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Low Cut Connie’s Adam Weiner chronicles his Jewish evolution on new single ‘King of the Jews’
(JTA) — Adam Weiner, leader of the rock band Low Cut Connie, says he can find inspiration in just about anything.
“I could be sitting at a salad bar at a mall, and that gives me everything I need to know,” he said on a video call from a house in New Mexico, where he was taking a short break from his summer touring schedule.
But in recent years, Weiner has been pulling from what he calls his “Jewy-ness” in his songwriting. On Tuesday, the process of exploring that side of his identity hits a peak, as he releases a single titled “King of the Jews,” which will feature on the band’s next album, “Art Dealers,” out Sept. 8.
The soulful piano ballad doesn’t break distinctly new ground for Low Cut Connie, which for over a decade has churned out several albums of bluesy, bar-soaked rock and roll with just a slight contemporary garnish. Weiner’s retro style has earned him fans from Elton John to Barack Obama and a devoted following who closely follow his boisterous live act.
But lyrically, the song gathers up several bits and pieces of the Jewish theme that has been more hidden in his previous work: the feeling of being an outsider, of feeling uncool, of being at the end of a “millennia-long anxiety about what’s coming.” (It also contains what seems to be his favorite Yiddish word, schmuck, which he has used several times in other songs.)
He said in the past he has downplayed those feelings and his Jewish identity, especially on the road. These days, he often wears a Star of David necklace; he recalled tucking it under his shirt while playing to a bar crowd in rural Illinois, where he could see swastika tattoos on some people in the crowd.
“When you’re a touring artist like me, and you play in Kansas and Iowa and overseas, I’ve been in so many situations for the last 15-plus years, where I, consciously or unconsciously, obscured talking about being a Jew,” Weiner said. “I’ve run into very ropey situations out there.”
The music video for “King of the Jews,” which is premiering a day early on the Jewish Telegraphic Agency, shows Weiner slowly wrap tefillin around his arm (something he does not do regularly as a mainly secular Jew). Some of the non-Jews who watched the video in its early stages thought the ritual phylacteries were part of an S&M object.
“They thought it was some sort of like Robert Mapplethorpe kind of kinky thing,” he said, referring to the photographer known for his erotic black and white photographs from the 1960s and 1970s.
The song and video position Weiner as one of the most outwardly Jewish personalities in contemporary rock. Ezra Koenig, the leader of Vampire Weekend, has hinted at his Jewish identity in lyrics and a music video that includes a staged Passover seder. The sisters of Haim often make Jewish references on their social media accounts (and talk about how they earned matzah ball soup as payment for their first gig). Pop producer Jack Antonoff made headlines for wearing a Star of David necklace. And Sabrina Teitelbaum, aka up-and-coming rocker Blondshell, is a recent example of a new voice mining her secular Jewish identity in her music.
Weiner said he has been putting his Jewish identity — and neuroses, the fear that something bad is coming — at the heart of his project for a while now, even as it might not always have been detectable to all his listeners.
“In this culture and in the politics, you think you’re on safe ground, and you might not be. And delivering that message with a lot of humor and levity is very Jewish,” he said.
In an interview, Weiner, 43, argued that being Jewish was more “cool” in the 1970s, and explained how being a Jew in a completely different time has affected him.
“There were so many Jewish entertainers and musicians who were very Jewy, whether it was Barbra Streisand or Neil Diamond or Lou Reed or Bob Dylan. Then in acting you had like Dustin Hoffman and Elliott Gould,” he said. “There was a real Jewish sensibility in that era.”
He said he thought the times had changed.
“It’s not particularly cool to be Jewish at this time,” he said. “The models of beauty and popularity … I realized that I kind of had internalized certain things about how I should look, talk and present myself that were very unflattering for myself. And luckily, over the years, my Jewy-ness asserted itself so much that I shed a lot of those things.”
Adam Weiner wraps tefillin on tour. (Jacob Blickenstaff)
Weiner grew up in Cherry Hill, New Jersey, in what he called a “traditional Conservative” household — on the dial between Conservative and Orthodox.
“It was not fun,” he said. “I had friends who went to Reform synagogues with a hippie vibe, with acoustic guitars and secular popular songs and stuff. And that wasn’t how I grew up, mine was very strict, and very, very stone-faced.”
Weiner felt alienated from religion in his 20s, throughout which he worked several jobs — including at a mall as a perfume spritzer, a word he pronounces in its Yiddish version, as shpritzer — before his music career took off in his 30s. He steadily gained a following, and in 2020 earned his biggest wave of press coverage for his “Tough Cookies” series of quarantine shows he live-streamed from his apartment with his Low Cut Connie guitarist. He started many of those streams with a greeting of “Mazel tov, motherf—ers,” and occasionally talked about Yiddish words — in his view, he got “outrageously Jewy.”
“People really responded to it,” he said. “And it was a nice moment for me because I realized that I had been obscuring a lot of that, and trying to be cool in a way. And I was like, I am extremely Jewy. Just gotta embrace it. And that is cool.”
Low Cut Connie, shown here at the SXSW festival in Austin, March 18, 2023, has been known to play hundreds of shows per year. (Salihah Saadiq Barnett/Rolling Stone via Getty Images)
He did something else after the start of the pandemic that he had never wanted to do before: perform at his hometown Jewish community center. He had long been the pride of the Cherry Hill Jewish community, and the JCC had asked him to perform multiple times over the previous decade. He had always thought his rowdy, sometimes profanity-laced show wasn’t a good fit.
But in 2021, he agreed and performed at a fall festival there.
In the end, he described it as a career highlight — mostly because he could lean into a sense of humor he felt doesn’t translate everywhere. The following night’s headliner, after Low Cut Connie’s night, was going to be Jake Tapper, in discussion with an interviewer.
“Before the show, they were like ‘We’ll take each of you to your dressing room,’ and they took me into the men’s locker room at the JCC, literally with like 85-year-old men with sweaty balls, putting talcum powder on themselves,” he said. “And they’re like, ‘We know you’re gluten-free. So we got you a gluten-free meal.’ They brought me a plate with five microwaved chicken nuggets on it and a couple ketchup packets.
“So I come out on stage, and I was like ‘Jake Tapper is here tomorrow night — I want to know if Jake Tapper is going to be in the locker room with all the sweaty balls. And are you going to give him five gluten-free chicken nuggets?’ …It really worked well.”
His Jewish-tinged humor hasn’t worked everywhere. He recalled a performance at Jack White’s hip Nashville record label and small venue, Third Man Records, that bombed. When he made a Jewish joke and one person laughed, Weiner pointed at the man and yelled “Jew!” A local paper called the routine antisemitic the following day.
Weiner is excited for what is next for the band and his unabashed in leaning into his Jewish side on stage. He pointed out that he sometimes wears a jacket covered in Stars of David.
“I realized that even though I don’t have religious faith, even though I don’t keep kosher, and I don’t pray, I’m one of the most Jewish people that I know,” he said.
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The post Low Cut Connie’s Adam Weiner chronicles his Jewish evolution on new single ‘King of the Jews’ appeared first on Jewish Telegraphic Agency.
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Palestinian Authority Condemns Hamas for Murdering Gazans Seeking Food
Palestinians collect aid supplies from the US-backed Gaza Humanitarian Foundation, in Rafah, in the southern Gaza Strip, June 9, 2025. Photo: REUTERS/Hatem Khaled
According to the Palestinian Authority (PA), Hamas is systematically murdering Gazan residents attempting to access food supplies under the false pretext of “collaboration” with American aid distribution centers.
The descriptions of the murders, including the names of the murdered and of their relatives who reported their deaths, appeared in the PA’s official daily. It described harrowing accounts from Gazan families who condemn Hamas for operating “death squads” targeting civilians:
There are many reports that have begun to arrive from the Gaza Strip about killings by Hamas of many of the residents walking the roads in search of a sack of flour, under the pretext that they are collaborating with the American aid centers for food distribution! Not only do the reports reveal this, but there are also letters and statements from families whose sons have been reached by the treacherous hand of Hamas.
[Official PA daily Al-Hayat Al-Jadida, June 23, 2025]
Specific cases include:
The Shahin family from Deir Al-Balah reported the death of their son, Siraj Al-Din Hisham Shahin, due to “treacherous shooting” by Hamas.
The Al-Hilu family reported that five sons were murdered by Hamas. [emphasis added]
Hiba Al-Misshal, sister of victim Osama Al-Misshal, wrote the most detailed description:
[There is] a letter from the sister of murder victim Osama Al-Misshal, Hiba Al-Misshal, who revealed that a group of Hamas members bearing the name Arrow Unit stopped the bus her brother was traveling on together with other young men, while they were on their way to one of the food distribution centers.
They took them off the bus, bound them, and shot them, after falsely accusing them of “collaboration,” and they continued to chase them while they were wounded, up to the entrance of Nasser Hospital, where they shot them again and prevented the doctors and staff from treating them, and incited the people to beat them with sticks and pipes, amid painful silence around.
…This led to the killing of her brother and other young men who were on the bus! In her letter, Hiba [Al-Misshal] demands “justice for her brother and for every innocent young man who was unjustly murdered.” [emphasis added]
[Official PA daily Al-Hayat Al-Jadida, June 19, 2025]
The article explains that Hamas named the death squads the “Arrow Unit,” to make people think that it is not Hamas but a vigilante group. But according to the PA, Hamas is monopolizing aid distribution through a black market, and killing anyone who bypasses their system.
In its current crisis today, Hamas has no way out but to establish death squads against anyone who stands in the way of its plunder and tries to obtain a sack of flour, outside of its control and its black market.
[Official PA daily Al-Hayat Al-Jadida, June 19, 2025]
Even though the article was intended to expose Hamas, the PA could not help but add an accusation that Israel is also somehow responsible. Significantly, the accusations against Israel, which have been proven to be false in the past, come with no names, no evidence, and no eyewitnesses:
What allows this situation today, which is packed with death and destruction, is the Israeli occupation that has made the roads to food full of dangers…
The one who creates this hated reality today is not Israel alone, but Hamas in a similar manner, and it is a partner to it in this work of death. It pursues the hungry with death squads, which it called “the arrow” in order to tell those who go on the road in search of food that is not obtained through [Hamas] that they will be their prey through the “Arrow Unit.” This is the hated situation – and this is Hamas with the ‘arrow’ unit – the hunters of those seeking food.
[Official PA daily Al-Hayat Al-Jadida, June 19, 2025]
The author is the Founder and Director of Palestinian Media Watch, where a version of this article first appeared.
The post Palestinian Authority Condemns Hamas for Murdering Gazans Seeking Food first appeared on Algemeiner.com.
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Is CNN Sharing Iranian Propaganda Instead of Proper Journalism?
CNN logo. Photo: Josh Hallett / Flickr
Has CNN been keeping its audience properly informed? Over the past week, the network has published at least two video pieces focusing on the sentiments of regular Iranian civilians over the Israeli and American attacks on the Islamic regime’s nuclear, military, and political installations.
However, under scrutiny, both pieces appear to parrot narratives put out by the regime’s officials rather than properly representing the nuanced views of those Iranians on the ground.
Fred Pleitgen Interviews Iranians on the Streets of Tehran
On June 22, the day after the US bombed three Iranian nuclear facilities, CNN journalist Fred Pleitgen (who claims to be the first Western journalist to enter Iran since the conflict started) took to the streets of Tehran to find out what Iranian civilians were feeling in the wake of the American attack.
What followed was a litany of pro-regime vitriol, with bystanders calling for a “strong response” to the American strikes, claiming that President Trump had no basis to attack Iran, and that Iran had done nothing wrong.
One interviewee even sounded like an official regime mouthpiece, stating that “I support the Supreme Leader with my life. I approve of him, really, because he’s moving forward for the sake of our land.”
There is no doubt that many Iranians are angry at the US for its attack on the nuclear facilities. However, there is also no doubt that Pleitgen chose to only present one public sentiment to his audience and create the false impression that it is the sentiment shared by a cross-section of Iranians.
A Western journalist would need the official permission of the authorities to report from Iran. Was Pleitgen given free rein to interview anyone on the street, or was he directed by officials to only interview those who tow the regime’s line?
And how would Iranian interviewees react? Given the regime’s efforts to crack down on any dissent, often using brutal measures, if any ordinary Iranian even dared to publicly state any criticism of the Islamic Republic?
It’s incredibly unlikely — but CNN won’t be transparent about the conditions that Pleitgen is working under, as well as the inability of critical voices to make themselves freely heard.
Since this latest conflict began on June 13, some other news outlets (like The Washington Post and ABC News Australia) have managed to present the diversity of views among Iran’s civilian population in a nuanced way, including those who are opposed to the attacks on Iranian soil and those who are cautiously optimistic about how this could affect the future of Iran.
By failing to interview anyone with opposing views (or to even mention that such views exist), Pleitgen has not filed a piece of journalism as much as a piece of regime-approved propaganda.
Erin Burnett Spreads Questionable Message
A few days before Fred Pleitgen took to the streets of Tehran, anchor Erin Burnett shared a video and message allegedly shared with her by an Iranian filmmaker named Pouria Nouri.
The video showed explosions in Tehran, while the message expressed the fears associated with living under bombing, while also conveying that Iranians have never been so united in “solidarity” in the face of Israeli attacks.
The message concluded, “As an Iranian citizen, I call on the world’s media not to close their eyes to the evident truth and to the initiator of this unjust war, the Israeli regime, and to pay attention to the plight of the Iranian people now caught in the midst of war. People who deserve a normal, peaceful life. Yet, their lives have now been thrown into chaos.”
Burnett found this message so powerful that she shared a part of it on her June 18 broadcast and read it in full on her TikTok page, describing it and the accompanying video as “incredible.”
Maybe a little too incredible.
No sooner had Burnett shared this supposed message from an Iranian civilian on her social media pages, than people began to cast doubt on its veracity.
On her X (formerly Twitter) page, many people pointed out that the message suspiciously echoed propaganda put out by the Islamic regime.
One analyst pointed out on TikTok that the message and video were likely spread by a regime plant since it echoes official state propaganda and it is illegal for regular Iranians to make contact with foreign media organizations. For someone to openly share something with CNN under their name, they would have to know that they are immune from punishment.
The fight against Iranian belligerence is being fought on land, in the air, and in the court of public opinion.
For CNN to pass off regime-approved talking points as genuine public sentiments expressed by the average Iranian civilian — while not balancing this with competing voice — is not only bad journalistic practice, but also assists the Islamic Republic’s propaganda efforts on the international stage.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
The post Is CNN Sharing Iranian Propaganda Instead of Proper Journalism? first appeared on Algemeiner.com.
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Brooklyn Nets Select Israeli Basketball Players Ben Saraf, Danny Wolf in NBA Draft
The opening tip between the Brooklyn Nets and Washington Wizards, at Barclays Center, in Brooklyn, New York, Dec. 13, 2020. Photo: Wendell Cruz-USA TODAY Sports via Reuters Connect
In a landmark night for Israeli basketball, Ben Saraf and Danny Wolf were selected in the first round of the 2025 NBA Draft by the Brooklyn Nets, marking the first time two Israeli players have been drafted in the same year.
Saraf, a 19-year-old guard known for his explosive athleticism and creative playmaking, was taken with the 26th pick. A standout with Maccabi Rishon LeZion and a rising star on Israel’s youth national teams, Saraf gained international attention with his electrifying scoring and commanding court presence.
With the 27th pick, the Nets selected 7-foot center Danny Wolf out of the University of Michigan. Wolf, who holds dual US-Israeli citizenship and represented Israel at the U-20 level, brings a versatile skill set, including sharp passing, perimeter shooting, and a strong feel for the game. After his name was called, Wolf grew emotional in an on-air interview, crediting his family for helping him reach the moment.
“I have the two greatest brothers in the world; I have an unbelievable sister who I love,” Wolf said. “They all helped me get to where I am today, and they’re going to help me get to where I am going to go in this league.”
The historic double-pick adds to the growing wave of Israeli presence on the NBA stage, led by Portland Trail Blazers forward Deni Avdija, who just completed a breakout 2024–25 season. After being traded to Portland last summer, Avdija thrived as a starter, averaging 16.9 points, 7.2 rebounds, and 3.8 assists. In March alone, he posted 23.4 points, 9.8 rebounds, and 5.2 assists per game, including two triple-doubles.
“I don’t think I’ve played like this before … I knew I had it in me. But I’m not really thinking about it. I’m just playing. I’m just free,” Avdija told reporters in March
With Saraf and Wolf joining Avdija, Israel’s basketball pipeline has reached unprecedented visibility. Israeli President Isaac Herzog called the moment “a national celebration for sports and youth,” and Israeli sports commentators widely hailed the night as “historic.”
Both Saraf and Wolf are expected to suit up for the Nets’ Summer League team in July. As the two rookies begin their NBA journey, they join a growing generation of Israeli athletes proving that their game belongs on basketball’s biggest stage.
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