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Steve Guttenberg, and his very Jewish life, take the stage for a play adaptation of his memoir
(JTA) — Actor Steve Guttenberg has had the kind of career that put him in touch with nearly every trend in Hollywood. There were prestige films like “Diner” and “Cocoon” and the lighter but wildly successful fare like the first four movies in the “Police Academy” series. “Three Men and a Baby” was the biggest American box office hit of 1987; the 2004 Christmas movie “Single Santa Seeks Mrs. Claus” somehow spawned a sequel.
In short, it’s the kind of career that would inspire a juicy, dishy memoir, which it did when he wrote “The Guttenberg Bible” in 2012.
Now a brand new stage adaptation, “Tales From the Guttenberg Bible,” is playing through May 21 at the George Street Playhouse in New Brunswick, New Jersey. Guttenberg plays himself in the show, in which he explores his career, his Judaism and much more.
“As a tradition and as a culture, [Judaism’s] been a huge part,” said Guttenberg, who was born in Brooklyn in 1958 and raised in Massapequa, on Long Island. “My family didn’t observe Friday nights, but my father was kosher… I was bar mitzvahed, and then when I went out to California when I was 17, I found the temple to be a great respite for me, especially from the loneliness.”
For years, Guttenberg regularly attended the Stephen Wise Temple in Los Angeles, and later joined Kehillat Israel in Pacific Palisades.
The show features four actors playing 90 different characters, including the Jewish movie producers Allan Carr and Robert Evans, the voiceover actor Michael Bell (who is Guttenberg’s godfather), as well as Paul Reiser, Merv Griffin and Kevin Bacon. It covers Guttenberg’s life from age 17 — when he famously snuck onto the Paramount Pictures lot, set up an office and sometimes claimed to be the stepson of then-Paramount executive Michael Eisner — through his late 20s.
“It’s been such a great career, and I’ve really enjoyed it,” Guttenberg said. He said that Julian Schlossberg, the veteran producer of movies and theater, read the book and told him that he thought there was a play in it.
“So I started writing it into a play,” he said, and Schlossberg thought they should bring it to “a great regional theater.”
Guttenberg is not new to the stage, having made his Broadway debut in the early 1990s, and later appearing in “Relatively Speaking,” the Schlossberg-produced, one-act anthology that played in 2011 and 2012. Guttenberg appeared in the one-act play written by Woody Allen, while the other two were by Ethan Coen and Elaine May.
But the actor’s relationship with Schlossberg goes back much further. One of his first movie parts was in the 1978 thriller “The Boys from Brazil,” which was about a Jewish Nazi hunter (Laurence Olivier) tracking Nazis in South America. Schlossberg, hosting a radio show at the time, proclaimed Guttenberg a “talent,” on a broadcast that Guttenberg’s mother happened to hear, leading her to call in.
Schlossberg, author of a recent memoir about his own adventures in showbiz, described Guttenberg as a “nice Jewish boy” in an interview with the Jewish Telegraphic Agency earlier this year.
Although he was seen more recently on TV in “The Goldbergs,” “Party Down” and “Dancing with the Stars,” Guttenberg mostly stepped away from acting for about five years to care for his ailing father, who passed away last July. That, along with the pandemic, had put the play on the back burner.
When asked which of his movies he’s asked about the most, Guttenberg names “Short Circuit” (a 1986 sci-fi comedy) and “The Bedroom Window” (a 1987 thriller) in addition to “Three Men and a Baby,” “Police Academy” and “Cocoon.”
“‘Can’t Stop the Music’ gets a lot of play. And of course, ‘The Day After,’” he said, referring to Nancy Walker’s 1980 musical comedy and the groundbreaking 1983 TV movie about a nuclear apocalypse. Guttenberg said he was “lucky enough that I have five or six or seven old movies that people ask about.”
Guttenberg has warm memories of Leonard Nimoy, the Jewish actor and “Star Trek” icon who directed “Three Men and a Baby.”
“As a person, he was a ball of fire inside an iceberg,” Guttenberg said of Nimoy, who died in 2015. “Very stoic, but extremely warm and loving. The first time I met him, he asked if I had his mother’s stuffed cabbage… a terrific artist, an incredible acting teacher, a well-versed writer, photographer, and director.”
While “Police Academy” — about an inept bunch of cops — is a rare franchise from the 1980s that has never had any kind of remake or reboot, Guttenberg said that there have been about “10 scripts developed” over the years, including from such big names as Jordan Peele. He added that Taika Waititi, the Jewish director of “Jojo Rabbit,” is “developing one now, or thinking about it.”
Even though his acting took a back seat in recent years, Guttenberg noted that he enjoyed his run as a science teacher on “The Goldbergs.” The long-running, soon-to-conclude ABC series about a suburban Jewish family is set amongst the popular culture of the 1980s — so it has touched on several of his movies.
“I like [creator Adam F. Goldberg] a lot, and I think any time that we can give support to shows that have Jewish culture in them, that, as a Jewish person, you’ve got to lend your name to it, especially with all that’s going on,’” he said.
After the New Jersey run, Guttenberg will bring the show to Sag Harbor’s Bay Street Theatre in August, and, he and the producers hope, other engagements beyond that.
“I think it’s a great play, and I think we’re gonna be able to play it all over the country and in different cities, and one day back in New York.”
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The post Steve Guttenberg, and his very Jewish life, take the stage for a play adaptation of his memoir appeared first on Jewish Telegraphic Agency.
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IDF Soldier from Connecticut Killed in Southern Lebanon Combat
Sgt. Moshe Yitzhak Hacohen Katz. Photo: courtesy.
i24 News – The Israel Defense Forces announced on Sunday morning the death of Sgt. Moshe Yitzhak Hacohen Katz, 22, originally from New Haven, Connecticut, who was killed during combat operations in southern Lebanon on Saturday.
According to the military, Katz was killed in a rocket attack targeting Israeli forces operating during efforts to expand a security zone in southern Lebanon. The IDF said the strike occurred overnight between Friday and Saturday, during a large-scale barrage aimed at units deployed in the area.
An initial military investigation found that one rocket directly hit an infantry unit from the 890th Battalion of the Paratroopers Brigade, killing Katz instantly. Three additional soldiers were wounded and are listed in moderate condition.
The IDF said the announcement of Katz’s death was delayed to ensure that all family members, including those in the United States, were properly notified.
The army also said that recent attacks have largely focused on the four IDF divisions operating in Lebanon. In the past 24 hours alone, approximately 250 rockets were launched toward Israeli positions, with 23 crossing into Israeli territory, according to military figures.
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AI-Generated Antisemitic Rabbi Racks Up Millions of Followers with Questionable Financial Advice
i24 News – An AI-generated character known as Rabbi Goldman has attracted millions of followers online by combining old antisemitic tropes with digital-age conspiracy theories. The avatar, presented as a caricature of a New York rabbi, plays off stereotypes of Jewish power and wealth while dispensing unsolicited “financial advice” and conspiracy-laden commentary about global elites.
In his videos, Rabbi Goldman claims that Jews have “known every secret for thousands of years,” weaving age-old prejudice into modern misinformation. Among his assertions: that the moon landing was faked, the US government will soon exert total control over its citizens, and billionaires stage yacht sinkings for insurance fraud—all allegedly foreknown by “the Jews.”
Before being removed on Sunday night, his Instagram account had racked up over 1.5 million followers. Yet the same page remains active on Facebook, which shares an owner with Instagram, with roughly 180,000 followers and thousands of interactions per post. The comments reveal an audience that is genuinely engaged with, and emboldened by, his vitriolic rhetoric.
Rabbi Goldman’s videos follow a simple formula designed to thrive in algorithm-driven ecosystems. They begin with a cryptic slogan implying secret knowledge or hidden wealth — invoking Jews as the keepers of these secrets — to draw viewers in and extend watch time, thus being featured on more people’s feeds. What follows is a cascade of AI-generated, factually dubious monologues, all culminating in a pitch: he can show you how to acquire the same “Jewish wisdom.”
That pitch leads to his website, where a manual titled How to Make and Invest Money sells for $9, and he claims it has been purchased by over 4,000 people. The real product, however, carries a fuller title — How to Make and Invest Money Like the Jews. The 62-page PDF amounts to generic, AI-spun financial advice labeled as “the Jewish method,” occasionally interspersed with random references to the Talmud. Just like the videos, it references how Jews have managed to be successful for thousands of years but offers little backup as to how that can translate to a real-world scenario.
Most of it plays off the stereotype of Jews being financially astute. But some lines, such as “Jews do not day trade… We buy the market — the entire market — and we hold it indefinitely,” remove the mask entirely.
Whether we like it or not, antisemitism thrives online—and platforms’ recent loosening of content restrictions under the banner of “free speech” has only amplified it. Social media has become an ideal environment for grifters to blend prejudice with profit. And that is, to their credit, what the creators of Rabbi Goldman have done.
They have clearly borrowed from the “manosphere” playbook—a cluster of influencers promoting hyper-masculine, materialistic lifestyles infused with misogyny and antisemitism. Like Andrew Tate and similar figures, Rabbi Goldman appeals to disaffected young men who feel alienated by the economy and society in which they live, eager to locate a scapegoat.
In Goldman’s case, the scapegoats are the elites and billionaires. But the framing of the Jews alongside the elites has, by proxy, made them the scapegoat too. By merging coded hatred with generic Instagram-style self-help language, the character transforms antisemitism into a marketable aesthetic.
So essentially, the creator of Rabbi Goldman has found a niche in an emerging market, playing off of antisemitism to sell cheaply produced slop to teenagers. Which is both entrepreneurial and morally awful. But the issue is that social media has bred the ground for this by rewarding shock content and letting antisemitism often go untouched. Even when they deleted his Instagram account, dozens of copycats popped up, including an absurdly ironic German-language version that uses the likeness of British politician Jeremy Corbyn.
And this is what happens when social media companies are reactive rather than proactive. They were chasing shadows after the account became so big. Instead, they need to cut it out at its source, be tougher on antisemitism, and be more vigilant with AI content.
And for social media users, it is hard to tell what’s real and what isn’t anymore. Just try not to get financial advice from an AI rabbi who thinks the moon landing was fake.
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Pezeshkian Clashes with IRGC Over Iran’s War Strategy and Economy
Iranian President Masoud Pezeshkian attends the Shanghai Cooperation Organisation (SCO) Summit 2025, in Tianjin, China, September 1, 2025. Iran’s Presidential website/WANA (West Asia News Agency)/Handout via REUTERS
i24 News – Deep divisions have reportedly emerged within Iran’s leadership as the war enters its fifth week, with tensions growing between President Masoud Pezeshkian and senior figures in the Islamic Revolutionary Guard Corps, according to a report by Iran International.
The report by Iran International claims Pezeshkian has sharply criticized the military escalation strategy led by IRGC commanders, warning of severe economic consequences if the conflict continues.
He is said to have cautioned that without a ceasefire, Iran’s economy could “completely collapse within three weeks to a month.”
According to the same report, Pezeshkian has called for the restoration of executive and administrative authority to the civilian government, a demand reportedly rejected by IRGC leadership, including Ahmad Vahidi.
Vahidi is said to have pushed back, blaming the current crisis on the government’s failure to implement structural reforms prior to the war and recent protest movements.
Meanwhile, signs of economic strain are becoming increasingly visible across Iran. Reports from several major cities describe ATMs that are empty, out of service, or inaccessible, alongside repeated disruptions to online banking systems.
Public sector employees have also reported delays in salaries and benefits over the past three months.