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Mitch Albom enters new Jewish territory with Holocaust novel ‘The Little Liar’

(JTA) — For more than two decades, Mitch Albom has been perhaps the best-selling Jewish author alive — even as his books tend to embrace a much broader and more amorphous definition of “faith.”

But now, Albom says he’s ready to embrace his “obligation” as a Jewish writer: to publish a novel set during the Holocaust. 

“The Little Liar,” which comes out on Tuesday, follows an innocent 11-year-old Greek Jewish boy named Nico, who is tricked by Nazis into lying to his fellow Jews about the final destination of the trains they are forced to board. It was written before Oct. 7 but comes at a time when Jews are again grappling with the aftermath of tragedy in the wake of Hamas’ attack on Israel and Israel’s ensuing war against the terror group in Gaza.  

Albom is a Jewish day school alumnus, and Judaism has featured in his prior books, if less centrally. “Tuesdays With Morrie,” his 1997 memoir that rocketed up the bestseller charts and made him a household name, focused on his relationship with Morrie Schwartz, his Jewish mentor at Brandeis University. A follow-up memoir, 2009’s “Have A Little Faith,” discussed Albom’s relationship with his childhood rabbi, interspersed with his friendship with a local priest. He has also involved Jewish faith leaders in his many charities, including an orphanage he runs in Haiti, to which he has flown Rabbi Steven Lindemann of New Jersey’s Temple Beth Sholom.

In his fiction, though, the Detroit author, sportswriter, radio personality and philanthropist has taken a more ecumenical approach to morality and the afterlife. Sometimes Albom’s characters wander through heaven, which can be a physical place (“The Five People You Meet In Heaven” and its sequel). Sometimes they are granted the ability to spend time with their dead relatives (“For One More Day”), are admonished for turning their backs on Godly ideas like living each moment to its fullest (“The Time Keeper”), or are asked to put their blind faith in figures who may or may not themselves be God (“The Stranger In The Lifeboat”). 

“The Little Liar,” by contrast, is a squarely Jewish story. Like the 1969 Holocaust novel “Jacob the Liar,” by Jurek Becker, the story pivots on a Jew lying to his people about the Nazis. But unlike other Holocaust novels, Albom traces the repercussions of that moment for decades following the events of the Holocaust itself, through four central characters who wrestle with the trauma and violence of their past.

Even as it includes a great deal of historical detail — from the descriptions of the thriving prewar Jewish community of Salonika, Greece, to several real-life figures such as the Hungarian actress and humanitarian Katalin Kárady and Nazi hunter Simon Wiesenthal — the book also has plenty of Albom-isms. It’s largely structured as a giant morality tale about the nature of truth and lies, and is narrated by “Truth” itself. Aphorisms like “Truth be told” abound throughout the text.

“I didn’t want to write a ‘Holocaust book’ per se,” Albom told the Jewish Telegraphic Agency during a phone conversation earlier this fall. “With each one of my books, I tried to have some sort of overriding theme that I wanted to explore and that I thought might be inspirational to people.”

Yet he admits that, “as a Jewish writer,” he felt compelled by the subject matter to create “a small, small, small contribution to getting people not to forget what happened.”

This interview was conducted prior to the Oct. 7 Hamas attack in Israel and has been edited for length and clarity.

JTA: You’ve written two memoirs about Jewish mentors of yours, but this is the first time you’ve incorporated Judaism so openly into your fiction. Can you tell me about your own Jewish upbringing?

Albom: I was raised in South Jersey and Philadelphia. Growing up I had what I think would be kind of a typical Jewish upbringing of that time, during the 60s and 70s. [At] 11 years old, I was sent to a Jewish day school. Half the day was just Jewish studies in Hebrew. And in fact, it was mostly done in Hebrew, and so for from sixth grade until 11th grade, with the exception of one year where I left and went to public school, I went to that school. 

So I had a very deep and thorough Jewish education. We learned everything from not only Hebrew and Jewish studies and Jewish history and things like that, but we learned to read the commentary on the Torah… I had to learn those letters. Don’t ask me to do it now, but I was pretty in-depth: Moses, Maimonides and all that. So I graduated and I went to Brandeis University, which was a still predominantly Jewish school.

At that point, having spent so much time with my Jewish roots and education, I kind of put a lid on it, and said, “OK, that’s enough.” And I wasn’t particularly practicing from that point for a couple of decades. It wasn’t really until I wrote the book “Have A Little Faith,” [when] my childhood rabbi asked me to write his eulogy, I got more drawn back to my Judaism.

Why did you decide to tell a Holocaust story now?

I think as a Jewish writer, I almost felt an obligation, before my career was over, to create a story that hopefully would be memorable enough, set during the Holocaust. That it would be a small, small, small contribution to getting people not to forget what happened. And people tend to remember stories longer than they remember facts. I think people remember “The Diary of Anne Frank” longer than they remember statistical numbers of how many Jews were slaughtered or how many homes were destroyed by the Nazis. 

But it took me until now to find a story that I felt hadn’t already been done. There’s so many books now. And even there’s been a recent rash of them over the last five to 10 years, you know, “The Tattooist of Auschwitz” and “The Librarian of Auschwitz,” many other things, all of which are great books and wonderful reads. But I just felt like so much ground had been covered that I couldn’t really come up with an original setting, original idea, until “The Little Liar.”

Something that sets this book apart from the others you mentioned is the setting of Salonika, the Greek city where the vast majority of its 50,000 Jews were murdered by the Nazis. What drew you to that as a setting?

Two things. One, I lived in Greece when I got out of college. Through a series of weird and unfortunate events, I ended up as a singer and a piano player on the island of Crete. I could just spend my days in the sunshine and eating the amazing food and being amongst the amazing people. So I’ve always loved Greece. And number two was, I didn’t want to tell a story that began in Poland, the Warsaw Ghetto, all the familiar backdrops. I just didn’t want to tell a story that people said, “I’ve kind of seen this before.” So I thought, well, this will be fresh. I’ll be able to at least get people to, if nothing else, when they close the book, say, “I had no idea that the largest Jewish majority population sitting in Europe was Salonika, Greece, and even that was wiped out by the Nazis.” 

If there was ever a city that looked like it was impenetrable, it would have been that one. Go back to 300 BCE, and there are Jews. They have been there for so long, and yet the Nazis wipe them out in about a year or less.

Crafting entirely fictional narratives around the Holocaust is pretty fraught territory. I’ve interviewed John Boyne, the author of “The Boy in the Striped Pajamas,” about some of the backlash he’s gotten. What was your own approach to doing this in a sensitive way?

First of all, there’s no such thing as “purely fictional” when you’re coming to a Holocaust story, because you’re setting it during a real event. So you have to rely on real accounts, from people and books, in order to create a world that feels real. I don’t think anybody could write a Holocaust story and never have read a Holocaust book, never have listened to a Holocaust survivor, just sat in a room and imagined what this event might be like — just as you don’t set a book during the Civil War and not study the Civil War.

For me the premise of the book was what came first, and I should point out, I didn’t want to write a “Holocaust book” per se. With each one of my books, I tried to have some sort of overriding theme that I wanted to explore and that I thought might be inspirational to people. And the theme with this one had to do with truth and lies, and that actually goes back to the original inspiration of it, which was a visit to Yad Vashem. 

You know, they have the videos on the walls and different people telling stories, and there was a woman who was telling the story about the train platforms, and she said that the Nazis would sometimes use Jews to calm the people on the train platforms and to lie to them to say everything’s going to be alright, you can trust these trains, you’re going to be OK. And that stayed in my mind, more than anything that I saw. Just the idea of being tricked into lying to your own people about their doom. I thought, one day I want to write a story that centers on someone who had to do that, and what would that do to their sense of truth.

You don’t end the narrative with the liberation of the camps; the story continues decades later. There are scenes of a Jewish character trying to reclaim his old home, of America sheltering Nazis after the war. These are the parts of the history of the Holocaust that I think are harder for people today to come to terms with.

Yeah, that was another way I wanted to make the story more fresh. I didn’t want it to begin with the night that the house was invaded and end with the day that the camps were liberated. I wanted to begin it before that, which I did, and I wanted to end it way after that.

I went to Salonika and I talked with people there about what happened when the Jews came back and, did they get their businesses back? Did they get their houses back? No, the businesses were gone and were given away. The houses, most of the time, were already sold off to somebody else. And I thought, sometimes we think the whole story, the Holocaust, the price that people paid, it ends on the day of liberation, and everybody runs crying and hugging and kissing into each other’s arms and now we’re free. We’re free. In many ways, that’s when the problems began, you know, and a whole different set of problems.

I’ve known survivors all my life. I grew up with them in my neighborhood and interviewed many of them over the years, and they’ve told me about their haunted dreams and sometimes in the middle of the night they just wake up, or in the middle of the day, just start crying, or how certain things they don’t want to talk about. And so I tried to be respectful and reflect some of those challenges in the years after the Holocaust, because I don’t think you can tell a complete story, at least not one about survivors, if you don’t talk about what happened to them after they tried to resume their normal lives.

In the book you point out that the Holocaust was built on a “big lie.” You’re framing truth as the ultimate ideal. But of course your Jewish characters are also surviving the war in part by lying about their identities. And we know that’s true of many real-life Holocaust survivors as well. Do you see that as a contradiction?

No, I see it as fascinating. You know, it’s a fascinating interwoven web of truth and deception. There is nobody who has never told a lie on this earth. And that’s why Nico was kind of a magical character to begin with. He’s 11 years old and has never told a lie — he’s almost an angel. And that’s where the parable feel to the story comes in. 

Your writing has become associated with the concept of “faith,” and in your fiction you often render heaven as a physical place where the dead are finding ways to interact with the living. Is that a more Christian outlook on the afterlife, even though you say you were inspired by a vision an uncle of yours had about his own relatives? How do you think about your own depictions of heaven?

Well, the books that I’ve written about heaven, there was “The Five People You Meet in Heaven,” “The Next Person You Meet in Heaven,” which was a sequel to it, and “The First Phone Call From Heaven,” which, if you read that book, you know that it isn’t what it seems. You know, I always looked at “The Five People You Meet in Heaven” as kind of a fable. My uncle Eddie, who was the main character — it wasn’t a true story but he inspired the character. He had told me a story that he had had an incident where he had died on an operating table. For a brief moment, he remembered floating above his body and seeing all of his dead relatives waiting for him at the edge of the operating table. So I always had that story in mind whenever I would think of him. It was meant to be a fable about how we all interact with one another.

A lot of Christians have embraced your work, right?

A lot of Christians, Jews, Muslims, Hindus and atheists. 

I’ve seen evangelical writers refer to your body of work as part of a “Judeo-Christian tradition,” which is a term a lot of Jews have different kinds of feelings about. Do you think about the faith of your readers at all, or how they are perceiving your faith?

I write for anybody in the world who has a desire to read my book. I welcome them. I would never make a judgment on any reader. I’m happy to have someone pick up my book and read it.


The post Mitch Albom enters new Jewish territory with Holocaust novel ‘The Little Liar’ appeared first on Jewish Telegraphic Agency.

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Iranian Media Claims Obtaining ‘Sensitive’ Israeli Intelligence Materials

FILE PHOTO: The atomic symbol and the Iranian flag are seen in this illustration, July 21, 2022. REUTERS/Dado Ruvic/Illustration/File Photo

i24 NewsIranian and Iran-affiliated media claimed on Saturday that the Islamic Republic had obtained a trove of “strategic and sensitive” Israeli intelligence materials related to Israel’s nuclear facilities and defense plans.

“Iran’s intelligence apparatus has obtained a vast quantity of strategic and sensitive information and documents belonging to the Zionist regime,” Iran’s state broadcaster said, referring to Israel in the manner accepted in those Muslim or Arab states that don’t recognize its legitimacy. The statement was also relayed by the Lebanese site Al-Mayadeen, affiliated with the Iran-backed jihadists of Hezbollah.

The reports did not include any details on the documents or how Iran had obtained them.

The intelligence reportedly included “thousands of documents related to that regime’s nuclear plans and facilities,” it added.

According to the reports, “the data haul was extracted during a covert operation and included a vast volume of materials including documents, images, and videos.”

The report comes amid high tensions over Iran’s nuclear program, over which it is in talks with the US administration of President Donald Trump.

Iranian-Israeli tensions reached an all-time high since the October 7 massacre and the subsequent Gaza war, including Iranian rocket fire on Israel and Israeli aerial raids in Iran that devastated much of the regime’s air defenses.

Israel, which regards the prospect of the antisemitic mullah regime obtaining a nuclear weapon as an existential threat, has indicated it could resort to a military strike against Iran’s installations should talks fail to curb uranium enrichment.

The post Iranian Media Claims Obtaining ‘Sensitive’ Israeli Intelligence Materials first appeared on Algemeiner.com.

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Israel Retrieves Body of Thai Hostage from Gaza

Israeli Defense Minister Israel Katz looks on, amid the ongoing conflict in Gaza between Israel and Hamas, in Jerusalem, Nov. 7, 2024. Photo: REUTERS/Ronen Zvulun

The Israeli military has retrieved the body of a Thai hostage who had been held in Gaza since Hamas’ October 7, 2023 attack, Defense Minister Israel Katz said on Saturday.

Nattapong Pinta’s body was held by a Palestinian terrorist group called the Mujahedeen Brigades, and was recovered from the area of Rafah in southern Gaza, Katz said. His family in Thailand has been notified.

Pinta, an agricultural worker, was abducted from Kibbutz Nir Oz, a small Israeli community near the Gaza border where a quarter of the population was killed or taken hostage during the Hamas attack that triggered the devastating war in Gaza.

Israel’s military said Pinta had been abducted alive and killed by his captors, who had also killed and taken to Gaza the bodies of two more Israeli-American hostages that were retrieved earlier this week.

There was no immediate comment from the Mujahedeen Brigades, who have previously denied killing their captives, or from Hamas. The Israeli military said the Brigades were still holding the body of another foreign national. Only 20 of the 55 remaining hostages are believed to still be alive.

The Mujahedeen Brigades also held and killed Israeli hostage Shiri Bibas and her two young sons, according to Israeli authorities. Their bodies were returned during a two-month ceasefire, which collapsed in March after the two sides could not agree on terms for extending it to a second phase.

Israel has since expanded its offensive across the Gaza Strip as US, Qatari and Egyptian-led efforts to secure another ceasefire have faltered.

US-BACKED AID GROUP HALTS DISTRIBUTIONS

The United Nations has warned that most of Gaza’s 2.3 million population is at risk of famine after an 11-week Israeli blockade of the enclave, with the rate of young children suffering from acute malnutrition nearly tripling.

Aid distribution was halted on Friday after the US-and Israeli-backed Gaza Humanitarian Foundation said overcrowding had made it unsafe to continue operations. It was unclear whether aid had resumed on Saturday.

The GHF began distributing food packages in Gaza at the end of May, overseeing a new model of aid distribution which the United Nations says is neither impartial nor neutral. It says it has provided around 9 million meals so far.

The Israeli military said on Saturday that 350 trucks of humanitarian aid belonging to U.N. and other international relief groups were transferred this week via the Kerem Shalom crossing into Gaza.

The war erupted after Hamas-led terrorists took 251 hostages and killed 1,200 people, most of them civilians, in the October 7, 2023 attack, Israel’s single deadliest day.

The post Israel Retrieves Body of Thai Hostage from Gaza first appeared on Algemeiner.com.

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US Mulls Giving Millions to Controversial Gaza Aid Foundation, Sources Say

Palestinians carry aid supplies which they received from the US-backed Gaza Humanitarian Foundation, in the central Gaza Strip, May 29, 2025. Photo: REUTERS/Ramadan Abed/File Photo

The State Department is weighing giving $500 million to the new foundation providing aid to war-shattered Gaza, according to two knowledgeable sources and two former US officials, a move that would involve the US more deeply in a controversial aid effort that has been beset by violence and chaos.

The sources and former US officials, all of whom requested anonymity because of the sensitivity of the matter, said that money for Gaza Humanitarian Foundation (GHF) would come from the US Agency for International Development (USAID), which is being folded into the US State Department.

The plan has met resistance from some US officials concerned with the deadly shootings of Palestinians near aid distribution sites and the competence of the GHF, the two sources said.

The GHF, which has been fiercely criticized by humanitarian organizations, including the United Nations, for an alleged lack of neutrality, began distributing aid last week amid warnings that most of Gaza’s 2.3 million population is at risk of famine after an 11-week Israeli aid blockade, which was lifted on May 19 when limited deliveries were allowed to resume.

The foundation has seen senior personnel quit and had to pause handouts twice this week after crowds overwhelmed its distribution hubs.

The State Department and GHF did not immediately respond to requests for comment.

Reuters has been unable to establish who is currently funding the GHF operations, which began in Gaza last week. The GHF uses private US security and logistics companies to transport aid into Gaza for distribution at so-called secure distribution sites.

On Thursday, Reuters reported that a Chicago-based private equity firm, McNally Capital, has an “economic interest” in the for-profit US contractor overseeing the logistics and security of GHF’s aid distribution hubs in the enclave.

While US President Donald Trump’s administration and Israel say they don’t finance the GHF operation, both have been pressing the United Nations and international aid groups to work with it.

The US and Israel argue that aid distributed by a long-established U.N. aid network was diverted to Hamas. Hamas has denied that.

USAID has been all but dismantled. Some 80 percent of its programs have been canceled and its staff face termination as part of President Donald Trump’s drive to align US foreign policy with his “America First” agenda.

One source with knowledge of the matter and one former senior official said the proposal to give the $500 million to GHF has been championed by acting deputy USAID Administrator Ken Jackson, who has helped oversee the agency’s dismemberment.

The source said that Israel requested the funds to underwrite GHF’s operations for 180 days.

The Israeli government did not immediately respond to a request for comment.

The two sources said that some US officials have concerns with the plan because of the overcrowding that has affected the aid distribution hubs run by GHF’s contractor, and violence nearby.

Those officials also want well-established non-governmental organizations experienced in running aid operations in Gaza and elsewhere to be involved in the operation if the State Department approves the funds for GHF, a position that Israel likely will oppose, the sources said.

The post US Mulls Giving Millions to Controversial Gaza Aid Foundation, Sources Say first appeared on Algemeiner.com.

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