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Jewish drag performers inspire a history of the art form in New York

(New York Jewish Week) — In the 1960s, a drag queen named Flawless Sabrina arrived in New York City during a time when drag performances were not only stigmatized in mainstream society, but within LGBTQ circles as well.
But Flawless Sabrina had a plan: Her welcoming demeanor — which she described as a “bar mitzvah mother” — helped her popularize the art form, and over the next few decades she became one of the country’s first well-known drag performers, a prominent LGBTQ activist and a mentor to young queer New Yorkers.
The person behind the drag, the activism and the inspiration was Jack Doroshow, a Jewish boy from Philadelphia who organized his first drag pageant in 1959 as a freshman at the University of Pennsylvania.
Doroshow’s death in late 2017, at age 78, prompted writer Elyssa Maxx Goodman to think seriously about how to document the history of drag in New York City, a lifelong passion of hers. After more than five years of work, her debut book, “Glitter and Concrete: A Cultural History of Drag in New York City,” is out this week.
Goodman told the New York Jewish Week that it was her Jewish upbringing that made her particularly attuned to recording the stories of these artists and performers over the last 150 years.
“One of the things we learn about as Jews from very young is how our stories either were destroyed or faced many attempts at destruction. That’s something that I kind of took with me throughout my life,” Goodman, 34, told the New York Jewish Week. “I wanted to preserve the stories that aren’t being preserved, which is how I approached my relationship to drag history.”
The New York Jewish Week caught up with Goodman ahead of her book’s launch to talk about how her childhood, New York City and her cultural Jewish identity inspired the book.
This interview has been lightly edited for length and clarity.
The 2021 Drag March at Tompkins Square Park, 27 years after its first iteration in 1994. (Elyssa Maxx Goodman)
What inspired you to write this book?
What pushed me to write this book was that it didn’t exist and it was a book I wanted to read. When the very famous New York drag queen Flawless Sabrina, who was also Jewish, passed away in November 2017, I wanted to make sure that there were no stories that got lost. I started to think about what other books had been written that chronicle the life of drag artists in New York City. There wasn’t a book that was really a written-through history. I knew that these artists deserve that and I wanted to make sure that their stories are remembered. That was definitely the driving force in wanting to do the book.
I first was exposed to drag when I was about 7 years old. I saw the movie “To Wong Foo, Thanks for Everything! Julie Newmar” and I was taken with it ever since then. I had grown up watching 1950s movie musicals with my mother, which were these very vibrant technicolor explosions with lots of swirling dresses and beautiful costumes. Drag is a natural extension of that. So for me, at first, it was just another phase of that interest in costume design and glamor. As I got older, I learned more about the very powerful, rebellious nature of drag and how it is a force to be reckoned with on its own, as an art form and as a life force. What can draw you in is the glamour, but as you get older what keeps you there — at least what kept me there — is the appreciation for its spirit of “Glamour as Resistance,” as the artist Justin Vivian Bond says.
How is your Jewish identity or upbringing connected to your interest in drag?
My relationship to Judaism is deeply cultural — that’s the way that I connect to it most strongly. The first people who brought me to a drag show in real life were my parents and throughout my life, they encouraged my interest in drag.
Everything that we learn about ourselves as a culture, whether it is intentional or not, comes through in creating a book like this, or at least it did for me. We’re taught to question — I arrived at this place because I questioned why the book didn’t exist. Then I just kept asking questions: Where did this come from? Why don’t people know about it? How can I teach it to them? The desire for knowledge and desire for education are all things that I took from Judaism.
The Jewish drag artists I encountered in the book, among them Jack Doroshow, aka Flawless Sabrina, as well as Harvey Fierstein and a drag king named Buddy Kent all came from backgrounds where, in some way or another, they had to fight to be themselves. In some ways, that was fighting to take up space as a Jewish person and in other ways as a queer person. For all of them, it was both. The book contains selections of stories about making space for yourself in the world and the way that you want to live in it — I think that that is something that a lot of Jews had to reckon with as they came to this country in a multitude of ways.
Why did you choose to focus only on the drag history in New York?
New York is one of the cultural epicenters of the world. Because it holds all these different kinds of cultures, it draws the people who are drawn to that. That includes drag artists. There’s amazing drag in other cities, but New York is the city that I know best and it has a history all its own.
It’s also the place that I have the most personal connection to. I’m from South Florida originally and I went to my first drag shows in South Florida, but the drag histories that I learned growing up came from New York. So I moved to New York in July 2010. My primary motivation for moving to New York was to be a writer and to be able to easily access all of the things that I wanted to write about, and drag certainly was one of them. There were these deep-seated histories that had been a passion of mine for a very long time and I wanted to keep telling those stories and learning those stories. New York was a place where I wanted to make myself a student as well as to share my knowledge.
Drag performing has been a major target of right-wing circles this year — as someone who has been involved with and written about the community, how do you respond to the backlash?
I do see it as an opportunity for people to learn more about it. Like I mentioned, drag has been an art form for thousands of years. It’s at least as old as the history of theater. The people who do it are artists and deserve to be respected in such a way. My hope is that with a book that can show the breadth of drag’s involvement in our culture, it can help show that this is an art form with an extended history that can’t just be suppressed and isn’t going anywhere. The struggles the drag is facing are not new, but that doesn’t mean that it should be devalued as an art form, or as a form of self-expression at all.
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The post Jewish drag performers inspire a history of the art form in New York appeared first on Jewish Telegraphic Agency.
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‘With or Without Russia’s Help’: Iran Pledges to Block South Caucasus Route Opened Up By Peace Deal

U.S. President Donald Trump speaks during a cabinet meeting at the White House in Washington, D.C., U.S., July 8, 2025. Photo: Kevin Lamarque via Reuters Connect.
i24 News – Iran will block the establishment of a US-backed transit corridor in the South Caucasus region with or without Moscow’s help, a senior adviser to Iran’s supreme leader was quoted as saying on Saturday by the Iran International website, one day after the historic peace agreement between Azerbaijan and Armenia.
“Mr. Trump thinks the Caucasus is a piece of real estate he can lease for 99 years,” Ali Akbar Velayati said of the so-called Zangezur corridor, the establishment of which is stipulated in the peace deal unveiled on Friday by US President Donald Trump. The White House said the transit route would facilitate greater exports of energy and other resources.
“This passage will not become a gateway for Trump’s mercenaries — it will become their graveyard,” the Khamenei advisor added.
Baku and Yerevan have been at loggerheads since the late 1980s when Nagorno-Karabakh, a mountainous Azerbaijani region mostly populated by ethnic Armenians, broke away from Azerbaijan with support from Armenia. Azerbaijan took back full control of the region in 2023, prompting or forcing almost all of the territory’s 100,000 ethnic Armenians to flee to Armenia.
Yet that painful history was put to the side on Friday at the White House, as Trump oversaw a signing ceremony, flanked by Azerbaijani President Ilham Aliyev and Armenian Prime Minister Nikol Pashinyan.
The peace deal with Azerbaijan—a pro-Western ally of Israel—is expected to pull Armenia out of the Russian and Iranian sphere of influence and could transform the South Caucasus, an energy-producing region neighboring Russia, Europe, Turkey and Iran.
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UK Police Arrest 150 at Protest for Banned Palestine Action Group

People holding signs sit during a rally organised by Defend Our Juries, challenging the British government’s proscription of “Palestine Action” under anti-terrorism laws, in Parliament Square, in London, Britain, August 9, 2025. Photo: REUTERS/Jaimi Joy
London’s Metropolitan Police said on Saturday it had arrested 150 people at a protest against Britain’s decision to ban the group Palestine Action, adding it was making further arrests.
Officers made arrests after crowds, waving placards expressing support for the group, gathered in Parliament Square, the force said on X.
Protesters, some wearing black and white Palestinian scarves, chanted “shame on you” and “hands off Gaza,” and held signs such as “I oppose genocide. I support Palestine Action,” video taken by Reuters at the scene showed.
In July, British lawmakers banned Palestine Action under anti-terrorism legislation after some of its members broke into a Royal Air Force base and damaged planes in protest against Britain’s support for Israel.
The ban makes it a crime to be a member of the group, carrying a maximum sentence of 14 years in prison.
The co-founder of Palestine Action, Huda Ammori, last week won a bid to bring a legal challenge against the ban.
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‘No Leniency’: Iran Announces Arrest of 20 ‘Zionist Agents’

Iran’s Foreign Minister Abbas Araghchi addresses a special session of the Human Rights Council at the United Nations in Geneva, Switzerland, June 20, 2025. REUTERS/Denis Balibouse
i24 News – Iranian authorities have in recent months arrested 20 people charged with being “Israeli Mossad operatives,” the judiciary said, adding that the Islamic regime will mete out the harshest punishments.
“The judiciary will show no leniency toward spies and agents of the Zionist regime, and with firm rulings, will make an example of them all,” spokesperson Asghar Jahangiri told Iranian media. However, it is understood that an unspecified number of detainees were released, apparently after the charges against them could not be substantiated.
The Islamic Republic was left reeling by a devastating 12-day war with Israel earlier in the summer that left a significant proportion of its military arsenal in ruins and dealt a serious setback to its uranium enrichment program. The fallout included an uptick in executions of Iranians convicted of spying for Israel, with at least eight death sentences carried out in recent months. Hit with international sanctions, the country is in dire economic straights, with frequent energy outages and skyrocketing unemployment.
In recent weeks Foreign Minister Abbas Araghchi affirmed that Tehran cannot give up on its nuclear enrichment program even as it was severely damaged during the war.
“It is stopped because, yes, damages are serious and severe. But obviously we cannot give up of enrichment because it is an achievement of our own scientists. And now, more than that, it is a question of national pride,” the official told Fox News.