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How bathroom graffiti inspired this Jewish comedian and singer
(New York Jewish Week) — The graffiti scrawled on public bathroom walls may not seem like the highest form of art. But for Jewish comedian and musician Caitlin Cook, a particular phrase she saw on a bathroom stall became the catalyst for a decade of creative inventiveness.
“Since writing on bathroom walls is neither for critical acclaim nor financial reward,” it read, “it is the purest form of art. Discuss.”
“I just knew that this was something I did want to discuss,” Cook told the New York Jewish Week. “I love art history, I love found art, and I loved the way that [graffiti] broke down the idea of what art is and can be. So, I started photographing bathroom graffiti all over the place.”
A few years later, Cook realized she could turn her extensive collection of found phrases into lyrics for songs. And then, after a few more years, she figured out a way to project the original bathroom images behind her as she sang her songs. The project then developed into a one-person musical, “The Writing on the Stall,” which is playing at the Soho Playhouse through Sept. 23. As implied by the title, the musical takes place entirely in a public bathroom; the song’ lyrics are almost entirely quotes from actual graffiti Cook found in restrooms across the globe.
“I think everyone has seen something funny or sad written in the bathroom stall when they’ve sat down,” said Cook, adding that the show “really hits this universal human experience.”
Cook, 33, who moved to New York in 2016, grew up in Los Angeles, where she was raised by her parents and grandparents in a culturally Jewish but atheist home. “Both my grandparents were from very large families who escaped Poland and Belarus and grew up very poor in the Jewish tenements and in the Bronx, then moved to L.A. and made something of themselves,” she said. “My grandma would always say, ‘We’re Jewish, it’s very important that you know that, but we don’t believe in God because [the Holocaust] happened.’”
“I think that was a very common attitude for Jews in L.A.,” she continued. “As a result, I never went to Hebrew school and sometimes I feel like I’m not Jewish enough to be Jewish. Then, other times, I feel I am very Jewish.”
Cook addresses her complicated Jewish identity head-on in “The Writing on the Stall.” Early in the musical — after the show opens with Cook sitting on a toilet, asking the audience for some toilet paper — she talks about being a “Jewish atheist,” and the seemingly inherent contradiction therein.
“I come from a wonderful, creative family that really prioritized education, intellectualism and thinking beyond the surface level of things,” she told the New York Jewish Week, “That search for deep meaning feels very inherent to the way I experience Jewish identity.”
To Cook, this Jewish instinct to sense a deeper message in something seemingly mundane is, essentially, how she came to find graffiti to be so profound in the first place. As an example, she cites a message — “Do what scares you, even if it’s everything” — she found in a stall. It became “part of my life philosophy,” Cook told the New York Jewish Week. “Putting myself outside of my comfort zone, exploring why I am the way that I am, dealing with fears and anxiety … of growing up as a Jewish person who’s always thinking beyond the surface level.”
The short musical (approximately 60 to 75 minutes, depending on audience participation) features songs like “The Difference,” which explores the types of graffiti found in men’s, women’s and non-gendered restrooms. “Girl, keep ya head up,” and “ Love like you’ve never been ghosted,” the women write, while men’s stalls feature lines like, “roses are tits, violets are tits,” and many, many drawings of genitalia.
Another song, called “Conversations With Strangers,” depicts the unique interactions created when strangers answer one another’s contributions to bathroom graffiti. “Follow ur dreams,” one person scratched into a stall. Below it, in Sharpie, someone answers, “I literally only have nightmares.”
“There’s a song about confessional bathroom graffiti [in which] I confess some things about myself and get the audience to confess some secrets, while talking about how intimate bathrooms can be,” Cook said. “[The show also goes into] graffiti that bullies and the beautiful, poetic, sad, wonderful things that people have written.”
Cook, whose previous credits include New York Comedy Festival and SF Sketchfest, alongside iconic venues like The Comedy Cellar, crafted this version of “The Writing on the Stall” with the aid of two chief collaborators: Director A.J. Holmes, best known for his performance as Elder Cunningham in “The Book of Mormon,” and Ali Gordon, actor and alumna of the Upright Citizen’s Brigade.
Cook and Holmes met at the Edinburgh Fringe Festival, where the two were performing at nearby theaters. (Cook was performing an earlier version of “The Writing on the Stall.”) “My immediate impression was that the songs crush,” Holmes told the New York Jewish Week.
The duo brought Gordon on board, and they developed “The Writing on the Stall” so it touches on a larger message about finding beauty and meaning in the everyday.
“It feels like everyone wants to hide in the friggin’ bathroom right now,” Gordon said. “Whether it’s on a political level or a personal level, everything has become too much of a mess, the desire to bury our heads in the sand is stronger than ever.”
“In the show, that’s what we find our hero doing — hiding from the party outside,” she continued. “But the audience gets to see how she finds her way out … instead of staying in a shame spiral and beating herself up, she finds beauty in the darkest corners. She uses that to shine a light for the rest of us.”
Cook agrees. “It’s a show about shared humanity and finding meaning in unexpected places,” she said. “It’s about sharing vulnerable stories and connecting with strangers unexpectedly, whether it’s writing something in conversation on the wall of a bathroom, or meeting in a bathroom line, or just sharing a little bit about who you are with someone at a bar.”
“The Writing on the Stall” can be silly or salacious at times, but amid the projected images of crude drawings of genitals and cheery, if oversimplified, “you go, girl!” scrawls, Cook is trying to find answers to life’s big questions. She’s inviting audiences to connect with themselves and with one another by reaching out past the edge of the stage. She’s interested in who she is, certainly, but also in who we are to each other as members of a society that so often seems torn beyond repair.
“The Writing on the Stall” is playing at Soho Playhouse (15 Vandam St.) Wednesdays through Saturdays through Sept. 23. Click here for tickets and info.
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The post How bathroom graffiti inspired this Jewish comedian and singer appeared first on Jewish Telegraphic Agency.
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Leading Nonprofit Holds ‘Antisemitism Symposium’ in Washington, DC for College Administrators
Visitors enter the Harvard University campus in Cambridge, MA on June 3, 2025. Photo: Jason Bergman/Sipa USA via Reuters Connect
College administrators from across the US will amass in Washington, DC, this week for a three-day symposium on combating campus antisemitism, a sign of growing recognition that anti-Jewish hatred threatens not only Jewish students but all of higher education.
Organized by the Academic Engagement Network (AEN), which promotes academic freedom unfettered by boycotts and ideology, the event will be attended by administrators representing dozens of institutions such as Harvard University, Barnard College, and George Washington University, all of which have drawn scrutiny for responding to campus antisemitism in ways that critics — including Jewish community leaders and senior US officials — have described as insufficient if not dismissive.
Dozens of conversations and seminars will be held over the three-day “Antisemitism Symposium,” with many being led by AEN faculty, as well as staff from the US Holocaust Memorial Museum and experts from the Jewish Federations of North America and the American Jewish Committee.
“College administrators are the ones tasked with recognizing and addressing antisemitism on campus, as well as setting the tone for behavioral expectations and campus culture,” Miriam Elman, executive director of AEN, said in a statement. “Today’s antisemitism, though, often takes forms that can be less familiar or harder to identify, making it all the more important to provide campus leaders with the tools, training, and support they need to recognize and respond effectively.”
She continued, “By hosting this convening and bringing these administrators together for a yearlong learning journey, we ensure they are not tackling these unique challenges in isolation, but as part of a national network committed to fostering welcoming, inclusive, and safe learning environments for all.”
The AEN symposium comes amid a concerted effort by American Jewish and allied organizations to persuade higher education leaders of the importance of taking steps to deter, or quell, antisemitism in the early weeks of the new academic year.
The Anti-Defamation League (ADL), Jewish Federations of North America, Hillel International, and the Conference of Presidents of Major American Jewish Organizations issued a joint statement calling for action in August, putting forth a policy framework that they say will quell antisemitism if applied sincerely and consistently. It included “enhanced communication and policy enforcement,” “dedicated administration oversight,” and “faculty accountability” — an issue of rising importance given the number of faculty accused of inciting discrimination.
“These recommendations aren’t just suggestions; they’re essential steps universities need to take to ensure Jewish students can learn without fear,” ADL chief executive officer Jonathan Greenblatt said in a statement at the time. “Jewish students are being forced to hide who they are, and that’s unacceptable — we need more administrators to step up.”
As previously reported by The Algemeiner, colleges campus across the US erupted with effusions of antisemitic activity following the Hamas-led Oct. 7, 2023, massacre across southern Israel, an uprising which included calling for the destruction of Israel, cheering Hamas’s sexual assaulting of women as an instrument of war, and numerous of incidents of assault and harassment targeting Jewish students, faculty, and activists.
At the University of California, Los Angeles (UCLA), anti-Zionist protesters chanted “Itbah El Yahud” at Bruin Plaza, which means “slaughter the Jews” in Arabic. At Columbia University, Jews were gang-assaulted, a student proclaimed that Zionist Jews deserve to be murdered and are lucky he is not doing so himself, and administrative officials, outraged at the notion that Jews organized to resist anti-Zionism, participated in a group chat in which each member took turns sharing antisemitic tropes that described Jews as privileged and grafting. At Harvard University, an October 2023 anti-Israel demonstration degenerated into chaos when Ibrahim Bharmal, former editor of the prestigious Harvard Law Review, and Elom Tettey-Tamaklo encircled a Jewish student with a mob that screamed “Shame! Shame! Shame!” at him while he desperately attempted to free himself from the mass of bodies.
More recently, Eden Deckerhoff — a female student at Florida State University — allegedly assaulted a Jewish male classmate at the Leach Student Recreation Center after noticing his wearing apparel issued by the Israel Defense Forces (IDF).
“F—k Israel, Free Palestine. Put it [the video] on Barstool FSU. I really don’t give a f—k,” the woman said before shoving the man, according to video taken by the victim. “You’re an ignorant son of a b—h.” Deckerhoff has since been charged with misdemeanor battery.
Majorities of Jewish students continue to describe their campuses as hostile environments.
According to a recent Spring Campus Poll conducted by The Daily Northwestern, the official campus newspaper of Northwestern University, 58 percent of Jewish students reported being subjected to antisemitism or knowing someone who has. An even higher 63.1 percent said antisemitism remains a “somewhat or very serious problem.”
Meanwhile, a Columbia University “climate survey” conducted last academic year found that 53 percent of Jewish students have been subjected to discrimination because of being Jewish, while another 53 percent reported that their friendships are “strained” because of how overwhelmingly anti-Zionist the student culture is. Additionally, 29 percent of Jewish students said they have “lost close friends,” and 59 percent, nearly two-thirds, of Jewish students sensed that they would be better off by electing to “conform their political beliefs” to those of their classmates.
Nearly 62 percent of Jewish students reported a low “feeling of acceptance” at Columbia on the basis of their religious identity, and 50 percent said that the pro-Hamas encampments which capped off the 2023-2024 academic year had a negative “impact” on their daily routines. Also, Jewish students at Columbia are more likely than their peers to report these negative feelings and experiences, followed by Muslim students.
Follow Dion J. Pierre @DionJPierre.
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Anti-Israel Activism Takes Center Stage at Emmy Awards After Paramount Condemns Boycott of Israeli Film Companies
Javier Bardem at the 2025 Emmy Awards. Photo: REUTERS/Daniel Cole
Several members of Hollywood promoted their pro-Palestinian and anti-Israel activism on Sunday night at the 77th Emmy Awards at the Peacock Theater in Los Angeles.
Actor Javier Bardem – who stars in “Monsters: The Lyle and Erik Menendez Story” – wore a Palestinian keffiyeh around his neck to the ceremony and talked on the Emmys red carpet about his decision not to work with Israeli institutions and companies.
The Emmy nominee told The Hollywood Reporter that he “will never work with some company now [who] are not condemning the genocide in Gaza.” If his decision impacts the number of jobs he gets, he said, “Me not getting jobs is absolutely [ir]relevant compared to what is going on there.”
The “F1” actor also told Variety on the Emmys red carpet: “I cannot work with someone that justifies or supports the genocide. I can’t. It’s as simple as that. And we shouldn’t, in this industry and in any other industry. What we are witnessing is a genocide on a daily basis.”
Also on Sunday, in Bardem’s home country of Spain, a major cycling race was shut down after thousands of pro-Palestinian demonstrators clashed with police while protesting an Israeli team’s participation in the race. Bardem mentioned the shutdown while speaking on the Emmys red carpet and said Israel’s inclusion in the race is an example of “whitewashing” the “genocide” Israel is supposedly perpetrating in Gaza.
“We ask for a commercial and diplomatic blockade, and sanctions on Israel to stop this genocide. Free Palestine,” Bardem said.
Earlier this month, thousands of members of the Hollywood film industry signed a pledge by Film Workers for Palestine to boycott any Israeli film institutions and companies that are “implicated in genocide and apartheid against the Palestinian people.” More than 1,300 filmmakers, actors, and other creatives signed the pledge.
The film production giant Paramount criticized the boycott in a released statement on Sept. 12.
“At Paramount, we believe in the power of storytelling to connect and inspire people, promote mutual understanding, and preserve the moments, ideas, and events that shape the world we share. This is our creative mission,” read a statement issued by Paramount chief communications officer Melissa Zukerman.
“We do not agree with recent efforts to boycott Israeli filmmakers,” the statement continued. “Silencing individual creative artists based on their nationality does not promote better understanding or advance the cause of peace. The global entertainment industry should be encouraging artists to tell their stories and share their ideas with audiences throughout the world. We need more engagement and communication — not less.”
Bardem responded to Paramount while speaking to The Hollywood Reporter at the Emmys.
“It’s also important to clarify to Paramount that we do not target individuals by their identity. That’s absolutely wrong. Don’t send that message; that is a wrong thing,” he said. “What we target are those complicit film companies and institutions that are involved in whitewashing or justifying the genocide of Israel in Gaza and its apartheid regime. And we stand with those who fight and stand in solidarity with the oppressed.”
Jewish-American actress and “Hacks” star Hannah Einbinder was among those who signed the anti-Israel pledge by Film Workers for Palestine. On Sunday night, Einbinder won the Emmy for best actress in a comedy series and concluded her acceptance speech by cheering the Philadelphia Eagles, calling out immigration raids by US Immigration and Customs Enforcement (ICE), and declaring “Free Palestine.” Backstage in the press room after her first Emmy win, she told reporters that the ongoing Israel-Hamas war in Gaza is “an issue that’s very close to my heart.”
“I have friends in Gaza who are working as frontline workers, as doctors, right now in the north of Gaza to provide care for pregnant women and for school children to create schools in refugee camps,” Einbinder said. “I feel like it is my obligation as a Jewish person to distinguish Jews from the state of Israel because our religion and our culture is such an important and longstanding institution that is really separate to this ethnonationalist state.”
She also explained why she signed the Film Workers for Palestine pledge.
“It’s like many movements — boycotting is an effective tool to create pressure on the powers that be to meet the moment,” she said. “The Film Workers for Palestine boycott does not boycott individuals; it only boycotts institutions that are directly complicit in the genocide. So, it’s important to me and I think it’s an important measure and I was happy to be a part of it.”
Fellow “Hacks” star Megan Stalter walked the Emmys red carpet wearing a white T-shirt and jeans that she paired with a black handbag featuring a message that read, “Cease Fire!” which seemed to be a reference the war in Gaza. There were some members of the audience inside Peacock Theater who were also seen wearing the Artists4Ceasefire red pins that call for an end to Israel’s military actions in the Gaza Strip. “White Lotus” actress Aimee Lou Wood, “Hacks” director Lucia Aniello, “Abbott Elementary” actor Chris Perfetti, and “Presumed Innocent” actress Ruth Negga were among the celebrities who wear the pins on the red carpet on Sunday.
Film Workers for Palestine responded to Paramount’s criticism of its anti-Israel boycott by saying that it hopes the studio is not “intentionally misrepresenting the pledge in an attempt to silence our colleagues in the film industry.”
“Such a move would only shield a genocidal regime from criticism at a time when global outrage is exponentially growing and while meaningful steps towards accountability are being taken by many,” Film Workers for Palestine wrote in a statement posted on social media. “Should Israeli film institutions wish to continue working with pledge signatories, their choice is clear: end complicity in Israel’s genocide and apartheid, and endorse the full rights of the Palestinian people under international law, in line with Palestinian civil society guidelines.”
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‘Incredibly Validating’: Documentary About Oct. 7 Rescue Wins People’s Choice Award at Toronto Film Festival
Canadian director Barry Avrich on the red carpet at a screening of “The Road Between Us: The Ultimate Rescue” at the Toronto International Film Festival (TIFF) on Sept. 10, 2025. Photo: REUTERS/Anna Mehler Paperny
A film about a former Israeli general’s mission to rescue his family during the Hamas terrorist attack in southern Israel on Oct. 7, 2023, won the People’s Choice award for best documentary at the 2025 Toronto International Film Festival (TIFF).
Director Barry Avrich’s documentary “The Road Between Us: The Ultimate Rescue” took home the honor after a whirlwind journey of being dropped from the film festival and then reinvited. The Canadian documentary highlights retired Israeli Gen. Noam Tibon and his heroic efforts to rescue his son’s family from Hamas terrorists on Oct. 7, 2023, when they invaded kibbutz Nahal Oz near Israel’s border with the Gaza Strip.
“To win this award is thrilling for Mark and me. The audience voted and I appreciate that. We look forward to the rest of this journey [and] I appreciate everything that TIFF has done for us,” Avrich said while accepting the documentary award trophy at the Lightbox theater. The award was presented by TIFF CEO Cameron Bailey. The film’s producer, Mark Selby, said in his acceptance speech, “I hope that all the filmmakers of this festival feel as supported as Barry and I did during this whole process.”
“The Road Between Us” made its world premiere at TIFF on Sept. 10. TIFF originally invited the film to take part in this year’s festival but then removed the documentary from its lineup after claiming that filmmakers did not obtain clearance to use footage from the deadly attack that was taken by Hamas terrorists themselves. The film was ultimately invited to rejoin TIFF following outrage from pro-Israel supporters around the world and Cameron apologized twice for the festival’s decision to cancel the screening.
Avrich told The Canadian Press it feels “incredibly validating” to have the audience vote for his film to win the People’s Choice award for best documentary.
“We live in a country where it’s about freedom of expression. So, people want to protest. They can protest,” he told the publication. “We encourage people to see the film and if there’s something they want to protest about in reference to the film, fine. Or don’t buy a ticket. Either way, I’m fine with that … I’ve always said this is a film about family.”
“People can have an opinion but we encourage them to see the film first and then form their opinion based on what they’ve seen,” Selby added.
“The Road Between Us: The Ultimate Rescue” will be released in theaters across North America on Oct. 3. Watch the trailer below.