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‘Nazi Town, USA,’ a new PBS documentary, examines the 1930s heyday of Hitler’s acolytes in the US
(New York Jewish Week) — Picture a group of children having fun at summer camp, learning archery, swimming and playing tug of war, all while the Nazi flag flies next to the American flag. Or a packed crowd at Manhattan’s Madison Square Garden, where men and women of all ages give the Hitler salute.
These are some of the real-life disturbing images depicted in “Nazi Town, USA,” a new documentary about the German American Bund — a pro-fascist, pro-Nazi organization that, at its peak, had some 100,000 members in the United States — that premieres on “American Experience” on PBS on Tuesday.
The German American Bund (bund is German for “organization”), founded by German immigrant Fritz Kuhn in Buffalo in 1936, was created to promote pro-Nazi ideology within the United States. Kuhn and his cronies relied upon patriotic imagery such as George Washington and the American flag to attract Americans of German descent as members — but as Kuhn himself said, the organization’s goals were to create a “socially just, white gentile-ruled United States” and a “gentile-controlled labor union free from Jewish Moscow-directed domination.”
Filmmaker Peter Yost, who wrote and directed “Nazi Town, USA,” told the New York Jewish Week that he first became interested in the history of Nazi organization while helping his friend Marshall Curry with his Academy Award-nominated short documentary “A Night at the Garden,” which used archival footage, some of which can also be seen in “Nazi Town, USA,” of the 1939 “Pro-American Rally” at Madison Square Garden held by the Bund.
“It’s amazing footage and it’s incredible that there are 20,000 of these Bund members inside Madison Square Garden,” Yost said. “It certainly begs the question, ‘If you can get 20,000 of them in this one spot, what the heck is going on in America at the time more broadly that enables that to happen?’”
That’s the central question Yost explores in “Nazi Town, USA.” Using archival footage and photos of the Bund’s activities — many of which were shot by the Bund itself for promotional purposes — as well as interviews with historians, the film chronicles the rise and fall of the organization from its beginning through its peak and its ultimate collapse in 1941.
The Bund was just one of hundreds of right-wing and fascist-friendly groups in the United States in the 1930s, but by focusing on one group, Yost was able to explore how and why fascism was so appealing to Americans at that time. “Often the best films, in my opinion, are ones that use a narrow story to tell a much bigger story,” he said. “While the Bund matters and is interesting, it really is a means to get at these bigger questions and explore these bigger ideas.”
Headquartered in New York City, the Bund was organized into 50 districts nationwide — indeed, the film’s name “Nazi Town, USA,” is meant to indicate that Nazi ideology, for a time, was widely embraced across the country.
“It resonated here for a reason,” Yost said. “It tapped into a lot of elements in America that were fascist-friendly, like the racist Jim Crow laws or very restrictive and race-based immigration laws. These were things that Hitler and the Nazis admired and even in some cases adopted for their Nuremberg race laws. They saw in many ways America as fertile ground for their ideas.”
A postcard depicting Camp Siegfried, a pro-Nazi summer camp in Yaphank, Long Island, in the 1930s. (Courtesy the Longwood Public Library’s Thomas R. Bayles Local History Room)
According to historian Bradley W. Hart, who appears in the film and is the author of “Hitler’s American Friends: The Third Reich’s Supporters,” certain “dark impulses” in American society come to the surface under the right circumstances — which is exactly what happened in the 1930s.
“This was a period of incredible turmoil in the U.S. You have the Great Depression, you have people who have lost everything,” he told New York Jewish Week. “At this moment, when you have dictators in Europe, people like Hitler and Mussolini, who are preaching hate and preaching that they have a solution to the real pain that people are feeling, it’s inevitable, unfortunately, that some will be attracted to that message.”
Enough people were interested in the Bund to make a business out of summer camps for families and children across the country, the most famous being Camp Siegfried in Yaphank, Long Island — a Suffolk County hamlet that also had a community called German Gardens with streets named after prominent Nazis.
“They had everything you would expect in a summer camp,” Hart said, emphasizing that many of the campers were city kids. “And this was a period when if you lived in the inner city, you didn’t necessarily have a car. You were looking for recreational activities for you and the kids. You were looking to get out of the city when there was no air conditioning.”
Reports from those camps are unsettling today precisely because of how relatable they are, he added.
“The accounts are anodyne-sounding in some ways: It’s a bunch of guys sitting around and drinking beers and the kids are playing and they’re talking politics,” Hart said. “It’s the kind of politics we find deeply appalling today, but the scene itself isn’t that different perhaps than what we might expect to go on in a camp — but then you have this deep ideological current of Nazism running underneath everything.”
At these camps, Nazi flags were flown on flagpoles and swastikas adorned the bungalows’ roofs. What’s more, according to Hart, the Bund didn’t conceal their antisemitism in part because they thought many Americans would agree with them.
“They couch it as anticommunism,” he said. “They’re open about the kind of antisemitism that they think is going to appeal to a broader swath of Americans.”
The strategy worked, for a while: When the FBI investigated the Bund because they were looking into Nazi activities in the United States, director J. Edgar Hoover wasn’t that interested in shutting down the organization because he was so anti-communist.
While it’s easy to draw parallels between the 1930s and today — the rise in antisemitism, the divisive American politics — such comparisons aren’t explicit in the film. But viewers can draw their own conclusions.
“It’s a film about fascism and non-democratic politics. It’s a film about a moment in America where a number of people wondered if the American experiment was failing,” Yost said. “We were looking at a specific moment in time, and exploring why these ideas captured the imaginations of some people at that time, and so it engages a number of big questions that in many cases we’re still asking today.”
The documentary also shows that many Americans were willing to stand up to Nazism and fascism, such as journalist Dorothy Thompson, who warned about Hitler in her articles and who was also at the Madison Square Garden rally, heckling. There was a group of tough Jews known as the Minutemen who would break up meetings of the Friends of New Germany, a precursor organization to the Bund, and the Chicago Daily Times reporters John and James Metcalfe went undercover and infiltrated the Bund so they could report on their plans.
Isadore Greenbaum, a 26-year-old Jewish plumber, risked his life to rush the stage at Madison Square Garden to yank the cables from Kuhn’s microphone. He was immediately beaten by the Bund’s security team, though the NYPD intervened and escorted him out.
“He really tries to strike the first blow against fascism in the United States — this is still years away from the U.S. fighting fascism in a physical way anywhere as a country,” Hart said.
As large as the Madison Square Garden rally was, the fighting there represented a turning point for the German American Bund.
“That’s an incredibly powerful moment … because it reveals what the Bund is,” Hart said. “When that violence erupts on the floor of Madison Square Garden — the most important, I would argue, political and social venue in the country in 1939 — people can’t turn away from that. It becomes clear that the Bund is not just a perhaps eccentric cultural organization that has some views that most people don’t agree with, it truly does have a violent undertone to it.”
The Bund collapsed shortly after the rally, when Kuhn was found guilty of embezzlement and tax evasion. Though its heyday is largely forgotten today, Yost hopes that this documentary will help serve as a reminder and a wakeup call about the precarious nature of democracy.
“It can be disturbing to see how deep the roots are for some of these ideas in America,” he said. “But it can be somewhat comforting to see that America has faced great challenges before, and has raised deep existential questions about our system of government, and has come out the other side.”
“Nazi Town, USA” premieres on “American Experience” on Tuesday at 9 p.m.
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The post ‘Nazi Town, USA,’ a new PBS documentary, examines the 1930s heyday of Hitler’s acolytes in the US appeared first on Jewish Telegraphic Agency.
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Black Muslim Leaders Call on Supporters Not to Vote for Kamala Harris Due to Gaza, Israel Policy
US Vice President and Democratic presidential candidate Kamala Harris speaks during a campaign event in Eau Claire, Wisconsin, US, Aug. 7, 2024. Photo: REUTERS/Erica Dischino
Black Muslim leaders across the United States are calling on their supporters to withhold their vote from Democratic presidential nominee Kamala Harris, accusing the incumbent US vice president of facilitating a so-called “genocide” in Gaza.
In a letter published by the Middle East Eye on Monday, 50 black Muslim leaders called on members of their community to embrace the legacy of “black liberation” by only voting for candidates who support a ceasefire in Gaza and an arms blockade on Israel. The coalition of Muslim leaders urged their followers to reject the notion that Harris would be better on domestic issues and that a Donald Trump presidency would pose greater danger to Palestinians.
“As black Muslims, we also know that the Israeli government’s genocide in Gaza is a war on Islam,” the letter read. “The Israeli government and its unhinged army of cowardly criminals have filmed themselves destroying mosques, burning Qurans, and slandering our sacred religious figures. The supremacist Israeli government has also destroyed churches and attacked the Palestinian Christian community.”
The black Muslim leaders condemned the Biden administration for supporting Israel’s defensive military operations against the Palestinian terrorist group Hamas in Gaza. The coalition also slammed Harris for not taking a more adversarial position against the Jewish state since she replaced US President Joe Biden at the top of the Democratic presidential ticket.
“All of this has occurred under the watch of the Biden-Harris administration, which has provided steadfast military, financial, diplomatic, and rhetorical support for the Israeli government’s war crimes for four years, including at least $18 billion since the start of the genocide,” the group wrote.
The Muslim leaders lambasted Harris over her repeated refusals to implement an arms embargo against Israel. In recent months, anti-Israel activists have attempted to pressure Harris into agreeing to block weapons transfers to the Jewish state. In August, the her campaign released a statement denying any support for such a move and affirming Harris’s commitment to ensuring “Israel is able to defend itself.”
“Vice President Harris has explicitly opposed an arms embargo on the Israeli government even though US law requires it. She has refused to lay out any plan whatsoever to force [Israeli Prime Minister Benjamin] Netanyahu to accept a ceasefire deal in Gaza that ends the genocide,” the letter stated. “She has validated the Israeli government’s efforts to spark a regional war with Iran, leading to instability in the region and the world at large. Just this week, she said that she would not have done anything differently than President Biden over the past four years.”
The coalition attempted to draw a parallel between the experience of black Americans and Palestinians, arguing that the Palestinian inhabitants of Gaza and the West Bank are subject to brutal racial discrimination.
“As Muslims obliged to uphold justice and as black Americans whose ancestors experienced the worst of crimes, genocide must be our red line,” the letter added.
“There’s a false narrative that is being pushed that the majority of Muslims who are black are Kamala Harris supporters,” Imam Dawud Walid, a Muslim leader from Michigan, told the Middle East Eye. “There’s this narrative that is trying to divide the community to say that the majority of Muslims who aren’t black are supporting third party, but the majority of Muslims who are black are somehow divided from the rest of the community, and that’s not true.”
In the final stretch of the 2024 presidential election cycle, the Harris campaign has scrambled to coalesce support among Muslim voters. Despite aggressive overtures toward the Muslim American community, recent polls indicate that the vice president could experience a collapse of support among the demographic. Some polling data has shown Green Party nominee Jill Stein leading Harris among Muslim voters in the critical swing state of Michigan, while other polls show Harris and Trump tied with Muslim voters across battleground states.
Moreover, many Arab American leaders have continued to urge their community to withhold their votes from Harris, arguing that the Democratic party deserves “punishment” for supporting Israel. Groups such as “Abandon Harris” have encouraged Arab American voters to only throw their support behind anti-Israel candidates. Other groups such as the “Uncommitted Movement” have also pushed voters, especially in the Arab and Muslim communities, to refuse to cast a ballot in favor of Harris.
The post Black Muslim Leaders Call on Supporters Not to Vote for Kamala Harris Due to Gaza, Israel Policy first appeared on Algemeiner.com.
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On Simchat Torah, We Mourn — But Also Hope
In his 2016 book Essays on Ethics, Rabbi Jonathan Sacks wrote, “A people that can know insecurity and still feel joy is one that can never be defeated, for its spirit can never be broken nor its hope destroyed.”
This year, as Simchat Torah draws near, we are painfully reminded that joy and suffering often coexist. While it is a staple of the human condition for Jews, this paradox echoes relentlessly throughout our history.
In the Diaspora, we will feel this contrast differently. Shmini Atzeret — a day marked by solemnity with Yizkor and the prayer for rain — falls on the anniversary of October 7th. Only the second evening transitions into the joy of Simchat Torah.
In Israel, however, the two days merge into one, with the solemnity of Shmini Atzeret intertwined with the joy of Simchat Torah. This year, embracing the usual high spirits will be incredibly challenging for Israelis. The weight of national grief hangs heavy; indeed, no Simchat Torah will ever be the same again.
When we danced with the Torahs last year, despite knowing that a terrible attack was unfolding, the full extent of the horror was not yet clear. It was only after Simchat Torah ended that the devastating truth began to emerge: 1,200 people tortured, murdered, and mutilated; families torn apart; and hostages dragged into Gaza.
In the months since, every painful detail has come to light, making it nearly impossible to embrace the unrestrained joy that typically defines Simchat Torah. How can we celebrate when every smile is shadowed by memory, and every song tinged with sorrow?
And yet, my late mother’s story comes to mind — her first Simchat Torah after the Holocaust, celebrated in the city of her birth: Rotterdam, Holland. It offers a profound lesson for us today.
My mother was born in 1941, a year after my grandparents married during the Nazi occupation. The Nazis invaded Holland in May 1940, and began deporting Jews to concentration camps in 1942.
Fearing for their lives, my grandparents went into hiding, spending more than two years in a cramped space behind a closet in the home of a gentile friend. My grandfather, active in the Dutch resistance, emerged only at night to carry out covert missions against the Nazis — knowing the risks but refusing to submit to despair.
Meanwhile, my mother was taken in by a Christian couple who raised her as their own, shielding her from the terrors outside. After the war, they returned her to her parents.
When the Nazis were defeated by the Allies in May 1945, Jewish life in Rotterdam began to re-emerge, although only a fraction of the community remained — 75% of Dutch Jewry, more than 100,000 people, had perished in Auschwitz, Sobibor, and other camps.
That fall, the synagogue reopened, and Simchat Torah was celebrated once more. The Torah scrolls my grandfather had hidden with gentile friends were retrieved. Miraculously, Rabbi Levie “Lou” Vorst, who had survived Bergen-Belsen and the infamous “Lost Train,” stood at the helm of the diminished community.
But the celebration was bittersweet. Almost everyone in the synagogue had lost parents, siblings, spouses, or children. My grandparents had lost their parents, siblings, and their second child, my uncle Yitzchak, who had died of malnutrition during the war.
And yet, they danced. Survivors — many without homes or families — clung to the Torah scrolls as if their lives depended on it. My mother, only four years old, stood quietly in the synagogue, receiving candy from weeping survivors. With each piece placed in her open mouth, the message was clear: the future must be sweet, even when the past has been unbearably bitter.
When she was born in 1941, during the Nazi occupation, her parents named my mother Miriam Chana, but they also added a third name: Tikva — hope. Naming her Tikva was a bold act of defiance and a statement of faith that they would live to see better days.
Many Dutch Jews from Rotterdam later made their way to Israel, realizing the ultimate Tikva—the dream of building a new life in the Jewish homeland.
Today, some of my mother’s friends from Rotterdam reside at Beth Juliana, a residential retirement complex in Herzliya for Dutch immigrants. But even there, the echoes of violence persist. Just two weeks ago, during Yom Kippur, a Hezbollah drone from Lebanon struck the building.
Though no one was injured, the drone destroyed an apartment filled with precious heirlooms and decades of memories. Miraculously, the resident had sought shelter moments before the impact — a stark reminder that even now, nearly 80 years after the Holocaust, the shadow of antisemitic hatred still looms over Israel.
As we mark the first anniversary of October 7th, I find myself returning to the image of those weeping survivors dancing with the Torahs in Rotterdam. If they could dance, surely we can too.
But just like them, our dancing this year will be different. Maybe it will be slower, or perhaps more enthusiastic — but whatever it is, it will be infused with memory, sorrow, and, most importantly, defiance. Our celebrations will not deny the pain but embrace it, just as my mother’s community did all those years ago.
The joy of Simchat Torah is not naïve happiness; it is the joy that comes from standing together, united in faith, knowing that despite everything, we are still here. Just as my grandparents emerged from hiding to rebuild, and just as the Torahs were salvaged from the ruins of Rotterdam, we too will lift the Torahs this Simchat Torah and say to our enemies: We are still here.
And we will hope. For without hope, there is no future. My grandparents named their daughter Tikva, believing in a day when evil would be defeated. We, too, must carry the torch of hope into the future. We will dance, and we will cry.
But above all, we will hope. Because even after the darkest of nights, the sun will rise again. And when it does, we will be ready to rebuild — one dance step at a time.
The post On Simchat Torah, We Mourn — But Also Hope first appeared on Algemeiner.com.
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Germany’s Eurovision Contestant Calls Out ‘So Much Hate’ Against Israeli Singer Eden Golan During Competition
The representative of Germany Isaak at the Eurovision Song Cotest entering the main stage on May 11, 2024 in Malmo, Sweden. Photo: Sanjin Strukic/PIXSELL/Sipa USA via Reuters Connect
Germany’s representative in the 2024 Eurovision Song Contest shared his thoughts in a recent interview about the hatred and booing that Israeli singer Eden Golan received while competing on behalf of Israel in the international competition earlier this year.
“I can definitely understand why everyone was booing, but I think the Eurovision Song Contest says we are all ‘united by music’ and I didn’t see no unity,” German singer Isaak, 29, said in an interview with Irish blogger allthingsadam.ie, referring to the official slogan of the Eurovision competition. He further said of Golan: “It’s a young musician performing quite well and everyone f—ked her off. There was so much hate in this room, and hate shouldn’t be a place in the Eurovision Song Contest.”
Isaak finished in 12th place in the Eurovision finals this year in Malmo, Sweden, while Golan finished in fifth. The Israeli singer competed with a song called “Hurricane,” a reworded version of her original song “October Rain,” which was disqualified for being too political since it referenced the Hamas massacre in Israel that took place on Oct. 7, 2023.
Golan made it to the top five of the Eurovision contest despite being booed on stage by anti-Israel audience members, facing death threats, and having a Eurovision jury member refuse to give her points because of his personal feelings against Israel’s military actions during the ongoing Israel-Hamas war. Golan also said she had to conceal her identity outside her hotel room in Malmo because of the threats she received from anti-Israel activists angry about the Jewish state’s participation in the contest.
Isaak told Irish blogger allthingsadam.ie that he believes Golan was bullied during the competition. He then criticized people for wrongfully targeting Golan with hatred when they have issues with the state of Israel but not the singer herself. The German singer then said the animosity was misguided and it was wrong for Golan to face such abuse just for her affiliation with Israel. He said a personal experience like what Golan faced can deeply scar a musician
“Do you know how young she is?” Isaak asked about the 21-year-old Israeli singer. “This is your life goal and you wanna be part of Eurovision Song Contest and you’re going on that stage … just image Germany f—ks up in some point. And I’m German and I wanna be part of the Eurovision. And I’m just a random musician, I just wanna show them my music. I’m not the f—k president. I’m just a random musician, I just wanna make a small kid’s dream come true. And then I go on that stage and no matter how good I am, no matter how f—k amazing I can sing, the people just see my country and they just boo me out. I think that would be the most terrible thing that could maybe ever happen to me. I think that can definitely leave scars.”
Isaak also talked in the interview about his experience backstage with the other singers at the Eurovision competition. “You didn’t really have that feeling [that] we are all ‘united by music.’ It was a little bit sad behind the stage, that’s what I think. There could have been more love, more connectivity, and more passion,” he said.
The 2025 Eurovision Song Contest will take place in Basel, Switzerland, in May. Bakel Walden, chairman of the Eurovision Song Contest Reference Group, discussed in a recent interview with Swiss media some changes to next year’s competition. He said the European Broadcasting Union (EBU), which organizes the competition, “will pay more attention” to the well-being of artists in the future and stated that it is vital for the competition to maintain political neutrality. He insisted that “antisemitism has no place at the ESC.”
“The ESC stands for freedom of expression. The artists can comment on anything and also demonstrate in front of the hall. But on stage you need certain rules,” he said. “We want an ESC in which everyone puts their heart and soul into it. We cannot solve the many wars and conflicts in the world during the ESC. But it is a strong statement if we treat each other fairly, peacefully, and respectfully.”‘
Walden added that for next year’s competition the EBU will also have a crisis management team and “retreat rooms” for artists to relax where there will be no filming allowed.
The post Germany’s Eurovision Contestant Calls Out ‘So Much Hate’ Against Israeli Singer Eden Golan During Competition first appeared on Algemeiner.com.
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