Connect with us

RSS

Mitch Albom enters new Jewish territory with Holocaust novel ‘The Little Liar’

(JTA) — For more than two decades, Mitch Albom has been perhaps the best-selling Jewish author alive — even as his books tend to embrace a much broader and more amorphous definition of “faith.”

But now, Albom says he’s ready to embrace his “obligation” as a Jewish writer: to publish a novel set during the Holocaust. 

“The Little Liar,” which comes out on Tuesday, follows an innocent 11-year-old Greek Jewish boy named Nico, who is tricked by Nazis into lying to his fellow Jews about the final destination of the trains they are forced to board. It was written before Oct. 7 but comes at a time when Jews are again grappling with the aftermath of tragedy in the wake of Hamas’ attack on Israel and Israel’s ensuing war against the terror group in Gaza.  

Albom is a Jewish day school alumnus, and Judaism has featured in his prior books, if less centrally. “Tuesdays With Morrie,” his 1997 memoir that rocketed up the bestseller charts and made him a household name, focused on his relationship with Morrie Schwartz, his Jewish mentor at Brandeis University. A follow-up memoir, 2009’s “Have A Little Faith,” discussed Albom’s relationship with his childhood rabbi, interspersed with his friendship with a local priest. He has also involved Jewish faith leaders in his many charities, including an orphanage he runs in Haiti, to which he has flown Rabbi Steven Lindemann of New Jersey’s Temple Beth Sholom.

In his fiction, though, the Detroit author, sportswriter, radio personality and philanthropist has taken a more ecumenical approach to morality and the afterlife. Sometimes Albom’s characters wander through heaven, which can be a physical place (“The Five People You Meet In Heaven” and its sequel). Sometimes they are granted the ability to spend time with their dead relatives (“For One More Day”), are admonished for turning their backs on Godly ideas like living each moment to its fullest (“The Time Keeper”), or are asked to put their blind faith in figures who may or may not themselves be God (“The Stranger In The Lifeboat”). 

“The Little Liar,” by contrast, is a squarely Jewish story. Like the 1969 Holocaust novel “Jacob the Liar,” by Jurek Becker, the story pivots on a Jew lying to his people about the Nazis. But unlike other Holocaust novels, Albom traces the repercussions of that moment for decades following the events of the Holocaust itself, through four central characters who wrestle with the trauma and violence of their past.

Even as it includes a great deal of historical detail — from the descriptions of the thriving prewar Jewish community of Salonika, Greece, to several real-life figures such as the Hungarian actress and humanitarian Katalin Kárady and Nazi hunter Simon Wiesenthal — the book also has plenty of Albom-isms. It’s largely structured as a giant morality tale about the nature of truth and lies, and is narrated by “Truth” itself. Aphorisms like “Truth be told” abound throughout the text.

“I didn’t want to write a ‘Holocaust book’ per se,” Albom told the Jewish Telegraphic Agency during a phone conversation earlier this fall. “With each one of my books, I tried to have some sort of overriding theme that I wanted to explore and that I thought might be inspirational to people.”

Yet he admits that, “as a Jewish writer,” he felt compelled by the subject matter to create “a small, small, small contribution to getting people not to forget what happened.”

This interview was conducted prior to the Oct. 7 Hamas attack in Israel and has been edited for length and clarity.

JTA: You’ve written two memoirs about Jewish mentors of yours, but this is the first time you’ve incorporated Judaism so openly into your fiction. Can you tell me about your own Jewish upbringing?

Albom: I was raised in South Jersey and Philadelphia. Growing up I had what I think would be kind of a typical Jewish upbringing of that time, during the 60s and 70s. [At] 11 years old, I was sent to a Jewish day school. Half the day was just Jewish studies in Hebrew. And in fact, it was mostly done in Hebrew, and so for from sixth grade until 11th grade, with the exception of one year where I left and went to public school, I went to that school. 

So I had a very deep and thorough Jewish education. We learned everything from not only Hebrew and Jewish studies and Jewish history and things like that, but we learned to read the commentary on the Torah… I had to learn those letters. Don’t ask me to do it now, but I was pretty in-depth: Moses, Maimonides and all that. So I graduated and I went to Brandeis University, which was a still predominantly Jewish school.

At that point, having spent so much time with my Jewish roots and education, I kind of put a lid on it, and said, “OK, that’s enough.” And I wasn’t particularly practicing from that point for a couple of decades. It wasn’t really until I wrote the book “Have A Little Faith,” [when] my childhood rabbi asked me to write his eulogy, I got more drawn back to my Judaism.

Why did you decide to tell a Holocaust story now?

I think as a Jewish writer, I almost felt an obligation, before my career was over, to create a story that hopefully would be memorable enough, set during the Holocaust. That it would be a small, small, small contribution to getting people not to forget what happened. And people tend to remember stories longer than they remember facts. I think people remember “The Diary of Anne Frank” longer than they remember statistical numbers of how many Jews were slaughtered or how many homes were destroyed by the Nazis. 

But it took me until now to find a story that I felt hadn’t already been done. There’s so many books now. And even there’s been a recent rash of them over the last five to 10 years, you know, “The Tattooist of Auschwitz” and “The Librarian of Auschwitz,” many other things, all of which are great books and wonderful reads. But I just felt like so much ground had been covered that I couldn’t really come up with an original setting, original idea, until “The Little Liar.”

Something that sets this book apart from the others you mentioned is the setting of Salonika, the Greek city where the vast majority of its 50,000 Jews were murdered by the Nazis. What drew you to that as a setting?

Two things. One, I lived in Greece when I got out of college. Through a series of weird and unfortunate events, I ended up as a singer and a piano player on the island of Crete. I could just spend my days in the sunshine and eating the amazing food and being amongst the amazing people. So I’ve always loved Greece. And number two was, I didn’t want to tell a story that began in Poland, the Warsaw Ghetto, all the familiar backdrops. I just didn’t want to tell a story that people said, “I’ve kind of seen this before.” So I thought, well, this will be fresh. I’ll be able to at least get people to, if nothing else, when they close the book, say, “I had no idea that the largest Jewish majority population sitting in Europe was Salonika, Greece, and even that was wiped out by the Nazis.” 

If there was ever a city that looked like it was impenetrable, it would have been that one. Go back to 300 BCE, and there are Jews. They have been there for so long, and yet the Nazis wipe them out in about a year or less.

Crafting entirely fictional narratives around the Holocaust is pretty fraught territory. I’ve interviewed John Boyne, the author of “The Boy in the Striped Pajamas,” about some of the backlash he’s gotten. What was your own approach to doing this in a sensitive way?

First of all, there’s no such thing as “purely fictional” when you’re coming to a Holocaust story, because you’re setting it during a real event. So you have to rely on real accounts, from people and books, in order to create a world that feels real. I don’t think anybody could write a Holocaust story and never have read a Holocaust book, never have listened to a Holocaust survivor, just sat in a room and imagined what this event might be like — just as you don’t set a book during the Civil War and not study the Civil War.

For me the premise of the book was what came first, and I should point out, I didn’t want to write a “Holocaust book” per se. With each one of my books, I tried to have some sort of overriding theme that I wanted to explore and that I thought might be inspirational to people. And the theme with this one had to do with truth and lies, and that actually goes back to the original inspiration of it, which was a visit to Yad Vashem. 

You know, they have the videos on the walls and different people telling stories, and there was a woman who was telling the story about the train platforms, and she said that the Nazis would sometimes use Jews to calm the people on the train platforms and to lie to them to say everything’s going to be alright, you can trust these trains, you’re going to be OK. And that stayed in my mind, more than anything that I saw. Just the idea of being tricked into lying to your own people about their doom. I thought, one day I want to write a story that centers on someone who had to do that, and what would that do to their sense of truth.

You don’t end the narrative with the liberation of the camps; the story continues decades later. There are scenes of a Jewish character trying to reclaim his old home, of America sheltering Nazis after the war. These are the parts of the history of the Holocaust that I think are harder for people today to come to terms with.

Yeah, that was another way I wanted to make the story more fresh. I didn’t want it to begin with the night that the house was invaded and end with the day that the camps were liberated. I wanted to begin it before that, which I did, and I wanted to end it way after that.

I went to Salonika and I talked with people there about what happened when the Jews came back and, did they get their businesses back? Did they get their houses back? No, the businesses were gone and were given away. The houses, most of the time, were already sold off to somebody else. And I thought, sometimes we think the whole story, the Holocaust, the price that people paid, it ends on the day of liberation, and everybody runs crying and hugging and kissing into each other’s arms and now we’re free. We’re free. In many ways, that’s when the problems began, you know, and a whole different set of problems.

I’ve known survivors all my life. I grew up with them in my neighborhood and interviewed many of them over the years, and they’ve told me about their haunted dreams and sometimes in the middle of the night they just wake up, or in the middle of the day, just start crying, or how certain things they don’t want to talk about. And so I tried to be respectful and reflect some of those challenges in the years after the Holocaust, because I don’t think you can tell a complete story, at least not one about survivors, if you don’t talk about what happened to them after they tried to resume their normal lives.

In the book you point out that the Holocaust was built on a “big lie.” You’re framing truth as the ultimate ideal. But of course your Jewish characters are also surviving the war in part by lying about their identities. And we know that’s true of many real-life Holocaust survivors as well. Do you see that as a contradiction?

No, I see it as fascinating. You know, it’s a fascinating interwoven web of truth and deception. There is nobody who has never told a lie on this earth. And that’s why Nico was kind of a magical character to begin with. He’s 11 years old and has never told a lie — he’s almost an angel. And that’s where the parable feel to the story comes in. 

Your writing has become associated with the concept of “faith,” and in your fiction you often render heaven as a physical place where the dead are finding ways to interact with the living. Is that a more Christian outlook on the afterlife, even though you say you were inspired by a vision an uncle of yours had about his own relatives? How do you think about your own depictions of heaven?

Well, the books that I’ve written about heaven, there was “The Five People You Meet in Heaven,” “The Next Person You Meet in Heaven,” which was a sequel to it, and “The First Phone Call From Heaven,” which, if you read that book, you know that it isn’t what it seems. You know, I always looked at “The Five People You Meet in Heaven” as kind of a fable. My uncle Eddie, who was the main character — it wasn’t a true story but he inspired the character. He had told me a story that he had had an incident where he had died on an operating table. For a brief moment, he remembered floating above his body and seeing all of his dead relatives waiting for him at the edge of the operating table. So I always had that story in mind whenever I would think of him. It was meant to be a fable about how we all interact with one another.

A lot of Christians have embraced your work, right?

A lot of Christians, Jews, Muslims, Hindus and atheists. 

I’ve seen evangelical writers refer to your body of work as part of a “Judeo-Christian tradition,” which is a term a lot of Jews have different kinds of feelings about. Do you think about the faith of your readers at all, or how they are perceiving your faith?

I write for anybody in the world who has a desire to read my book. I welcome them. I would never make a judgment on any reader. I’m happy to have someone pick up my book and read it.


The post Mitch Albom enters new Jewish territory with Holocaust novel ‘The Little Liar’ appeared first on Jewish Telegraphic Agency.

Continue Reading

RSS

US State Department Revokes Visas of UK Punk Rap Act Bob Vylan Amid Outrage Over Duo’s Chants of ‘Death to the IDF’

Bob Vylan music duo performance at Glastonbury Fest

Bob Vylan music duo performance at Glastonbury Festival (Source: FLIKR)

The US State Department has revoked the visas for the English punk rap duo Bob Vylan amid ongoing outrage over their weekend performance at the Glastonbury Festival, in which the pair chanted “Death to the IDF.” 

The State Department’s decision to cancel their visas would preclude a planned fall concert tour of the US by the British rappers. 

“The [US State Department] has revoked the US visas for the members of the Bob Vylan band in light of their hateful tirade at Glastonbury, including leading the crowd in death chants. Foreigners who glorify violence and hatred are not welcome visitors to our country,” Deputy Secretary of State Christopher Landau wrote on X/Twitter on Monday. 

During a June 28 set at Glastonbury Festival, Bob Vylan’s Pascal Robinson-Foster ignited a firestorm by leading the crowd in chants of “Death, death, to the IDF,” referring to the Israel Defense Forces. He also complained about working for a “f—ing Zionist” during the set. 

The video of the performance went viral, sparking outrage across the globe. 

The BBC, which streamed the performance live, issued an on‑screen warning but continued its broadcast, prompting criticism by government officials for failing to cut the feed.

Prime Minister Keir Starmer and festival organizers condemned the IDF chant as hate speech and incitement to violence. The Israeli Embassy in London denounced the language as “inflammatory and hateful.”

“Millions of people tuned in to enjoy Glastonbury this weekend across the BBC’s output but one performance within our livestreams included comments that were deeply offensive,” the BBC said in a statement following the event. 

“These abhorrent chants, which included calls for the death of members of the Israeli Defense Forces … have no place in any civil society,” Leo Terrell, Chair of the US Department of Justice Task Force to Combat Antisemitism, declared Sunday in a statement posted on X.

Citing the act’s US tour plans, Terrell said his task force would be “reaching out to the U.S. Department of State on Monday to determine what measures are available to address the situation and to prevent the promotion of violent antisemitic rhetoric in the United States.”

British authorities, meanwhile, have launched a formal investigation into Bob Vylan’s controversial appearance at Glastonbury. Avon and Somerset Police confirmed they are reviewing footage and working with the Crown Prosecution Service to determine whether the performance constitutes a hate crime or incitement to violence.

United Talent Agency (UTA), one of the premier entertainment talent agencies, dropped the duo, claming “antisemitic sentiments expressed by the group were utterly unacceptable.” 

The band defended their performance on social media as necessary protest, stating that “teaching our children to speak up for the change they want and need is the only way that we make this world a better place.”

The post US State Department Revokes Visas of UK Punk Rap Act Bob Vylan Amid Outrage Over Duo’s Chants of ‘Death to the IDF’ first appeared on Algemeiner.com.

Continue Reading

RSS

Dem House Leader Hakeem Jeffries Urges Mamdani to ‘Aggressively Address’ Antisemitism in NYC if Elected Mayor

Rep. Hakeem Jeffries (D-NY). Photo: Wikimedia Commons.

US House Democratic leader Rep. Hakeem Jeffries (NY) urged Democratic nominee for mayor of New York Zohran Mamdani to “aggressively address the rise in antisemitism” if he wins the general election in November.

“‘Globalizing the intifada’ by way of example is not an acceptable phrasing,” Jeffries said Sunday on ABC’s This Week. “He’s going to have to clarify his position on that as he moves forward.”

“With respect to the Jewish communities that I represent, I think our nominee is going to have to convince folks that he is prepared to aggressively address the rise in antisemitism in the city of New York, which has been an unacceptable development,” he added. 

Jeffries’s comments come as Mamdani has been receiving an onslaught of criticism for defending the controversial phrase “globalize the intifada.”

Mamdani first defended the phrase during an appearance on the popular Bulwark Podcast. The progressive firebrand stated that he feels “less comfortable with the banning of certain words.” He invoked the US Holocaust Museum in his defense, saying that the museum used the word intifada “when translating the Warsaw Ghetto Uprising into Arabic, because it’s a word that means ‘struggle.’”

The Holocaust Museum repudiated Mamdani in a statement, calling his comments “offensive.”

Mamdani has continued to defend the slogan despite ongoing criticism, arguing that pro-Palestine advocates perceive it as a call for “universal human rights.” 

Mamdani, the 33‑year‑old state assembly member and proud democratic socialist, defeated former New York Gov. Andrew Cuomo and other candidates in a lopsided first‑round win in the city’s Democratic primary for mayor, notching approximately 43.5 percent of first‑choice votes compared to Cuomo’s 36.4 percent.

The election results have alarmed members of the local Jewish community, who expressed deep concern over his past criticism of Israel and defense of antisemitic rhetoric.

“Mamdani’s election is the greatest existential threat to a metropolitan Jewish population since the election of the notorious antisemite Karl Lueger in Vienna,” Rabbi Marc Schneier, one of the most prominent Jewish leaders in New York City, said in a statement. “Jewish leaders must come together as a united force to prevent a mass Jewish Exodus from New York City.”

Some key Democratic leaders in New York, such as US Senate Minority Leader Chuck Schumer and Gov. Kathy Hochul, have congratulated and complimented Mamdani, but have not yet issued an explicit endorsement. Each official has signaled interest in meeting with Mamdani prior to making a decision on a formal endorsement. 

 

The post Dem House Leader Hakeem Jeffries Urges Mamdani to ‘Aggressively Address’ Antisemitism in NYC if Elected Mayor first appeared on Algemeiner.com.

Continue Reading

RSS

Israel Eyes Ties With Syria and Lebanon After Iran War

Israeli Foreign Minister Gideon Saar attends a press conference with German Foreign Minister Johann Wadephul (not pictured) in Berlin, Germany, June 5, 2025. Photo: REUTERS/Christian Mang

Israel is interested in establishing formal diplomatic relations with long-standing adversaries Syria and Lebanon, but the status of the Golan Heights is non-negotiable, Israeli Foreign Minister Gideon Saar said on Monday.

Israeli leaders argue that with its rival Iran weakened by this month’s 12-day war, other countries in the region have an opportunity to forge ties with Israel.

The Middle East has been upended by nearly two years of war in Gaza, during which Israel also carried out airstrikes and ground operations in Lebanon targeting Iran-backed Hezbollah, and by the overthrow of former Syrian leader and Iran ally Bashar al-Assad.

In 2020, the United Arab Emirates, Bahrain, and Morocco became the first Arab states to establish ties with Israel since Jordan in 1994 and Egypt in 1979. The normalization agreements with Israel were deeply unpopular in the Arab world.

“We have an interest in adding countries such as Syria and Lebanon, our neighbors, to the circle of peace and normalization, while safeguarding Israel‘s essential and security interests,” Saar said at a press conference in Jerusalem.

“The Golan will remain part of the State of Israel,” he said.

Israel annexed the Golan Heights in 1981 after capturing the territory from Syria during the 1967 Six-Day War. While much of the international community regards the Golan as occupied Syrian land, US President Donald Trump recognized Israeli sovereignty over it during his first term in office.

Following Assad’s ousting, Israeli forces moved further into Syrian territory.

A senior Syrian official, speaking on condition of anonymity, said Syria would never give up the Golan Heights, describing it as an integral part of Syrian territory.

The official also said that normalization efforts with Israel must be part of the 2002 Arab Peace Initiative and not carried out through a separate track.

A spokesperson for Syria‘s foreign ministry did not immediately respond to a Reuters request for comment.

The 2002 initiative proposed Arab normalization with Israel in exchange for its withdrawal from territories including the Golan Heights, the West Bank, and Gaza. It also called for the establishment of an independent Palestinian state with East Jerusalem as its capital.

Throughout the war in Gaza, regional power Saudi Arabia has repeatedly said that establishing ties with Israel was conditional on the creation of an independent Palestinian state.

Israel‘s Saar said it was “not constructive” for other states to condition normalization on Palestinian statehood.

“Our view is that a Palestinian state will threaten the security of the State of Israel,” he said.

In May, Reuters reported that Israel and Syria‘s new Islamist rulers had established direct contact and held face-to-face meetings aimed at de-escalating tensions and preventing renewed conflict along their shared border.

The same month, US President Donald Trump announced the US would lift sanctions on Syria and met Syria‘s new president, urging him to normalize ties with Israel.

The post Israel Eyes Ties With Syria and Lebanon After Iran War first appeared on Algemeiner.com.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News