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How bathroom graffiti inspired this Jewish comedian and singer
(New York Jewish Week) — The graffiti scrawled on public bathroom walls may not seem like the highest form of art. But for Jewish comedian and musician Caitlin Cook, a particular phrase she saw on a bathroom stall became the catalyst for a decade of creative inventiveness.
“Since writing on bathroom walls is neither for critical acclaim nor financial reward,” it read, “it is the purest form of art. Discuss.”
“I just knew that this was something I did want to discuss,” Cook told the New York Jewish Week. “I love art history, I love found art, and I loved the way that [graffiti] broke down the idea of what art is and can be. So, I started photographing bathroom graffiti all over the place.”
A few years later, Cook realized she could turn her extensive collection of found phrases into lyrics for songs. And then, after a few more years, she figured out a way to project the original bathroom images behind her as she sang her songs. The project then developed into a one-person musical, “The Writing on the Stall,” which is playing at the Soho Playhouse through Sept. 23. As implied by the title, the musical takes place entirely in a public bathroom; the song’ lyrics are almost entirely quotes from actual graffiti Cook found in restrooms across the globe.
“I think everyone has seen something funny or sad written in the bathroom stall when they’ve sat down,” said Cook, adding that the show “really hits this universal human experience.”
Cook, 33, who moved to New York in 2016, grew up in Los Angeles, where she was raised by her parents and grandparents in a culturally Jewish but atheist home. “Both my grandparents were from very large families who escaped Poland and Belarus and grew up very poor in the Jewish tenements and in the Bronx, then moved to L.A. and made something of themselves,” she said. “My grandma would always say, ‘We’re Jewish, it’s very important that you know that, but we don’t believe in God because [the Holocaust] happened.’”
“I think that was a very common attitude for Jews in L.A.,” she continued. “As a result, I never went to Hebrew school and sometimes I feel like I’m not Jewish enough to be Jewish. Then, other times, I feel I am very Jewish.”
Cook addresses her complicated Jewish identity head-on in “The Writing on the Stall.” Early in the musical — after the show opens with Cook sitting on a toilet, asking the audience for some toilet paper — she talks about being a “Jewish atheist,” and the seemingly inherent contradiction therein.
“I come from a wonderful, creative family that really prioritized education, intellectualism and thinking beyond the surface level of things,” she told the New York Jewish Week, “That search for deep meaning feels very inherent to the way I experience Jewish identity.”
To Cook, this Jewish instinct to sense a deeper message in something seemingly mundane is, essentially, how she came to find graffiti to be so profound in the first place. As an example, she cites a message — “Do what scares you, even if it’s everything” — she found in a stall. It became “part of my life philosophy,” Cook told the New York Jewish Week. “Putting myself outside of my comfort zone, exploring why I am the way that I am, dealing with fears and anxiety … of growing up as a Jewish person who’s always thinking beyond the surface level.”
The short musical (approximately 60 to 75 minutes, depending on audience participation) features songs like “The Difference,” which explores the types of graffiti found in men’s, women’s and non-gendered restrooms. “Girl, keep ya head up,” and “ Love like you’ve never been ghosted,” the women write, while men’s stalls feature lines like, “roses are tits, violets are tits,” and many, many drawings of genitalia.
Another song, called “Conversations With Strangers,” depicts the unique interactions created when strangers answer one another’s contributions to bathroom graffiti. “Follow ur dreams,” one person scratched into a stall. Below it, in Sharpie, someone answers, “I literally only have nightmares.”
“There’s a song about confessional bathroom graffiti [in which] I confess some things about myself and get the audience to confess some secrets, while talking about how intimate bathrooms can be,” Cook said. “[The show also goes into] graffiti that bullies and the beautiful, poetic, sad, wonderful things that people have written.”
Cook, whose previous credits include New York Comedy Festival and SF Sketchfest, alongside iconic venues like The Comedy Cellar, crafted this version of “The Writing on the Stall” with the aid of two chief collaborators: Director A.J. Holmes, best known for his performance as Elder Cunningham in “The Book of Mormon,” and Ali Gordon, actor and alumna of the Upright Citizen’s Brigade.
Cook and Holmes met at the Edinburgh Fringe Festival, where the two were performing at nearby theaters. (Cook was performing an earlier version of “The Writing on the Stall.”) “My immediate impression was that the songs crush,” Holmes told the New York Jewish Week.
The duo brought Gordon on board, and they developed “The Writing on the Stall” so it touches on a larger message about finding beauty and meaning in the everyday.
“It feels like everyone wants to hide in the friggin’ bathroom right now,” Gordon said. “Whether it’s on a political level or a personal level, everything has become too much of a mess, the desire to bury our heads in the sand is stronger than ever.”
“In the show, that’s what we find our hero doing — hiding from the party outside,” she continued. “But the audience gets to see how she finds her way out … instead of staying in a shame spiral and beating herself up, she finds beauty in the darkest corners. She uses that to shine a light for the rest of us.”
Cook agrees. “It’s a show about shared humanity and finding meaning in unexpected places,” she said. “It’s about sharing vulnerable stories and connecting with strangers unexpectedly, whether it’s writing something in conversation on the wall of a bathroom, or meeting in a bathroom line, or just sharing a little bit about who you are with someone at a bar.”
“The Writing on the Stall” can be silly or salacious at times, but amid the projected images of crude drawings of genitals and cheery, if oversimplified, “you go, girl!” scrawls, Cook is trying to find answers to life’s big questions. She’s inviting audiences to connect with themselves and with one another by reaching out past the edge of the stage. She’s interested in who she is, certainly, but also in who we are to each other as members of a society that so often seems torn beyond repair.
“The Writing on the Stall” is playing at Soho Playhouse (15 Vandam St.) Wednesdays through Saturdays through Sept. 23. Click here for tickets and info.
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The post How bathroom graffiti inspired this Jewish comedian and singer appeared first on Jewish Telegraphic Agency.
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Colorado Attack Suspect Charged with Assault, Use of Explosives
FILE PHOTO: Boulder attack suspect Mohamed Sabry Soliman poses for a jail booking photograph after his arrest in Boulder, Colorado, U.S. June 2, 2025. Photo: Boulder Police Department/Handout via REUTERS
A suspect in an attack on a pro-Israeli rally in Colorado that injured eight people was being held on Monday on an array of charges, including assault and the use of explosives, in lieu of a $10-million bail, according to Boulder County records.
The posted list of felony charges against suspect Mohamed Sabry Soliman, 45, in the attack on Sunday also includes charges of murder in the first degree, although police in the city of Boulder have said on social media that no victims died in the attack. Authorities could not be reached immediately to clarify.
Witnesses reported the suspect used a makeshift flamethrower and threw an incendiary device into the crowd. He was heard to yell “Free Palestine” during the attack, according to the FBI, in what the agency called a “targeted terror attack.”
Four women and four men between 52 and 88 years of age were transported to hospitals after the attack, Boulder Police said.
The attack took place on the Pearl Street Mall, a popular pedestrian shopping district near the University of Colorado, during an event organized by Run for Their Lives, an organization devoted to drawing attention to the hostages seized in the aftermath of Hamas’ 2023 attack on Israel.
Rabbi Yisroel Wilhelm, the Chabad director at the University of Colorado, Boulder, told CBS Colorado that the 88-year-old victim was a Holocaust refugee who fled Europe.
A Department of Homeland Security spokesperson said Soliman had entered the country in August 2022 on a tourist visa that expired in February 2023. He filed for asylum in September 2022. “The suspect, Mohamed Soliman, is illegally in our country,” the spokesperson said.
The FBI raided and searched Soliman’s home in El Paso County, Colorado, the agency said on social media. “As this is an ongoing investigation, no additional information is available at this time.”
The attack in Boulder was the latest act of violence aimed at Jewish Americans linked to outrage over Israel’s escalating military offensive in Gaza. It followed the fatal shooting of two Israel Embassy aides that took place outside Washington’s Capital Jewish Museum last month.
Ron Halber, CEO of the Jewish Community Relations Council of Greater Washington, said after the shooting there was a question of how far security perimeters outside Jewish institutions should extend.
Boulder Police said they would hold a press conference later on Monday to discuss details of the Colorado attack.
The Denver office of the FBI, which is handling the case, did not immediately respond to emails or phone calls seeking clarification on the homicide charges or other details in the case.
Officials from the Boulder County Jail, Boulder Police and Boulder County Sheriff’s Office did not immediately respond to inquiries.
The post Colorado Attack Suspect Charged with Assault, Use of Explosives first appeared on Algemeiner.com.
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Iran Poised to Dismiss US Nuclear Proposal, Iranian Diplomat Says
Iran’s Foreign Minister Abbas Araqchi attends a press conference following a meeting with Russia’s Foreign Minister Sergei Lavrov in Moscow, Russia, April 18, 2025. Photo: Tatyana Makeyeva/Pool via REUTERS
Iran is poised to reject a US proposal to end a decades-old nuclear dispute, an Iranian diplomat said on Monday, dismissing it as a “non-starter” that fails to address Tehran’s interests or soften Washington’s stance on uranium enrichment.
“Iran is drafting a negative response to the US proposal, which could be interpreted as a rejection of the US offer,” the senior diplomat, who is close to Iran’s negotiating team, told Reuters.
The US proposal for a new nuclear deal was presented to Iran on Saturday by Omani Foreign Minister Sayyid Badr Albusaidi, who was on a short visit to Tehran and has been mediating talks between Tehran and Washington.
After five rounds of discussions between Iranian Foreign Minister Abbas Araqchi and President Donald Trump’s Middle East envoy Steve Witkoff, several obstacles remain.
Among them are Iran’s rejection of a US demand that it commit to scrapping uranium enrichment and its refusal to ship abroad its entire existing stockpile of highly enriched uranium – possible raw material for nuclear bombs.
Tehran says it wants to master nuclear technology for peaceful purposes and has long denied accusations by Western powers that it is seeking to develop nuclear weapons.
“In this proposal, the US stance on enrichment on Iranian soil remains unchanged, and there is no clear explanation regarding the lifting of sanctions,” said the diplomat, who declined to be identified due to the sensitivity of the matter.
Araqchi said Tehran would formally respond to the proposal soon.
Tehran demands the immediate removal of all US-imposed curbs that impair its oil-based economy. But the US says nuclear-related sanctions should be removed in phases.
Dozens of institutions vital to Iran’s economy, including its central bank and national oil company, have been blacklisted since 2018 for, according to Washington, “supporting terrorism or weapons proliferation.”
Trump’s revival of “maximum pressure” against Tehran since his return to the White House in January has included tightening sanctions and threatening to bomb Iran if the negotiations yield no deal.
During his first term in 2018, Trump ditched Tehran’s 2015 nuclear pact with six powers and reimposed sanctions that have crippled Iran’s economy. Iran responded by escalating enrichment far beyond the pact’s limits.
Under the deal, Iran had until 2018 curbed its sensitive nuclear work in return for relief from US, EU and U.N. economic sanctions.
The diplomat said the assessment of “Iran’s nuclear negotiations committee,” under the supervision of Supreme Leader Ayatollah Ali Khamenei, was that the US proposal was “completely one-sided” and could not serve Tehran’s interests.
Therefore, the diplomat said, Tehran considers this proposal a “non-starter” and believes it unilaterally attempts to impose a “bad deal” on Iran through excessive demands.
NUCLEAR STANDOFF RAISES MIDDLE EAST TENSIONS
The stakes are high for both sides. Trump wants to curtail Tehran’s potential to produce a nuclear weapon that could trigger a regional nuclear arms race and perhaps threaten Israel. Iran’s clerical establishment, for its part, wants to be rid of the devastating sanctions.
Iran says it is ready to accept some limits on enrichment, but needs watertight guarantees that Washington would not renege on a future nuclear accord.
Two Iranian officials told Reuters last week that Iran could pause uranium enrichment if the US released frozen Iranian funds and recognized Tehran’s right to refine uranium for civilian use under a “political deal” that could lead to a broader nuclear accord.
Iran’s arch-foe Israel sees Iran’s nuclear program as an existential threat and says it would never allow Tehran to obtain nuclear weapons.
Araqchi, in a joint news conference with his Egyptian counterpart in Cairo, said: “I do not think Israel will commit such a mistake as to attack Iran.”
Tehran’s regional influence has meanwhile been diminished by military setbacks suffered by its forces and those of its allies in the Shi’ite-dominated “Axis of Resistance,” which include Hamas, Hezbollah, the Houthis in Yemen, and Iraqi militias.
In April, Saudi Arabia’s defence minister delivered a blunt message to Iranian officials to take Trump’s offer of a new deal seriously as a way to avoid the risk of war with Israel.
The post Iran Poised to Dismiss US Nuclear Proposal, Iranian Diplomat Says first appeared on Algemeiner.com.
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The Islamist Crescent: A New Syrian Danger
Syrian President Ahmed al-Sharaa speaks during a joint press conference with French President Emmanuel Macron after a meeting at the Elysee Palace in Paris, France, May 7, 2025. Photo: REUTERS/Stephanie Lecocq/Pool
The dramatic fall of the Assad regime in Syria has undeniably reshaped the Middle East, yet the emerging power dynamics, particularly the alignment between Saudi Arabia and Turkey, warrant profound scrutiny from those committed to American and Israeli security. While superficially presented as a united front against Iranian influence, this new Sunni axis carries a dangerous undercurrent of Islamism and regional ambition that could ultimately undermine, rather than serve, the long-term interests of Washington and Jerusalem.
For too long, Syria under Bashar al-Assad served as a critical conduit for Iran’s destabilizing agenda, facilitating arms transfers to Hezbollah and projecting Tehran’s power across the Levant. The removal of this linchpin is, on the surface, a strategic victory. However, the nature of the new Syrian government, led by Ahmed al-Sharaa — a figure Israeli officials continue to view with deep suspicion due to his past as a former Al-Qaeda-linked commander — raises immediate red flags. This is not merely a change of guard; it is a shift that introduces a new set of complex challenges, particularly given Turkey’s historical support for the Muslim Brotherhood, an organization deemed a terror group by Saudi Arabia and many other regional states.
Israel’s strategic calculus in Syria has always been clear: to degrade Iran’s military presence, prevent Hezbollah from acquiring advanced weaponry, and maintain operational freedom in Syrian airspace. Crucially, Israel has historically thought it best to have a decentralized, weak, and fragmented Syria, with reports that it has actively worked against the resurgence of a robust central authority. This preference stems from a pragmatic understanding that a strong, unified Syria, especially one under the tutelage of an ambitious regional power like Turkey, could pose much more of a threat than the Assad regime ever did. Indeed, Israeli defense officials privately express concern at Turkey’s assertive moves, accusing Ankara of attempting to transform post-war Syria into a Turkish protectorate under Islamist tutelage. This concern is not unfounded; Turkey’s ambitious, arguably expansionist, objectives — and its perceived undue dominance in Arab lands — are viewed by Israel as warily as Iran’s previous influence.
The notion that an “Ottoman Crescent” is now replacing the “Shiite Crescent” should not be celebrated as a net positive. While it may diminish Iranian power, it introduces a new form of regional hegemony, one driven by an ideology that has historically been antithetical to Western values and stability. The European Union’s recent imposition of sanctions on Turkish-backed Syrian army commanders for human rights abuses, including arbitrary killings and torture, further underscores the problematic nature of some elements within this new Syrian landscape. The fact that al-Sharaa has allowed such individuals to operate with impunity and even promoted them to high-ranking positions should give Washington pause.
From an American perspective, while the Trump administration has pragmatically engaged with the new Syrian government, lifting sanctions and urging normalization with Israel, this engagement must be tempered with extreme caution. The core American interests in the Middle East — counterterrorism, containment of Iran, and regional stability — are not served by empowering Islamist-leaning factions or by enabling a regional power, like Turkey, whose actions have sometimes undermined the broader fight against ISIS. Washington must demand that Damascus demonstrate a genuine commitment to taking over the counter-ISIS mission and managing detention facilities, and unequivocally insist that Turkey cease actions that risk an ISIS resurgence.
The argument that Saudi Arabia and Turkey, despite their own complex internal dynamics, are simply pragmatic actors countering Iran overlooks the ideological underpinnings that concern many conservatives. Turkey’s ruling party, rooted in political Islam, and its historical ties to the Muslim Brotherhood, present a fundamental challenge to the vision of a stable, secular, and pro-Western Middle East. While Saudi Arabia has designated the Muslim Brotherhood as a terrorist organization, its alignment with Turkey in Syria, and its own internal human rights record, means that this “new front” is far from a clean solution.
The Saudi-Turkey alignment in Syria is a double-edged sword. While it may indeed serve to counter Iran’s immediate regional ambitions, it simultaneously risks empowering actors whose long-term objectives and ideological leanings are deeply problematic for American, Israeli, and Western interests. Washington and Jerusalem must approach this new dynamic with extreme vigilance, prioritizing the containment of all forms of radicalism — whether Shiite or Sunni — and ensuring that any strategic gains against Iran do not inadvertently pave the way for a new, equally dangerous, Islamist crescent to rise in the heart of the Levant.
Amine Ayoub, a fellow at the Middle East Forum, is a policy analyst and writer based in Morocco. Follow him on X: @amineayoubx
The post The Islamist Crescent: A New Syrian Danger first appeared on Algemeiner.com.