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Matisyahu to Release New Song ‘Basi L’gani,’ Discusses Return to Writing Music and Israel Feeling ‘Like Home’
Jewish reggae artist Matisyahu. Photo: Provided
Jewish reggae artist Matisyahu opened up exclusively to The Algemeiner about releasing a new song on Thursday inspired by a Hasidic discourse, getting back to songwriting, how he tackles antisemitism, and his continued love and support for Israel.
Matisyahu’s new song and its release date both hold a special connection to the Orthodox Chabad movement. Thursday’s date on the Hebrew calendar, 10 Shevat, is the day that Rabbi Yosef Yitzchak Schneersohn died (January 28, 1950). Before his passing, he wrote a famous Hasidic discourse titled “Basi L’Gani” (also spelled “Bati Legani” or “Basi Legani”), which translates in English to “Enter my Garden.” The Hebrew date 10 Shevat is also the day that The Rebbe, Rabbi Menachem Mendel Schneerson, assumed leadership of Chabad — as well as when Matisyahu’s youngest son will turn three years old.
Matisyahu’s new song pays homage to that Hasidic discourse and is aptly titled “Basi L’gani.” The singer-songwriter, 45, wrote the track almost two years ago, prior to the Israel-Hamas war, but was waiting for the appropriate time to release it following the deadly Hamas terrorist attack on Oct. 7, 2023, he told The Algemeiner. “Basi L’gani” is the first of a group of songs that Matisyahu recorded before the war and is hoping to now release.
Many of the lyrics in Matisyahu’s new song are taken from the original Hasidic discourse. The track opens with him singing: “Come enter my garden/ my sister/ my bride. It’s been a long coming/ and you been out all night. Rise in the morning/shine your light.”
“Like knowledge from the tree/ won’t you build for me/ a sanctuary/ a place for us to be,” he later sings. “And if I go/ and if I stay/when you look back/and you move into the day/ listen to these words/let me guide you on your way. I just want to be the oars in your boat along the way.”
The cover art for Matisyahu’s new song “Basi L’gani.” Photo: Sosha Bentolila.
Born Matthew Paul Miller, Matisyahu grew up in White Plains in Westchester County, outside of New York City, and went to yeshiva in Crown Heights, Brooklyn. He used to go from his yeshiva to perform at clubs and then return back to the school. He currently lives in New York with his family.
Since the start of his career, the father of six has been singing about wanting Moshiach now (“King Without a Crown”), for there to be no more wars (“One Day”) and his connection to Israel (“Jerusalem”). His more recent songs address antisemitism (“Ascent”) and he repeats the phrase “Am Israel Chai” (“The nation of Israel lives”) in his most recent song “The Fathers Live” with Remedy.
Matisyahu admitted that he has not done much songwriting since the start of the Gaza war but is hoping to get back to it again soon.
“I’m interested to start writing again,” he told The Algemeiner. “Obviously there is a lot to say, a lot of intensity, a lot of inspiration, and a lot going on. The next batch of songs is gonna probably be a bit more on the intense side, kind of like ‘Ascent’ and ‘Father’s Live’ … I wanna be releasing music constantly now. The idea of writing 20 songs and holding them for a year, and then releasing a whole album, is a little bit of an old school way of doing things. So from this point on, starting with ‘Basligani,’ I’m going to be releasing a song every three weeks or so. I’ll do that for about 15 songs and then I’ll start my writing process again.”
When asked what will inspire his new music, he said life experiences and “in particular what’s happened with the Jewish people and Israel, the hostages being released, and all those images we see of those girls being paraded through Gaza. All that stuff builds up like a well inside of me, and when I’m writing my rhymes, a lot of that stuff is going to come out now.”
At The Algemeiner‘s 11th annual “J100” gala last month, where Matisyahu was honored with the “Warrior For Truth” award, he spoke about reconnecting with his Jewish identity and faith after the deadly Hamas terrorist attack on Oct. 7, 2023.
Matisyahu has a son who lives in Israel and said his second son might be moving there as well. The singer has visited the Jewish state twice since the Hamas atrocities. During one visit, he filmed the music video for “Ascent” at communities in southern Israel infiltrated by Hamas-led Palestinian terrorists during the Oct. 7 attack and at the site of the Nova music festival massacre, where 364 people were killed. The music video also features footage from the attack, including clips of the abductions of Shiri Bibas with her children, and some scenes show Matisyahu with relatives of hostages held in the Gaza Strip.
Since the start of the war, Matisyahu has performed shows in Israel for soldiers in the Israel Defense Forces and at a benefit concert to support the families of the hostages. He met personally with families of hostages and survivors of the attack at the Nova music festival, and visited communities ravaged by Hamas-led terrorists on Oct. 7. He told The Algemeiner that visiting Israel during the war was “an extremely powerful experience” that impacted what his focus has been over the last year.
“I’m feeling a sort of responsibility to speak out about, sing about it, and remind people what’s going on. After speaking with those people and hearing their stories firsthand and experiencing the emotion with those people, that changes you and it really affected me,” he said.
“Israel has always been a special place to me, but obviously now more than ever,” the musician added. “I feel this very deep connection to Israel and Israelis. In times past, maybe there has been more of a separation or a cultural disconnect … but I’ve always loved going. I’ve always loved the people. It’s always felt like home. It’s that special feeling that a Jew has when they go to Israel of just feeling surrounded by family and we don’t feel that anywhere else in the world. Especially now, how much more powerful is that — to have a place, to have a family, a country, and really this strong interconnectedness and support for each other. For a long time for me it’s felt like real Judaism is happening in Israel.”
Photo: Provided
The “Fireproof” singer has been vocal in the past about how his solidarity with Israel and the Jewish people has negatively impacted his career in the last 16 months. He has talked about being dropped by his manager and having a number of his scheduled concerts canceled because of his support for the Jewish state. Mere days after the Oct. 7 Hamas attack, he criticized celebrities for being “too afraid” to voice support for Israel because of how it might affect their social image or career. Even before the war, he has faced backlash from supporters of the boycott, divestment, and sanctions (BDS)movement against Israel.
Still, he said he never thought to stay silent about his solidarity with Israel, even if it would be safer for his career.
“In my career, which has been like over 20, I’ve very rarely taken the safe route,” he said. “For example, shaving my beard, a lot of people thought, ‘Well that’s how everyone knows you and it’s your image.’ But it was irrelevant to me because I’ve always believed in myself, my art, and my music, and I have to do what’s important and authentic to me. And being Jewish and my love of Israel has really been at the core of who I am for quite some time. It’s a big part of who Matisyahu is.”
“When I decided to not be as religious and to shave my beard, to me that wasn’t becoming less Jewish,” he explained. “Just like I stepped into the religion — I wasn’t raised that way — I’ve always just tried to be fluid with what I feel and what feels real to me. The second Oct. 7 happened, I knew immediately that I was going to be outspoken and lean into my Jewish-ness; lean into that zealot Matisyahu, punk rock, Hasidic spirit, because it’s a big part of who I am.”
Matisyahu was raised in a household that followed Reconstructionist Judaism. He later decided to start living a Hasidic lifestyle, and at the start of his musical career, he had a long beard, sidelocks, and wore a yarmulke on stage. In 2011, however, he posted a photo on social media showing himself clean shaven and without a yarmulke, along with the caption: “No more Hassidic reggae superstar.”
In 2014, Matisyahu spoke to The Algemeiner about his religious transformation and decision to step away from the Hasidic movement, saying it was simply a “natural progression” taking place in his life. He also said it was hurtful to see how some people stopped being a fan of his music simply because he no longer looked like a Hasidic Orthodox Jew. He said at the time: “It was really hard for me because it turns out these people were not really fans of my music.”
When asked if his current advocacy of Israel has impacted his fanbase, Matisyahu said, “I think I still have those core fans who may or may not be Jewish … But I definitely feel a much stronger support from the Jewish community and from Jews feeling how important it is to be outspoken, defending Jews. A lot of people really deeply respect that, and a lot of those people have either come back to a show or maybe have listened to some of the newer music when they may not have listened to me for years and years. And I welcome it.”
The singer continued, “It’s nice to feel that connection again with Jews, and unfortunately, it’s weird how it takes sometimes something really bad to happen to bring us together. But I feel the support and it feels nice.”
Matisyahu said that leaning into Judaism “in a big way” has helped him cope with antisemitism, and that it’s been “soothing for the soul.” In the last year, he stopped playing concerts on Friday night in honor of Shabbat and started putting on tefillin “from time to time.” He also tries to respect Shabbat by lighting candles on Friday night or spending time with family and turning off his cellphone. Another thing that has been helpful in combating antisemitism is “being around other Jews,” he noted.
“And the art — having the outlet of the music, the writing, and performing,” Matisyahu added. “Having an outlet to express myself — my feelings, my pain, hope, and joy. All of it. Not everyone is a singer, but everyone has something that they can be creative and pour their emotions into.”
“We have to acknowledge that we’re broken, we’re hurt, that this has been a painful experience and it’s not over,” he explained. “At the same time, [there’s] the joy of the hostages coming back and the way that the nation of Israel and the Jewish people have come together.”
The post Matisyahu to Release New Song ‘Basi L’gani,’ Discusses Return to Writing Music and Israel Feeling ‘Like Home’ first appeared on Algemeiner.com.
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New York Times Reader Comments Shows a Global Readership Shifting Against Israel
The New York Times building in New York City. Photo: Wikimedia Commons
In March 2022, the New York Times unveiled a global strategy that spoke of targeting “every curious, English-speaking person” and playing “an even bigger role in the lives of tens of millions of people around the world.” It didn’t speak of being a New York or American newspaper.
The paper was following through on an effort it announced in 2016 as “an ambitious plan to expand its international digital audience and increase revenue outside the United States.”
The Times reported then, “Just as The Times pushed beyond its local boundaries to become a national newspaper in the 1990s, the executives said in the memo that they now saw the “opportunity to become an indispensable leader in global news and opinion’ by expanding its presence outside the country’s borders.”
How far has the Times gotten toward achieving its objective of shifting its prototypical customer from a housewife in the Westchester County, New York, suburb of Scarsdale to some college professor in Berlin or bureaucrat in Brussels?
An indication is available in the reader comments on a Times news article headlined “Autopsies of Gaza Medics Killed by Israeli Troops Show Some Were Shot in the Head.”
Many of the Israel-bashing comments on the article come from readers based outside of the United States.
“There appears to be no law at all when it comes to Israel’s prosecution of war. No constraints. No real international pressure to try and contain these all too frequent violations,” writes a Times commenter identified as Richard Smith from Edinburgh, U.K. He called Israel’s behavior “sickening.”
Another Times commenter, Hélène Volat of Paris, writes, “each time I thought of having seen the worst, Israel surprises me.”
Another commenter, “Melan” from Berlin, writes to call for sanctions on Israel similar to those on Russia: “Freeze assets, ban travel, and block arms deals for officials behind the killings.”
A Times commenter Michelle from Montreal writes, “I will never buy anything made in Israel ever again.”
Times commenter “Steve” from Toronto writes, “I really wish the USA would stop supporting this country. Have you no morals?”
Another Times commenter, Denis Coakley from Ireland, contends, “Israel has descended to the level of Hamas… Sadly this is a result of the blank-cheque given to Netanyahu by his fellow tyrant in the White House.”
The Times staff is becoming increasingly international just as its readership is. The bylines on this story include those of Christoph Koettl, a graduate of the University of Vienna, according to his LinkedIn profile, who spent eight years as an employee of or consultant to the anti-Israel advocacy group Amnesty International and its affiliates; and of Bilal Shbair, who previously worked in Gaza as an English teacher for UNRWA, the United Nations Relief and Works Agency for Palestine Refugees in the Near East. Reporting was also contributed by “Abubakr Abdelbagi and Naziha Baassiri,” who don’t have biographies available on the New York Times website.
The Times article says the autopsies “were performed by Dr. Ahmad Dhair, the head of the Gazan health ministry’s forensic medicine unit,” without telling readers that the health ministry is controlled by the Hamas terrorist organization, or that Hamas restricts what reporters inside Gaza can report.
Having maxed out of anti-Israel readers on university campuses that provide enterprise-wide Times access to students, faculty, and staff, the Times is now trying to increase its revenues by chasing anti-Israel readers all the way to Europe and Canada. As a business growth strategy it may make some sense. The tradeoff, though, is turning the newspaper’s comments section into an anti-Israel sewer, and also allowing the news section of the paper to be used as a platform for stories that seem calculated to fuel anti-Israel animus. That comes at some cost to whatever is left of the Times’s fading credibility with whatever readers remain from the days when the Times was a New York newspaper, or a proudly American one.
Ira Stoll was managing editor of The Forward and North American editor of The Jerusalem Post. His media critique, a regular Algemeiner feature, can be found here.
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Not Just Hamas: PA Religious Leaders Agree That Islam Prohibits Israel’s Existence
Palestinians walk at the compound that houses Al-Aqsa Mosque, known to Muslims as Noble Sanctuary and to Jews as Temple Mount, in Jerusalem’s Old City May 21, 2021. Photo: REUTERS/Ammar Awad
One mistake made by world leaders and even many Israeli leaders, is to see the Palestinian Authority (PA) as a secular Muslim leadership that rejects religious war for Allah — as opposed to Hamas. But this is a fundamental misreading of Palestinians and the conflict.
Fundamentally, the Palestinian Authority’s political leaders, like Hamas’ leaders, and like most of the Palestinian population, are religious Muslims first and Palestinians second.
The message of all PA religious leaders — some appointed by Mahmoud Abbas himself — is to deny Israel’s right to exist on religious Islamic grounds.
According to PA belief, Islamic law states that land that was once under Muslim rule must be liberated from the infidels as a mandatory religious obligation. Since the land of Israel was under Muslim Ottoman rule for four centuries, the PA is prohibited from making a permanent treaty with Israel that it intends to keep.
PA Shari’ah Judge Nasser Al-Qirem explained this “fact” to worshippers at a mosque in Ramallah during a Friday sermon that was broadcast by official PA TV:
PA Shari’ah Judge Nasser Al-Qirem: “The Shari’ah legal law of this land, for anyone who doesn’t know, is that it is a waqf land … from its [Mediterranean] Sea to its [Jordan] River, this is its Shari’ah law, from its sea to its river.
The laws of this waqf determine that its status cannot be changed, not by sale and not by purchase, not by collateral and not by exchange… not by addition and not by subtraction… As for the [end] date of this waqf: It is forever and ever, and for all eternity, until Allah inherits the earth and those on it.” [emphasis added]
[Official PA TV, Feb. 14, 2025]
Following other PA religious leaders, Al-Qirem taught listeners that “Palestine” — including all of the State of Israel — is a waqf. A waqf is an inalienable religious endowment in Islamic law.
Palestinians define all of Israel as waqf, and thereby Israel exists on Islamic holy land. Palestinian leaders have explained that under Islamic law Muslims are commanded to free the waqf from non-Muslims.
Similarly, PA Supreme Shari’ah Judge Mahmoud Al-Habbash, who is also PA leader Abbas’ Advisor on Religious Affairs and Islamic Relations, has taught that the Western Wall is exclusively Islamic — according to Allah -– and that Muslims are obligated to fight anyone who challenges this right:
Al-Habbash: “Islam is truth that is indivisible… The rights are indivisible – Give me 60% or 70% of my rights, and tell me: ‘That’s it, that’s yours, take it.’ Perhaps temporarily, yes. [But] strategically, no! … Our rights are non-negotiable. They want to negotiate over Jerusalem and the Al-Aqsa Mosque – then by Allah, it is better [to be dead] in the belly of the earth than to be on its surface…
There is no negotiation on one millimeter of the blessed Al-Aqsa Mosque, including the Al-Buraq Wall [i.e., the Western Wall of the Temple Mount[, which is an exclusive permanent Islamic waqf according to Allah’s decree… This is our right, and whoever fights us over our right is an oppressor, and it is a duty to resist the oppressors.” [emphasis added]
[Official PA TV, Jan. 20, 2023]
Repeating that Jews have no rights on Temple Mount, Al-Habbash encouraged the “Islamic nation” to “liberate Al-Aqsa with all means,” saying it was their “duty” because it is a waqf:
Al-Habbash: “The Al-Aqsa Mosque is a pure Islamic right. It is an exclusive Islamic waqf for Muslims (i.e., an inalienable religious endowment), and it is an exclusive right of the Muslims… At the UN podium, [PA] President Mahmoud Abbas spoke explicitly about the Muslims’ legal claim to the Al-Aqsa Mosque and [said] that non-Muslims have no right to it… [Israel] knows that it has no right to the Al-Aqsa Mosque and that the Jews have no right to the blessed Al-Aqsa Mosque. But they are only fanning the fire of hostility and the fire of religious war…
The duty lies on the Islamic nation and the Arabs in general, with the governments, regimes, states, bodies, religious and popular sources of authority and [all] the peoples, to participate in defending the noble Al-Aqsa Mosque, starting with coming to it… and ending with liberating the Al-Aqsa Mosque by all possible means (i.e., including terror).” [emphasis added]
[Mahmoud Al-Habbash, Facebook page, Oct. 1, 2024]
Already a decade ago, Palestinian Media Watch exposed that Al-Habbash considers all of Israel a waqf:
Al-Habbash: “The entire land of Palestine is [Islamic] waqf and is blessed land … It is prohibited to sell, bestow ownership or facilitate the occupation of even a millimeter of it.”
[Official PA daily Al-Hayat Al-Jadida, Oct. 22, 2014]
The author is the founder and director of Palestinian Media Watch.
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This Jewish Rapper Should Be Praised for His Passover Pride
Rapper Kosha Dillz, dressed as Moses, leading a Passover seder at Coachella in 2022. Photo: @chrism_arts.
Antisemites in America — and especially in New York — are trying to make Jews feel fearful of going about their regular activities. One infamous video that went viral had anti-Israel protestors screaming that Zionists should get off the subway.
Jewish rapper Rami Matan Even-Esh — known as Kosha Dillz — decided to have a Subway Seder despite some negative comments he got last year when he did it. Dillz has visited Israel and performed for released hostages and families of hostages, as well as wounded soldiers.
“I love doing the Subway Seder because it was a breath of fresh air and some people joined in who weren’t having their own Seders,” Dillz told me in an interview.
He said his group did it on the Q train at Union Square in Manhattan at about 6 o’clock on Friday.
“People are glued to the Internet waiting for bad news, so it was nice to do something like this,” he said, adding that he dressed as Moses. “There were Black and Hispanic community members who asked what we were doing and they were receptive that we were taking pride.”
Dillz showed the Jewish pride that we all should, and he was unbowed by the threats he faced. He said showing Jewish pride and fearlessness is important in the wake of rising antisemitism.
“Last year, someone gave me the middle finger,” he said. “This year, we had no problems. Though, of course, online people will do their thing, and someone commented that we were colonizing the train. You have to laugh at them.”
Despite the Passover seder being mentioned prominently in the Christian Bible, Dillz said that many people asked him what Passover was and were unfamiliar with the holiday. He also rapped as part of the event.
“We gave the people dinner and a show,” he said, adding that there was both matzah and gefilte fish. “I think there were some worried about safety but we didn’t have one negative comment at all.”
Dillz, who will soon be releasing a documentary called Bring The Family Home about his trips to Israel since October 7 said the Israeli hostages often get forgotten in discussions, and he hopes they will somehow be returned.
Dillz, who has been a cast member of Wild ‘N Out and performs both music and comedy, said whenever possible, people should look at the bright side of things.
“I think as Jews, when we embrace our culture, we show that we are united and we’re not gonna run away in fear as our enemies might like,” he said.
Dillz, who made a music video against Kanye West when he went on an antisemitic rant, said that there should have been more outrage over the arson attack against Jewish Pennsylvania Governor Josh Shapiro’s residence on Passover.
The rapper has taken to the streets recently not only to rap, but also to ask questions of people at anti-Israel rallies, where he calmly asks their opinions, often revealing that they have little knowledge of the Israeli-Palestinian conflict.
Dillz said that he is genuinely curious to know what they think, but at times people responded by showing ignorance and at other times, they would simply respond with chants designed to intimidate.
As for his Subway Seder, covered by Fox 5 New York, he said it was a success.
“It was really great we could do this,” he said. “When we show our positivity and joy, it’s something that I think is really powerful.”
The author is a writer based in New York.
The post This Jewish Rapper Should Be Praised for His Passover Pride first appeared on Algemeiner.com.