which began with the opening ceremony on Friday.
The researchers from Microsoft’s Threat Analysis Center told NBC News that the clip appears to have come from a Russian disinformation group known as Storm-1516, an outgrowth of Russia’s Internet Research Agency.
The latest clip was linked to a similar disinformation video falsely alleging that Ukraine had sent arms to Hamas — a claim for which there is no evidence. According to the researchers, the more recent video appears to be part of a Russian scare campaign meant to disrupt the Olympics.
The video came just days before France’s rail infrastructure was hit on Friday, ahead of the start of the Olympics, with widespread acts of vandalism including arson attacks, paralyzing travel to Paris from the rest of France and Europe just hours before the opening ceremony of the Olympics. French authorities described the acts as “criminal” and “malicious.”
Israeli Foreign Minister Israel Katz said that the sabotage of France’s high-speed rail network was directed by Iran, which Western intelligence agencies have for years labeled as the world’s foremost state sponsor of terrorism.
“The sabotage of railway infrastructure across France ahead of the Olympics was planned and executed under the influence of Iran’s axis of evil and radical Islam,” Katz wrote on X/Twitter. “As I warned my French counterpart [Stéphane Séjourné] this week, based on information held by Israel, Iranians are planning terrorist attacks against the Israeli delegation and all Olympic participants. Increased preventive measures must be taken to thwart their plot. The free world must stop Iran now — before it’s too late.”
Katz was referring to a letter he sent on Thursday to Séjourné raising alarm bells about what he described as a plan by Iran to attack Israel’s Olympic delegation.
Darmanin and French National Police both announced previously that they are taking increased security measures to ensure the safety of Israel’s Olympic delegation while they are in Paris amid mounting threats. These measures include providing them with round the clock security from French police. The Israeli delegation will also receive additional security details from Israel’s Shin Bet security agency during the Olympics.
The post Video of Masked Man Vowing ‘Rivers of Blood’ at Paris Olympics Over Israel Support Appears to Be Fake, of Russia Origin first appeared on Algemeiner.com.
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Top St. Louis Newspaper Endorses US Rep. Cori Bush’s Opponent, Argues Incumbent’s Israel Stance Is ‘Disqualifying’
US Rep. Cori Bush (D-MO) raises her fist as US Rep. Rashida Tlaib (D-MI) addresses a pro-Hamas demonstration in Washington, DC. Photo: Reuters/Allison Bailey
The editorial board of The St. Louis Post-Dispatch, the largest daily newspaper in Missouri, has endorsed the opponent of US Rep. Cori Bush (D-MO), pointing to the incumbent congresswoman’s lack of legislative accomplishments and stance on the Israel-Hamas war.
The Post-Dispatch argued that Bush’s position on Israel and the Gaza war should be “disqualifying” for any elected representative. The outlet took umbrage with Bush for equating a close democratic ally of the US with a genocidal terrorist organization.
“Israel’s conduct of the war has been far from perfect, but it remains a democracy fighting for survival against an evil terrorist organization. Bush’s tendency to equate both sides — and even to side with the terrorists, as when she cast one of just two House votes against a resolution to bar Hamas members from the US — should in itself be disqualifying for re-election,” the editorial board wrote.
Bush has established herself as one of the most vocal critics of Israel in the US Congress. Only nine days after Hamas’ Oct. 7 slaughter of roughly 1,200 people in southern Israel, Bush called for an “immediate ceasefire” between Israel and the Palestinian terrorist group. As the war dragged on, Bush’s rhetoric toward Israel sharpened, with the congresswoman accusing the Jewish state of committing “genocide” in Gaza and “apartheid” in the West Bank. Bush has also accused Israel of inflicting a “famine” in Gaza without providing evidence.
Bush seems more interested in pandering to the far-left fringes of the progressive movement than serving her constituents, the Post-Dispatch argued. Bush’s membership in “The Squad” — a clique of far-left progressive, anti-establishment lawmakers in the House of Representatives — has rendered her completely incapable of “accomplishing anything” in the halls of Congress, according to the newspaper.
The editorial board urged its readers to vote for Wesley Bell, pointing to his moderated approach to the Israeli-Palestinian conflict as an example of his pragmatism and moral clarity.
“On Israel, Bell offers an appropriately measured stance, acknowledging the need to protect Gazan civilians and work toward a two-state solution, while supporting America’s closest ally in the Middle East,” the outlet wrote.
In contrast to Bush, Bell has expressed more sympathy to Israel’s military operations in Gaza, emphatically rejecting the notion that Israel’s actions in Gaza constitute “genocide” or “ethnic cleansing.”
Moreover, Bell has strengthened his ties with the Jewish community over the course of his campaign. The American Israel Public Affairs Committee (AIPAC), the foremost pro-Israel lobbying group in the US, donated a reported $5 million to Bell’s campaign through its United Democracy Project super PAC. A group of 30 St. Louis-area rabbis penned a letter endorsing Bell, accusing Bush of a “lack of decency, disregard for history, and for intentionally fueling antisemitism and hatred.” Bell also brought about an official “director of Jewish outreach” to increase turnout among the Jewish community.
A poll commissioned by McLaughlin & Associates and sponsored by the CCA Action Fund, a pro-Bell super PAC, showed Bell with a commanding 56 percent to 33 percent lead over Bush.
Supporters of Israel see the primary race as a prime opportunity to oust another opponent of the Jewish state from the halls of Congress. Rep. Jamaal Bowman (D-NY), a progressive lawmaker, lost his primary race to a pro-Israel challenger on June 25. Over the course of his reelection campaign, Bowman accused Israel of committing “genocide” and enacting “apartheid” against Palestinians. Bowman’s comments incensed Jewish constituents in the leafy suburbs of Westchester County, New York.
Furthermore, observers are looking to the race as a potential indicator of the Democratic electorate’s position on Israel. Opinions of the Jewish state among Democrats have soured in the months following Oct. 7, calling into question whether anti-Israel views are still a liability with American liberals.
The post Top St. Louis Newspaper Endorses US Rep. Cori Bush’s Opponent, Argues Incumbent’s Israel Stance Is ‘Disqualifying’ first appeared on Algemeiner.com.
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