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SAG strike puts its brash Jewish president, Fran Drescher, squarely in the spotlight
(JTA) — In the second season of “The Nanny,” the sitcom she wrote and starred in, Fran Drescher’s character, Fran Fine, refuses to enter a hotel where the busboys are striking.
“I’m sorry, but the Fines don’t cross picket lines,” she tells her companion, the father of the family she works for. “It’s against our religion.”
The laugh line was one of many moments when Drescher served her signature mashup of brashness, Jewishness and liberal politics throughout her early 1990s series and beyond.
Now, three decades later, Drescher is one of the most prominent advocates for organized labor — and it’s hardly a joke. The union she has led since 2021, the Screen Actors Guild, last week launched a strike over their treatment by studios in an age of digital streaming. Joining with the union representing writers, which is also on strike, the guild has effectively caused Hollywood to grind to a halt — and Drescher is leading the charge.
“What we ultimately received from them is what my mom would call ‘a leck and a schmeck,’” she said during a press conference last week, using the Yiddish for “a lick and a sniff” — meaning an amount so small one can barely smell or taste it — to refer to the offer from the Alliance of Motion Picture and Television Production.
In leading the 160,000-member union through the strike, Drescher joins a long list of Jewish women labor activists. In 1909, Clara Lemlich, a 23-year-old Jewish garment worker, gave an impassioned speech — also in Yiddish — that ignited a 20,000 person general strike consisting mostly of women, reshaping her industry and strengthening the power of unions.
The “Great Revolt,” referring to a separate 50,000-person, mostly male garment worker’s strike that followed, is seen as a watershed moment in labor history. “That’s really the critical thing: the women launch the Great Revolt,” said Pamela Nadell, director of the Jewish studies program at American University and author of “America’s Jewish Women: A History from Colonial Times to Today.”
Lemlich wasn’t alone. Around the same time, Rose Schneiderman, vice president of the New York chapter of the Women’s Trade Union League starting in 1908, was instrumental in the state’s passage of fire safety legislation in the wake of the Triangle Shirtwaist Factory fire in 1911. Bessie Abramowitz became one of the founders of the Amalgamated Clothing Workers Union, launching a major strike against menswear store Hart Schaffner and Marx.
More recently, the American Federation of Teachers, the second-largest teachers union in the United States and one of the top-10 biggest unions overall, has twice been led by Jewish women, including its current president, Randi Weingarten.
“What you’re seeing is a pattern that Jewish women in the labor force, when they have seen injustice, have stood up for it,” Nadell said. “Stories about Jewish women’s social justice activism… it’s passed on from generation to generation.”
Drescher was born and raised in Queens, New York to Sylvia, a bridal consultant, and Mort Drescher, a naval systems analyst. (Her character’s parents on “The Nanny” had the same names.) She told an interviewer that her father taught her to “refine what exists, not accept what is.”
Drescher’s Jewish identity has long been central to her on-screen characters. Throughout the show, Fran Fine teaches the Sheffield family Yiddish terms and the basics about Jewish holidays. The show has drawn criticism for perpetuating stereotypes of Jewish women who are whiny, obsessed with marrying doctors and always looking for a sale — but it also has enduring Jewish fans, including writer and actor Ilana Glazer, who cast Drescher as her aunt on “Broad City.”
In the 1997 romantic comedy “The Beautician and the Beast,” Drescher’s character, New York City beautician Joy Miller, ends up in a fictional Eastern European country ruled by a dictator named Boris Pochenko. In one scene, she tours a factory with the dictator and chats with a worker who expresses dismay that he will have to stay late to work and will miss dinner. She tries to assuage his concern by reminding him that he could still get overtime.
When he says he is unfamiliar with the concept, she gets a dreamy look in her eyes. She is then shown speaking passionately to the workers.
When Pochenko and Miller reunite outside, he lambastes her for acting out of turn.
“You know,” she replies, “I might have said the word ‘strike.’ I say a lot of things! Who listens?”
Drescher has received criticism for her stance against vaccine mandates in the film and television industry during her time as SAG-AFTRA president, though she says she has received all doses of the COVID-19 vaccine.
Days before the contract with the AMPTP was set to expire, Drescher was the focus of more criticism as reality TV star and businesswoman Kim Kardashian — whose net worth is around $1.2 billion, according to Forbes — shared a photo of the two of them together in Puglia, Italy, in the middle of guild negotiations. Kardashian has more than 362 million Instagram followers.
Drescher later clarified that she was in Italy for a work event related to her position as a brand ambassador for Dolce and Gabbana (she says she had not met Kardashian before they took the photo) and that the negotiating committee was aware of her attendance.
The strike is not the first time she has faced down the studios. Speaking on a Los Angeles magazine podcast in 2020, she said a network had initially pressed her to make the “Nanny” character Italian instead of Jewish. At first, she said, she considered making the switch to facilitate her big break — but she decided against it.
“I do not like living with regret, and I don’t want to rush into doing something to get the job and then when it doesn’t go right or it fails, I kick myself because I thought, ‘Why didn’t we follow our instincts? Why did we listen to them?’” she said on the podcast. “I thought, ‘I can’t live with that regret. I know this character needs to be written very close to me and all the rich and wonderful characters that I grew up with.’”
Referring to her co-writer and then-husband Peter Marc Jacobson, she went on: “Peter and I have a brand of comedy that’s rich in specificity, and not only couldn’t we have written it that way — if the character were Italian — but I couldn’t have performed it that way. So we kind of mustered up our chutzpah and said, ‘No, Fran Fine must be Jewish.’”
Now, Drescher is hoping that the same chutzpah will translate into a better deal for actors who say they are not being fairly paid for work that streams online. Key issues in the contract negotiations include “economic fairness, residuals, regulating the use of artificial intelligence and alleviating the burdens of the industry-wide shift to self-taping,” according to the SAG-AFTRA website. The AI proposal from AMPTP in particular has been a disturbing development to guild members.
“They propose that our background performers should be able to be scanned, get paid for one day’s pay, and their company should own that scan of their image, their likeness, and should be able to use it for the rest of eternity,” said SAG-AFTRA chief negotiator Duncan Crabtree-Ireland. “So if you think that’s a groundbreaking proposal, I suggest you think again.”
In June, nearly 98% of the guild’s members voted to authorize a strike, and the strike began on Friday. Not only are guild members prohibited from shooting, but they are also banned from promoting films and TV shows that have already been made, including through social media posts, participating in print and radio interviews, and making late night talk show appearances about their work. The actors’ strike is also occurring on the back of the Writers Guild strike, which began in May. Studios and the AMPTP estimate this strike will continue until October.
“The endgame is to allow things to drag on until union members start losing their apartments and losing their houses,” a studio executive told Deadline last week regarding the writers’ strike.
Drescher herself is also a member of the WGA, and in May she expressed solidarity between the two unions.
On moving forward with the actors’ strike, Drescher told the AP, “In earnest we extended, hoping that they would make deeper inroads, give us some meat on the bone so we can really have a meaningful conversation.”
“They locked themselves behind closed doors, they kept canceling our meetings and we thought, okay, maybe they’re really duking it out in there,” she added. “Maybe they’re gonna come back with something that we could really have a meaningful discussion. But we got bupkis,” she said, using the Yiddish word for zero. “And I think that we were duped.”
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The post SAG strike puts its brash Jewish president, Fran Drescher, squarely in the spotlight appeared first on Jewish Telegraphic Agency.
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Why the Shtisel Prequel ‘Kugel’ Is Sweet and Savory
A screenshot from “Kugel.” Photo: Courtesy of Abot Hameiri/Menuetto Film.
Many fans of the show Shtisel wanted that show to continue, but I jumped for joy when I heard that a prequel called Kugel was being made. Available on the streamer Izzy, the show is clearly part of the Shtisel universe but is a little different.
There is still romance, and there is still a lot of heart, a respect for religion, and a wild sense of humor. But before we get to the actors, let’s look at the characters.
The two main characters brought over from Shtisel are Nuchem and his daughter Libbi.
For Nuchem (Sasson Gabai) we learn what made him so cheap, what makes him bitter, where he gets his humor from, and how he came up with his catchphrase “cursed-evil doers.” For Libbi (Hadas Yaron), we see there is more to her than her desire to get married.
One of the most crucial storylines is that Libbi is a writer — and she is persistent. Her short stories garner a following, which may explain why she later appreciates that Kive is an artist in Shtisel.
The main new character is Yiddes (Mili Avital), who becomes involved with Nuchem.
It is no surprise that Gabai, Yaron, and Avital have all won Ophir Awards, which is Israel’s equivalent to the Oscars. The acting is stellar and one benefit of having fewer characters is that we can zero in on the lives of a few people. It was a good choice to put Nuchem and Libbi in another country: Belgium.
Gabai is tremendous and we don’t see him smoke in the first three episodes or hear his famous catchphrase. Nuchem is a flawed character; he does some bad things, but he also does good things. There are a few curveballs you won’t see coming. Overall, the show teaches us that we can find love in the places we least expect — even on a tram. Many fans will miss Michael Aloni not being on the show, but Kugel is well baked and stands up on its own.
Creator and writer Yehonatan Indursky is still on point, and he is able to pull at your heartstrings. Yes, perhaps the notes sound familiar, but slightly different. Yaron is outstanding and we believe it when a prospective husband is blown away by her kind soul. From seeing the first three episodes, it is clear that it was a mistake of Netflix to take Shtisel off the air and not do another season or this prequel — but it is Izzy’s gain.
Just like a burnt piece of kugel, all three characters feel burned in some way, but who will come out of it in the best position? Gabai and Yaron each have a great moment of acting simply by facial expression. For Gabai, it’s when he realizes a trick won’t work, and for Yaron, it’s when she feels insulted by an author who suggests that she take one of her workshops. And Avital has a fine scene where we think she might have an emotional explosion, but is restrained and it makes for a more interesting watch.
While unmarried men and women are forbidden to touch, there is a scene where a date rubs his fingers over her name on a siddur so it is as if he is connecting to her. Seeing Nuchem riding his bike is absolutely hilarious. This is a show that electrifies your kishkes, with the type of acting that is clever, nuanced, and unforgettable. If you are in love, you’ll find much to relate to on the show. If you’re not in love, it will likely make you want to go out on dates — and as long as you’re not cheap, you can take someone out for more than a piece of kugel.
The author is a writer based in New York.
The post Why the Shtisel Prequel ‘Kugel’ Is Sweet and Savory first appeared on Algemeiner.com.
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Retribution in Syria: What It Means for Israel and the Region
Syria’s newly appointed president for a transitional phase Ahmed al-Sharaa meets Saudi Crown Prince, Mohammed Bin Salam, in Riyadh, Saudi Arabia, Feb. 2, 2025. Photo: Bandar Algaloud Saudi Royal Royal Court/Handout via REUTERS
The carnage in Syria is terrifying, horrifying, and gruesome — particularly if you are a member of a Syrian minority group — Christians, Druze, Kurds. Or Alawite.
Did no one think there would be retribution after the ouster of the brutal Alawite Assad regime?
When Hay’at Tahrir al-Sham (HTS) commandeered Damascus in December, no one seemed very upset. After all, Bashar al-Assad had been responsible for more than 500,000 deaths during the Syrian civil war — including from starvation and chemical attack — plus creating 6 million refugees inside the country and another 5 million outside and wrecking the country from top to bottom.
But HTS has been sitting in Damascus — and Assad had tens of thousands of soldiers in historic Alawite territory around Latakia, where fighting recently broke out.
Some of those ousted soldiers appear to have attacked government forces, and they are paying for it. So are the other minority groups that Assad allowed to live in relative peace for a while with Iranian protection because they, like he, feared the majority, Sunnis.
And, as always, civilians are the victims, because once the forces of retribution are unleashed, they are hard to control — particularly as HTS is not the only armed terror group in the country.
HTS is Sunni, ISIS-adjacent, Al Qaeda-adjacent, and armed by and aligned with Recip Tayyip Erdogan’s increasingly Islamist Turkey.
HTS evolved from Jabhat al-Nusrah, or “Nusrah Front,” Al-Qaeda’s former branch in Syria, which was designated a terror organization by the US in 2012, None of that appeared terribly important in the West.
HTS leader Ahmed al-Sharaa (aka Abu Mohammed al-Jolani) is an international jihadist. He broke with Ayman al-Zawahiri — the leader of Al-Qaeda — in 2016, and HTS received its own terror designation from the US in 2018. He has no loyalty, moving from an alliance with Al-Qaeda in Iraq to the Islamic State in Iraq, to Abu Bakr al-Baghdadi in Syria, to Al-Qaeda in Syria, to his own brand.
Al-Sharaa talked a fairly moderate game, but his alliance with Turkey should have been a tip-off. Turkey has been waging an ugly war against Kurds in the north of Syria — bombing towns and cities, and at one point cutting off water to a million people.
The history should have made you think that al-Sharaa was not going to be a peaceful neighbor to anyone. Anywhere.
Israel wasn’t taking chances.
Immediately, the IDF struck Syrian chemical weapons depots and “research facilities.” It struck the ports of Al-Bayda and Latakia, taking out dozens of sea-to-sea missiles with ranges of 80–190 km, each with significant explosive payloads. The Israeli Air Force targeted anti-aircraft batteries, airfields, and dozens of weapons production sites, neutralizing Scud missiles, cruise missiles, surface-to-sea, surface-to-air and surface-to-surface missiles, plus UAVs, fighter jets, attack helicopters, radars, tanks, hangars, and more. And the IDF conducted strikes on 130 ground assets in Syria, including weapons depots, military structures, launchers, and firing positions.
The IDF estimated it had eliminated 80 percent of the Assad arsenal. Voices were raised in the UN, the EU, and in the Middle East over Israel’s declaration that it would continue to hold slivers of the Syrian Golan. Syria’s Druze and Kurdish communities, however, asked for Israel’s protection, and at least one southern village asked to be annexed to Israel.
Still in December, the Biden administration started a conversation with HTS leadership in Damascus. Turkey promoted its ties with HTS and with al-Sharaa. As recently as last week, parts of the Washington “policy wonk” community were promoting an “alliance” between Turkey and Israel, led by the US, to cement a “moderate” Syria and pave the way for reconstruction funds to flow.
Try again.
Now, with the death toll mounting — and gory and heartrending videos from Syria flooding the Internet — al-Sharaa declared it necessary to “preserve national unity and domestic peace; we can live together.”
And where is the US? President Donald Trump, in his first term, directly punished the Assad regime for a chemical attack, and CENTCOM has been active in striking ISIS positions in Syria in his second. There appears to be no decision on whether to withdraw the roughly 2,200 American troops remaining in northern Syria.
Secretary of State Marco Rubio, however, appears to be giving al-Sharaa a bit of wiggle room. “The United States condemns the radical Islamist terrorists, including foreign jihadis, that murdered people in western Syria in recent days … Syria’s interim authorities must hold the perpetrators of these massacres against Syria’s minority communities accountable.”
Good idea, but al-Sharaa and HTS are themselves radical Islamists. It is unclear that he can or wants to kill his Sunni allies on behalf of the Alawites, who decimated Syria’s Sunni population.
Retribution is a nasty game.
Shoshana Bryen is Senior Director of The Jewish Policy Center and Editor of inFOCUS Quarterly magazine.
The post Retribution in Syria: What It Means for Israel and the Region first appeared on Algemeiner.com.
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How Reuters and Getty Images Platform a Gaza Photojournalist Kissed by Hamas’ Sinwar
Yahya Sinwar, head of the Palestinian terror group Hamas in Gaza, in Gaza City on April 14, 2023. Photo: Yousef Masoud / SOPA Images/Sipa USA via Reuters Connect
On October 7, 2023, Gazan photojournalist Hassan Eslaiah held a grenade in one hand and a camera in the other, documenting Hamas’ massacre inside Israel. His exposure by HonestReporting, which brought to light a cozy photo of Eslaiah and former Hamas leader Yahya Sinwar, led to the end of his employment at CNN and the Associated Press.
Yet more than a year later, his work was still being offered for sale by Reuters and stock photo agency Getty Images, along with other compromised photojournalists in Gaza. (Getty only removed his work last week after an initial version of this story was published on HonestReporting’s website — and it remains available on Reuters).
Hassan Eslaiah (r) with former Hamas leader Yahya Sinwar (l)
An HonestReporting investigation revealed that the two media companies have been distributing the tainted content in collaboration with state-run Turkish agency Anadolu — an arrangement that seems to enable their profit without liability. Both companies have a global reach, with Reuters as one of the world’s largest news agencies and US-based Getty Images as one of the world’s largest image licensing companies.
Their databases also present images by Anadolu freelancers Ashraf Amra and Mohammed Fayq Abu Mostafa, who Reuters officially distanced itself from after HonestReporting’s investigative team exposed Amra’s close relations with former Hamas leader Ismail Haniyeh, and his shared call with Abu Mostafa to invade Israel.
One of Abu Mostafa’s images, which is still for sale on the Reuters platform, has, according to Anadolu, been used as evidence in the genocide case against Israel at the International Court of Justice.
Unethical Content Distribution
Reuters partnered with Anadolu, which also collaborates with AFP and DPA to distribute its content, back in 2019. Reuters said that “these partnerships will help us create the most comprehensive collection of real-time, multimedia news content anywhere in the world.”
Anadolu’s partnership with Getty Images started in 2013, with Getty’s Senior Director of photography for Europe, the Middle East, and Africa saying at the time: “I am very excited at the prospect of seeing the Anadolu Agency represented by Getty Images around the world … I believe that the Anadolu Agency and Getty Images will benefit greatly from this partnership.”
Indeed, the partnership proved useful not only for the companies, but also for the compromised Gazan photojournalists who can no longer work directly for Western media.
Currently, Reuters offers for sale over 200 Anadolu photos by Hassan Eslaiah (spelled Hasan Eslayeh on their platforms). Most of the photos show Hamas’ hostage release ceremonies, including the barbaric handover of terrified Israeli hostage Arbel Yehud amid a mob of terrorists (which other Western media also picked up):
Eslaiah’s easy access and proximity to the action isn’t surprising. He enjoyed the same conditions on October 7, 2023 when he infiltrated with Hamas into Israel:
And here is footage of Eslaiah after he crossed into Israel and took photos of a burning Israeli tank. He then captured infiltrators entering Kibbutz Kfar Azza.
Note that he is not identifiable as a member of the press. But AP & CNN deemed it acceptable to use his services. pic.twitter.com/fA0VI2df2i
— HonestReporting (@HonestReporting) November 8, 2023
The fact that Eslaiah was fired from CNN and AP after we exposed him in November 2023 seems not to have affected his livelihood, with Reuters and Getty Images distributing his propagandist material under the cover of the partnership with Anadolu.
And until last week, Getty Images had no qualms about charging $175-499 dollars for each photo, presumably also including a cut for Anadolu and Eslaiah himself.
Reuters keeps the pricing confidential, but adds a disclaimer distancing itself from the content. The disclaimer seems like a cop-out because on its collaborations page, where Anadolu is listed, Reuters praises its partners’ “compelling content.”
In other words — Reuters and Getty Images make a profit, while abdicating responsibility for spreading the manipulative photos of a Hamas sympathizer, whose pockets are presumably also lined.
Platform for Manipulation
The same business model also seems to work for Gazan photojournalists Ashraf Amra and Mohammed Fayq Abu Mostafa. Reuters officially cut ties with them after we exposed in January 2024 that Amra was honored by former Hamas leader Ismail Haniyeh and hosted an Instagram Live with Abu Mostafa in which they called on Gazans to infiltrate into Israel on October 7.
Here’s Amra getting a kiss from Haniyeh in 2023 and receiving an honor from the unlamented Hamas leader in 2012. pic.twitter.com/VdWXN6wB32
— HonestReporting (@HonestReporting) February 23, 2025
But as Anadolu contributors, Amra and Abu Mostafa are both featured on the Reuters platform — Amra with over 5,000 photos and Abu Mostafa with over 300. On Getty, Amra is less prominent but over 150 photos of Abu Mostafa are offered for sale, including video clips.
These photos don’t just sit in the databases. Reuters and Getty are among the world’s largest digital distribution platforms used by thousands of media clients worldwide.
Recently, Getty clients like The Times of London and the Daily Express were happy to buy Amra’s Anadolu photo showing the moment when Israeli hostage Omer Shem Tov “kissed” the head of his Hamas captor:
CNN did the same with Amra’s Anadolu photos of Israeli hostages Eli Sharabi and Or Levy via Getty Images.
And last year, Anadolu weaponized one of Abu Mostafa’s photos — still on sale in the Getty Images and Reuters platforms — as evidence at the ICJ case accusing Israel of committing a genocide against Palestinians in Gaza.
According to Anadolu, the photo “shows the mass burial of the Fatayer family members in a designated area in Gaza due to the lack of available space in some cemeteries.”
Fayq’s photo in Getty Images database
Fayq’s Photo in Anadolu website
Fayq’s Photo in Reuters Database
Sadly, the court didn’t know the photo was taken by a “journalist” who was thrilled by the massacre of Jews and called on Gazans to infiltrate the border, to enjoy the abduction of “settler” women.
But more Reuters and Getty’s own responses, it may be time for US Attorney General Pam Bondi to take an interest. In December 2023, following HonestReporting’s exposure of photojournalists who infiltrated Israel on October 7, 14 state attorneys general wrote a letter to The New York Times, AP, CNN, and Reuters calling them out for using hires with ties to Hamas and reminding them that providing material support to terrorists and terror organizations is a crime.
The letter even specifically mentions the case of Hasan Eslaiah and ends by calling on the media outlets to “ensure that you are taking all necessary steps to prevent your organizations from contracting with members of terror organizations. We urge you in the strongest terms to take care that your hiring practices conform to the laws forbidding material support for terror organizations.”
Despite whatever action may be taken, these propagandists have found a deceitful way to continue spreading their lies to the international media.
And the international media can, for at least the time being, enjoy the “goods” without getting their hands dirty.
UPDATE
Within a few hours of publication of this article on HonestReporting’s website, Getty Images, to their credit, removed all content that was flagged by HonestReporting, including a Ramzi Adel video that called Jews “dogs,” and content from Hassan Eslaiah, Ashraf Amra, and Mohammed Fayq Abu Mostafa.
The same cannot be said for Reuters, however, which gave us the following statement referring to the Connect platform it operates: “Reuters Connect is a commercial marketplace with content from more than 100 news organizations, allowing media customers the option to select the content that is most relevant to their news cycle. This content is clearly labeled and is not endorsed by Reuters.”
HonestReporting is a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
The post How Reuters and Getty Images Platform a Gaza Photojournalist Kissed by Hamas’ Sinwar first appeared on Algemeiner.com.
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