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How bathroom graffiti inspired this Jewish comedian and singer
(New York Jewish Week) — The graffiti scrawled on public bathroom walls may not seem like the highest form of art. But for Jewish comedian and musician Caitlin Cook, a particular phrase she saw on a bathroom stall became the catalyst for a decade of creative inventiveness.
“Since writing on bathroom walls is neither for critical acclaim nor financial reward,” it read, “it is the purest form of art. Discuss.”
“I just knew that this was something I did want to discuss,” Cook told the New York Jewish Week. “I love art history, I love found art, and I loved the way that [graffiti] broke down the idea of what art is and can be. So, I started photographing bathroom graffiti all over the place.”
A few years later, Cook realized she could turn her extensive collection of found phrases into lyrics for songs. And then, after a few more years, she figured out a way to project the original bathroom images behind her as she sang her songs. The project then developed into a one-person musical, “The Writing on the Stall,” which is playing at the Soho Playhouse through Sept. 23. As implied by the title, the musical takes place entirely in a public bathroom; the song’ lyrics are almost entirely quotes from actual graffiti Cook found in restrooms across the globe.
“I think everyone has seen something funny or sad written in the bathroom stall when they’ve sat down,” said Cook, adding that the show “really hits this universal human experience.”
Cook, 33, who moved to New York in 2016, grew up in Los Angeles, where she was raised by her parents and grandparents in a culturally Jewish but atheist home. “Both my grandparents were from very large families who escaped Poland and Belarus and grew up very poor in the Jewish tenements and in the Bronx, then moved to L.A. and made something of themselves,” she said. “My grandma would always say, ‘We’re Jewish, it’s very important that you know that, but we don’t believe in God because [the Holocaust] happened.’”
“I think that was a very common attitude for Jews in L.A.,” she continued. “As a result, I never went to Hebrew school and sometimes I feel like I’m not Jewish enough to be Jewish. Then, other times, I feel I am very Jewish.”
Cook addresses her complicated Jewish identity head-on in “The Writing on the Stall.” Early in the musical — after the show opens with Cook sitting on a toilet, asking the audience for some toilet paper — she talks about being a “Jewish atheist,” and the seemingly inherent contradiction therein.
“I come from a wonderful, creative family that really prioritized education, intellectualism and thinking beyond the surface level of things,” she told the New York Jewish Week, “That search for deep meaning feels very inherent to the way I experience Jewish identity.”
To Cook, this Jewish instinct to sense a deeper message in something seemingly mundane is, essentially, how she came to find graffiti to be so profound in the first place. As an example, she cites a message — “Do what scares you, even if it’s everything” — she found in a stall. It became “part of my life philosophy,” Cook told the New York Jewish Week. “Putting myself outside of my comfort zone, exploring why I am the way that I am, dealing with fears and anxiety … of growing up as a Jewish person who’s always thinking beyond the surface level.”
The short musical (approximately 60 to 75 minutes, depending on audience participation) features songs like “The Difference,” which explores the types of graffiti found in men’s, women’s and non-gendered restrooms. “Girl, keep ya head up,” and “ Love like you’ve never been ghosted,” the women write, while men’s stalls feature lines like, “roses are tits, violets are tits,” and many, many drawings of genitalia.
Another song, called “Conversations With Strangers,” depicts the unique interactions created when strangers answer one another’s contributions to bathroom graffiti. “Follow ur dreams,” one person scratched into a stall. Below it, in Sharpie, someone answers, “I literally only have nightmares.”
“There’s a song about confessional bathroom graffiti [in which] I confess some things about myself and get the audience to confess some secrets, while talking about how intimate bathrooms can be,” Cook said. “[The show also goes into] graffiti that bullies and the beautiful, poetic, sad, wonderful things that people have written.”
Cook, whose previous credits include New York Comedy Festival and SF Sketchfest, alongside iconic venues like The Comedy Cellar, crafted this version of “The Writing on the Stall” with the aid of two chief collaborators: Director A.J. Holmes, best known for his performance as Elder Cunningham in “The Book of Mormon,” and Ali Gordon, actor and alumna of the Upright Citizen’s Brigade.
Cook and Holmes met at the Edinburgh Fringe Festival, where the two were performing at nearby theaters. (Cook was performing an earlier version of “The Writing on the Stall.”) “My immediate impression was that the songs crush,” Holmes told the New York Jewish Week.
The duo brought Gordon on board, and they developed “The Writing on the Stall” so it touches on a larger message about finding beauty and meaning in the everyday.
“It feels like everyone wants to hide in the friggin’ bathroom right now,” Gordon said. “Whether it’s on a political level or a personal level, everything has become too much of a mess, the desire to bury our heads in the sand is stronger than ever.”
“In the show, that’s what we find our hero doing — hiding from the party outside,” she continued. “But the audience gets to see how she finds her way out … instead of staying in a shame spiral and beating herself up, she finds beauty in the darkest corners. She uses that to shine a light for the rest of us.”
Cook agrees. “It’s a show about shared humanity and finding meaning in unexpected places,” she said. “It’s about sharing vulnerable stories and connecting with strangers unexpectedly, whether it’s writing something in conversation on the wall of a bathroom, or meeting in a bathroom line, or just sharing a little bit about who you are with someone at a bar.”
“The Writing on the Stall” can be silly or salacious at times, but amid the projected images of crude drawings of genitals and cheery, if oversimplified, “you go, girl!” scrawls, Cook is trying to find answers to life’s big questions. She’s inviting audiences to connect with themselves and with one another by reaching out past the edge of the stage. She’s interested in who she is, certainly, but also in who we are to each other as members of a society that so often seems torn beyond repair.
“The Writing on the Stall” is playing at Soho Playhouse (15 Vandam St.) Wednesdays through Saturdays through Sept. 23. Click here for tickets and info.
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The post How bathroom graffiti inspired this Jewish comedian and singer appeared first on Jewish Telegraphic Agency.
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Iran, US Task Experts to Design Framework for a Nuclear Deal, Tehran Says
Atomic symbol and USA and Iranian flags are seen in this illustration taken, September 8, 2022. Photo: REUTERS/Dado Ruvic/Illustration/File Photo
Iran and the United States agreed on Saturday to task experts to start drawing up a framework for a potential nuclear deal, Iran’s foreign minister said, after a second round of talks following President Donald Trump’s threat of military action.
At their second indirect meeting in a week, Foreign Minister Abbas Araqchi negotiated for almost four hours in Rome with Trump’s Middle East envoy Steve Witkoff, through an Omani official who shuttled messages between them.
Trump, who abandoned a 2015 nuclear pact between Tehran and world powers during his first term in 2018, has threatened to attack Iran unless it reaches a new deal swiftly that would prevent it from developing a nuclear weapon.
Iran, which says its nuclear program is peaceful, says it is willing to discuss limited curbs to its atomic work in return for lifting international sanctions.
Speaking on state TV after the talks, Araqchi described them as useful and conducted in a constructive atmosphere.
“We were able to make some progress on a number of principles and goals, and ultimately reached a better understanding,” he said.
“It was agreed that negotiations will continue and move into the next phase, in which expert-level meetings will begin on Wednesday in Oman. The experts will have the opportunity to start designing a framework for an agreement.”
The top negotiators would meet again in Oman next Saturday to “review the experts’ work and assess how closely it aligns with the principles of a potential agreement,” he added.
Echoing cautious comments last week from Supreme Leader Ali Khamenei, he added: “We cannot say for certain that we are optimistic. We are acting very cautiously. There is no reason either to be overly pessimistic.”
There was no immediate comment from the US side following the talks. Trump told reporters on Friday: “I’m for stopping Iran, very simply, from having a nuclear weapon. They can’t have a nuclear weapon. I want Iran to be great and prosperous and terrific.”
Washington’s ally Israel, which opposed the 2015 agreement with Iran that Trump abandoned in 2018, has not ruled out an attack on Iran’s nuclear facilities in the coming months, according to an Israeli official and two other people familiar with the matter.
Since 2019, Iran has breached and far surpassed the 2015 deal’s limits on its uranium enrichment, producing stocks far above what the West says is necessary for a civilian energy program.
A senior Iranian official, who described Iran’s negotiating position on condition of anonymity on Friday, listed its red lines as never agreeing to dismantle its uranium enriching centrifuges, halt enrichment altogether or reduce its enriched uranium stockpile below levels agreed in the 2015 deal.
The post Iran, US Task Experts to Design Framework for a Nuclear Deal, Tehran Says first appeared on Algemeiner.com.
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Hamas Says Fate of US-Israeli Hostage Unknown After Guard Killed in Israel Strike
Varda Ben Baruch, the grandmother of Edan Alexander, 19, an Israeli army volunteer kidnapped by Hamas, attends a special Kabbalat Shabbat ceremony with families of other hostages, in Herzliya, Israel October 27, 2023 REUTERS/Kuba Stezycki
Hamas said on Saturday the fate of an Israeli dual national soldier believed to be the last US citizen held alive in Gaza was unknown, after the body of one of the guards who had been holding him was found killed by an Israeli strike.
A month after Israel abandoned the ceasefire with the resumption of intensive strikes across the breadth of Gaza, Israel was intensifying its attacks.
President Donald Trump’s envoy Steve Witkoff said in March that freeing Edan Alexander, a 21-year-old New Jersey native who was serving in the Israeli army when he was captured during the Oct. 7, 2023 attacks that precipitated the war, was a “top priority.” His release was at the center of talks held between Hamas leaders and US negotiator Adam Boehler last month.
Hamas had said on Tuesday that it had lost contact with the militants holding Alexander after their location was hit in an Israeli attack. On Saturday it said the body of one of the guards had been recovered.
“The fate of the prisoner and the rest of the captors remains unknown,” said Hamas armed wing Al-Qassam Brigades’ spokesperson Abu Ubaida.
“We are trying to protect all the hostages and preserve their lives … but their lives are in danger because of the criminal bombings by the enemy’s army,” Abu Ubaida said.
The Israeli military did not respond to a Reuters request for comment.
Hamas released 38 hostages under the ceasefire that began on January 19. Fifty-nine are still believed to be held in Gaza, fewer than half of them still alive.
Israel put Gaza under a total blockade in March and restarted its assault on March 18 after talks failed to extend the ceasefire. Hamas says it will free remaining hostages only under an agreement that permanently ends the war; Israel says it will agree only to a temporary pause.
On Friday, the Israeli military said it hit about 40 targets across the enclave over the past day. The military on Saturday announced that a 35-year-old soldier had died in combat in Gaza.
NETANYAHU STATEMENT
Late on Thursday Khalil Al-Hayya, Hamas’ Gaza chief, said the movement was willing to swap all remaining 59 hostages for Palestinians jailed in Israel in return for an end to the war and reconstruction of Gaza.
He dismissed an Israeli offer, which includes a demand that Hamas lay down its arms, as imposing “impossible conditions.”
Israel has not responded formally to Al-Hayya’s comments, but ministers have said repeatedly that Hamas must be disarmed completely and can play no role in the future governance of Gaza. Israeli Prime Minister Benjamin Netanyahu is scheduled to give a statement later on Saturday.
Hamas on Saturday also released an undated and edited video of Israeli hostage Elkana Bohbot. Hamas has released several videos over the course of the war of hostages begging to be released. Israeli officials have dismissed past videos as propaganda.
After the video was released, Bohbot’s family said in a statement that they were “deeply shocked and devastated,” and expressed concern for his mental and physical condition.
“How much longer will he be expected to wait and ‘stay strong’?” the family asked, urging for all of the 59 hostages who are still held in Gaza to be brought home.
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Oman’s Sultan to Meet Putin in Moscow After Iran-US Talks
FILE PHOTO: Sultan Haitham bin Tariq al-Said gives a speech after being sworn in before the royal family council in Muscat, Oman January 11, 2020. Photo: REUTERS/Sultan Al Hasani/File Photo
Oman’s Sultan Haitham bin Tariq al-Said is set to visit Moscow on Monday, days after the start of a round of Muscat-mediated nuclear talks between the US and Iran.
The sultan will hold talks with Russian President Vladimir Putin on Tuesday, the Kremlin said.
Iran and the US started a new round of nuclear talks in Rome on Saturday to resolve their decades-long standoff over Tehran’s atomic aims, under the shadow of President Donald Trump’s threat to unleash military action if diplomacy fails.
Ahead of Saturday’s talks, Iranian Foreign Minister Abbas Araqchi met his Russian counterpart Sergei Lavrov in Moscow. Following the meeting, Lavrov said Russia was “ready to assist, mediate and play any role that will be beneficial to Iran and the USA.”
Moscow has played a role in Iran’s nuclear negotiations in the past as a veto-wielding U.N. Security Council member and signatory to an earlier deal that Trump abandoned during his first term in 2018.
The sultan’s meetings in Moscow visit will focus on cooperation on regional and global issues, the Omani state news agency and the Kremlin said, without providing further detail.
The two leaders are also expected to discuss trade and economic ties, the Kremlin added.
The post Oman’s Sultan to Meet Putin in Moscow After Iran-US Talks first appeared on Algemeiner.com.