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New exhibit about Auschwitz presents the heart-wrenching evidence of loss and destruction—and lets visitors draw their own conclusions

The Royal Ontario Museum’s new exhibition has arrived just in time for the 80th anniversary of the liberation of a concentration camp where 1.1 million men, women and children, were murdered, almost all of them Jews.

Auschwitz. Not Long ago. Not Far Away. features 500 artifacts—including items from pre-war Germany and Poland—as well as video testimony from survivors liberated on Jan. 27, 1945.

Its only Canadian stop will be in Toronto, at a time when knowledge about the Holocaust is fading, and demonstrators have yelled ‘Go back to Europe’ at Jewish people during protests against Israel.

The day before the official opening on Jan. 10, a lone protester marched in front of the ROM, with a sign that read ‘Gaza. Not Long Ago. Not Far Away,’ satirizing the name of the show.

It’s a fraught moment to launch a multi-million-dollar exhibit about the Holocaust, but the museum CEO and director Josh Basseches says the time is right for the exhibit.

The museum surveyed the public before committing to the show and found interest was as high as a blockbuster exhibit on dinosaurs, Basseches said in an interview with The CJN.

“If anything, interest in the show went up after Oct. 7,” he said, referring to the Hamas attacks on Israel in 2023, and the subsequent, ongoing war in Gaza.

“It’s a sobering exhibit. Having the opportunity to understand about an event like this at a place like the ROM, which feels for many as a safe, comfortable place to be, makes it something that people want to do,” he said.

“The treatment is quite sensitive, it avoids sensationalism. It doesn’t have some of the most visceral and disturbing issues, because we wanted to make this an exhibition that could engage people of a wide variety of ages, and from any sort of different background…. As we move further from the Holocaust, whether you are Jewish, or not Jewish, the idea of being a witness, of being aware of an understanding of what happened, feels to me profoundly important.”

Between 325,000 and 350,000 people are expected to visit the Auschwitz exhibit, Basseches said. In 2017, the museum mounted The Evidence Room, an exhibit that, replicated the architecture of Auschwitz to demonstrate that the Nazis deliberately constructed and operated the extermination camp. That show received about 250,000 visitors.

 Auschwitz, which runs until Sept. 1, is housed in the angular Michael Lee-Chin Crystal. The first object visitors encounter in the gallery area is a woman’s red dress shoe, brought by an unknown deportee to the camp. Along the wall are the concrete fence posts, at one time strung with electrified wire, that defined the boundaries of Auschwitz.

A woman’s dress shoe belonging to an unknown deportee to Auschwitz. (Credit: Musealia).

As Basseches promises, the exhibit largely shies away from the most grotesque photos of starving prisoners and piles of corpses.  Instead, the artifacts of deportees and the physical remains of the concentration camp, as well as video testimonies from survivors, explain the story of Auschwitz.

The display winds through the fourth-floor space, starting with the history of the town of Oswiecim, Poland, where Auschwitz was built, and the political and economic instability that led to the rise of the Nazi party in Germany.

Artifacts from the Auschwitz-Birkenau Memorial and Museum and 20 other institutions trace the persecution of Jews, and others, including the disabled, homosexuals and the Roma people, as well as their desperate attempts to find refuge outside Europe.

The show culminates with mass deportations in cattle cars, and ultimately the fate of prisoners sentenced to slave labour in the satellite camps, and death in the gas chambers and crematorium. Suitcases, broken eye glasses and household objects including a cheese grater, brightly painted mugs and spoons, which were all confiscated when people arrived in Auschwitz are displayed. A small, scuffed child’s shoe and sock are placed in their own glass display case.

Photographs of camp commander Rudolf Hoss’ children splashing in a pool outside the camp gates as well as mug shots of prisoners, and drawings of the camps by prisoners line the museum walls. The triple-tier wooden bunk bed, where inmates were crammed into barracks and the pipes used to deliver the deadly Zyklon-B gas to the victims in the gas chambers, disguised as showers, are at the centre of the exhibit.

The exhibit was designed by the Spanish company Musealia, which had previously produced museum shows about the Titanic and the human body, which featured actual corpses.

In an interview with The CJN, the day before the exhibit opened, curators and historians Paul Salmons, and Robert Jan van Pelt, and Luis Ferreiro, director of Musealia, discussed the exhibit and how it has evolved over the years.

The idea for the show began when Ferreiro read Man’s Search for Meaning, a seminal work by psychotherapist Viktor Frankl, who survived the concentration camps, but whose wife and child were murdered.

“Part of what I learned from Man’s Search for Meaning is that when you do things with your heart, there’s no explanation needed, or no justification. It was born from a moral need to do something after reading that book.”

Inspired to learn more, Ferreiro, contacted Van Pelt, a professor of architecture at the University of Waterloo and an expert on Auschwitz, who had designed The Evidence Room at the ROM.

Ferreiro was willing to wager his family’s business on producing the exhibit, but he admits he was naïve and had much to learn.

Van Pelt sent Ferreiro, who is not Jewish, a reading list of 20 books, and told him to visit Auschwitz and Yad Vashem (the Holocaust memorial in Israel) before they began designing the current exhibit, which had its debut in Madrid in 2017. About 1.25 million people have seen the show so far, with more stops planned.

This particular exhibition is smaller than in other cities—Van Pelt laments that the ROM Crystal’s oddly-shaped walls resulted in less exhibition space—and some artifacts are not on display, including a cattle car which was used to transport prisoners to Auschwitz. The railcar has been displayed outside at other museums, but a secure spot could not be found at the Toronto museum, which is currently in the midst of a renovation.

Van Pelt says he argued for the cattle car to be placed outside but a little further away at Queen’s Park, the site of the provincial legislature. Whatever graffiti the railcar attracted, would have added to the story of the artifact, but since Musealia owned the cattle car and had paid for its restoration, it was not his decision.

The exhibit, however, has added a few pieces from survivors who came to Canada after the war, including a sculpture by Felix Kohn, which has never been displayed before, and two tiny charms crafted by Esther Friedlander, who was working in a slave labour factory and was sheltered by her friends when she was ill.

The ROM was also able to arrange for the loan of an unfinished painting from Amsterdam that had been done by Van Pelt’s great-uncle, who was killed in Auschwitz.

Each curator has an object in the collection that they find especially poignant.

Van Pelt is drawn to a tallit that belonged to Solomon Krieser, who grew up in the town of Oswiecim. It is a complicated object, since the artifact shouldn’t even be on display, he says.

Traditionally, a bar mitzvah boy receives one of these prayer shawls at age of 13 and is buried in it at his death. But in this instance, Krieser fled from Poland to France, where he and his family were arrested and sent to Auschwitz. Before he was deported, he was able to smuggle the tallit to one of his daughters, who survived.

“So the fact that this very artifact exists and that we are able to show it, in some way shows the catastrophe, because it should not exist,” Van Pelt said.

British curator Paul Salmons, who has been involved with the exhibition since the start, points to an exhibit displayed for the first time in Toronto—two silver rings, each with a red heart in the centre, crafted in Auschwitz by Leon Kritzberg for himself and a woman he knew from before the war, Miriam Litman.

The pair found themselves on either side of the wire at Auschwitz and Kritzberg, a member of the Sonderkommando, Jewish prisoners who were forced to work in the gas chambers and crematoria, was able to pass goods to help Litman survive, Salmons says.

The rings are “symbolic as well as emblematic of the entire approach of exhibition, which is telling a story of mass inhumanity and destruction and dehumanization,” he says. “But throughout the exhibition we struggled also to re-humanize those people who were dehumanized, to show them as real, living people, as people who had loves and hopes and dreams and this is a form of resistance and resilience in Auschwitz that we were able to tell here for the first time.”

But even in the face of heartbreaking stories, the curators—who are immersed in Holocaust education—aim to let viewers draw their own lessons from the memory-laden artifacts.

“At no point in the exhibition do we moralize, not a single point, not even at the end, there is no point where we said, ‘Bad, bad Germans’ or ‘Never Again,’ or fight antisemitism, or any kind of direction,” says Van Pelt. “We do not give any direction for people of how to interpret the material, beyond the fact that we want them to pay attention and learn to pay attention.”

Holocaust education has been mandated for Ontario high schools since 2023, and many Grade 10 History classes are planning to visit the exhibit. There are valid reasons to study the Holocaust, but it can’t be the cure-all for antisemitism or historical amnesia, Salmons believes.

“It’s the most extensively documented, most intensively researched, best understood example of genocide in human history so far. So if you care at all about how and why mass violence happens and how societies can fall apart, it seems like it’s a good place to start,” he said.

“It seems to me that it’s perfectly reasonable that we would spend at least a few hours, a few lessons, examining that and reflecting upon it. That’s quite different though from using a difficult, traumatic emotionally challenging path to create a space where you tell young people what they should think about the world.”

Van Pelt says the curators did not approach donors and promise that they would create an exhibition that would counter Holocaust denial or diminish antisemitism. Rather, they intended to tell a compelling evidence-based story about Auschwitz.

One of the lessons from the Holocaust is that education by itself can’t prevent mass violence, Salmons points out. “We see that just over 80 years ago, a highly educated society that turned its resources against its neighbours and committed this genocide,” he said.

“If you’re serious about the cry of ‘never again’, then take it seriously and change the way you educate. It shouldn’t just be that when you arrive in a Holocaust lesson this is the first time that you talk about human rights or this is the way you stop prejudice or antisemitism. It can be a contribution, but it’s too big a burden to place on one visit to an exhibition or a few lessons in class.”

The post New exhibit about Auschwitz presents the heart-wrenching evidence of loss and destruction—and lets visitors draw their own conclusions appeared first on The Canadian Jewish News.

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China and Egypt Launch Joint Military Drills Near Israeli Border Amid Rising Regional Tensions

China and Egypt have launched their first-ever joint air force drill, “Eagles of Civilization 2025,” at an Egyptian airbase. Photo: Screenshot

China and Egypt launched a large-scale joint military exercise this week near the Israeli border, described by Chinese media as a “historic” first of its kind, aimed at deepening military cooperation amid rising regional tensions.

The joint drills — dubbed “Eagles of Civilization 2025” — began Sunday at an Egyptian Air Force base about 100 kilometers (62 miles) west of the Gulf of Suez and are expected to run through mid-May.

According to Israel’s Channel 12, the drill features Chinese J-10C fighter jets, refueling planes, and KJ-500 early warning aircraft, along with Russian-made MiG-29s flown by Egypt.

This exercise “is the first joint training between the Chinese and Egyptian militaries, which is of great significance to promoting pragmatic cooperation and enhancing mutual trust and friendship between the two militaries,” the Chinese Ministry of National Defense said in a statement.

Egyptian officials said the joint drills, aimed at strengthening military ties, will combine theoretical and practical training to enhance combat doctrines.

“The training will also involve joint aerial sorties, planning exercises, and simulated air combat management operations to exchange expertise and enhance the skills of the participating forces,” an Egyptian armed forces spokesperson said in a statement on social media.

Some experts view Beijing’s growing relationship with Cairo as the country’s latest move to expand its military presence in the Middle East and Africa, challenging the United States as its influence in the region stalls. This move could also help China strengthen ties with regional partners as the country faces mounting economic sanctions from Washington.

While details about Egypt’s military buildup remain unclear, “satellite images have shown the movement of tanks and battalions that exceed the limits set by the Camp David Accords,” Mariam Wahba, research analyst at the Foundation for Defense of Democracies (FDD), told The Algemeiner.

Under the peace treaty, Egypt can request permission from Israel to deploy more than the 47 battalions allowed. However, some estimates suggest that there are currently camps for 180 battalions.

“The Camp David Accords have long been a pillar of peace and stability in the Middle East,” Wahba explained. “A breakdown of the agreement would have serious implications, not just for Israel and Egypt but for the broader region.”

“It could embolden actors like Iran and its proxies to exploit tensions and could lead to increased militarization along Israel’s southern border,” Wahba told The Algemeiner.

Egypt’s military buildup, reportedly in response to Israel’s presence at the Philadelphi Corridor and concerns over a potential mass Palestinian exodus into the country, along with Jerusalem’s control of the corridor, could both breach the 1979 peace treaty.

Last month, China, Russia, and Iran held a three-day naval drill in the Gulf of Oman, conducting joint operations in Iranian territorial waters, strengthening their defense cooperation and bolstering their presence in the region.

China’s growing ties with Egypt come at a time when Egyptian relations with Washington are strained, following US President Donald Trump’s proposal to relocate Palestinians from the Gaza Strip — potentially to Egypt and other Arab countries — during reconstruction efforts after the war, a plan Cairo has strongly opposed.

“This is a reminder that our partners have options,” Former US CENTCOM Commander Gen. Joseph Votel told The War Zone. “China is positioning itself as a viable military supplier and strategic partner” in the region.

In a rapidly shifting Middle East marked by rising tensions and competing regional power blocs, China and Egypt’s deepening cooperation could reshape regional power dynamics, challenging American influence and diminishing Israel’s strategic flexibility.

Israeli defense officials have previously expressed growing concern over Cairo’s military buildup and armed presence in the Sinai Peninsula.

These concerns come amid escalating tensions between Jerusalem and Cairo since the outbreak of the war in Gaza, particularly over the Philadelphi Corridor along the Gaza-Egypt border, where Egypt has demanded Israel withdraw its forces.

Earlier this year, Jerusalem accused Egypt of violating their decades-old peace treaty, while also raising concerns about Cairo’s expanding defense capabilities.

 

The post China and Egypt Launch Joint Military Drills Near Israeli Border Amid Rising Regional Tensions first appeared on Algemeiner.com.

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Pro-Palestine Demonstrators Blast Sanders as ‘Genocide Denier’

US Sen. Bernie Sanders (I-VT) speaks to the media following a meeting with US President Joe Biden at the White House in Washington, US, July 17, 2023. Photo: REUTERS/Evelyn Hockstein

Sen. Bernie Sanders (D-VT) has been targeted by left-wing protesters over his supposedly insufficient support for Gaza.

Pro-Palestine activists crashed one of Sanders’s “The Fighting Oligarchy” rallies in Bakersfield, California last week to grill the senator about his position on the Israel-Hamas war. During Sanders’s speech, activists associated with United Liberation Front for Palestine (ULFP) berated Sanders for his reluctance in accusing Israel of committing so-called “genocide” against the civilians of Gaza.

“Are you going to call it a genocide, when it’s a genocide?” the activist bellowed. 

“And you defend Israel when Palestinians are being killed every single day and all you do is criticize Netanyahu! Israel does not have a right to exist or fight while Palestinians are dying,” she continued.

Other protesters then interrupted Sanders’s speech, condemning the progressive lawmaker as a “liberal Zionist,” accusing him of being “complicit with ICE,” and castigating him for voting in favor of the confirmation of Secretary of State Marco Rubio. 

“Bernie, why don’t you let your fans know that you’re a settler, that you occupy Palestinian land?” the activist said. 

Sanders does not possess dual citizenship with Israel. However, rumors about Sanders, who is Jewish, possessing Israeli citizenship have circulated around the internet since his 2015 presidential campaign. 

In recent weeks, anti-Israel protesters have grown increasingly critical of Sanders over his refusal to adopt more adversarial rhetoric against the Jewish state. Last week, Sanders incensed progressives after authorities removed an activist which unfurled a flag reading “free Palestine” during a tour stop in Idaho. 

During that rally, Sanders said, “Israel, like any other country, has the right to defend itself from terrorism, but it does not have the right to wage all out war against the Palestinian people” and “not one more nickel to Netanyahu,” triggering more outrage among his leftist supporters. 

Sanders, who is among the most vocal critics of the Israel-Hamas war in the federal government, spearheaded a number of failed efforts to implement a partial arms embargo on the Jewish state, citing supposed “indiscriminate bombing” in Gaza. However, progressive activists have grown increasingly vocal about their dissatisfaction with Sanders’s position on Israel, complaining that the senator has isolated his criticisms to Israel Prime Minister Benjamin Netanyahu and has refused to repudiate Israel’s existence. 

The post Pro-Palestine Demonstrators Blast Sanders as ‘Genocide Denier’ first appeared on Algemeiner.com.

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Harvard Sues Trump Administration Over Massive Cuts Amid Campus Antisemitism Crisis

US President Donald Trump, Health Secretary Robert F. Kennedy Jr., Secretary of the Interior Doug Burgum, Secretary of State Marco Rubio, Secretary of Defense Pete Hegseth, and Commerce Secretary Howard Lutnick attend a cabinet meeting at the White House. Photo: Nathan Howard via Reuters Connect.

Harvard University filed suit against the Trump administration on Monday to request an injunction that would halt the government’s impounding of $2.26 billion of its federal grants and contracts and an additional $1 billion that, reportedly, will be confiscated in the coming days.

In the complaint, shared by interim university president Alan Garber, Harvard says the administration bypassed key procedural steps it must, by law, take before sequestering any federal funds. It also charges that the Trump administration does not aim, as it has publicly pledged, to combat campus antisemitism at Harvard but to impose “viewpoint-based conditions on Harvard’s funding.”

As previously reported by The Algemeiner, the administration has proposed that Harvard reform in ways that conservatives have long argued will make higher education more meritocratic and less welcoming to anti-Zionists and far-left extremists. Its “demands,” contained in a letter the administration sent to Garber — who subsequently released it to the public — called for “viewpoint diversity in hiring and admissions,” the “discontinuation of [diversity, equity, and inclusion, or DEI, initiatives],” and “reducing forms of governance bloat.” They also implore Harvard to begin “reforming programs with egregious records of antisemitism” and to recalibrate its approach to “student discipline.”

Harvard rejects the administration’s coupling of campus antisemitism with longstanding grievances regarding elite higher education’s “wokeness,” elitism, and overwhelming bias against conservative ideast. Republican lawmakers, for their part, have maintained that it is futile to address campus antisemitism while ignoring the context in which it emerged.

Speaking for the university, Harvard’s legal team — which includes attorneys with links to US President Donald Trump’s inner circle — denounced any larger reform effort as intrusive.

“The First Amendment does not permit the Government to ‘interfere with private actors’ speech to advance its own vision of ideological balance,” they wrote in the complaint, which names several members and agencies of the administration but not Trump as a defendant. “Nor may the government ‘rely on the ‘threat of invoking legal sanctions and other means of coercion … to achieve the suppression of disfavored speech.’ The government’s attempt to coerce and control Harvard disregards these fundamental First Amendment principles, which safeguard Harvard’s ‘academic freedom.’”

The complaint continued, arguing that the impounding of funds “flout not just the First Amendment, but also federal laws and regulations” and says that Harvard should have been investigated by the Department of Education’s Office for Civil Rights (OCR) to determine whether it failed to stop and, later, prevent antisemitism in violation of Title VI of the Civil Rights Act — a finding that would have warranted punitive measures. Rather, it charges, the Trump administration imposed a “sweeping freeze of funding” that, it contends, “has nothing at all to do with antisemitism and Title VI compliance.”

Garber followed up the complaint with an exaltation of limited government and the liberal values which further academia’s educational mission — values Harvard has been accused of failing to uphold for decades.

“We stand for the truth that colleges and universities across the country can embrace and honor their legal obligations and best fulfill their essential role in society without improper government intrusion,” Garber said in a statement announcing the lawsuit. “That is how we achieve academic excellence, safeguard open inquiry and freedom of speech, and conduct pioneering research — and how we advance the boundless exploration that propels our nation and its people into a better future.”

For some, Harvard’s allegations against the Trump administration are hollow.

“Claiming that the entire institution is exempt from any oversight or intervention is extraordinary,” Alex Joffe, anthropologist and editor of BDS Monitor for Scholars for Peace in the Middle East, told The Algemeiner on Tuesday. “It would seem to claim, at least by extension, that the government cannot enforce laws regarding equal protection for individuals — namely students in minority groups — and other legal and regulatory frameworks because they jeopardize the institution’s academic freedom.”

He continued, “Moreover, the idea that cutting voluntary government funding is de facto denial of free speech also sounds exaggerated if not absurd. If an institution doesn’t want to be subjected to certain requirements in a relationship entered into voluntarily with the government, they shouldn’t take the money. Modifying a contract after the fact, however, might be another issue … At one level the Trump administration is simply doing what Obama and Biden did with far less controversy, issuing directives and threatening lawsuits and funding. But the substance of the proposed oversight, especially the intrusiveness with respect to curricular affairs, has obviously touched a nerve.”

Harvard’s fight with the federal government is backed by its immense wealth, and the school has been drawing on its vast financial resources to build a war chest for withstanding Trump’s budget cuts since March, when it issued over $450 million in bonds as “part of ongoing contingency planning for a range of financial circumstances.” Another $750 million in bonds was offered to investors in April, according to The Harvard Crimson, a sale that is being managed by Goldman Sachs and Morgan Stanley.

A generous subsidy protects Harvard from paying exorbitant interest on the new debt, as investors can sell most bonds issued by educational institutions without being required to pay federal income tax.

Other universities have resorted to borrowing as well, issuing what was reportedly a record $12.4 billion municipal bonds, some of which are taxable, during the first quarter of 2025. Among those which chose to take on debt are Northwestern University, which was defunded to the tune of $790 million on April 8. It issued $500 million in bonds in March. Princeton University, recently dispossessed of $210 in federal grants, is preparing an offering of $320 million, according to Forbes.

“If Harvard is willing to mortgage it’s real estate or use it as collateral, it can borrow money for a very long time,” National Association of Scholars president Peter Wood told The Algemeiner on Tuesday. “But it could destroy itself that way.”

Follow Dion J. Pierre @DionJPierre.

The post Harvard Sues Trump Administration Over Massive Cuts Amid Campus Antisemitism Crisis first appeared on Algemeiner.com.

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