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How ‘Had Gadya’ inspired famed Catholic painter Frank Stella, a leader of the Minimalist art movement

(New York Jewish Week) — “Had Gadya,” the playful song about a destructive chain of events starting with one little goat, may be best-known for rousing sleepy children at the end of a long Passover seder.

But it is also the basis for a series by Frank Stella, the 87-year-old Catholic American artist credited with catalyzing the Minimalist movement of the 1960s. His 12 vibrant, abstract “Had Gadya” prints, completed between 1982 and 1984, are now on display at the Dr. Bernard Heller Museum in New York City.

The works were loaned by collector Elissa Oshinsky for a tour of the Los Angeles, Cincinnati and New York campuses of Hebrew Union College-Jewish Institute of Religion (HUC-JIR). The Heller Museum at HUC-JIR celebrated its exhibition opening on Sept. 7 and will host it until Feb. 29.

“Had Gadya” is one of the earliest children’s songs in recorded history, dating back to a 14th-century prayer book from Provence. It appeared in a manuscript attached to the Prague Haggadah of 1526, then in print for the first time in the Prague Haggadah of 1590.

Each of Stella’s prints follows a stanza of the song, which details series of disasters in the style of a cumulative nursery rhyme. A father buys a little goat, which is eaten by a cat. The cat is bitten by a dog, the dog beaten by a stick, the stick burned by a fire, the fire quenched by water, the water drunk by an ox, the ox slaughtered by a butcher, the butcher killed by the Angel of Death — who is finally slain by “the Holy One, Blessed be He.” 

In Stella’s abstract rendition of “Had Gadya,” this narrative is driven by dynamic, repeated shapes and colors, said Jean Bloch Rosensaft, the director of the Heller Museum. 

“The repetition of different forms, from piece to piece, creates a kind of continuity, telling that lyrical story of successive acts of victimization that are ultimately resolved by God to bring peace and order to the world,” Rosensaft told the New York Jewish Week.

Stella, 87, who was not available for an interview, took inspiration from a 1919 series of “Had Gadya” illustrations by the Russian-Jewish avant-garde artist El Lissitzky. The museum exhibit shows Lissitzky’s lithographs, full of Yiddish typography and shtetl settings, next to Stella’s versions. 

From left: Frank Stella, “Had Gadya: Back Cover,” 1984 and “Had Gadya: Then came a dog and bit the cat,” 1984.  Collection of Elissa Oshinsky. (©2023 Frank Stella/Artists Rights Society [ARS], New York)

In Lissitzky’s original works, the story of “Had Gadya” — and God’s intervention in the final act — was a metaphor for Jewish victory after the Russian Revolution of 1917. Then, under the new Soviet regime, Jews briefly found freedom from persecution, a triumphant moment that elevated Jewish artists such as Lissitzky and his contemporary, Marc Chagall. Unfortunately, that window of opportunity had closed by 1932, as Stalin waged war on avant-garde and Jewish art. Lissitzky’s “Had Gadya” was among the first works to be destroyed by Stalin’s government and only a few copies survive.

Stella first saw Lissitzky’s illustrations while visiting the Tel Aviv Museum in 1981. Marc Scheps, then-director of the museum, recalled in a 1986 exhibition catalog that the artist stood in front of Lisskitzky’s pieces and said, “maybe I’ll do something about these.” The famously terse artist was known for heralding Minimalism with his remark,“what you see is what you see.”

Although Stella is a Catholic Italian-American who grew up in Massachusetts, European Jewish themes are prominent in his work. As a breakthrough artist in his early 20s, he gave his 1958-59 black pinstripe paintings the titles “Arbeit Macht Frei” (“Work Sets You Free,” the slogan on the entrance gate to Auschwitz); “Reichstag” (the German parliament building that burned in 1933 as the Nazis consolidated their dictatorship), and “Die Fahne Hoch” (“The Flag High,” the first words of the Nazi Party anthem).

In 1960, his painting “The Final Solution” depicted an equilateral cruciform — a Catholic symbol of martyrdom, as well as a shape that Stella called a “truncated swastika.” Later, during a lengthy hospitalization in the 1970s, he produced thousands of drawings and 130 mixed-media paintings inspired by photographs of Polish wooden synagogues that were built in the 17th-19th centuries and destroyed in the Holocaust. He titled the paintings after the burned synagogues’ lost communities, saying that he wanted to commemorate “the obliteration of a culture.”

Stella was a child when the United States went to war with the Nazis, an enemy whose visual impact stayed with him. His artistic eye developed during trips to the movies, which frequently showed newsreels of Nazi rallies and marching soldiers. In the 1976 catalog for “Frank Stella: The Black Paintings,” his exhibition at the Baltimore Museum of Art, he said that the painting “Die Fahne Hoch” — which comprises black bands of paint crossing narrow, bare spaces of canvas — reminded him of a waving flag. 

“The thing that stuck in my mind was the Nazi newsreels — that big draped swastika — the big hanging flag — has pretty much those dimensions,” he said of the proportions of his canvas, which was 10’1” by 6’1”.

A detail of the “Chad Gadya,” with illustrations by “LOLA” from the 1928 Hebrew Publishing Company “Haggadah.” (Wikipedia)

Another deep influence on the artist was his circle in New York during the 1950s, ’60s and ’70s, according to art historian Carol Salus. Stella was close to many Jewish friends, art critics, dealers and museum directors. Perhaps most formatively, he was married to the Jewish art critic Barbara Rose between 1961 and 1969. During that time, Rose traveled to Berlin to confront her anxieties tied to the Holocaust. Mark Godfrey, the author of “Abstraction and the Holocaust,” reported her saying, “The thing I was most afraid of was Nazis, so I went to live with them.”

Rosensaft, herself the child of Holocaust survivors, said she believed that Stella absorbed from his surroundings “a kind of Jewish soul.”

The words of “Had Gadya” have prompted various interpretations among rabbis, scholars and ethnomusicologists. Some say the little goat represents the Jewish people and each successive attack represents a world power that exiled the Jews, such as Assyrians, Babylonians, Persians, Greeks, Romans and the Crusaders. Others say the song is about God’s triumph over all, even the Angel of Death. 

For Rosensaft, the “Had Gadya” exhibition mirrors a world of proliferating tragedies while offering hope and redemption in God’s final victory over death. Four decades after Stella completed the series, she believes it will resonate with museum visitors who feel caught in a continuous onslaught of suffering — whether their afflictions come from environmental disasters, endemic racism, refugee crises or fall-out from the COVID-19 pandemic. 

“What I am so taken with in Stella’s ‘Had Gadya’ is ultimately his message that hope and goodness prevail — that there is hope, there is the possibility of a brighter, better future,” she said. 


The post How ‘Had Gadya’ inspired famed Catholic painter Frank Stella, a leader of the Minimalist art movement appeared first on Jewish Telegraphic Agency.

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Hamas Warns Against Cooperation with US Relief Efforts In Bid to Restore Grip on Gaza

Hamas terrorists carry grenade launchers at the funeral of Marwan Issa, a senior Hamas deputy military commander who was killed in an Israeli airstrike during the conflict between Israel and Hamas, in the central Gaza Strip, Feb. 7, 2025. Photo: REUTERS/Ramadan Abed

The Hamas-run Interior Ministry in Gaza has warned residents not to cooperate with the US- and Israeli-backed Gaza Humanitarian Foundation, as the terror group seeks to reassert its grip on the enclave amid mounting international pressure to accept a US-brokered ceasefire.

“It is strictly forbidden to deal with, work for, or provide any form of assistance or cover to the American organization (GHF) or its local or foreign agents,” the Interior Ministry said in a statement Thursday.

“Legal action will be taken against anyone proven to be involved in cooperation with this organization, including the imposition of the maximum penalties stipulated in the applicable national laws,” the statement warns.

The GHF released a statement in response to Hamas’ warnings, saying the organization has delivered millions of meals “safely and without interference.”

“This statement from the Hamas-controlled Interior Ministry confirms what we’ve known all along: Hamas is losing control,” the GHF said.

The GHF began distributing food packages in Gaza in late May, implementing a new aid delivery model aimed at preventing the diversion of supplies by Hamas, as Israel continues its defensive military campaign against the Palestinian terrorist group.

The initiative has drawn criticism from the UN and international organizations, some of which have claimed that Jerusalem is causing starvation in the war-torn enclave.

Israel has vehemently denied such accusations, noting that, until its recently imposed blockade, it had provided significant humanitarian aid in the enclave throughout the war.

Israeli officials have also said much of the aid that flows into Gaza is stolen by Hamas, which uses it for terrorist operations and sells the rest at high prices to Gazan civilians.

According to their reports, the organization has delivered over 56 million meals to Palestinians in just one month.

Hamas’s latest threat comes amid growing international pressure to accept a US-backed ceasefire plan proposed by President Donald Trump, which sets a 60-day timeline to finalize the details leading to a full resolution of the conflict.

In a post on Truth Social, Trump announced that Israel has agreed to the “necessary conditions” to finalize a 60-day ceasefire in Gaza, though Israel has not confirmed this claim.

Israeli Prime Minister Benjamin Netanyahu is expected to meet with Trump next week in Washington, DC — his third visit in less than six months — as they work to finalize the terms of the ceasefire agreement.

Even though Trump hasn’t provided details on the proposed truce, he said Washington would “work with all parties to end the war” during the 60-day period.

“I hope, for the good of the Middle East, that Hamas takes this Deal, because it will not get better — IT WILL ONLY GET WORSE,” he wrote in a social media post.

Since the start of the war, ceasefire talks between Jerusalem and Hamas have repeatedly failed to yield enduring results.

Israeli officials have previously said they will only agree to end the war if Hamas surrenders, disarms, and goes into exile — a demand the terror group has firmly rejected.

“I am telling you — there will be no Hamas,” Netanyahu said during a speech Wednesday.

For its part, Hamas has said it is willing to release the remaining 50 hostages — fewer than half of whom are believed to be alive — in exchange for a full Israeli withdrawal from Gaza and an end to the war.

While the terrorist group said it is “ready and serious” to reach a deal that would end the war, it has yet to accept this latest proposal.

In a statement, the group said it aims to reach an agreement that “guarantees an end to the aggression, the withdrawal [of Israeli forces], and urgent relief for our people in the Gaza Strip.”

According to media reports, the proposed 60-day ceasefire would include a partial Israeli withdrawal from Gaza, a surge in humanitarian aid, and the release of the remaining hostages held by Hamas, with US and mediator assurances on advancing talks to end the war — though it remains unclear how many hostages would be freed.

For Israel, the key to any deal is the release of most, if not all, hostages still held in Gaza, as well as the disarmament of Hamas, while the terror group is seeking assurances to end the war as it tries to reassert control over the war-torn enclave.

The post Hamas Warns Against Cooperation with US Relief Efforts In Bid to Restore Grip on Gaza first appeared on Algemeiner.com.

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UK Lawmakers Move to Designate Palestine Action as Terrorist Group Following RAF Vandalism Protest

Police block a street as pro-Palestinian demonstrators gather to protest British Home Secretary Yvette Cooper’s plans to proscribe the “Palestine Action” group in the coming weeks, in London, Britain, June 23, 2025. Photo: REUTERS/Jaimi Joy

British lawmakers voted Wednesday to designate Palestine Action as a terrorist organization, following the group’s recent vandalizing of two military aircraft at a Royal Air Force base in protest of the government’s support for Israel.

Last month, members of the UK-based anti-Israel group Palestine Action broke into RAF Brize Norton in Oxfordshire, a county west of London, and vandalized two Voyager aircraft used for military transport and refueling — the latest in a series of destructive acts carried out by the organization.

Palestine Action has regularly targeted British sites connected to Israeli defense firm Elbit Systems as well as other companies in Britain linked to Israel since the start of the conflict in Gaza in 2023.

Under British law, Home Secretary Yvette Cooper has the authority to ban an organization if it is believed to commit, promote, or otherwise be involved in acts of terrorism.

Passed overwhelmingly by a vote of 385 to 26 in the lower chamber — the House of Commons — the measure is now set to be reviewed by the upper chamber, the House of Lords, on Thursday.

If approved, the ban would take effect within days, making it a crime to belong to or support Palestine Action and placing the group on the same legal footing as Al Qaeda, Hamas, and the Islamic State under UK law.

Palestine Action, which claims that Britain is an “active participant” in the Gaza conflict due to its military support for Israel, condemned the ban as “an unhinged reaction” and announced plans to challenge it in court — similar to the legal challenges currently being mounted by Hamas.

Under the Terrorism Act 2000, belonging to a proscribed group is a criminal offense punishable by up to 14 years in prison or a fine, while wearing clothing or displaying items supporting such a group can lead to up to six months in prison and/or a fine of up to £5,000.

Palestine Action claimed responsibility for the recent attack, in which two of its activists sprayed red paint into the turbine engines of two Airbus Voyager aircraft and used crowbars to inflict additional damage.

According to the group, the red paint — also sprayed across the runway — was meant to symbolize “Palestinian bloodshed.” A Palestine Liberation Organization flag was also left at the scene.

On Thursday, local authorities arrested four members of the group, aged between 22 and 35, who were charged with conspiracy to enter a prohibited place knowingly for a purpose prejudicial to the safety or interests of the UK, as well as conspiracy to commit criminal damage.

Palestine Action said this latest attack was carried out as a protest against the planes’ role in supporting what the group called Israel’s “genocide” in Gaza.

At the time of the attack, Cooper condemned the group’s actions, stating that their behavior had grown increasingly aggressive and resulted in millions of pounds in damages.

“The disgraceful attack on Brize Norton … is the latest in a long history of unacceptable criminal damage committed by Palestine Action,” Cooper said in a written statement.

“The UK’s defense enterprise is vital to the nation’s national security and this government will not tolerate those that put that security at risk,” she continued.

The post UK Lawmakers Move to Designate Palestine Action as Terrorist Group Following RAF Vandalism Protest first appeared on Algemeiner.com.

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US-backed Gaza Relief NGO Vows ‘Legal Action’ Against AP Claim Group Fired on Palestinian Civilians

Palestinians collect aid supplies from the US-backed Gaza Humanitarian Foundation, in Rafah, in the southern Gaza Strip, June 9, 2025. Photo: REUTERS/Hatem Khaled

The Gaza Humanitarian Foundation (GHF), a US-backed nonprofit operating aid distribution centers in the Gaza Strip, is pushing back forcefully against an Associated Press report alleging that its contractors opened fire on Palestinian civilians.

The GHF is accusing the AP of withholding key evidence and relying on a “disgruntled former contractor” as a central source.

“In response, we are pursuing legal action,” the organization said in a statement released Wednesday.

GHF said it conducted an “immediate investigation” after being contacted by the AP, reviewing time-stamped video footage and sworn witness testimony. The group concluded that the allegations were “categorically false,” stating that no civilians were fired upon at any of their distribution sites and that the gunfire heard in the AP’s video came from Israeli forces operating outside the vicinity.

“What is most troubling is that the AP refused to share the full video with us prior to publication, despite the seriousness of the allegations,” the statement read. “If they believed their own reporting, they should have provided us with the footage so we could take immediate and appropriate action.”

The nonprofit’s public rebuttal raises sharp questions about the AP’s reporting process, suggesting the outlet declined to engage with the organization in good faith and instead leaned on a source GHF describes as having been terminated “for misconduct” weeks prior. The group also claimed the AP’s recent coverage of its activities had begun to “echo narratives advanced by the Hamas-controlled Gaza Ministry of Health.”

The AP has not yet responded publicly to the GHF’s accusations or provided clarification about its decision not to share the video footage before publication. The original report alleged that American contractors employed by GHF had fired weapons near or toward civilians.

The GHF statement confirmed that a contractor seen shouting in the AP’s video had been removed from operations, though the group insisted this was unrelated to any violence and did not constitute evidence of wrongdoing.

GHF, which describes its mission as delivering food to Gaza “safely, directly, and without interference,” said it remains committed to transparency but would not allow its operations to be “derailed by misinformation.”

The dispute highlights the fraught information environment in Gaza, where limited access and competing narratives frequently complicate the verification of on-the-ground events.

The post US-backed Gaza Relief NGO Vows ‘Legal Action’ Against AP Claim Group Fired on Palestinian Civilians first appeared on Algemeiner.com.

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