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Steve Guttenberg, and his very Jewish life, take the stage for a play adaptation of his memoir
(JTA) — Actor Steve Guttenberg has had the kind of career that put him in touch with nearly every trend in Hollywood. There were prestige films like “Diner” and “Cocoon” and the lighter but wildly successful fare like the first four movies in the “Police Academy” series. “Three Men and a Baby” was the biggest American box office hit of 1987; the 2004 Christmas movie “Single Santa Seeks Mrs. Claus” somehow spawned a sequel.
In short, it’s the kind of career that would inspire a juicy, dishy memoir, which it did when he wrote “The Guttenberg Bible” in 2012.
Now a brand new stage adaptation, “Tales From the Guttenberg Bible,” is playing through May 21 at the George Street Playhouse in New Brunswick, New Jersey. Guttenberg plays himself in the show, in which he explores his career, his Judaism and much more.
“As a tradition and as a culture, [Judaism’s] been a huge part,” said Guttenberg, who was born in Brooklyn in 1958 and raised in Massapequa, on Long Island. “My family didn’t observe Friday nights, but my father was kosher… I was bar mitzvahed, and then when I went out to California when I was 17, I found the temple to be a great respite for me, especially from the loneliness.”
For years, Guttenberg regularly attended the Stephen Wise Temple in Los Angeles, and later joined Kehillat Israel in Pacific Palisades.
The show features four actors playing 90 different characters, including the Jewish movie producers Allan Carr and Robert Evans, the voiceover actor Michael Bell (who is Guttenberg’s godfather), as well as Paul Reiser, Merv Griffin and Kevin Bacon. It covers Guttenberg’s life from age 17 — when he famously snuck onto the Paramount Pictures lot, set up an office and sometimes claimed to be the stepson of then-Paramount executive Michael Eisner — through his late 20s.
“It’s been such a great career, and I’ve really enjoyed it,” Guttenberg said. He said that Julian Schlossberg, the veteran producer of movies and theater, read the book and told him that he thought there was a play in it.
“So I started writing it into a play,” he said, and Schlossberg thought they should bring it to “a great regional theater.”
Guttenberg is not new to the stage, having made his Broadway debut in the early 1990s, and later appearing in “Relatively Speaking,” the Schlossberg-produced, one-act anthology that played in 2011 and 2012. Guttenberg appeared in the one-act play written by Woody Allen, while the other two were by Ethan Coen and Elaine May.
But the actor’s relationship with Schlossberg goes back much further. One of his first movie parts was in the 1978 thriller “The Boys from Brazil,” which was about a Jewish Nazi hunter (Laurence Olivier) tracking Nazis in South America. Schlossberg, hosting a radio show at the time, proclaimed Guttenberg a “talent,” on a broadcast that Guttenberg’s mother happened to hear, leading her to call in.
Schlossberg, author of a recent memoir about his own adventures in showbiz, described Guttenberg as a “nice Jewish boy” in an interview with the Jewish Telegraphic Agency earlier this year.
Although he was seen more recently on TV in “The Goldbergs,” “Party Down” and “Dancing with the Stars,” Guttenberg mostly stepped away from acting for about five years to care for his ailing father, who passed away last July. That, along with the pandemic, had put the play on the back burner.
When asked which of his movies he’s asked about the most, Guttenberg names “Short Circuit” (a 1986 sci-fi comedy) and “The Bedroom Window” (a 1987 thriller) in addition to “Three Men and a Baby,” “Police Academy” and “Cocoon.”
“‘Can’t Stop the Music’ gets a lot of play. And of course, ‘The Day After,’” he said, referring to Nancy Walker’s 1980 musical comedy and the groundbreaking 1983 TV movie about a nuclear apocalypse. Guttenberg said he was “lucky enough that I have five or six or seven old movies that people ask about.”
Guttenberg has warm memories of Leonard Nimoy, the Jewish actor and “Star Trek” icon who directed “Three Men and a Baby.”
“As a person, he was a ball of fire inside an iceberg,” Guttenberg said of Nimoy, who died in 2015. “Very stoic, but extremely warm and loving. The first time I met him, he asked if I had his mother’s stuffed cabbage… a terrific artist, an incredible acting teacher, a well-versed writer, photographer, and director.”
While “Police Academy” — about an inept bunch of cops — is a rare franchise from the 1980s that has never had any kind of remake or reboot, Guttenberg said that there have been about “10 scripts developed” over the years, including from such big names as Jordan Peele. He added that Taika Waititi, the Jewish director of “Jojo Rabbit,” is “developing one now, or thinking about it.”
Even though his acting took a back seat in recent years, Guttenberg noted that he enjoyed his run as a science teacher on “The Goldbergs.” The long-running, soon-to-conclude ABC series about a suburban Jewish family is set amongst the popular culture of the 1980s — so it has touched on several of his movies.
“I like [creator Adam F. Goldberg] a lot, and I think any time that we can give support to shows that have Jewish culture in them, that, as a Jewish person, you’ve got to lend your name to it, especially with all that’s going on,’” he said.
After the New Jersey run, Guttenberg will bring the show to Sag Harbor’s Bay Street Theatre in August, and, he and the producers hope, other engagements beyond that.
“I think it’s a great play, and I think we’re gonna be able to play it all over the country and in different cities, and one day back in New York.”
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The post Steve Guttenberg, and his very Jewish life, take the stage for a play adaptation of his memoir appeared first on Jewish Telegraphic Agency.
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Why the Super Bowl antisemitism ad uses a familiar slur
To the editors:
The sticky note cruelly slapped on a high school student’s backpack didn’t have to say “Dirty Jew.”
It could have been any one of dozens of other antisemitic slurs, and believe me, throughout my life and current line of work, I’ve seen and heard them all. At the Blue Square Alliance Against Hate, our Command Center closely tracks the spread of antisemitism online, in all its pernicious forms.
In his piece for the Forward about our new Super Bowl ad, PJ Grisar argues that the ad misses the mark by using “Dirty Jew,” characterizing it as old-fashioned and out of touch with the heavily coded, meme-driven ways students typically express antisemitism today.
We’ve seen all of those slurs gaining traction among younger people that Grisar gave as examples of how kids hate today.
But we didn’t pull “Dirty Jew” out of the history books. In creating the ad, the Blue Square Alliance made a conscious decision to follow the research. Our decisions are based on data, from the one billion social media posts we analyze daily, to our semi-annual 7,000-participant survey on American sentiment toward Jews and antisemitism, to our multi-stage audience testing that is foundational to our creative development.
Here’s the hard data: With nearly 500 million social media impressions since 2023, “Dirty Jew” is a slur that has managed to penetrate all corners of American discourse. Worse yet, its usage online has increased by 174% in the past three years, growing at a significantly higher rate than other slurs. And sadly, the last few years have seen more than a few disturbing and real incidents of the scenario in the ad play out in real life. In U.S. high schools. Right now. Not 1950.
This data-guided approach drove our selection of “Dirty Jew” among all the possible antisemitic slurs as the one to appear on the sticky note. Even though at first glance this phraseology may seem dated, it’s actually timeless and ubiquitous — scarily — and is even outpacing other slurs in frequency of use.
So, whether you’re a Boomer, Millennial or Gen Z, there’s no subtlety to what this ad is showing you: this is antisemitism, pure and simple. And, as Grisar acknowledges in his piece, the challenge of storytelling within a 30-second ad window requires a clear, unambiguous message. In that short time, clarity beats complexity.
It was also important to us to use the high school setting and focus our ad on a younger demographic because that is where we have seen the most concerning trends in antisemitism data. Our most recent survey data shows that Gen Z is three times more likely to witness antisemitism than older generations, and yet nearly twice as likely to say it is not a problem.
At the heart of this campaign is Blue Square Alliance’s dedication to addressing another data point: more than 100 million Americans say they are unengaged in the collective effort to stand up against anti-Jewish hate. We have spent the past few years closely studying this segment, and our surveys show that unengaged Americans often don’t know Jewish Americans, they aren’t familiar with antisemitism (their news feeds and social feeds don’t share the awful stories that we all know too well), and they don’t think antisemitism is a significant problem. Importantly, they don’t feel personal or societal pressure to be an ally.
That’s exactly why we’re using the Super Bowl — a cultural touchstone for the entire country — to raise awareness and model allyship. We test all of our ads, including “Sticky Note” and our earlier ads like “Tony,” specifically with this target audience. What we’re seeing is promising.
Among the unengaged, exposure to our messaging measurably shifts attitudes: viewers become 36% more familiar with recent antisemitic incidents and 41% more likely to see antisemitism as a major problem in the United States. And the impact doesn’t stop at awareness — it moves people to act. After seeing our ads, unengaged viewers are 27% more likely to say they would speak up when they witness antisemitism.
And our work to cultivate allies extends far beyond the television screen. We complement our social media, outdoor and audio campaigns with on-the-ground bridge-building to strengthen connections with Americans across communities and reach those who have not yet been meaningfully involved in this issue. Over the past year, we’ve expanded our programs to bring more people into the conversation, like our partnership with UNCF and Hillel International, now on a 14-stop “Unity Dinner” tour, to connect Black and Jewish students on campuses nationwide. And last fall, we joined with the Appeal of Conscience Foundation to launch “Stand Up Sunday,” an interfaith effort that mobilized hundreds of thousands of congregants across the nation to reject antisemitism and all faith-based hate.
Our founder, Robert Kraft, created the Blue Square Alliance Against Hate in 2019 because he recognized that reversing the rise in antisemitism would require both awareness and empathy.
With “Sticky Note,” we’re showing what it means to be an upstander and giving Americans a clear, accessible way to step off the sidelines. We won’t simply win over the unengaged through displays of toughness and bravado alone, as some people have suggested. To reach the unengaged majority, you have to meet them where they are — not where we, as a deeply committed Jewish community, already stand.
The post Why the Super Bowl antisemitism ad uses a familiar slur appeared first on The Forward.
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Amid Iran Standoff, Witkoff and Kushner Pose Aboard USS Abraham Lincoln Aircraft Carrier
Steve Witkoff (R) aboard the aircraft carrier Lincoln. Photo via i24 / social media used in accordance with Clause 27a of the Copyright Law
i24 News – Special US envoys Steve Witkoff and Jared Kushner visited on Saturday the USS Abraham Lincoln aircraft carrier.
The duo, who led the US in the indirect nuclear talks with Iran on Friday, visited the aircraft carrier at the invitation of US Central Command chief, Adm. Brad Cooper.
The carrier arrived in the region last week as part of a US “armada” amid rising tensions with the Islamic regime of Iran. It is stationed in the Arabian Sea.
The visit came hours after US President Donald Trump stated that while the talks went well, “But I think Iran looks like they want to make a deal very badly, as they should. Last time, they decided maybe not to do it, but I think they probably feel differently. We’ll see what the deal is. It’ll be different than last time. And we have a big armada. We have a big fleet heading in that direction. It’ll be there pretty soon. So we’ll see how that works out.”
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Pentagon Says It Will Cut Academic Ties With Harvard University
U.S. Defense Secretary Pete Hegseth arrives to administer the oath to U.S. Army National Guard soldiers during a re-enlistment ceremony at the base of the Washington Monument in Washington, D.C., U.S., February 6, 2026. REUTERS/Jonathan Ernst
Pentagon chief Pete Hegseth said on Friday his department was ending professional military education, fellowships, and certificate programs with Harvard University, marking the Trump administration’s latest escalation against the school.
President Donald Trump’s administration has cracked down on top US universities, including Harvard, over a range of issues such as pro-Palestinian protests against US ally Israel’s assault on Gaza, diversity programs, transgender policies and climate initiatives.
“Starting now and beginning in the 2026-27 school year, I am discontinuing all graduate level Professional Military Education (PME), all fellowships and certificate programs between Harvard University and the War Department for active duty service members,” Hegseth, who himself holds a master’s degree in public policy from the Harvard Kennedy School, said on X.
The policy will apply to service members enrolling in future programs while those currently enrolled will be allowed to finish their courses, Hegseth said.
He also added that the Pentagon will evaluate similar relationships with other universities in the coming weeks.
Rights advocates have raised free speech, academic freedom and due process concerns over the government’s actions against universities.
A Harvard spokesperson directed Reuters to a page on the history of the university’s ties with the US military that says Harvard has played a “significant role” in America’s military traditions since the nation’s founding.
TRUMP-HARVARD TENSIONS CONTINUE
The university has previously sued the Trump administration over the government’s attempt to freeze federal funding.
Hegseth accused Harvard of “hate America activism,” also calling the university antisemitic in a reference to pro-Palestinian protests.
Protesters, including some Jewish groups, say the government wrongly equates criticism of Israel’s assault on Gaza with antisemitism and advocacy for Palestinian rights with support for extremism.
Harvard has condemned discrimination on campus. Its antisemitism and Islamophobia task forces found last year that Jews and Muslims faced bigotry after the start of Israel’s war in Gaza following an October 2023 Hamas attack.
Trump’s attempts to freeze federal funds for Harvard have faced legal resistance and the two sides have failed to reach a deal thus far.
Trump said this week his administration was seeking $1 billion from Harvard to settle probes into school policies.
Some Ivy League schools have reached agreements with the Trump administration and accepted certain government demands. Columbia University has agreed to pay more than $220 million to the government while Brown University has agreed to pay $50 million to support local workforce development.