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John Zorn’s avant-garde Jewish music is finally on Spotify. His fans remain locked in debate.
(JTA) — While the entire music industry went online, John Zorn made sure the albums released by his Tzadik Records label remained stubbornly unavailable on streaming platforms.
For fans of the pioneering Jewish musician, the recalcitrance was unsurprising. Long one has been one of the country’s most respected experimental musicians and composers, with much of his work inspired by Jewish themes, Zorn operates the influential label Tzadik Records, which has released dozens of innovative takes on Jewish music and melodies through its Radical Jewish Culture series.
The label, whose name is the Hebrew word for a righteous person, focuses on helping musicians who “find it difficult or impossible to release their music through more conventional channels.” Streaming services such as Spotify, Pandora and YouTube Music have dramatically undercut artists’ ability to be paid through album sales, and the understanding was that Zorn was keeping the albums Tzadik released — everything from solo sound-art pieces made fully on a computer to contemporary classical compositions to chaotic albums by boundary-pushing rock bands — offline.
That all changed in September. Rumors began spreading about the move to streaming on Facebook groups and Zorn fan pages a week before Tzadik’s catalog started showing up on streaming platforms at the end of the month. Now, most of the catalog is on Spotify.
“This felt like a very seismic shift,” said Yoshie Fruchter, a guitarist and familiar face in the New York Jewish music scene who has released music on Tzadik.
Some fans respected Zorn’s decision and the thoughtfulness they say he showed in the process. Zorn rarely gives interviews — he did not respond to Jewish Telegraphic Agency requests for comment — but his artist page on Spotify urges fans to continue to buy physical versions of his label’s releases: “If you enjoy the music on Tzadik we strongly urge you to further support the artist by purchasing our CDS [sic]. All packaging, artwork, notes, credits, and imagery are essential details to the artist’s vision on Tzadik. The CD medium will sound better, look better, and will give you a more complete artistic experience.”
Those issues have caused some Tzadik fans and contributors to react critically to the steaming move.
Tzadik releases “are all beautifully packaged and some of them have these really elaborate packages and books and things like that,” said Jon Madof, a Tzadik contributor and owner of his own avant-garde label. “You’re really not getting all of that if you hear it on Spotify.”
More pressing, the critics say, are the drawbacks of the contemporary streaming ecosystem, which are unchanged. For over a decade, musicians have complained about how Spotify and similar platforms have eroded artist income by paying well under a penny per listen.
Guitarist, composer and musicians’ rights activist Marc Ribot, himself a Tzadik contributor, trusts Zorn’s decision is what’s best for the label but remains critical of streaming platforms. In 2018, Tzadik’s music was mistakenly placed on streaming platforms against Zorn’s wishes for six months. In a blog post, Ribot wrote that over that time, Tzadik’s hundreds of albums netted a total of $300 in artist payments.
“You don’t need a supercomputer to see what the $300 dollars in 6 months ‘Age Of Streaming’ will do to Tzadik. That’s what ‘not viable’ means,” he wrote.
(Jakub Porzycki/NurPhoto via Getty Images)
But vinyl records and CDs can also be expensive. Self-professed Zorn-obsessive Mark Allender, who runs a Zorn fan site called Masada World, said that while many fellow fans are “on the ‘streaming is evil’ end of the political spectrum,” there are also “lots of fans who just don’t have a lot of money.” (Spotify’s unlimited premium service costs $10.99 per month, well under the price of a single vinyl record.)
And while some fans will be eager to dig into the catalog via streaming, others will remain happy buying the physical CDs and vinyl still on offer. Sarah Grosser, a recent convert to Zorn’s music who wrote and distributed a fanzine, “Days of Zorn,” based on her first impressions of 40 of Zorn’s albums, noted that Zorn’s fanbase is full of obsessive collectors. That’s why she thinks the streaming decision may have a minimal impact on Tzadik’s sales.
“Zorn is always attracting people as obsessive and perfectionist and detail-oriented as he is,” Grosser explained. “With social media, the word gets out on what the album is going to sound like. It’s not like people have to roll the dice anymore [with what a CD purchase might sound like] because there’s just so much communication.”
Zorn — who did not respond to requests for comment — has long been a central figure in New York’s “Downtown” music scene, a community of avant-garde musicians and artistic experimentalists centralized in Manhattan. His work is constantly evolving, from the free improv “game pieces” he helped pioneer in the 70s to his genre-bending style of “file-card composing” in the 80s and 90s. He has written or recorded rock, jazz, classical, world music and even metal.
No matter how idiosyncratic Tzadik has been, for some in the industry, the writing was long on the wall. Avant-garde pianist and Zorn collaborator Anthony Coleman mentioned the label ECM Records, which produces a similar range of eclectic music and finally put its catalog on streaming services in 2017. “It was very public and visible how much ECM held out. Once they gave in, I felt the days were numbered for Tzadik,” Coleman said.
One thing is for sure — online debate among Zorn fans will continue. Some claim that the fidelity of the songs on streaming platforms is inferior, others disagree. Some say Tzadik should start its own streaming platform or, if it must go online, to sell its music on sites that offer a bigger piece of the pie to artists, such as Bandcamp.
Today, Ribot recognizes that streaming is the reality artists live in and said that lawmakers should step up to regulate the system.
“The chief problem with Spotify isn’t Spotify itself, but Congress’ failure to regulate Google, YouTube and other ad and data mining based online mega corporations,” he said. “The National Labor Relations Board doesn’t recognize [musicians] as workers, or Spotify as our employer.”
Jon Madof, a Tzadik contributor and owner of his own avant-garde label, also pointed to Tzadik’s attention to physical details. (Madof worked until TK at 70 Faces Media, the Jewish Telegraphic Agency’s parent company.)
Tzadik releases “are all beautifully packaged and some of them have these really elaborate packages and books and things like that,” he said. “You’re really not getting all of that if you hear it on Spotify.”
Madof, who previously worked at 70 Faces Media, JTA’s parent company, and also helps musicians with marketing their work, said that streaming and physical purchases can have a potential symbiosis: Spotify can be “the introduction that kind of brings you into the world” of Zorn’s music, making one want to then buy physical versions of the music as a devoted fan.
And ultimately, Madof has confidence that Zorn thought through what the best decision could be for the community that has coalesced around him.
“Everything that [Zorn] does is thoughtful, and everything he does always has a community of musicians in mind,” Madof said.
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US State Department Revokes Visas of UK Punk Rap Act Bob Vylan Amid Outrage Over Duo’s Chants of ‘Death to the IDF’
Bob Vylan music duo performance at Glastonbury Festival (Source: FLIKR)
The US State Department has revoked the visas for the English punk rap duo Bob Vylan amid ongoing outrage over their weekend performance at the Glastonbury Festival, in which the pair chanted “Death to the IDF.”
The State Department’s decision to cancel their visas would preclude a planned fall concert tour of the US by the British rappers.
“The [US State Department] has revoked the US visas for the members of the Bob Vylan band in light of their hateful tirade at Glastonbury, including leading the crowd in death chants. Foreigners who glorify violence and hatred are not welcome visitors to our country,” Deputy Secretary of State Christopher Landau wrote on X/Twitter on Monday.
During a June 28 set at Glastonbury Festival, Bob Vylan’s Pascal Robinson-Foster ignited a firestorm by leading the crowd in chants of “Death, death, to the IDF,” referring to the Israel Defense Forces. He also complained about working for a “f—ing Zionist” during the set.
The video of the performance went viral, sparking outrage across the globe.
The BBC, which streamed the performance live, issued an on‑screen warning but continued its broadcast, prompting criticism by government officials for failing to cut the feed.
Prime Minister Keir Starmer and festival organizers condemned the IDF chant as hate speech and incitement to violence. The Israeli Embassy in London denounced the language as “inflammatory and hateful.”
“Millions of people tuned in to enjoy Glastonbury this weekend across the BBC’s output but one performance within our livestreams included comments that were deeply offensive,” the BBC said in a statement following the event.
“These abhorrent chants, which included calls for the death of members of the Israeli Defense Forces … have no place in any civil society,” Leo Terrell, Chair of the US Department of Justice Task Force to Combat Antisemitism, declared Sunday in a statement posted on X.
Citing the act’s US tour plans, Terrell said his task force would be “reaching out to the U.S. Department of State on Monday to determine what measures are available to address the situation and to prevent the promotion of violent antisemitic rhetoric in the United States.”
British authorities, meanwhile, have launched a formal investigation into Bob Vylan’s controversial appearance at Glastonbury. Avon and Somerset Police confirmed they are reviewing footage and working with the Crown Prosecution Service to determine whether the performance constitutes a hate crime or incitement to violence.
United Talent Agency (UTA), one of the premier entertainment talent agencies, dropped the duo, claming “antisemitic sentiments expressed by the group were utterly unacceptable.”
The band defended their performance on social media as necessary protest, stating that “teaching our children to speak up for the change they want and need is the only way that we make this world a better place.”
The post US State Department Revokes Visas of UK Punk Rap Act Bob Vylan Amid Outrage Over Duo’s Chants of ‘Death to the IDF’ first appeared on Algemeiner.com.
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Dem House Leader Hakeem Jeffries Urges Mamdani to ‘Aggressively Address’ Antisemitism in NYC if Elected Mayor
Rep. Hakeem Jeffries (D-NY). Photo: Wikimedia Commons.
US House Democratic leader Rep. Hakeem Jeffries (NY) urged Democratic nominee for mayor of New York Zohran Mamdani to “aggressively address the rise in antisemitism” if he wins the general election in November.
“‘Globalizing the intifada’ by way of example is not an acceptable phrasing,” Jeffries said Sunday on ABC’s This Week. “He’s going to have to clarify his position on that as he moves forward.”
“With respect to the Jewish communities that I represent, I think our nominee is going to have to convince folks that he is prepared to aggressively address the rise in antisemitism in the city of New York, which has been an unacceptable development,” he added.
Jeffries’s comments come as Mamdani has been receiving an onslaught of criticism for defending the controversial phrase “globalize the intifada.”
Mamdani first defended the phrase during an appearance on the popular Bulwark Podcast. The progressive firebrand stated that he feels “less comfortable with the banning of certain words.” He invoked the US Holocaust Museum in his defense, saying that the museum used the word intifada “when translating the Warsaw Ghetto Uprising into Arabic, because it’s a word that means ‘struggle.’”
The Holocaust Museum repudiated Mamdani in a statement, calling his comments “offensive.”
Mamdani has continued to defend the slogan despite ongoing criticism, arguing that pro-Palestine advocates perceive it as a call for “universal human rights.”
Mamdani, the 33‑year‑old state assembly member and proud democratic socialist, defeated former New York Gov. Andrew Cuomo and other candidates in a lopsided first‑round win in the city’s Democratic primary for mayor, notching approximately 43.5 percent of first‑choice votes compared to Cuomo’s 36.4 percent.
The election results have alarmed members of the local Jewish community, who expressed deep concern over his past criticism of Israel and defense of antisemitic rhetoric.
“Mamdani’s election is the greatest existential threat to a metropolitan Jewish population since the election of the notorious antisemite Karl Lueger in Vienna,” Rabbi Marc Schneier, one of the most prominent Jewish leaders in New York City, said in a statement. “Jewish leaders must come together as a united force to prevent a mass Jewish Exodus from New York City.”
Some key Democratic leaders in New York, such as US Senate Minority Leader Chuck Schumer and Gov. Kathy Hochul, have congratulated and complimented Mamdani, but have not yet issued an explicit endorsement. Each official has signaled interest in meeting with Mamdani prior to making a decision on a formal endorsement.
The post Dem House Leader Hakeem Jeffries Urges Mamdani to ‘Aggressively Address’ Antisemitism in NYC if Elected Mayor first appeared on Algemeiner.com.
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Israel Eyes Ties With Syria and Lebanon After Iran War
Israeli Foreign Minister Gideon Saar attends a press conference with German Foreign Minister Johann Wadephul (not pictured) in Berlin, Germany, June 5, 2025. Photo: REUTERS/Christian Mang
Israel is interested in establishing formal diplomatic relations with long-standing adversaries Syria and Lebanon, but the status of the Golan Heights is non-negotiable, Israeli Foreign Minister Gideon Saar said on Monday.
Israeli leaders argue that with its rival Iran weakened by this month’s 12-day war, other countries in the region have an opportunity to forge ties with Israel.
The Middle East has been upended by nearly two years of war in Gaza, during which Israel also carried out airstrikes and ground operations in Lebanon targeting Iran-backed Hezbollah, and by the overthrow of former Syrian leader and Iran ally Bashar al-Assad.
In 2020, the United Arab Emirates, Bahrain, and Morocco became the first Arab states to establish ties with Israel since Jordan in 1994 and Egypt in 1979. The normalization agreements with Israel were deeply unpopular in the Arab world.
“We have an interest in adding countries such as Syria and Lebanon, our neighbors, to the circle of peace and normalization, while safeguarding Israel‘s essential and security interests,” Saar said at a press conference in Jerusalem.
“The Golan will remain part of the State of Israel,” he said.
Israel annexed the Golan Heights in 1981 after capturing the territory from Syria during the 1967 Six-Day War. While much of the international community regards the Golan as occupied Syrian land, US President Donald Trump recognized Israeli sovereignty over it during his first term in office.
Following Assad’s ousting, Israeli forces moved further into Syrian territory.
A senior Syrian official, speaking on condition of anonymity, said Syria would never give up the Golan Heights, describing it as an integral part of Syrian territory.
The official also said that normalization efforts with Israel must be part of the 2002 Arab Peace Initiative and not carried out through a separate track.
A spokesperson for Syria‘s foreign ministry did not immediately respond to a Reuters request for comment.
The 2002 initiative proposed Arab normalization with Israel in exchange for its withdrawal from territories including the Golan Heights, the West Bank, and Gaza. It also called for the establishment of an independent Palestinian state with East Jerusalem as its capital.
Throughout the war in Gaza, regional power Saudi Arabia has repeatedly said that establishing ties with Israel was conditional on the creation of an independent Palestinian state.
Israel‘s Saar said it was “not constructive” for other states to condition normalization on Palestinian statehood.
“Our view is that a Palestinian state will threaten the security of the State of Israel,” he said.
In May, Reuters reported that Israel and Syria‘s new Islamist rulers had established direct contact and held face-to-face meetings aimed at de-escalating tensions and preventing renewed conflict along their shared border.
The same month, US President Donald Trump announced the US would lift sanctions on Syria and met Syria‘s new president, urging him to normalize ties with Israel.
The post Israel Eyes Ties With Syria and Lebanon After Iran War first appeared on Algemeiner.com.